The Uncanny Valley of Interaction Design
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Talk given at CyborgCamp 2010 (minus the interactive and video elements). How the uncanny valley, a principle from robotics, governs our responsiveness to most tools, technology and media.
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The Uncanny Valley of Interaction Design
- 1. THE UNCANNY VALLEY OF INTERACTION DESIGN
- 2. REPILEE Q2 DER 01
- 6. A CHRISTMAS CAROL (2009)
- 7. REALISTIC ABSTRACT
- 8. REALISTIC ABSTRACT
- 9. REALISTIC ABSTRACT
- 10. REALISTIC ABSTRACT
- 11. 2004 $631 MILLION $367 MILLION $302 MILLION
- 12. 2007 $621 MILLION $287 MILLION $196 MILLION
- 13. 2009 $731 MILLION $383 MILLION $318 MILLION
- 14. UP (2009)
- 15. BEOWULF (2007)
- 17. TOOLS INGENUITY INADEQUACY
- 18. THE POWER TO DIRECT OR DETERMINE CONTROL EASE THE FREEDOM FROM DIFFICULTY, HARDSHIP OR EFFORT.
- 19. EASE
- 21. MAD (1952)
- 23. WALL-E (2008)
- 24. IDIOCRACY (2006)
- 26. Ha hA! is that The OLD iPhone?
- 29. TRON (1982)
- 30. TERMINATOR 2: JUDGEMENT DAY (1991)
- 31. WARGAMES (1983)
- 33. STAR WARS (1977)
- 34. ASTRO BOY (1952)
- 36. CONTROL EASE
- 37. EASE
- 38. CONTROL
- 39. CONTROL EASE
- 40. CONTROL EASE
- 41. 0.93% 91.32% 5.06%
- 42. CONTROL EASE
- 43. CONTROL EASE
- 44. CONTROL EASE
- 45. I HEAR THAT YOU AND YOUR BAND HAVE SOLD YOUR GUITARS AND BOUGHT TURNTABLES. I HEAR THAT YOU AND YOUR BAND HAVE SOLD YOUR TURNTABLES AND BOUGHT GUITARS. LCD SOUNDSYSTEM
- 46. YOU KNOW THE GUYS WITH THE DIGI CAMERAS, PUSH TO THE FRONT AND THEN THEY JUST STAND THERE LE TIGRE
- 47. YOU KNOW I HATE TO ASK BUT ARE ‘FRIENDS’ ELECTRIC? ONLY MINE’S BROKE DOWN AND NOW I’VE NO-ONE TO LOVE GARY NUMAN
- 49. TOOLS ARE GOOD
- 50. BUT Obsolete lifeform detected. THEY’RE Destroy! ALSO SCARY
- 51. BALANCE IS KEY
- 56. CAN LIVE HAPPILY EVER AFTER
- 57. STICKA.US/UNCANNY TYLERSTICKA.COM @TYLERSTICKA CREATIVE COMMONS PHOTOS RESOURCES flickr.com/photos/themacinator/3381381306/ en.wikipedia.org flickr.com/photos/nrk-p3/4886912754/ themoviedb.org flickr.com/photos/veisto/327954861/ glyphish.com flickr.com/photos/bertogg/4662673313/ youtube.com Stills or excerpts from film, television, comics, music or literature in this presentation are © their respective owners. Their usage here is intended only for critique, comment or research.