SlideShare a Scribd company logo
1 of 28
Putting it all together GD Book, pg. 126-145 (Production process and issues),  Photoshop book pg. 160-189 – Work with layers
Key concepts Printing Paper choices Finishing processes Electronic production
Electronic production File Naming 	 In order to make sure that all users are able to open a file, it is important to save it with the proper extension. It is also important to use a name related to the file. For example, do not name the file “Dog” if it is an image of a cat.
Electronic production Note 	 Most systems provide the file extensions automatically. However, but if you are using an older MAC, it is advisable to check for the file extension.
Electronic production File Formats 	 You should save an image in the proper format for which it is intended to be used. For example, save an image as an .eps or a .tif file for printing and as a .jpeg or a .gif file for the Web. When in doubt, save a copy of the original before compressing any file.
Electronic production Collecting for Output 	 QuarkXPress or InDesign gather images, fonts, and the document for printing in one place
Electronic production Collecting for Output 	 Illustrator Convert fonts to outlines. Fonts are no longer editable.  Also, include all linked images
Electronic production Collecting for Output 	 Photoshop If sending flattened files – do not need to send fonts If sending layered files – send fonts. Especially important if there may be text changes.
Finishing Touches Stock Selection 	 2 types of stock: coated and uncoated (pg. 138-139) Paper sends a message – just as design elements do
Finishing Touches Uncoated stock: Not shiny, ink is usually darker when printed on this Coated stock: Shiny, holds ink well. Looks expensive. Different types of coated stock (matte, satin, and gloss)
Finishing Touches What type of stock would these be printed on? The annual report of Green Peace  A lawyer’s letterhead  A wedding invitation  A flyer for a rock band  A data sheet for a high-tech company
Finishing Touches Varnishes 	 Varnishes and Ultra Violet (UV) coatings are sometimes applied to a finished printed piece as a protective coating. 	 Example: graphic design book – shiny images Photoshop book – no shiny images
Finishing Touches Die Cuts/Embossing/Foiling 	 Junk mail: see any pieces that have a unique shape? Does it have any metallic elements? Is the logo raised? Die cuts-unique shape. Foiling – highly metallic, like gold foil. Embossing – raised elements All very high budget
Finishing Touches Folds 	 single folds, letter folds, accordion folds, gatefolds, parallel folds, and barrel or roll folds
Finishing Touches single folds ,[object Object]
Accordion fold,[object Object]
Parallel fold,[object Object]
Printing Offset lithography – printing involving plates. For quantities over 1,000 Digital printing – no plates, for small quantity and small sized jobs Flexography – printing with rubber plates. Used on specialty items, example: mugs Relief – printing off raised surfaces. Example – letterpress Screen printing – printing from stencils and screens. Example – t-shirts
Printing Variable data printing – database driven Customized direct mail pieces. Variable data is inkjet printed onto offset printed direct mailers
Printing One color or mono  Two or three colors, which typically utilize spot colors  4C or full color
Printing Get as much info as possible when starting project how project is going to print Freelance – many times designed in full color, then would need to convert to 1 color and re-design Pep boys – sign – trapping off, had to re-print whole run
Recap Different types of printing, folding, finishing touches, electronic production
Reading Teach Yourself Visually Adobe Photoshop CS3  Chapter14, “Save Images,” pp. 284–297  Chapter15, “Print Images,” pp. 300–303
Next class: portfolio Some blank CDs  Some glue or tape to affix work into their portfolios  A few markers and pens for any labeling  Some labels and CD labels, if required  Portfolio pieces, both traditional and electronic  All projects done through the course period  Lab work the student is proud of  Design work from other classes  Personal work A portfolio case of the student’s choice
Assignments Collect and pass back assignments Due next week: Project 4, any labs or late projects (final due date for these), supplies for portfolio
LAB: Idea and Image Scrapbook Take out your scrapbook, put on table Next 15-20 minutes, go around room looking at each other’s scrapbooks.
LAB: Idea and Image Scrapbook Regroup Discussion of each book, critique Use elements and principles of design
LAB: Idea and Image Scrapbook Which design items stood out? Why?  Which items showed good use of the design elements?  Which book featured the best example of vector art and which featured the best example of pixel-based art?  Were there any outstanding type examples?  Were there any items in someone’s scrapbook you wish you had seen before working on one of the projects? Why?  Did anyone collect pieces as reminders what not to do?

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Class 9 Putting it all together

  • 1. Putting it all together GD Book, pg. 126-145 (Production process and issues), Photoshop book pg. 160-189 – Work with layers
  • 2. Key concepts Printing Paper choices Finishing processes Electronic production
  • 3. Electronic production File Naming In order to make sure that all users are able to open a file, it is important to save it with the proper extension. It is also important to use a name related to the file. For example, do not name the file “Dog” if it is an image of a cat.
  • 4. Electronic production Note Most systems provide the file extensions automatically. However, but if you are using an older MAC, it is advisable to check for the file extension.
  • 5. Electronic production File Formats You should save an image in the proper format for which it is intended to be used. For example, save an image as an .eps or a .tif file for printing and as a .jpeg or a .gif file for the Web. When in doubt, save a copy of the original before compressing any file.
  • 6. Electronic production Collecting for Output QuarkXPress or InDesign gather images, fonts, and the document for printing in one place
  • 7. Electronic production Collecting for Output Illustrator Convert fonts to outlines. Fonts are no longer editable. Also, include all linked images
  • 8. Electronic production Collecting for Output Photoshop If sending flattened files – do not need to send fonts If sending layered files – send fonts. Especially important if there may be text changes.
  • 9. Finishing Touches Stock Selection 2 types of stock: coated and uncoated (pg. 138-139) Paper sends a message – just as design elements do
  • 10. Finishing Touches Uncoated stock: Not shiny, ink is usually darker when printed on this Coated stock: Shiny, holds ink well. Looks expensive. Different types of coated stock (matte, satin, and gloss)
  • 11. Finishing Touches What type of stock would these be printed on? The annual report of Green Peace A lawyer’s letterhead A wedding invitation A flyer for a rock band A data sheet for a high-tech company
  • 12. Finishing Touches Varnishes Varnishes and Ultra Violet (UV) coatings are sometimes applied to a finished printed piece as a protective coating. Example: graphic design book – shiny images Photoshop book – no shiny images
  • 13. Finishing Touches Die Cuts/Embossing/Foiling Junk mail: see any pieces that have a unique shape? Does it have any metallic elements? Is the logo raised? Die cuts-unique shape. Foiling – highly metallic, like gold foil. Embossing – raised elements All very high budget
  • 14. Finishing Touches Folds single folds, letter folds, accordion folds, gatefolds, parallel folds, and barrel or roll folds
  • 15.
  • 16.
  • 17.
  • 18. Printing Offset lithography – printing involving plates. For quantities over 1,000 Digital printing – no plates, for small quantity and small sized jobs Flexography – printing with rubber plates. Used on specialty items, example: mugs Relief – printing off raised surfaces. Example – letterpress Screen printing – printing from stencils and screens. Example – t-shirts
  • 19. Printing Variable data printing – database driven Customized direct mail pieces. Variable data is inkjet printed onto offset printed direct mailers
  • 20. Printing One color or mono Two or three colors, which typically utilize spot colors 4C or full color
  • 21. Printing Get as much info as possible when starting project how project is going to print Freelance – many times designed in full color, then would need to convert to 1 color and re-design Pep boys – sign – trapping off, had to re-print whole run
  • 22. Recap Different types of printing, folding, finishing touches, electronic production
  • 23. Reading Teach Yourself Visually Adobe Photoshop CS3 Chapter14, “Save Images,” pp. 284–297 Chapter15, “Print Images,” pp. 300–303
  • 24. Next class: portfolio Some blank CDs Some glue or tape to affix work into their portfolios A few markers and pens for any labeling Some labels and CD labels, if required Portfolio pieces, both traditional and electronic All projects done through the course period Lab work the student is proud of Design work from other classes Personal work A portfolio case of the student’s choice
  • 25. Assignments Collect and pass back assignments Due next week: Project 4, any labs or late projects (final due date for these), supplies for portfolio
  • 26. LAB: Idea and Image Scrapbook Take out your scrapbook, put on table Next 15-20 minutes, go around room looking at each other’s scrapbooks.
  • 27. LAB: Idea and Image Scrapbook Regroup Discussion of each book, critique Use elements and principles of design
  • 28. LAB: Idea and Image Scrapbook Which design items stood out? Why? Which items showed good use of the design elements? Which book featured the best example of vector art and which featured the best example of pixel-based art? Were there any outstanding type examples? Were there any items in someone’s scrapbook you wish you had seen before working on one of the projects? Why? Did anyone collect pieces as reminders what not to do?