Improvising The Internet: The epistemic cultures of Hackers, Snowboarders and Jazz performers

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The document discusses the epistemic cultures of hackers, snowboarders, and jazz performers through an analysis of their improvisational practices. It examines how they engage in place making through flow experiences mediated by their use of technology and instruments. Their epistemic practices are characterized by mentor learning, clear frames of reference, physical closeness when practicing, and a playful seriousness about their craft. Comparing these groups provides perspective on how hackers operate through improvisation within established rules and frameworks.

Tecnologia Educação

Improvising the Internet The epistemic cultures of Hackers, Snowboarders and Jazz performers Trond Arne Undheim, dr. polit. Norwegian University of Science and Technology AOIR, Maastricht, 13-16 October 2002 http:// aoir .org/2002/

If you aim to talk about hackers, why this detour?

The still emerging Internet ,[object Object],[object Object]

Proposition ,[object Object],[object Object],[object Object]

The theory of Epistemic Cultures ,[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object]

epistemic ”place making” ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Towards a theory of p lace making ,[object Object],[object Object],[object Object]

“ place making” ,[object Object],[object Object],[object Object],[object Object],[object Object]

In short ,[object Object],[object Object]

Hacking evades description ,[object Object],[object Object],[object Object],[object Object]

Please consider Jazz quartet Snowboard group Software firm Dave Brubeck Quartet Totten Happy Campers Opentech* * Fictitious name Jazz performers Snowboarders Hackers

Methods ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Hacking the Hacker ,[object Object],[object Object],[object Object],[object Object],[object Object]

Hacker organizing (ii) ,[object Object],[object Object],[object Object]

Hacker motivation (iii) ,[object Object]

Hacker work places (iv) ,[object Object],[object Object]

Hacker newbies (v) ,[object Object],[object Object]

Company epistemics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Hackers meet reality ,[object Object],[object Object],[object Object],[object Object]

Snowboard data (i) Christensen (2001) ,[object Object],[object Object],[object Object],[object Object],[object Object]

Snowboard data (ii) ,[object Object],[object Object],[object Object]

Jazz performers ,[object Object],[object Object],[object Object],

Jazz improvisation (i) ,[object Object],[object Object],[object Object],[object Object]

Jazz improvisation (ii) Joel Simpson http://www. allaboutjazz .com/bios/ dxbbio . htm ,[object Object],[object Object]

Jazz epistemics ,[object Object],[object Object],[object Object]

Online Jazz ,[object Object],[object Object],[object Object],[object Object],

Jazz and the contemporary ,[object Object],[object Object],[object Object]

Common ground ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Similar epistemic practices ,[object Object],[object Object],[object Object],[object Object],[object Object]

Conclusion ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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