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Lens sizes
Depth of Field
 Camera lenses come in different sizes:
 The longer the lens the more it enlarges the object
being photographed
 Lens are measured in mm…
 50mm is roughly the same as what we see with
the human eye:
 Less than 50mm (typically 24-30mm) gives wide
angles:
 And more than 50mm (typically 70mm+) zooms in
on a subject:
 A zoom lens is a jack of all trades lens that can
change its length from, say, 30mm to 70mm:
 Many digital cameras do not have a CCD
sensor that is as big as a 35mm film frame so
some cropping occurs
GEEKGEEK
ALERT!ALERT!
 Depth of Field (DOF) refers to how much of a
photo is in focus
 Suppose you have focused on a person you want
to photo:
 The DOF is the distance you could move the
object towards or away from the camera without
having to re-focus:
 Everything outside of this zone will be blurred and
out of focus
>>> DEMO <<<
>>>DOF with zoom lens<<<
 There are three (four counting Photoshop) ways to
create shallow Depth of Field:
1. Use a long (70mm+) lens or a zoom
2. Set a smaller aperture setting (f2.8 / f4)
3. Put a Neutral Density filter on your lens
 There are various setting on an SLR camera:
 ISO
 Shutter Speed
 Aperture
 They all adjust different aspects of your photo…
 Aperture adjusts the Depth of Field by changing
the size of the hole that light travels through to get
to your film/CCD:
 Basically, the smaller you set the f number to, the
smaller your Depth of Field:
 Changing the aperture means changing the
shutter speed to compensate (more next week),
for now…
 Set your camera to aperture priority mode (usually
marked ‘A’ or ‘Av’on the control dial)
Narrow DOF
Wide DOF
>>> TASK <<<
 Put an a few objects on along a table
 Step back as far as you can and zoom in to create DOF
 Then get closer and take two identical photos – one on f2.8 and one
on f16
 If you don’t have these setting on your camera try using Macro
mode and getting really in close…
 …and/or take some photos that you can add DOF to later using
Photoshop
 On a bright summer’s day you will have to set
your aperture to a high number (f11 / f16) to avoid
over exposure…
 So setting a small f-number to
get a small Depth of Field
will not work
 The solution is to put a
Neutral Density filter on your
camera…
 Using an ND filter is a bit like putting sunglasses
on your camera
 What this means is that you can open the aperture
a bit more and get more Depth of Field
 ND filters do not effect the colour, only the amount
of light reaching the film/CCD
 And, of course, Depth of Field can be faked using
Photoshop selections and a blur filter:
 >>> END <<<

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Photography: 2 - Lens Sizes and Depth of Field

  • 2.  Camera lenses come in different sizes:
  • 3.  The longer the lens the more it enlarges the object being photographed
  • 4.  Lens are measured in mm…  50mm is roughly the same as what we see with the human eye:
  • 5.  Less than 50mm (typically 24-30mm) gives wide angles:
  • 6.  And more than 50mm (typically 70mm+) zooms in on a subject:
  • 7.  A zoom lens is a jack of all trades lens that can change its length from, say, 30mm to 70mm:
  • 8.  Many digital cameras do not have a CCD sensor that is as big as a 35mm film frame so some cropping occurs GEEKGEEK ALERT!ALERT!
  • 9.
  • 10.  Depth of Field (DOF) refers to how much of a photo is in focus  Suppose you have focused on a person you want to photo:
  • 11.  The DOF is the distance you could move the object towards or away from the camera without having to re-focus:
  • 12.  Everything outside of this zone will be blurred and out of focus
  • 13. >>> DEMO <<< >>>DOF with zoom lens<<<
  • 14.  There are three (four counting Photoshop) ways to create shallow Depth of Field: 1. Use a long (70mm+) lens or a zoom 2. Set a smaller aperture setting (f2.8 / f4) 3. Put a Neutral Density filter on your lens
  • 15.  There are various setting on an SLR camera:  ISO  Shutter Speed  Aperture  They all adjust different aspects of your photo…
  • 16.  Aperture adjusts the Depth of Field by changing the size of the hole that light travels through to get to your film/CCD:
  • 17.  Basically, the smaller you set the f number to, the smaller your Depth of Field:
  • 18.
  • 19.  Changing the aperture means changing the shutter speed to compensate (more next week), for now…  Set your camera to aperture priority mode (usually marked ‘A’ or ‘Av’on the control dial)
  • 21. >>> TASK <<<  Put an a few objects on along a table  Step back as far as you can and zoom in to create DOF  Then get closer and take two identical photos – one on f2.8 and one on f16  If you don’t have these setting on your camera try using Macro mode and getting really in close…  …and/or take some photos that you can add DOF to later using Photoshop
  • 22.  On a bright summer’s day you will have to set your aperture to a high number (f11 / f16) to avoid over exposure…  So setting a small f-number to get a small Depth of Field will not work  The solution is to put a Neutral Density filter on your camera…
  • 23.  Using an ND filter is a bit like putting sunglasses on your camera
  • 24.  What this means is that you can open the aperture a bit more and get more Depth of Field  ND filters do not effect the colour, only the amount of light reaching the film/CCD
  • 25.  And, of course, Depth of Field can be faked using Photoshop selections and a blur filter:
  • 26.  >>> END <<<