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Fonts! Kate Krolicki [email_address]
  Anatomy of Type  
   
   
   
   
   
Categories of Type  
 
   
Oldstyle ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
   
Modern ,[object Object],[object Object],[object Object],[object Object],[object Object]
   
Slab Serif ,[object Object],[object Object],[object Object],[object Object],[object Object]
   
Sans Serif ,[object Object],[object Object],[object Object],[object Object]
   
Script ,[object Object],[object Object]
   
Monospaced ,[object Object],[object Object]
   
Distressed ,[object Object],[object Object],[object Object],[object Object]
   
Decorative ,[object Object],[object Object],[object Object]
Text Density: Tracking & Leading ,[object Object],[object Object]
Choosing the Right Font  
Reinforce Your Message ,[object Object]
Evoke the Desired Response ,[object Object]
Readability and Legibility ,[object Object],[object Object]
Other Features that impair readability/legibility ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Key to Readability ,[object Object],[object Object],[object Object],[object Object]
The Key to Legibility ,[object Object],[object Object]
The font is on YOUR computer ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Font File Types ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Free vs. Paid ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Fonts as Design Elements ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Tips for Print Material ,[object Object],[object Object],[object Object],[object Object]
Resources ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Fonts!

Notas do Editor

  1. x-height is the key factor in how large we perceive a font to be.
  2. developed along with the first movable type presses mimics lettering of hand scribed books, like the bible. mimics strokes of a broad tip pen. many are named after their designers.
  3. developed during the industrial revolution.   stokes no longer look like a pen- deliberately more mechanical.
  4. developed later in the industrial revolution specifically for the purpose of advertising take modern, thicken up all strokes to make it more readable
  5. came into vogue during the bauhaus movement - form follows function uses simplest, most fuctional representation of the letter
  6. variations appear throughout the ages
  7. blackletter, calligraphy, comic book, cursive, print,  draft, etc.
  8. designed for typewriters, which could only move the same distance forward with each letter typed.
  9. aka grunge, garage, fringe, etc. started to see them with the advent of desktop publishing and the ability for people to create their own fonts
  10. pronounced ledding- becuase strips of lead were put between lines.
  11. (174/178) flavor i quit example? show examples of good use?
  12. (174/178) flavor i quit example? show examples of good use?
  13. serifs lead the eye from one letter to the next. oldstyle has moderate thick/thin, moderate x-height
  14. use for headlines or any short snippet of text that should be easily scanned.
  15. tons of free font downloads but sometimes have limits- caps only, no punc, etc. otf  - 65K+ glyphs ttf "pro" adobe are otf show veer options? download links in resource page most free or inexpensive third-party fonts use plain TrueType
  16. arno pro example? veer tour? mention resource links