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Renee Hobbs Media Education Lab Temple University Philadelphia, PA
What are schools doing to prepare for this?
Let’s Discuss  Media Literacy for today’s Digital Culture
[object Object],[object Object],[object Object],[object Object],What is Media Literacy?
[object Object],[object Object],[object Object],[object Object],Exercising your right to  Fair Use demands…
What’s your level of confidence in understanding copyright and fair use: A.  Very confident B.  Confident C.  I think I understand it D.  Confused E.  Completely confused! Image: 'fuzzy copyright' www.flickr.com/photos/58764797@N00/1384247192
Finally  the end to  copyright confusion has arrived!
http://mediaeducationlab.com/index.php?page=293
It’s time to replace old knowledge with accurate knowledge
What is the purpose of
To promote creativity, innovation and the spread of knowledge Article 1 Section 8 U.S. Constitution
Technology makes it easy to… ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Owners  forcefully  assert their rights to: ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Result Copyright Confusion
How Teachers Cope See no Evil Close the Door Hyper-Comply
Problem: NEGOTIATED AGREEMENTS BETWEEN MEDIA COMPANIES  AND EDUCATIONAL GROUPS Agreement on Guidelines for Classroom Copying in Not-for-Profit Educational Institutions Fair Use Guidelines for Educational Multimedia Guidelines for the Educational Use of Music Educational Use Guidelines are Confusing!
Educational Use Guidelines are NOT the Law! The documents created by these negotiated agreements give them “the appearance of positive law. These qualities are merely illusory, and consequently the guidelines have had a seriously detrimental effect. They interfere with an actual understanding of the law and erode confidence in the law as created by Congress and the courts”  --Kenneth Crews, 2001
The Doctrine of Fair Use --Section 107 Copyright Act of 1976
Five Principles  Code of Best Practices in Fair Use  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Transformative Use is Fair Use When a user of copyrighted materials adds value to, or repurposes materials for a use different from that for which it was originally intended, it will likely be considered transformative use; it will also likely be considered fair use. Fair use embraces the modifying of existing media content, placing it in new context.   --Joyce Valenza,  School Library Journal
Bill Graham Archives vs. Dorling Kindersley, Ltd. (2006)
An Example of Transformative Use ,[object Object],[object Object]
Users’ Rights, Section 107  http://mediaeducationlab.com/index.php?page=295
Is Your Use of Copyrighted Materials a Fair Use? ,[object Object],[object Object]
Video Case Studies  Elementary School Case Study:   P.S. 124 The Silas B. Dutcher School Brooklyn, NY High School Case Study:   Upper Merion Area High School  King of Prussia, PA College Case Study:  Project Look Sharp at Ithaca College Ithaca, NY
Fair Use Empowers Educators MYTH :  FAIR USE IS TOO UNCLEAR AND COMPLICATED FOR ME; IT’S BETTER LEFT TO LAWYERS AND ADMINISTRATORS. TRUTH:   The fair use provision of the Copyright Act is written broadly because it is designed to apply to a wide range of creative works and the people who use them.  Fair use is a part of the law that belongs to  everyone —especially to working educators.  Educators know best what they need to use of existing copyrighted culture to construct their own lessons and materials. Only members of the actual community can decide what’s really needed. Once they know, they can tell their lawyers and administrators.
 
The Code of Best Practices Helps ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
NCTE adopted the Code of Best Practices in Fair Use for Media Literacy  Education as the official policy on fair use: http://www.ncte.org/positions/statements/fairusemedialiteracy
Organizations Supporting the Code of Best Practices Action Coalition for Media Education (ACME) National Association for Media Literacy Education (NAMLE) National Council of Teachers Of English (NCTE) Visual Studies Division International Communication Association (ICA)
 
Continue Your Learning Online community for sharing:  http://copyrightconfusion.wikispaces.com/ Contact:  Professor Renee Hobbs Temple University  School of Communications and Theater Media Education Lab Philadelphia, PA Email:  [email_address] Phone: 215 204-4291

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Copyright And Fair Use Slides Macul

  • 1. Renee Hobbs Media Education Lab Temple University Philadelphia, PA
  • 2. What are schools doing to prepare for this?
  • 3. Let’s Discuss Media Literacy for today’s Digital Culture
  • 4.
  • 5.
  • 6. What’s your level of confidence in understanding copyright and fair use: A. Very confident B. Confident C. I think I understand it D. Confused E. Completely confused! Image: 'fuzzy copyright' www.flickr.com/photos/58764797@N00/1384247192
  • 7. Finally the end to copyright confusion has arrived!
  • 9. It’s time to replace old knowledge with accurate knowledge
  • 10. What is the purpose of
  • 11. To promote creativity, innovation and the spread of knowledge Article 1 Section 8 U.S. Constitution
  • 12.
  • 13.
  • 14. The Result Copyright Confusion
  • 15. How Teachers Cope See no Evil Close the Door Hyper-Comply
  • 16. Problem: NEGOTIATED AGREEMENTS BETWEEN MEDIA COMPANIES AND EDUCATIONAL GROUPS Agreement on Guidelines for Classroom Copying in Not-for-Profit Educational Institutions Fair Use Guidelines for Educational Multimedia Guidelines for the Educational Use of Music Educational Use Guidelines are Confusing!
  • 17. Educational Use Guidelines are NOT the Law! The documents created by these negotiated agreements give them “the appearance of positive law. These qualities are merely illusory, and consequently the guidelines have had a seriously detrimental effect. They interfere with an actual understanding of the law and erode confidence in the law as created by Congress and the courts” --Kenneth Crews, 2001
  • 18. The Doctrine of Fair Use --Section 107 Copyright Act of 1976
  • 19.
  • 20. Transformative Use is Fair Use When a user of copyrighted materials adds value to, or repurposes materials for a use different from that for which it was originally intended, it will likely be considered transformative use; it will also likely be considered fair use. Fair use embraces the modifying of existing media content, placing it in new context.  --Joyce Valenza, School Library Journal
  • 21. Bill Graham Archives vs. Dorling Kindersley, Ltd. (2006)
  • 22.
  • 23. Users’ Rights, Section 107 http://mediaeducationlab.com/index.php?page=295
  • 24.
  • 25. Video Case Studies Elementary School Case Study: P.S. 124 The Silas B. Dutcher School Brooklyn, NY High School Case Study: Upper Merion Area High School King of Prussia, PA College Case Study: Project Look Sharp at Ithaca College Ithaca, NY
  • 26. Fair Use Empowers Educators MYTH : FAIR USE IS TOO UNCLEAR AND COMPLICATED FOR ME; IT’S BETTER LEFT TO LAWYERS AND ADMINISTRATORS. TRUTH: The fair use provision of the Copyright Act is written broadly because it is designed to apply to a wide range of creative works and the people who use them. Fair use is a part of the law that belongs to everyone —especially to working educators. Educators know best what they need to use of existing copyrighted culture to construct their own lessons and materials. Only members of the actual community can decide what’s really needed. Once they know, they can tell their lawyers and administrators.
  • 27.  
  • 28.
  • 29. NCTE adopted the Code of Best Practices in Fair Use for Media Literacy Education as the official policy on fair use: http://www.ncte.org/positions/statements/fairusemedialiteracy
  • 30. Organizations Supporting the Code of Best Practices Action Coalition for Media Education (ACME) National Association for Media Literacy Education (NAMLE) National Council of Teachers Of English (NCTE) Visual Studies Division International Communication Association (ICA)
  • 31.  
  • 32. Continue Your Learning Online community for sharing: http://copyrightconfusion.wikispaces.com/ Contact: Professor Renee Hobbs Temple University School of Communications and Theater Media Education Lab Philadelphia, PA Email: [email_address] Phone: 215 204-4291