14. There are three (four counting Photoshop) ways to
create shallow Depth of Field:
1. Use a long (70mm+) lens or a zoom
2. Set a smaller aperture setting (f2.8 / f4)
3. Put a Neutral Density filter on your lens
15. There are various setting on an SLR camera:
ISO
Shutter Speed
Aperture
They all adjust different aspects of your photo…
16. Aperture adjusts the Depth of Field by changing
the size of the hole that light travels through to get
to your film/CCD:
17. Basically, the smaller you set the f number to, the
smaller your Depth of Field:
18.
19. Changing the aperture means changing the
shutter speed to compensate (more next week),
for now…
Set your camera to aperture priority mode (usually
marked ‘A’ or ‘Av’on the control dial)
21. >>> TASK <<<
Put an a few objects on along a table
Step back as far as you can and zoom in to create DOF
Then get closer and take two identical photos – one on f2.8 and one
on f16
If you don’t have these setting on your camera try using Macro
mode and getting really in close…
…and/or take some photos that you can add DOF to later using
Photoshop
22. On a bright summer’s day you will have to set
your aperture to a high number (f11 / f16) to avoid
over exposure…
So setting a small f-number to
get a small Depth of Field
will not work
The solution is to put a
Neutral Density filter on your
camera…
23. Using an ND filter is a bit like putting sunglasses
on your camera
24. What this means is that you can open the aperture
a bit more and get more Depth of Field
ND filters do not effect the colour, only the amount
of light reaching the film/CCD
25. And, of course, Depth of Field can be faked using
Photoshop selections and a blur filter: