SlideShare uma empresa Scribd logo
1 de 65
Participating in the Creative Commons Michael Sauers Technology Innovation Librarian Nebraska Library Commission
EULA (reasonableagreement.org)
i  ≠  lawyer
DMCA me
copyright.gov
“ All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.”
©  = restrict
exceptions?
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],107
§ 108. Limitations on exclusive rights: Reproduction by libraries and archives How Current is This? (a)  Except as otherwise provided in this title and notwithstanding the provisions of section 106, it is not an infringement of copyright for a library or archives, or any of its employees acting within the scope of their employment, to reproduce no more than one copy or phonorecord of a work, except as provided in subsections (b) and (c), or to distribute such copy or phonorecord, under the conditions specified by this section, if— (1)  the reproduction or distribution is made without any purpose of direct or indirect commercial advantage; (2)  the collections of the library or archives are (i)  open to the public, or (ii)  available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field; and (3)  the reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this section. (b)  The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a), if— (1)  the copy or phonorecord reproduced is currently in the collections of the library or archives; and (2)  any such copy or phonorecord that is reproduced in digital format is not otherwise distributed in that format and is not made available to the public in that format outside the premises of the library or archives. (c)  The right of reproduction under this section applies to three copies or phonorecords of a published work duplicated solely for the purpose of replacement of a copy or phonorecord that is damaged, deteriorating, lost, or stolen, or if the existing format in which the work is stored has become obsolete, if— (1)  the library or archives has, after a reasonable effort, determined that an unused replacement cannot be obtained at a fair price; and (2)  any such copy or phonorecord that is reproduced in digital format is not made available to the public in that format outside the premises of the library or archives in lawful possession of such copy. For purposes of this subsection, a format shall be considered obsolete if the machine or device necessary to render perceptible a work stored in that format is no longer manufactured or is no longer reasonably available in the commercial marketplace. (d)  The rights of reproduction and distribution under this section apply to a copy, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, of no more than one article or other contribution to a copyrighted collection or periodical issue, or to a copy or phonorecord of a small part of any other copyrighted work, if— (1)  the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and (2)  the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. (e)  The rights of reproduction and distribution under this section apply to the entire work, or to a substantial part of it, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, if the library or archives has first determined, on the basis of a reasonable investigation, that a copy or phonorecord of the copyrighted work cannot be obtained at a fair price, if— (1)  the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and (2)  the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. (f)  Nothing in this section— (1)  shall be construed to impose liability for copyright infringement upon a library or archives or its employees for the unsupervised use of reproducing equipment located on its premises: Provided, That such equipment displays a notice that the making of a copy may be subject to the copyright law; (2)  excuses a person who uses such reproducing equipment or who requests a copy or phonorecord under subsection (d) from liability for copyright infringement for any such act, or for any later use of such copy or phonorecord, if it exceeds fair use as provided by section  107 ; (3)  shall be construed to limit the reproduction and distribution by lending of a limited number of copies and excerpts by a library or archives of an audiovisual news program, subject to clauses (1), (2), and (3) of subsection (a); or (4)  in any way affects the right of fair use as provided by section  107 , or any contractual obligations assumed at any time by the library or archives when it obtained a copy or phonorecord of a work in its collections. (g)  The rights of reproduction and distribution under this section extend to the isolated and unrelated reproduction or distribution of a single copy or phonorecord of the same material on separate occasions, but do not extend to cases where the library or archives, or its employee— (1)  is aware or has substantial reason to believe that it is engaging in the related or concerted reproduction or distribution of multiple copies or phonorecords of the same material, whether made on one occasion or over a period of time, and whether intended for aggregate use by one or more individuals or for separate use by the individual members of a group; or (2)  engages in the systematic reproduction or distribution of single or multiple copies or phonorecords of material described in subsection (d): Provided, That nothing in this clause prevents a library or archives from participating in interlibrary arrangements that do not have, as their purpose or effect, that the library or archives receiving such copies or phonorecords for distribution does so in such aggregate quantities as to substitute for a subscription to or purchase of such work. (h)(1)  For purposes of this section, during the last 20 years of any term of copyright of a published work, a library or archives, including a nonprofit educational institution that functions as such, may reproduce, distribute, display, or perform in facsimile or digital form a copy or phonorecord of such work, or portions thereof, for purposes of preservation, scholarship, or research, if such library or archives has first determined, on the basis of a reasonable investigation, that none of the conditions set forth in subparagraphs (A), (B), and (C) of paragraph (2) apply. (2)  No reproduction, distribution, display, or performance is authorized under this subsection if— (A)  the work is subject to normal commercial exploitation; (B)  a copy or phonorecord of the work can be obtained at a reasonable price; or (C)  the copyright owner or its agent provides notice pursuant to regulations promulgated by the Register of Copyrights that either of the conditions set forth in subparagraphs (A) and (B) applies. (3)  The exemption provided in this subsection does not apply to any subsequent uses by users other than such library or archives. (i)  The rights of reproduction and distribution under this section do not apply to a musical work, a pictorial, graphic or sculptural work, or a motion picture or other audiovisual work other than an audiovisual work dealing with news, except that no such limitation shall apply with respect to rights granted by subsections (b), (c), and (h), or with respect to pictorial or graphic works published as illustrations, diagrams, or similar adjuncts to works of which copies are reproduced or distributed in accordance with subsections (d) and (e). 108
17 U.S.C. § 113 In the case of a work lawfully reproduced in useful articles that have been offered for sale or other distribution to the public, copyright does not include any right to prevent the making, distribution, or display of pictures or photographs of such articles in connection with advertisements or commentaries related to the distribution or display of such articles, or in connection with news reports.  113c
r u sure?
 
 
 
clearance culture
permission culture
"Copyright treats all creators the same.” ―Cory Doctorow
Lawrence Lessig http://www.flickr.com/photos/mariocarvajal/230462082/
creativecommons.org C
 
c = allow
Choose…
b
n
d
a
how?
 
get…
 
 
<a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/us/&quot;>
Other licenses…
 
Other ways…
 
 
examples
 
 
 
 
 
search.creativecommons.org
 
Any problems?
“ Once you choose a license for your work, it's irrevocable.”
Negative market effect?
What is “non-commercial”?
 
Unintended use
 
Right of publicity
CC in Libraries?
1:License your work
2:Catalog CC works
CC @ NLC
 
Questions raised:
Competition?
Collection development policy?
Cataloging Issues
i  ≠  cataloger
Michael Sauers [email_address] www.travelinlibrarian.info del.icio.us/travelinlibrarian/ il2008/cc www.slideshare.net/ event/internet-librarian-2008

Mais conteúdo relacionado

Semelhante a Participating in the Creative Commons (IL2008)

Semelhante a Participating in the Creative Commons (IL2008) (20)

Copyright and Academic Libraries
Copyright and Academic LibrariesCopyright and Academic Libraries
Copyright and Academic Libraries
 
Participating in the Creative Commons (NLA/NEMA 2008)
Participating in the Creative Commons (NLA/NEMA 2008)Participating in the Creative Commons (NLA/NEMA 2008)
Participating in the Creative Commons (NLA/NEMA 2008)
 
Ask manual rev5
Ask manual rev5Ask manual rev5
Ask manual rev5
 
Compressed mythbuntu 8.10-installation
Compressed mythbuntu 8.10-installationCompressed mythbuntu 8.10-installation
Compressed mythbuntu 8.10-installation
 
License
LicenseLicense
License
 
Ask manual rev4
Ask manual rev4Ask manual rev4
Ask manual rev4
 
licence
licencelicence
licence
 
Certificate_in_Intellectual_Property.PDF
Certificate_in_Intellectual_Property.PDFCertificate_in_Intellectual_Property.PDF
Certificate_in_Intellectual_Property.PDF
 
Copyright in a Nutshell
Copyright in a NutshellCopyright in a Nutshell
Copyright in a Nutshell
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippines
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippines
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippines
 
Licenseb
LicensebLicenseb
Licenseb
 
License
LicenseLicense
License
 
Enterprise+scrum+definition
Enterprise+scrum+definitionEnterprise+scrum+definition
Enterprise+scrum+definition
 
License
LicenseLicense
License
 
Enterprise+Scrum+Definition.pdf
Enterprise+Scrum+Definition.pdfEnterprise+Scrum+Definition.pdf
Enterprise+Scrum+Definition.pdf
 
Copyright
CopyrightCopyright
Copyright
 
Intellectual property.pdf
Intellectual property.pdfIntellectual property.pdf
Intellectual property.pdf
 
License
LicenseLicense
License
 

Mais de Michael Sauers

What's On Your Do List?
What's On Your Do List?What's On Your Do List?
What's On Your Do List?Michael Sauers
 
Highlights from CES 2018
Highlights from CES 2018Highlights from CES 2018
Highlights from CES 2018Michael Sauers
 
CES 2016: One Librarian's Experience
CES 2016: One Librarian's ExperienceCES 2016: One Librarian's Experience
CES 2016: One Librarian's ExperienceMichael Sauers
 
Secure Online Shopping
Secure Online ShoppingSecure Online Shopping
Secure Online ShoppingMichael Sauers
 
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)Michael Sauers
 
Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?Michael Sauers
 
Emerging Technologies in Libraries
Emerging Technologies in LibrariesEmerging Technologies in Libraries
Emerging Technologies in LibrariesMichael Sauers
 
Library Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The UglyLibrary Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The UglyMichael Sauers
 
What We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The GoodsWhat We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The GoodsMichael Sauers
 
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)Michael Sauers
 
Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)Michael Sauers
 
Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)Michael Sauers
 
Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)Michael Sauers
 
Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)Michael Sauers
 
40+ tech tips, tricks, & tools
40+ tech tips, tricks, & tools40+ tech tips, tricks, & tools
40+ tech tips, tricks, & toolsMichael Sauers
 
Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?Michael Sauers
 
40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 Minutes40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 MinutesMichael Sauers
 
eBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & FutureeBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & FutureMichael Sauers
 
Using Audio & Video in the Library
Using Audio & Video in the LibraryUsing Audio & Video in the Library
Using Audio & Video in the LibraryMichael Sauers
 

Mais de Michael Sauers (20)

What's On Your Do List?
What's On Your Do List?What's On Your Do List?
What's On Your Do List?
 
Highlights from CES 2018
Highlights from CES 2018Highlights from CES 2018
Highlights from CES 2018
 
CES 2016: One Librarian's Experience
CES 2016: One Librarian's ExperienceCES 2016: One Librarian's Experience
CES 2016: One Librarian's Experience
 
Secure Online Shopping
Secure Online ShoppingSecure Online Shopping
Secure Online Shopping
 
Makerspaces resources
Makerspaces resourcesMakerspaces resources
Makerspaces resources
 
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
 
Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?
 
Emerging Technologies in Libraries
Emerging Technologies in LibrariesEmerging Technologies in Libraries
Emerging Technologies in Libraries
 
Library Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The UglyLibrary Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The Ugly
 
What We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The GoodsWhat We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The Goods
 
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
 
Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)
 
Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)
 
Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)
 
Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)
 
40+ tech tips, tricks, & tools
40+ tech tips, tricks, & tools40+ tech tips, tricks, & tools
40+ tech tips, tricks, & tools
 
Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?
 
40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 Minutes40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 Minutes
 
eBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & FutureeBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & Future
 
Using Audio & Video in the Library
Using Audio & Video in the LibraryUsing Audio & Video in the Library
Using Audio & Video in the Library
 

Último

Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, AdobeApidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobeapidays
 
Understanding Discord NSFW Servers A Guide for Responsible Users.pdf
Understanding Discord NSFW Servers A Guide for Responsible Users.pdfUnderstanding Discord NSFW Servers A Guide for Responsible Users.pdf
Understanding Discord NSFW Servers A Guide for Responsible Users.pdfUK Journal
 
Top 5 Benefits OF Using Muvi Live Paywall For Live Streams
Top 5 Benefits OF Using Muvi Live Paywall For Live StreamsTop 5 Benefits OF Using Muvi Live Paywall For Live Streams
Top 5 Benefits OF Using Muvi Live Paywall For Live StreamsRoshan Dwivedi
 
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024The Digital Insurer
 
HTML Injection Attacks: Impact and Mitigation Strategies
HTML Injection Attacks: Impact and Mitigation StrategiesHTML Injection Attacks: Impact and Mitigation Strategies
HTML Injection Attacks: Impact and Mitigation StrategiesBoston Institute of Analytics
 
2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...Martijn de Jong
 
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024The Digital Insurer
 
Tata AIG General Insurance Company - Insurer Innovation Award 2024
Tata AIG General Insurance Company - Insurer Innovation Award 2024Tata AIG General Insurance Company - Insurer Innovation Award 2024
Tata AIG General Insurance Company - Insurer Innovation Award 2024The Digital Insurer
 
Why Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businessWhy Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businesspanagenda
 
🐬 The future of MySQL is Postgres 🐘
🐬  The future of MySQL is Postgres   🐘🐬  The future of MySQL is Postgres   🐘
🐬 The future of MySQL is Postgres 🐘RTylerCroy
 
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin WoodPolkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin WoodJuan lago vázquez
 
Partners Life - Insurer Innovation Award 2024
Partners Life - Insurer Innovation Award 2024Partners Life - Insurer Innovation Award 2024
Partners Life - Insurer Innovation Award 2024The Digital Insurer
 
Manulife - Insurer Innovation Award 2024
Manulife - Insurer Innovation Award 2024Manulife - Insurer Innovation Award 2024
Manulife - Insurer Innovation Award 2024The Digital Insurer
 
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot TakeoffStrategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoffsammart93
 
Artificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and MythsArtificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and MythsJoaquim Jorge
 
Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...
Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...
Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...Principled Technologies
 
A Year of the Servo Reboot: Where Are We Now?
A Year of the Servo Reboot: Where Are We Now?A Year of the Servo Reboot: Where Are We Now?
A Year of the Servo Reboot: Where Are We Now?Igalia
 
Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024The Digital Insurer
 
Data Cloud, More than a CDP by Matt Robison
Data Cloud, More than a CDP by Matt RobisonData Cloud, More than a CDP by Matt Robison
Data Cloud, More than a CDP by Matt RobisonAnna Loughnan Colquhoun
 
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemkeProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemkeProduct Anonymous
 

Último (20)

Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, AdobeApidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
 
Understanding Discord NSFW Servers A Guide for Responsible Users.pdf
Understanding Discord NSFW Servers A Guide for Responsible Users.pdfUnderstanding Discord NSFW Servers A Guide for Responsible Users.pdf
Understanding Discord NSFW Servers A Guide for Responsible Users.pdf
 
Top 5 Benefits OF Using Muvi Live Paywall For Live Streams
Top 5 Benefits OF Using Muvi Live Paywall For Live StreamsTop 5 Benefits OF Using Muvi Live Paywall For Live Streams
Top 5 Benefits OF Using Muvi Live Paywall For Live Streams
 
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
 
HTML Injection Attacks: Impact and Mitigation Strategies
HTML Injection Attacks: Impact and Mitigation StrategiesHTML Injection Attacks: Impact and Mitigation Strategies
HTML Injection Attacks: Impact and Mitigation Strategies
 
2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...
 
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
 
Tata AIG General Insurance Company - Insurer Innovation Award 2024
Tata AIG General Insurance Company - Insurer Innovation Award 2024Tata AIG General Insurance Company - Insurer Innovation Award 2024
Tata AIG General Insurance Company - Insurer Innovation Award 2024
 
Why Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businessWhy Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire business
 
🐬 The future of MySQL is Postgres 🐘
🐬  The future of MySQL is Postgres   🐘🐬  The future of MySQL is Postgres   🐘
🐬 The future of MySQL is Postgres 🐘
 
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin WoodPolkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
 
Partners Life - Insurer Innovation Award 2024
Partners Life - Insurer Innovation Award 2024Partners Life - Insurer Innovation Award 2024
Partners Life - Insurer Innovation Award 2024
 
Manulife - Insurer Innovation Award 2024
Manulife - Insurer Innovation Award 2024Manulife - Insurer Innovation Award 2024
Manulife - Insurer Innovation Award 2024
 
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot TakeoffStrategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
 
Artificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and MythsArtificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and Myths
 
Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...
Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...
Deploy with confidence: VMware Cloud Foundation 5.1 on next gen Dell PowerEdg...
 
A Year of the Servo Reboot: Where Are We Now?
A Year of the Servo Reboot: Where Are We Now?A Year of the Servo Reboot: Where Are We Now?
A Year of the Servo Reboot: Where Are We Now?
 
Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024
 
Data Cloud, More than a CDP by Matt Robison
Data Cloud, More than a CDP by Matt RobisonData Cloud, More than a CDP by Matt Robison
Data Cloud, More than a CDP by Matt Robison
 
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemkeProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
 

Participating in the Creative Commons (IL2008)

  • 1. Participating in the Creative Commons Michael Sauers Technology Innovation Librarian Nebraska Library Commission
  • 3. i ≠ lawyer
  • 6. “ All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.”
  • 7. © = restrict
  • 9.
  • 10. § 108. Limitations on exclusive rights: Reproduction by libraries and archives How Current is This? (a)  Except as otherwise provided in this title and notwithstanding the provisions of section 106, it is not an infringement of copyright for a library or archives, or any of its employees acting within the scope of their employment, to reproduce no more than one copy or phonorecord of a work, except as provided in subsections (b) and (c), or to distribute such copy or phonorecord, under the conditions specified by this section, if— (1)  the reproduction or distribution is made without any purpose of direct or indirect commercial advantage; (2)  the collections of the library or archives are (i)  open to the public, or (ii)  available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field; and (3)  the reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this section. (b)  The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a), if— (1)  the copy or phonorecord reproduced is currently in the collections of the library or archives; and (2)  any such copy or phonorecord that is reproduced in digital format is not otherwise distributed in that format and is not made available to the public in that format outside the premises of the library or archives. (c)  The right of reproduction under this section applies to three copies or phonorecords of a published work duplicated solely for the purpose of replacement of a copy or phonorecord that is damaged, deteriorating, lost, or stolen, or if the existing format in which the work is stored has become obsolete, if— (1)  the library or archives has, after a reasonable effort, determined that an unused replacement cannot be obtained at a fair price; and (2)  any such copy or phonorecord that is reproduced in digital format is not made available to the public in that format outside the premises of the library or archives in lawful possession of such copy. For purposes of this subsection, a format shall be considered obsolete if the machine or device necessary to render perceptible a work stored in that format is no longer manufactured or is no longer reasonably available in the commercial marketplace. (d)  The rights of reproduction and distribution under this section apply to a copy, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, of no more than one article or other contribution to a copyrighted collection or periodical issue, or to a copy or phonorecord of a small part of any other copyrighted work, if— (1)  the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and (2)  the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. (e)  The rights of reproduction and distribution under this section apply to the entire work, or to a substantial part of it, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, if the library or archives has first determined, on the basis of a reasonable investigation, that a copy or phonorecord of the copyrighted work cannot be obtained at a fair price, if— (1)  the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and (2)  the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. (f)  Nothing in this section— (1)  shall be construed to impose liability for copyright infringement upon a library or archives or its employees for the unsupervised use of reproducing equipment located on its premises: Provided, That such equipment displays a notice that the making of a copy may be subject to the copyright law; (2)  excuses a person who uses such reproducing equipment or who requests a copy or phonorecord under subsection (d) from liability for copyright infringement for any such act, or for any later use of such copy or phonorecord, if it exceeds fair use as provided by section  107 ; (3)  shall be construed to limit the reproduction and distribution by lending of a limited number of copies and excerpts by a library or archives of an audiovisual news program, subject to clauses (1), (2), and (3) of subsection (a); or (4)  in any way affects the right of fair use as provided by section  107 , or any contractual obligations assumed at any time by the library or archives when it obtained a copy or phonorecord of a work in its collections. (g)  The rights of reproduction and distribution under this section extend to the isolated and unrelated reproduction or distribution of a single copy or phonorecord of the same material on separate occasions, but do not extend to cases where the library or archives, or its employee— (1)  is aware or has substantial reason to believe that it is engaging in the related or concerted reproduction or distribution of multiple copies or phonorecords of the same material, whether made on one occasion or over a period of time, and whether intended for aggregate use by one or more individuals or for separate use by the individual members of a group; or (2)  engages in the systematic reproduction or distribution of single or multiple copies or phonorecords of material described in subsection (d): Provided, That nothing in this clause prevents a library or archives from participating in interlibrary arrangements that do not have, as their purpose or effect, that the library or archives receiving such copies or phonorecords for distribution does so in such aggregate quantities as to substitute for a subscription to or purchase of such work. (h)(1)  For purposes of this section, during the last 20 years of any term of copyright of a published work, a library or archives, including a nonprofit educational institution that functions as such, may reproduce, distribute, display, or perform in facsimile or digital form a copy or phonorecord of such work, or portions thereof, for purposes of preservation, scholarship, or research, if such library or archives has first determined, on the basis of a reasonable investigation, that none of the conditions set forth in subparagraphs (A), (B), and (C) of paragraph (2) apply. (2)  No reproduction, distribution, display, or performance is authorized under this subsection if— (A)  the work is subject to normal commercial exploitation; (B)  a copy or phonorecord of the work can be obtained at a reasonable price; or (C)  the copyright owner or its agent provides notice pursuant to regulations promulgated by the Register of Copyrights that either of the conditions set forth in subparagraphs (A) and (B) applies. (3)  The exemption provided in this subsection does not apply to any subsequent uses by users other than such library or archives. (i)  The rights of reproduction and distribution under this section do not apply to a musical work, a pictorial, graphic or sculptural work, or a motion picture or other audiovisual work other than an audiovisual work dealing with news, except that no such limitation shall apply with respect to rights granted by subsections (b), (c), and (h), or with respect to pictorial or graphic works published as illustrations, diagrams, or similar adjuncts to works of which copies are reproduced or distributed in accordance with subsections (d) and (e). 108
  • 11. 17 U.S.C. § 113 In the case of a work lawfully reproduced in useful articles that have been offered for sale or other distribution to the public, copyright does not include any right to prevent the making, distribution, or display of pictures or photographs of such articles in connection with advertisements or commentaries related to the distribution or display of such articles, or in connection with news reports. 113c
  • 13.  
  • 14.  
  • 15.  
  • 18. &quot;Copyright treats all creators the same.” ―Cory Doctorow
  • 21.  
  • 24. b
  • 25. n
  • 26. d
  • 27. a
  • 28. how?
  • 29.  
  • 31.  
  • 32.  
  • 35.  
  • 37.  
  • 38.  
  • 40.  
  • 41.  
  • 42.  
  • 43.  
  • 44.  
  • 46.  
  • 48. “ Once you choose a license for your work, it's irrevocable.”
  • 51.  
  • 53.  
  • 59.  
  • 64. i ≠ cataloger
  • 65. Michael Sauers [email_address] www.travelinlibrarian.info del.icio.us/travelinlibrarian/ il2008/cc www.slideshare.net/ event/internet-librarian-2008