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H
A
G
Ya’akov Boussidan

G
ADAH
The Kid

 “…The
 beginning of
 this Haggadah
 stems from a
 childhood
 memory,
 the origin of
 which is
 rooted in my
 community
 and my family
 in Egypt… “
Locust
The Death of the Firstborns
Lice
Boils



The stories that
we grew up with
from the
Haggadah - the
Passover sacrifice
and the Exodus
from Egypt -
became real
Frogs

The evident
homogeneity of these
pages absorbs the
force of its
conviction from
formalistic
heterogeneity, and
the bolt which
fastens the pages
together is the
unique artistic
personality of their
creator.
Binyamin Tammuz,
introduction to the Haggadah
Frogs
Darkness


  In the etching
   of the plague
    of darkness,
   the darkness
  is interpreted
  as an internal
  blindness, not
        external.
Blood

“The more
rooted and
complex
the art is -
the more
universal its
content….”
Hail
 Boussidan
 interprets
 freedom, which
 is the very
 essence of the
 Haggadah, as an
 inclusive
 freedom. It
 includes the
 freedom not to
 feel oneself
 bound to any
 viewpoints
 where others
 may have set
 limits…
The Wicked Son
The Covenant
Preparatory Drypoint
Boussidan worked on this Haggadah for seven years,
along with 30 students who worked in shifts around the clock.

                                                  The Covenant
Chad Gadya


Chad Gadya
An artistic
 masterpiece, it
 includes various
 strands of
 philosophical
 thought




Bereshit (In the Beginning)
Creation of Waters


     The Passover
     Haggadah,
     as Boussidan
     sees it,
     is the
     narrative
     of the birth
     of the world
Creation of Fish


    The first etchings
    are related to the
    six days of creation,
    in which the
    likeness of people
    and landscapes and
    animals are
    captured, so to
    speak, in their
    primeval state.
    Death is the first
    state, as is the kid,
    the fish and the
    fowl.
Creation of Adam
Chad Gadya
Jerusalem the Golden
Boussidan’s Haggadah received international acclaim. Mentioned in
“Encyclopedia Judaica”, it has been exhibited worldwide – from the New
          York Public Library and the London Jewish Museum,
                        to Tel Aviv Museum of Art
        Ya’akov Boussidan is a painter, printer and calligrapher.
      Received several awards, among them the Jesselson Prize for
           Judaica from the Israel Museum and an honorary prize
                    at the Biennale in Monte Carlo.
                             Ya'akov Boussidan
                            8 Ha’afarsemon st.
                               Tzur Hadassah
                                   Israel
                          boussidanart@gmail.com
                           www.boussidan-y.com

                      Copyright, 2011: Ya’akov Boussidan

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Ya'akov Boussidan's Haggadah

  • 2. The Kid “…The beginning of this Haggadah stems from a childhood memory, the origin of which is rooted in my community and my family in Egypt… “
  • 4. The Death of the Firstborns
  • 6. Boils The stories that we grew up with from the Haggadah - the Passover sacrifice and the Exodus from Egypt - became real
  • 7. Frogs The evident homogeneity of these pages absorbs the force of its conviction from formalistic heterogeneity, and the bolt which fastens the pages together is the unique artistic personality of their creator. Binyamin Tammuz, introduction to the Haggadah
  • 9. Darkness In the etching of the plague of darkness, the darkness is interpreted as an internal blindness, not external.
  • 10. Blood “The more rooted and complex the art is - the more universal its content….”
  • 11. Hail Boussidan interprets freedom, which is the very essence of the Haggadah, as an inclusive freedom. It includes the freedom not to feel oneself bound to any viewpoints where others may have set limits…
  • 14. Boussidan worked on this Haggadah for seven years, along with 30 students who worked in shifts around the clock. The Covenant
  • 16. An artistic masterpiece, it includes various strands of philosophical thought Bereshit (In the Beginning)
  • 17. Creation of Waters The Passover Haggadah, as Boussidan sees it, is the narrative of the birth of the world
  • 18. Creation of Fish The first etchings are related to the six days of creation, in which the likeness of people and landscapes and animals are captured, so to speak, in their primeval state. Death is the first state, as is the kid, the fish and the fowl.
  • 22. Boussidan’s Haggadah received international acclaim. Mentioned in “Encyclopedia Judaica”, it has been exhibited worldwide – from the New York Public Library and the London Jewish Museum, to Tel Aviv Museum of Art Ya’akov Boussidan is a painter, printer and calligrapher. Received several awards, among them the Jesselson Prize for Judaica from the Israel Museum and an honorary prize at the Biennale in Monte Carlo. Ya'akov Boussidan 8 Ha’afarsemon st. Tzur Hadassah Israel boussidanart@gmail.com www.boussidan-y.com Copyright, 2011: Ya’akov Boussidan