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MAHABHARATA IN ART

  WITH SPECIAL REFERENCE
TO THE RELIEFS OF ANGKOR VAT



                      Dr. Nanditha Krishna
                                         Director
            The C. P. Ramaswami Aiyar Foundation
                                        Chennai
4 TYPES OF STORIES IN THE
          EPIC
1. STORIES OF KRISHNA – WONDER CHILD;
  LEADER; AND PHILOSOPHER

3. STORY OF THE KURUS

5. STORIES OF GODS AND AVATARAS OF
  VISHNU

7. MINOR STORIES (e.g. SHAKUNTALAM)
A STEATITE TABLET FROM MOHENJO DARO
(2600-1800 BCE) DEPICTS A BOY UPROOTING TWO
                    TREES,
•

• It is an interesting archaeological discovery
  for fixing possible dates associated with
  Krishna.

    Source: Mackay's Report, Part 1, pp.344–45, Part 2,
    plate no.90, object no.D.K.10237.
This image recalls the yamala-arjuna episode of the Bhagavata Purana. The young boy could be Krishna and the
    two human beings emerging from the trees the two cursed Gandharvas, Nalakuvara and Manigriva.
• Cave painting dating back to 800 BCE in Mirzapur,
  Uttar Pradesh, shows a horse-charioteer who is
  about to hurl a wheel, not unlike Krishna

  Source: D. D. Kosambi (1962), Myth and Reality: Studies in the
BALARAMA-SAMKARSHANA and VASUDEVA
              KRISHNA
 ON COIN ISSUED BY GREEK KSHATRAPA
            AGATHOCLES .
• Patanjali, in his Mahabhashya (150 BCE),
  mentions musical instruments being played
  at meetings in the temples of Rama
  (Balarama) and Keshava (Krishna).

• Patanjali also describes performances of
  drama and mine (Krishna-Kamsopacharam)
  representing the killing of Kamsa by
  Vasudeva.
A Brahmi inscription on a slab (1st century
BCE - now in the Mathura Museum ) from
Mora near Mathura mentions an image of
Vrishni, probably Vasudeva, and of five
warriors - Balarama, Krishna, Pradyumna,
Aniruddha, and Samba.

Source: Puri, B.N. (1968), India in the Time of Patanjali,
Bhartiya Vidya Bhavan, Page 51. The coins of
Rajuvula were found in Sultanpur
VISHNU / KRISHNA ON AN
 ENGRAVED GEM OF HUVISHKA
        (160-190 CE)
Engraving on a nicolo
seal (1.4 inch by 1.05
inch) published by
Cunningham. The god
represented on this
seal is a four-armed
standing Vishnu or
Krishna. The god
holds a club, chakra
and a conch-shell,
KRISHNA BLOWING THE CONCH
      PANCHAJANYA,
       2nd century CE
  SAGAR, MADHYA PRADESH




 GARUDA PILLAR FOR VASUDEVA
  ERECTED BY HELIODORUS IN
  VIDISHA, M.P. – 2nd century CE
KRISHNA BLOWING
   THE CONCH
 PANCHAJANYA,
  8th century CE,
NALANDA MUSEUM
KRISHNA LIFTING MOUNT GOVARDHANA


              • This life-size sandstone
                Gupta image of Krishna
                supporting mount
                Govardhana was
                recovered from a
                Mohammadan cemetery
                on the outskirts of
                Benares (Fig. 2), Sarnath
                Museum (ASI)

                Originally this image
                must have been installed
KRISHNA IN ICONOGRAPHY
• Krishna is universally shown with blue skin, wearing a yellow
  silk dhoti and peacock feather crown.
• His common iconographic forms include
   • playing the conch (flute in later sculpture)
   • accompanied by cows
   • with the gopas or cowherds (later, gopis or cowherdesses)
   • lifting the Govardhana mountain
   • as the charioteer (Parthasarathy) on the Kurukshetra
      battlefield, where he addresses Arjuna in the Bhagavat Gita
   • as the Vishwarupa, with multiple arms and heads and holding
      the attributes of Vishnu - the Ultimate Supreme Being.
• Later
   • Dancing on the snake Kaliya
   • as the child on a pipal leaf floating in the water
NO KURU STORIES IN THE
         EARLY PERIOD

• MAHABHARATA IS A STORY OF
  FRATRICIDE.

• ART WAS A HANDMAIDEN OF
  RELIGION
  • GLORIFICATION OF DIVINE BEINGS
  • ESTABLISHED SOCIAL VALUES

• STORY OF WARRING COUSINS NOT
  EDIFYING IN A SOCIETY THAT
EARLY CHALUKYA & PALLAVA ART
• STORIES OF KRISHNA’S CHILDHOOD EXPLOITS

• STORIES OF THE PANDAVAS AND KAURAVAS
• IMPORTANT EVENTS –
   • KRISHNA BATTLING DEMONS
   • DRAUPADI SWAYAMVARA & ARJUNA
     SHOOTING THE FISH
   • DRAUPADI VASTRAHARANA BY DUHSHASANA
   • KIRITARJUNIYAM
   • DEATH OF BHISHMA ON THE BED OF ARROWS
   • KURUKSHETRA WAR
KRISHNA BATTLING
    A DEMON,
  PATTADAKKAL
KĪRITĀRJUNIYAM -
 ARJUNA fighting
     SHIVA
 PATTADAKKAL
DEATH OF BHISHMA (ON THE BED OF ARROWS).
       BHIMA FIGHTS DURYODHANA.
   VIRUPAKSHA TEMPLE, PATTADAKKAL
KURUKSHETRA
    WAR
MALLIKARJUNA
  TEMPLE,
PATTADAKKAL
IRIDHARI




GOVARDHANA GIRIDHARI,
   MAMALLAPURAM
KIRĪTĀRJUNIYAM
MAMALLAPURAM
ARJUNA’S PENANCEMAMALLAPURAM
DRAUPADI VASTRAHARAN,
 Draupadi and Duhshasana

       HOYSHALA
DRAUPADI SWAYAMVARA,
Arjuna shooting the arrow,

       HOYSHALA
DRAUPADI SWAYAMVARA,
 Arjuna shooting the arrow

     VIJAYANAGARA
MAHABHARATA in CAMBODIA

• ANGKOR WAT – Episodes from the
  Ramayana, Mahabharata and Puranas

• Built by SURYAVARMAN II (1113 - 1150
  CE)

• Conceived and planned by
  DIVAKARAPANDITA
HINDU TRINITY, PHNOM BOK
   BAKHENG STYLE – 900 CE




BRAHMA      SHIVA      VISHNU
DRAUPADI
SWAYAMVARA -
Arjuna wielding
   the bow,
 ANGKOR WAT
BATTLE OF KURUKSHETRA

•

• PANEL – 48.35 METRES LONG

• KAURAVAS AND PANDAVAS FACE EACH
    OTHER

• KRISHNA IS ARJUNA’S SARATHY
THE PANDAVA ARMY MOVING INTO THE BATTLEFIELD
THE KAURAVA ARMY MARCHING TO KURUKSHETRA
HAND-TO-HAND FIGHTING IN THE BATTLE BETWEEN
   KAURAVAS (LEFT) AND PANDAVAS (RIGHT)
DRONA - IDENTIFIED BY HAIRSTYLE
ARJUNA AND HIS SARATHI
BHISHMA ON HIS BED OF ARROWS
DEATH OF BHISHMA, BAPHUON

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Mahabharata in Art with Special Reference to the reliefs of Angkorvat by Dr. Nanditha Krishna

  • 1. MAHABHARATA IN ART WITH SPECIAL REFERENCE TO THE RELIEFS OF ANGKOR VAT Dr. Nanditha Krishna Director The C. P. Ramaswami Aiyar Foundation Chennai
  • 2. 4 TYPES OF STORIES IN THE EPIC 1. STORIES OF KRISHNA – WONDER CHILD; LEADER; AND PHILOSOPHER 3. STORY OF THE KURUS 5. STORIES OF GODS AND AVATARAS OF VISHNU 7. MINOR STORIES (e.g. SHAKUNTALAM)
  • 3. A STEATITE TABLET FROM MOHENJO DARO (2600-1800 BCE) DEPICTS A BOY UPROOTING TWO TREES,
  • 4. • • It is an interesting archaeological discovery for fixing possible dates associated with Krishna. Source: Mackay's Report, Part 1, pp.344–45, Part 2, plate no.90, object no.D.K.10237. This image recalls the yamala-arjuna episode of the Bhagavata Purana. The young boy could be Krishna and the two human beings emerging from the trees the two cursed Gandharvas, Nalakuvara and Manigriva.
  • 5. • Cave painting dating back to 800 BCE in Mirzapur, Uttar Pradesh, shows a horse-charioteer who is about to hurl a wheel, not unlike Krishna Source: D. D. Kosambi (1962), Myth and Reality: Studies in the
  • 6. BALARAMA-SAMKARSHANA and VASUDEVA KRISHNA ON COIN ISSUED BY GREEK KSHATRAPA AGATHOCLES .
  • 7. • Patanjali, in his Mahabhashya (150 BCE), mentions musical instruments being played at meetings in the temples of Rama (Balarama) and Keshava (Krishna). • Patanjali also describes performances of drama and mine (Krishna-Kamsopacharam) representing the killing of Kamsa by Vasudeva.
  • 8. A Brahmi inscription on a slab (1st century BCE - now in the Mathura Museum ) from Mora near Mathura mentions an image of Vrishni, probably Vasudeva, and of five warriors - Balarama, Krishna, Pradyumna, Aniruddha, and Samba. Source: Puri, B.N. (1968), India in the Time of Patanjali, Bhartiya Vidya Bhavan, Page 51. The coins of Rajuvula were found in Sultanpur
  • 9. VISHNU / KRISHNA ON AN ENGRAVED GEM OF HUVISHKA (160-190 CE) Engraving on a nicolo seal (1.4 inch by 1.05 inch) published by Cunningham. The god represented on this seal is a four-armed standing Vishnu or Krishna. The god holds a club, chakra and a conch-shell,
  • 10. KRISHNA BLOWING THE CONCH PANCHAJANYA, 2nd century CE SAGAR, MADHYA PRADESH GARUDA PILLAR FOR VASUDEVA ERECTED BY HELIODORUS IN VIDISHA, M.P. – 2nd century CE
  • 11. KRISHNA BLOWING THE CONCH PANCHAJANYA, 8th century CE, NALANDA MUSEUM
  • 12. KRISHNA LIFTING MOUNT GOVARDHANA • This life-size sandstone Gupta image of Krishna supporting mount Govardhana was recovered from a Mohammadan cemetery on the outskirts of Benares (Fig. 2), Sarnath Museum (ASI) Originally this image must have been installed
  • 13. KRISHNA IN ICONOGRAPHY • Krishna is universally shown with blue skin, wearing a yellow silk dhoti and peacock feather crown. • His common iconographic forms include • playing the conch (flute in later sculpture) • accompanied by cows • with the gopas or cowherds (later, gopis or cowherdesses) • lifting the Govardhana mountain • as the charioteer (Parthasarathy) on the Kurukshetra battlefield, where he addresses Arjuna in the Bhagavat Gita • as the Vishwarupa, with multiple arms and heads and holding the attributes of Vishnu - the Ultimate Supreme Being. • Later • Dancing on the snake Kaliya • as the child on a pipal leaf floating in the water
  • 14. NO KURU STORIES IN THE EARLY PERIOD • MAHABHARATA IS A STORY OF FRATRICIDE. • ART WAS A HANDMAIDEN OF RELIGION • GLORIFICATION OF DIVINE BEINGS • ESTABLISHED SOCIAL VALUES • STORY OF WARRING COUSINS NOT EDIFYING IN A SOCIETY THAT
  • 15. EARLY CHALUKYA & PALLAVA ART • STORIES OF KRISHNA’S CHILDHOOD EXPLOITS • STORIES OF THE PANDAVAS AND KAURAVAS • IMPORTANT EVENTS – • KRISHNA BATTLING DEMONS • DRAUPADI SWAYAMVARA & ARJUNA SHOOTING THE FISH • DRAUPADI VASTRAHARANA BY DUHSHASANA • KIRITARJUNIYAM • DEATH OF BHISHMA ON THE BED OF ARROWS • KURUKSHETRA WAR
  • 16. KRISHNA BATTLING A DEMON, PATTADAKKAL
  • 17. KĪRITĀRJUNIYAM - ARJUNA fighting SHIVA PATTADAKKAL
  • 18. DEATH OF BHISHMA (ON THE BED OF ARROWS). BHIMA FIGHTS DURYODHANA. VIRUPAKSHA TEMPLE, PATTADAKKAL
  • 19. KURUKSHETRA WAR MALLIKARJUNA TEMPLE, PATTADAKKAL
  • 23. DRAUPADI VASTRAHARAN, Draupadi and Duhshasana HOYSHALA
  • 25. DRAUPADI SWAYAMVARA, Arjuna shooting the arrow VIJAYANAGARA
  • 26. MAHABHARATA in CAMBODIA • ANGKOR WAT – Episodes from the Ramayana, Mahabharata and Puranas • Built by SURYAVARMAN II (1113 - 1150 CE) • Conceived and planned by DIVAKARAPANDITA
  • 27. HINDU TRINITY, PHNOM BOK BAKHENG STYLE – 900 CE BRAHMA SHIVA VISHNU
  • 29. BATTLE OF KURUKSHETRA • • PANEL – 48.35 METRES LONG • KAURAVAS AND PANDAVAS FACE EACH OTHER • KRISHNA IS ARJUNA’S SARATHY
  • 30. THE PANDAVA ARMY MOVING INTO THE BATTLEFIELD
  • 31. THE KAURAVA ARMY MARCHING TO KURUKSHETRA
  • 32. HAND-TO-HAND FIGHTING IN THE BATTLE BETWEEN KAURAVAS (LEFT) AND PANDAVAS (RIGHT)
  • 33. DRONA - IDENTIFIED BY HAIRSTYLE
  • 34. ARJUNA AND HIS SARATHI
  • 35. BHISHMA ON HIS BED OF ARROWS
  • 36. DEATH OF BHISHMA, BAPHUON