1. Results of the Empirical Research
on Creativity
MARK A. RUNCO, PHD
TORRANCE PROFESSOR OF CREATIVITY
STUDIES
UNIVERSITY OF
GEORGIA, ATHENS, GA, USA
2. Today’s discussion…
Key findings from the research
Also the exceptions
And qualifications of those findings that make them
more reasonable and realistic
3. Implicit & Explicit Theories
Parents
Teachers
Creativity vs. the ideal student
Valuing creativity …but value unconventional behavior?
Managers
Children
4. Divergent Thinking & Ideation
Family Studies
Birth Order
“Sibsize”
IQ vs. DT
Longitudinal Evidence
Torrance 50 year study
Transition to school? Or biology?
Lopez et al. (1993) with bilingual Hispanics in US
Ideational indicators changed at different rates
Bilingualism contributing to creativity?
5. Creativity & Intelligence
Threshold Theory
A continuum, or complementary processes?
Divergent and convergent thinking for creativity
6. Domain differences
Writers, architects, scientists at IPAR
Personality differences
Multiple “intelligences”
Math, language, music, spatial, bodily, inter- and
intra-personal, naturalistic
Not really “intelligence,” and NOT creativity
7. Counterpoint: Universals
Intrinsic motivation
At least at level of “performance”
Divergent Thinking
“Parsimonious Creativity”
Capacity to construct original interpretations
10. Cultural, Social Influences
Collectivistic vs. Individualistic
Creativity Cities?
Values & the “Market” for Creativity
Costs and benefits
11. fMRI
Jazz improvisation
Rap
Prefrontal cortex for decisions
Right hemisphere for wide associations
“Remote Associations” for creativity
12. Highlights
Cognition, affect, motivation, personality, attitude…
There are many possible influences
There are different kids of creativity
Domain differences
Age differences
Different paths to creativity
Different ways to be creative