Del 2 av 3. Presentationen från tisdagen den 25:e september, 2012 på Södertörns Högskola.

1. PHOTOSHOP
(del 2 av 3)

2. WORKSHOP
•Tillfälle 1 (21 sept)
- grunderna i photoshop
- funktioner i programmet
•Tillfälle 2 (25 sept)
- typsnitt
- layout
•Tillfälle 3 (27 sept)
- bildredigering
- tillämpad designhistoria

3. TYPSNITT
TYPSNITT
Textstilar
Grupperas ofta i typerna: serif, sans-serif, slab, osv.
FONT
Själva filen
(olika vikter och varianter av samma typsnitt)

4. TYPSNITT
TYPSNITT
exempel:
- Bodoni

5. TYPSNITT
TYPSNITT FONT
exempel: Roman
- Bodoni Book
Italic
Book Italic
Bold
Poster
Bold Italic
Poster Italic
Bold Condensed
Poster Compressed

6. TYPSNITT
{
TYPSNITT FONT
exempel: Roman
- Bodoni Book
Italic
Book Italic
Bodoni Bold
Poster
Bold Italic
Poster Italic
Bold Condensed
Poster Compressed

7. TYPSNITT

8. TYPSNITT

9. TYPSNITT

10. LAYOUT
HELVETICA
En film om typsnitt

11. LAYOUT
GRIDS
En struktur för referens vid layout.
(används både vid analog och digital design)

12. LAYOUT
Evolution of the modern grid
After World War II, a number of graphic designers, including Max Bill, Emil Ruder, and Josef Müller-
Brockmann, influenced by the modernist ideas of Jan Tschichold's Die neue Typographie (The New
Typography), began to question the relevance of the conventional page layout of the time. They began to
devise a flexible system able to help designers achieve coherency in organizing the page. The result was the
modern typographic grid that became associated with the International Typographic Style.
The seminal work on the subject, Grid systems in graphic design by Müller-Brockmann, helped propagate
the use of the grid, first in Europe, and later in North America.
The International Typographic Style, also known as the Swiss Style, is a graphic design style developed
in Switzerland in the 1950s that emphasizes cleanliness, readability and objectivity. Hallmarks of the style
are asymmetric layouts, use of a grid, sans-serif typefaces like Akzidenz Grotesk, and flush left, ragged right
text. The style is also associated with a preference for photography in place of illustrations or drawings.
Many of the early International Typographic Style works featured typography as a primary design element in
addition to its use in text, and it is for this that the style is named.

13. LAYOUT

14. LAYOUT

15. LAYOUT

16. LAYOUT

17. LAYOUT

18. LAYOUT

19. LAYOUT

20. LAYOUT

21. LAYOUT

22. LAYOUT

23. LAYOUT

24. LAYOUT

25. LAYOUT

26. WORKSHOP
(del 2)

27. WORKSHOP
GÖR EN TIDNINGSIDA OM LE COURBUSIER
•Skapa en ny fil (A4 - 210 x 297mm, 300 dpi)
•Gör en grid (välj ett enhetligt format: 4, 6, 8 kolumn)
•Sätt bakgrundsfärg
•Hämta en passande bild från nätet
•Sätt Rubriken
•Infoga ingress
•Brödtext (lorem ipsum är ok)
•Vi ses igen på torsdag!
- välj en designer ur modernismen till på torsdag

28. STEFAN LEIJON
sleijon@gmail.com
@SLeijon
stefanleijon.com

29. STEFAN LEIJON
sleijon@gmail.com
@SLeijon
stefanleijon.com

30. sleijon@gmail.com
@SLeijon
stefanleijon.com

31. stefanleijon.com

34. WORKSHOP
•Hämta från nätet - leijo.net/S7g0IF, plus en av dessa:
leijo.net/Psslcx leijo.net/PsstsB leijo.net/PssvAX
leijo.net/PssBZ9 leijo.net/PssPQ2 leijo.net/PssUmF