![Changes in Musical Culture and Practices as a result of new Multimedia Technologies http://crel.calit2.net [email_address] ISM 2011, Dec. 6 Shlomo Dubnov](https://image.slidesharecdn.com/ism2011-111206192435-phpapp02/85/Ism2011-1-320.jpg)
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Ism2011
- 1. Changes in Musical Culture and Practices as a result of new Multimedia Technologies http://crel.calit2.net [email_address] ISM 2011, Dec. 6 Shlomo Dubnov
- 6. 1000 True Fans Tribe / Herd Music as a social product True fan is a person who spends $100 on his favorite artist per year
- 8. Multi-Layer Representation Layers Layer synchronization XML Symbols for Synchronization
- 13. Video Remix Original video is continuous shot so every jump is a recombination http://shlomodubnov.wikidot.com/compositions
- 14. Machine Improvisation Memex: Piano Violin Composer Duets:
- 18. Birkhoff’s Aesthetic Measure M = O/C O - Perceived Order C - Complexity O=V+E+R+HV-F V - vertical E - equilibrium R - rotation HV - network F - form
Notas do Editor
- From the news… MTV Twitter Jockey, Gabbi Gregg, 23-year-old fashion blogger. Gregg created Young, Fat & Fabulous after graduating from college in 2008. David Gueta ‘CD On Demand’ http://shop.davidguetta.com/, Radioheads ‘In Rainbows’ http://www.inrainbows.com/ - Client Perception side, Eco System side, New Business Model for the Arts In the 1980s, the "Big 6" — EMI, CBS, BMG, PolyGram, WEA and MCA — dominated the industry. Sony bought CBS Records in 1987 and changed its name to Sony Music in 1991. In mid-1998, PolyGram merged into Universal Music Group (formerly MCA), dropping the leaders down to a "Big 5". (They became the "Big 4" in 2004 when BMG merged into Sony.) EMI, Sony, Universal, Warner Film: Warner, Fox, Paramaount, Sony/Columbia pictures, Disney, NBC/Universal
- A new market place for the arts - social interaction and media contents. Cover all three aspects - tools are last… this is where we might need a lot of Crowdsourcing
- The General Layer contains catalog information, such as genre classification, and other ancillary documents. The Logic Layer is the core of the format that provides mandatory symbolic description with information about timing and synchronization of music events. The Structural Layer deals with identifying music objects and their relationships such as musicological analyses through manual of automated analyses, chord progressions and musical algorithms using a formalism called Petri Nets. The Notational, Performance and Audio Layers contain pre-recorded multimedia aspects of music using existing encoding formats, as DARMS, NIFF, MusicXML, MIDI, SAOL/SASL, AAC, MP3, MPEG
- IF TIME: talk about resynthesis... concatenation using simple overlap add of original frames
- Justice, or Evidence, based on the changes of Just You, Just Me
- Anticipatory systems - “ a system containing a predictive model of itself and/or of its environment which allows it to change state at an instant in accord with the model ’s prediction pertaining to a later instant.” ( Rosen85 )