AS Media

1. Establishing Shot – establishes the location Extreme Long Shot The Sting © 1973 Universal Pictures

2. Long Shot – puts the character in the location 1940's Chicago ~ Fullerton and Central

3. Mid Shot – general shot used to show character 1940's Chicago ~ Fullerton and Central

4. Two shot – Shows interaction between two characters "Little Caesar" (1931)‏

5. Close up – Shows more detail such as emotion "Little Caesar" (1931)‏

6. Extreme Close up – magnifies something of importance to the audience ‘ Public Enemies’, 2009

7. Over the shoulder shot – often used when two people are in conversation “ Public Enemies” 2009

8. “ Public Enemies” 2009 Reverse Shot – reaction / response of other person

9. Point of View Shot – We see what a specific character sees “ Public Enemies” 2009 Scarface (1932)‏

10. Cut-in – Cuts in to a closer view Cut-away – A shot used to cover cuts in edit

11. Crane Shot – can do large sweeping movements not possible with the human eye

12. Bird's eye shot – shot from above, audience becomes like God Scarface (1932)‏

13. www.depauw.edu/acad/film High angle – shot from high up, characters appear less threatening or smaller

14. The Fat Man (1951)‏ Low angle – shot from above characters are more intimidating

15. Canted angle – 0r the Dutch tilt gives psychological uneasiness The Third Man 1949 “ Public Enemies” 2009

16. Eye level – shot at same level as character's eyes (more realistic)‏ "Little Caesar" (1931)‏

17. Depth of Field – use of focus giving feeling of depth “ Public Enemies” 2009

18. “ Public Enemies” 2009 Shallow Focus – part of the frame is defocused drawing the eye to what is in focus www.dpnow.com

19. Deep Focus – everything in the frame is in focus 1930's 40's gangster

20. Composition - positioning within the frame “ The Roaring Twenties” 1939 4:3

21. Composition – how the shot is framed “ Public Enemies” 2009 16:9 wide screen

22. Looking Room – a more natural look “ Public Enemies” 2009

23. "Little Caesar" (1931)‏ Use of lighting – creating shadows for effect Scarface (1932)‏

24. Lighting – Use of street lights and from windows The Maltese Falcon 1941

25. Lighting – Use of three point lighting

26. “ Public Enemies” 2009 High Key Lighting – brighter picture

27. “ Public Enemies” 2009 Low Key Lighting – darker picture (more shadows)‏

28. “ Public Enemies” 2009 Back Lighting – Gives a Silhouette style

29. “ Smart Money” 1931 Effect Lighting – Lit from below gives an eerie feel

30. “ Public Enemies” 2009 Colour – colour tones can effect the mood or feel of a scene Colour can also draw the eye's attention (It can place it in an era or location)‏ “ The Matirx “1999

31. Be creative “ Public Enemies” 2009