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Anatomy of a Scene Or Mise-en-scène
Every scene has a purpose ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Mise-en-scène ,[object Object],[object Object]
Realism It is better to examine the functions of mise-en-scene. One film may use it to create realism, others might seek very different effects : comic exaggeration, supernatural terror, understated beauty, and any number of other functions. We should analyse mise-en-scene’s function in the total film – how it is motivated, how it varies or develops, how it works in relation to other film techniques.
 
 
 
 
 
 
 
Setting ,[object Object],[object Object],[object Object],[object Object],The overall design of a setting can significantly shape how we understand story action. In manipulating a shot’s setting, the director may create props. Props may be functional or become a motif – have another meaning assigned to them.
Costume and Makeup ,[object Object],[object Object],[object Object],Like setting, costume can have specific functions in the total film, and the range of possibilities is huge. Costumes may be realistic or stylised and can also form motifs. Make-up is also necessary and useful in denoting character.
Lighting ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Lighting Continued ,[object Object],[object Object],[object Object]
Staging: Movement and Acting ,[object Object],[object Object],[object Object]
Space:  Screen Space ,[object Object],[object Object],[object Object]
Time ,[object Object],[object Object],[object Object]
Special Effects (can be classified under setting, character and makeup) ,[object Object],[object Object]
Music and Sound ,[object Object]
Diegetic Sound ,[object Object],[object Object],[object Object]
Diegetic Sound ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Non-diegetic Sound ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Mise en scene

  • 1. Anatomy of a Scene Or Mise-en-scène
  • 2.
  • 3.
  • 4. Realism It is better to examine the functions of mise-en-scene. One film may use it to create realism, others might seek very different effects : comic exaggeration, supernatural terror, understated beauty, and any number of other functions. We should analyse mise-en-scene’s function in the total film – how it is motivated, how it varies or develops, how it works in relation to other film techniques.
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