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Steering the OCR Film Opening Task
www.petesmediablog.blogspot.com
WARNING!


this is not an OCR policy slideshow,
but a summary of best practice
based on my experience of teaching
and seeing the work of other centres
Targets
ā€¢   60 posts on individual blog, each illustrated with a picture
    and/or a video

ā€¢   a structured process with constant (formative) feedback

ā€¢   students knowing how to work the equipment

ā€¢   a ļ¬lm opening which looks like one

ā€¢   a critically reļ¬‚ective evaluation on the blog with seven
    different creative tasks

ā€¢   every student achieving their full potential
who you gonna call?
Vygotsky!


 ā€œThe zone of proximal development is
the distance between what children can
do by themselves and the next learning
that they can be helped to achieve with
competent assistanceā€
Step 1: assess



ā€¢ whatā€™s the task?
ā€¢ whatā€™s the assessment?
ā€¢ whatā€™s the timeframe?
ā€¢ whatā€™s the equipment?
Task and assessment


ā€¢ Titles and opening of a new ļ¬ction ļ¬lm
ā€¢ up to 2 minutes
ā€¢ 20 marks Research and Planning
ā€¢ 60 marks Construction
ā€¢ 20 marks Evaluation
timeframe and equipment



ā€¢ time to build skills
ā€¢ time to research and plan
ā€¢ time to shoot and edit
ā€¢ access to cameras, edit program, online
  resources
Step 2: structure


ā€¢ set up blog hub
ā€¢ set up class blogs
ā€¢ set up class youtube and vimeo
ā€¢ set out timeframe
ā€¢ structure series of tasks- mini-deadlines
http://candiasthriller11.blogspot.com/




                Blog hub
week 1      learning to blog; exercise with camera,
                            moodboard activity
                                                              homework: blog activities so far;

     week 2    audio exercise; make production company
                         logo, learn edit program,
                                                           homework: audience/institution research;
                                                                 analyse real ļ¬lm opening

     week 3      ļ¬lm openings analysis; old student ļ¬lms,
                         frame by frame re-make
                                                            homework: prepare for frame re-make;
                                                                 analyse old student ļ¬lm

     week 4   frame by frame re-make, ļ¬lm titles research
                      activity; scenarios inspiration
                                                           homework: reļ¬‚ection on frame task and
                                                                    titles research work

     week 5    25 word pitches and feedback; moodboard
                                2 with titles
                                                            homework: prepare pitch for scenarios

     week 6       post-it storyboard and animatic; peer
                          feedback; plan all audio
                                                          homework: write up responses of others to
                                                                           animatic

     week 7           planning, scripting, rehearsing,
              experimenting, recce shots, risk assessment
                                                          homework: planning and blog all work done

     week 8             shooting into editing                       homework: shooting

     week 9             shooting into editing               homework: shooting and blog process

     week10   rough cut deadline, feedback, make changes          homework: blog feedback

       10
     week11       ļ¬nal deadline; set evaluation tasks          work on some evaluation tasks

        1
     week12           work on evaluation tasks                 work on some evaluation tasks

     week13            deadline for evaluation                          tidy up blog



Sept 12-Dec 16 or Jan 9- Mar 26+ April 16-27
Step 3: activity


ā€¢   teaching students to use the equipment

ā€¢   camera exercises

ā€¢   editing exercises

ā€¢   audio exercises

ā€¢   make their own production company logo/ident

ā€¢   (b)logging evidence and reļ¬‚ecting critically and creatively
Step 4: investigate


ā€¢   structuring research activities- classwork and
    homework

ā€¢   ļ¬lm openings: narrative, genre, audience, institution

ā€¢   looking at examples of other student work-
    critiques and criteria

ā€¢   ļ¬lm titles research timeline activity

ā€¢   ļ¬lm language: storyboarding and re-make activities
http://www.youtube.com/results?search_type=&search_query=opening+scene&aq=f&gl=GB&hl=en-GB
what could be better?
what could be better?


ā€¢ audio
ā€¢ direction of actors
ā€¢ camerawork
ā€¢ editing
ā€¢ mise-en-scene
ā€¢ titles
Step 5: helping the idea


ā€¢ give some possible scenarios for treatments
ā€¢ 25 word pitch
ā€¢ moodboard pitch
ā€¢ peer and teacher feedback
ā€¢ realistic expectations
The Pitch




ā€¢ 25 word pitch
ā€¢ Keep it simple
ā€¢ Know the ļ¬lm but make the
  opening
A mainstream action film that will appeal                       A supernatural thriller that will
to 15-25yr old males                                            appeal to female audiences
Your film should appear to be based on a "fictional"            Your film should appear to be an international
comic book                                                      co-production




                                        possible scenarios


  A remake of a late 50s/early 60s                     An independent movie featuring a young
  Hammer film                                          protagonist
  Your film should offer a take suitable for the       Your film should appear to be financed through
  modern media-savvy audience                          regional funding
Step 6: Planning


ā€¢ experimenting with camera and editing
ā€¢ recce shots of locations
ā€¢ examples of shots, costumes, props, etc
  onto blog
ā€¢ post-it storyboard, animatic, moodboard
ā€¢ logistics planning- including risk assessment
Feedback




ā€¢ On pitch, moodboard,
  storyboard, animatic, rough
  cut and ļ¬nal video
ā€¢ Keep evidence of feedback
  and note your response to it
Step 6: production



ā€¢   limiting timeframe for camera loan

ā€¢   ensuring process is recorded

ā€¢   extra audio capture e.g. voice memo on phone

ā€¢   students becoming directors...
The Shoot


ā€¢ Check your equipment
ā€¢ Plan people, places, props and
  costumes
ā€¢ Practice
ā€¢ Rehearse your actors
ā€¢ Pay attention to your audio as
  well as visuals
Step 7: edit


ā€¢ all having a voice/hand in it
ā€¢ screengrabs of process
ā€¢ importance of audio and titles
ā€¢ foley - not just music
ā€¢ rough cut deadline and peer feedback
The Edit


ā€¢ Start with the big picture
ā€¢ Do ļ¬ne detail later
ā€¢ Titles could all be done
  ļ¬rst
Step 8: evaluation




ā€¢ time to do it properly
ā€¢ structure and opportunity
The Evaluation




ā€¢ Seven tasks, not just seven written
  answers
ā€¢ www.petesmediablog.blogspot.com
Media Evaluation
In what ways does your media product use, develop or challenge forms
                         and conventions of real media products?


Myā€©mediaā€©productā€©isā€©aā€©videoā€©1ilmā€©whichā€©hasā€©beenā€©createdā€©toā€©1itā€©inā€©withā€©otherā€©horrorā€©1ilms,ā€©howeverā€©atā€©theā€©sameā€©timeā€©itā€©
  hasā€©beenā€©madeā€©toā€©challengeā€©conventionsā€©ofā€©realā€©mediaā€©productsā€©allowingā€©itā€©toā€©beā€©consideredā€©asā€©unique.ā€©Thereā€©wereā€©
  variousā€©aspectsā€©whichā€©in1luencedā€©ourā€©decisionā€©toā€©createā€©aā€©1ilmā€©basedā€©onā€©theā€©horrorā€©genre.ā€©Itā€©wasā€©importantā€©thatā€©ourā€©
    audienceā€©wereā€©satis1iedā€©byā€©theā€©1ilmā€©andā€©allā€©thereā€©expectationsā€©ofā€©aā€©horrorā€©1ilmā€©wereā€©met.ā€©Lookingā€©atā€©theā€©typicalā€©
conventionsā€©ofā€©aā€©horrorā€©1ilm,ā€©suchā€©asā€©blood,ā€©killing,ā€©violenceā€©andā€©screamsā€©helpedā€©usā€©toā€©considerā€©theā€©aspectsā€©ofā€©aā€©typicalā€©
horrorā€©1ilmā€©thatā€©weā€©didā€©andā€©didnā€™tā€©wishā€©toā€©include.ā€©Weā€©knewā€©thatā€©toā€©createā€©aā€©goodā€©1ilmā€©weā€©neededā€©toā€©incorporateā€©someā€©
  ofā€©theā€©elementsā€©fromā€©anā€©ordinaryā€©horrorā€©1ilm,ā€©causingā€©usā€©toā€©placeā€©ourā€©focusā€©onā€©aā€©rangeā€©ofā€©similarā€©1ilmsā€©andā€©pickā€©outā€©
ideasā€©whichā€©weā€©feltā€©wouldā€©alsoā€©1itā€©intoā€©ourā€©ownā€©work.ā€©Filmsā€©suchā€©asā€©ā€˜Screamā€™ā€©andā€©ā€˜Blairā€©witchā€©projectā€™ā€©wereā€©consideredā€©
 andā€©ideasā€©whichā€©weā€©likedā€©wereā€©consideredā€©forā€©ourā€©ownā€©1ilm.ā€©Byā€©usingā€©blood,ā€©violenceā€©andā€©screamingā€©weā€©allowedā€©ourā€©
  movieā€©toā€©1itā€©intoā€©theā€©sameā€©categoryā€©asā€©generalā€©horrorā€©1ilms,ā€©howeverā€©usingā€©aā€©slightā€©twistā€©asā€©inā€©Blairā€©witchā€©projectā€©byā€©
  creatingā€©aā€©similarā€©settingā€©andā€©styleā€©ofā€©1ilmingā€©weā€©wereā€©ableā€©toā€©challengeā€©theā€©conventionsā€©ofā€©realā€©mediaā€©products.ā€©Weā€©
 usedā€©aā€©completelyā€©newā€©storylineā€©howeverā€©usedā€©oldā€©andā€©previouslyā€©usedā€©ideasā€©toā€©putā€©heā€©storylineā€©togetherā€©creatingā€©aā€©
newā€©andā€©differentā€©typeā€©ofā€©1ilm.ā€©Byā€©thenā€©usingā€©iMovieā€©toā€©helpā€©usā€©withā€©editingā€©weā€©wereā€©ableā€©toā€©createā€©effectsā€©toā€©makeā€©ourā€©
                                       1ilmā€©moreā€©scaryā€©andā€©1itā€©intoā€©itsā€©speci1icā€©genre.ā€©
How does your media product represent particular social groups?

 Ourā€©mediaā€©productā€©isā€©aimedā€©towardsā€©youngā€©adults/teenagersā€©soā€©weā€©feltā€©itā€©wouldā€©beā€©aā€©goodā€©ideaā€©toā€©useā€©theā€©sameā€©
    ageā€©rangeā€©inā€©ourā€©actualā€©work.ā€©Teenagersā€©areā€©oftenā€©usedā€©inā€©horrorā€©1ilmsā€©andā€©Iā€©feelā€©thisā€©makesā€©ourā€©1ilmā€©seemā€©
 similarā€©toā€©those.ā€©Peopleā€©expectā€©toā€©seeā€©thereā€©typesā€©ofā€©characters,ā€©average,ā€©everydayā€©peopleā€©whoā€©wouldnā€™tā€©expectā€©
   toā€©beā€©targeted.ā€©Bothā€©malesā€©andā€©femalesā€©areā€©targetedā€©asā€©theā€©audienceā€©inā€©horrorā€©1ilmsā€©canā€©appealā€©toā€©both.ā€©Alsoā€©
       peopleā€©ofā€©allā€©differentā€©ethnicā€©originsā€©mayā€©1indā€©theā€©productā€©appealingā€©asā€©aā€©mixā€©ofā€©peopleā€©fromā€©differentā€©
    backgroundsā€©haveā€©workedā€©togetherā€©toā€©createā€©it.ā€©Ourā€©1ilmā€©howeverā€©doesā€©ful1ilā€©aā€©stereoā€ā€©typeā€©asā€©itā€©isā€©aā€©young,ā€©
     teenageā€©girlā€©whoā€©isā€©attackedā€©whichā€©happensā€©inā€©myā€©horrorā€©1ilmsā€©asā€©manyā€©peopleā€©mayā€©thinkā€©theyā€©areā€©moreā€©
 venerable.ā€©Iā€©feelā€©thatā€©thisā€©worksā€©inā€©bothā€©aā€©positiveā€©andā€©negativeā€©way.ā€©Positiveā€©asā€©itsā€©whatā€©theā€©audienceā€©expectā€©toā€©
  seeā€©inā€©aā€©horrorā€©basedā€©1ilmā€©andā€©negativeā€©asā€©itsā€©veryā€©predictable.ā€©Teenagersā€©areā€©oftenā€©placedā€©intoā€©aā€©stereotypeā€©inā€©
    whichā€©theyā€©areā€©alwaysā€©causingā€©trouble,ā€©thisā€©isā€©partlyā€©theā€©reasonā€©theyā€©areā€©madeā€©outā€©toā€©beā€©theā€©victimā€©inā€©mostā€©
  horrorā€©1ilms.ā€©Iā€©feelā€©thatā€©ourā€©1ilmā€©1itsā€©inā€©withā€©thisā€©stereoā€typeā€©asā€©weā€©haveā€©alsoā€©usedā€©aā€©youngā€©femaleā€©characterā€©asā€©
                                                         ourā€©victim.



                              What kind of media institution might distribute your media product and why?


 Iā€©personallyā€©feelā€©thatā€©ifā€©ourā€©openingā€©sequenceā€©wasā€©toā€©beā€©producedā€©itā€©wouldā€©1itā€©intoā€©theā€©Britishā€©1ilmā€©institution,ā€©Iā€©feelā€©
thereā€©areā€©manyā€©reasonsā€©behindā€©this.ā€©Asā€©ourā€©1ilmā€©isā€©yetā€©amateurā€©Iā€©feelā€©itā€©wouldnā€™tā€©completelyā€©1itā€©intoā€©theā€©Americanā€©1ilmā€©
   institution,ā€©howeverā€©itā€©isā€©professionalā€©enoughā€©toā€©beā€©partā€©ofā€©theā€©Britishā€©institution.ā€©Iā€©de1initelyā€©believeā€©theā€©openingā€©
  sequenceā€©couldā€©beā€©shownā€©overā€©theā€©internetā€©toā€©introduceā€©viewersā€©toā€©theā€©1ilm.ā€©Ourā€©1ilmā€©isā€©basedā€©onā€©aā€©goodā€©storyline,ā€©
   howeverā€©manyā€©1ilmsā€©haveā€©similaritiesā€©andā€©inā€©orderā€©toā€©makeā€©itā€©bigā€©inā€©theā€©1ilmā€©institutionā€©Iā€©feelā€©thatā€©ourā€©1ilmā€©wouldā€©
 haveā€©toā€©beā€©madeā€©moreā€©original.ā€©YouTubeā€©viewersā€©inā€©myā€©opinionā€©wouldā€©enjoyā€©watchingā€©ourā€©creationā€©asā€©theā€©storylineā€©
             isā€©understandableā€©withoutā€©givingā€©toā€©muchā€©awayā€©whichā€©leadsā€©viewersā€©wantingā€©toā€©watchā€©more.ā€©
Who would be the audience for your media product?


  Ourā€©1ilmā€©wasā€©createdā€©forā€©aā€©speci1icā€©audienceā€©inā€©whichā€©weā€©tookā€©outā€©timeā€©toā€©clearlyā€©thingā€©aboutā€©ideasā€©whichā€©wouldā€©letā€©
 ourā€©audienceā€©knowā€©weā€©hadā€©createdā€©thisā€©forā€©them.ā€©Teenagersā€©andā€©youngā€©adultsā€©wereā€©ourā€©aimedā€©audienceā€©asā€©weā€©usedā€©
  theseā€©sameā€©charactersā€©inā€©ourā€©1ilm.ā€©Dependingā€©onā€©yourā€©otherā€©tasteā€©inā€©1ilmsā€©youā€©wouldā€©1indā€©ourā€©1ilmā€©interesting.ā€©Ourā€©
audienceā€©feedbackā€©helpedā€©usā€©inā€©thisā€©departmentā€©asā€©weā€©foundā€©outā€©thatā€©theā€©majorityā€©ofā€©teenagersā€©wouldā€©enjoyā€©ourā€©1ilm,ā€©
thereā€©ownā€©tasteā€©andā€©whatā€©theyā€©themselvesā€©likeā€©toā€©seeā€©isā€©whatā€©wouldā€©determineā€©whetherā€©ourā€©1ilmā€©metā€©thereā€©standards.ā€©
   Inā€©ourā€©1ilmā€©weā€©haveā€©triedā€©toā€©bringā€©inā€©mysteryā€©whichā€©weā€©feltā€©wouldā€©alsoā€©helpā€©usā€©inā€©drawingā€©inā€©aā€©widerā€©audienceā€©asā€©
manyā€©areā€©interestedā€©inā€©ā€˜whatā€©happensā€©next?ā€™ā€©Audienceā€©feedbackā€©helpedā€©usā€©hereā€©andā€©encourageā€©usā€©inā€©makingā€©decisionsā€©
 whichā€©wouldā€©helpā€©bringā€©inā€©aā€©widerā€©audience.ā€©Bothā€©malesā€©andā€©females,ā€©dependingā€©onā€©thereā€©tasteā€©wouldā€©alsoā€©enjoyā€©ourā€©
     openingā€©sequenceā€©asā€©weā€©gaveā€©featuredā€©bothā€©genders.ā€©Alsoā€©theā€©genreā€©ofā€©theā€©1ilmā€©isā€©appealingā€©toā€©both,ā€©howeverā€©
                     audienceā€©feedbackā€©allowedā€©usā€©toā€©seeā€©malesā€©1indā€©theā€©genreā€©moreā€©interesting.ā€©




                                         How did you attract/address your audience?


  Inā€©orderā€©toā€©attractā€©ourā€©audienceā€©weā€©hadā€©toā€©lookā€©atā€©thingsā€©fromā€©thereā€©pointā€©ofā€©view.ā€©Whatā€©doā€©theyā€©expectā€©toā€©see?ā€©
  Whatā€©doā€©theyā€©wantā€©toā€©see?ā€©Researchā€©wasā€©essentialā€©andā€©byā€©theā€©timeā€©itā€©cameā€©toā€©1ilmingā€©weā€©realisedā€©thereā€©wasā€©noā€©
    betterā€©wayā€©toā€©attractā€©teenagers,ā€©byā€©usingā€©themā€©inā€©theā€©actualā€©1ilm!ā€©Weā€©alsoā€©lookedā€©atā€©theā€©setting,ā€©ratherā€©thanā€©
      usingā€©aā€©placeā€©whereā€©noā€©teenagerā€©wouldā€©everā€©beā€©found,ā€©weā€©choseā€©toā€©pickā€©theā€©simpleā€©routeā€©homeā€©andā€©theā€©
    woodlandā€©areaā€©1ittedā€©perfectā€©withā€©ourā€©genre.ā€©Byā€©gatheringā€©audienceā€©researchā€©weā€©couldā€©seeā€©thisā€©isā€©whatā€©ourā€©
   audienceā€©wouldā€©expectā€©toā€©see.ā€©Theā€©elementā€©ofā€©mysteryā€©isā€©whatā€©interestedā€©manyā€©ofā€©themā€©soā€©weā€©choseā€©toā€©bringā€©
                                              thisā€©intoā€©ourā€©mediaā€©text.ā€©
What have you learnt about technologies from the process of constructing this product?


Whenā€©creatingā€©thisā€©projectā€©weā€©allā€©learntā€©aā€©lotā€©aboutā€©newā€©technologiesā€©suchā€©asā€©iMac,ā€©althoughā€©theā€©
 deviceā€©hasā€©manyā€©positivesā€©andā€©allowedā€©usā€©toā€©editā€©ourā€©mediaā€©inā€©aā€©professionalā€©way,ā€©Iā€©feelā€©itā€©wasā€©
    hardā€©toā€©getā€©toā€©gripsā€©withā€©atā€©1irst,ā€©howeverā€©afterā€©thisā€©problemā€©wasā€©solvedā€©weā€©wereā€©ableā€©toā€©
effectibleā€©makeā€©changesā€©toā€©ourā€©1ilmā€©creatingā€©aā€©positiveā€©pieceā€©ofā€©mediaā€©text.ā€©Theā€©cameraā€©wasā€©easyā€©
 toā€©getā€©toā€©termsā€©with,ā€©byā€©playingā€©aroundā€©withā€©itā€©weā€©wereā€©ableā€©toā€©1indā€©applicationsā€©suchā€©asā€©slowā€©
     1ilmingā€©andā€©snapā€©shotsā€©whichā€©thenā€©allowedā€©usā€©toā€©useā€©convectionsā€©fromā€©realā€©mediaā€©texts.ā€©
Looking back at your preliminary task, what do you feel you have learnt
                            in the progression from it to the full product?


Lookingā€©backā€©atā€©theā€©productionā€©whichā€©weā€©createdā€©Iā€©feelā€©thatā€©weā€©asā€©aā€©groupā€©andā€©Iā€©individuallyā€©haveā€©learntā€©aā€©lot,ā€©notā€©aloneā€©
    fromā€©usingā€©newā€©technology,ā€©butā€©alsoā€©fromā€©theā€©wayā€©Iā€©haveā€©workedā€©myself.ā€©Iā€©realisedā€©justā€©howā€©crucialā€©planningā€©andā€©
 researchā€©isā€©andā€©howā€©thisā€©canā€©affectā€©yourā€©work.ā€©Whenā€©watchingā€©1ilmsā€©inā€©theā€©pastā€©Iā€©haven'tā€©takenā€©anyā€©particularā€©noticeā€©inā€©
 cameraā€©shotsā€©howeverā€©whenā€©creatingā€©myā€©ownā€©1ilmā€©Iā€©realisedā€©justā€©howā€©importantā€©itā€©isā€©toā€©ensureā€©theā€©aā€©varietyā€©ofā€©cameraā€©
  shotsā€©areā€©shown.ā€©Althoughā€©Iā€©foundā€©1ilmingā€©fromā€©differentā€©anglesā€©quiteā€©easy,ā€©Iā€©realisedā€©howā€©timeā€©consumingā€©thisā€©reallyā€©
  was.ā€©Planningā€©andā€©havingā€©aā€©storyboardā€©wasā€©de1initelyā€©anā€©advantage,ā€©althoughā€©whilstā€©1ilmingā€©weā€©didā€©decideā€©toā€©makeā€©aā€©
   fewā€©changesā€©inā€©orderā€©toā€©beā€©moreā€©practical.ā€©iMacā€©thenā€©againā€©helpingā€©usā€©inā€©makingā€©evenā€©moreā€©changesā€©toā€©bene1itā€©ourā€©
  work.ā€©Iā€©feelā€©theā€©tripodā€©helpedā€©usā€©aā€©lotā€©especiallyā€©1ilmingā€©fromā€©soā€©manyā€©angles,ā€©itā€©ensuresā€©ourā€©1ilmingā€©wasnā€™tā€©shakyā€©andā€©
helpedā€©usā€©inā€©improvingā€©theā€©overallā€©qualityā€©ofā€©theā€©1ilm.ā€©Overallā€©Iā€©feelā€©ourā€©mediaā€©productionā€©wasā€©veryā€©successful,ā€©weā€©didnā€™tā€©
  justā€©challengeā€©otherā€©mediaā€©texts,ā€©weā€©alsoā€©createdā€©aā€©differentā€©andā€©funā€©pieceā€©ofā€©mediaā€©text.ā€©Fromā€©thisā€©productionā€©Iā€©haveā€©
                           takenā€©outā€©thatā€©researchā€©andā€©planningā€©canā€©makeā€©orā€©breakā€©yourā€©project.
http://vimeo.com/23419989
new site: http://ocrmediastudies.weebly.com/




               tips from march 25 conference:
http://www.wix.com/misslowdon/as-foundation-portfolio-video
http://social.ocr.org.uk/
Step 9: marking


ā€¢   mark the blogs as you go along

ā€¢   rank order the videos

ā€¢   benchmark against INSET material

ā€¢   best ļ¬t may = bottom of the level

ā€¢   evaluation - covering all questions, critically
    reļ¬‚ecting, making good use of creative opportunity
Step 10: moderation


ā€¢ prepare the blogs: ļ¬nal product at top,
  evaluation next
ā€¢ label everything clearly, make sure links
  work, add candidate numbers on hub
ā€¢ justify your marks with reference to criteria
  and candidate
feel the beneļ¬t



ā€¢ knock-on impact on G322 analysis
ā€¢ skills developed for A2
ā€¢ material stacked up for G325 1a/1b
ā€¢ better marks for this unit

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Film openings bfi copy

  • 1. Steering the OCR Film Opening Task
  • 3. WARNING! this is not an OCR policy slideshow, but a summary of best practice based on my experience of teaching and seeing the work of other centres
  • 4. Targets ā€¢ 60 posts on individual blog, each illustrated with a picture and/or a video ā€¢ a structured process with constant (formative) feedback ā€¢ students knowing how to work the equipment ā€¢ a ļ¬lm opening which looks like one ā€¢ a critically reļ¬‚ective evaluation on the blog with seven different creative tasks ā€¢ every student achieving their full potential
  • 6. Vygotsky! ā€œThe zone of proximal development is the distance between what children can do by themselves and the next learning that they can be helped to achieve with competent assistanceā€
  • 7. Step 1: assess ā€¢ whatā€™s the task? ā€¢ whatā€™s the assessment? ā€¢ whatā€™s the timeframe? ā€¢ whatā€™s the equipment?
  • 8. Task and assessment ā€¢ Titles and opening of a new ļ¬ction ļ¬lm ā€¢ up to 2 minutes ā€¢ 20 marks Research and Planning ā€¢ 60 marks Construction ā€¢ 20 marks Evaluation
  • 9. timeframe and equipment ā€¢ time to build skills ā€¢ time to research and plan ā€¢ time to shoot and edit ā€¢ access to cameras, edit program, online resources
  • 10. Step 2: structure ā€¢ set up blog hub ā€¢ set up class blogs ā€¢ set up class youtube and vimeo ā€¢ set out timeframe ā€¢ structure series of tasks- mini-deadlines
  • 11.
  • 13. week 1 learning to blog; exercise with camera, moodboard activity homework: blog activities so far; week 2 audio exercise; make production company logo, learn edit program, homework: audience/institution research; analyse real ļ¬lm opening week 3 ļ¬lm openings analysis; old student ļ¬lms, frame by frame re-make homework: prepare for frame re-make; analyse old student ļ¬lm week 4 frame by frame re-make, ļ¬lm titles research activity; scenarios inspiration homework: reļ¬‚ection on frame task and titles research work week 5 25 word pitches and feedback; moodboard 2 with titles homework: prepare pitch for scenarios week 6 post-it storyboard and animatic; peer feedback; plan all audio homework: write up responses of others to animatic week 7 planning, scripting, rehearsing, experimenting, recce shots, risk assessment homework: planning and blog all work done week 8 shooting into editing homework: shooting week 9 shooting into editing homework: shooting and blog process week10 rough cut deadline, feedback, make changes homework: blog feedback 10 week11 ļ¬nal deadline; set evaluation tasks work on some evaluation tasks 1 week12 work on evaluation tasks work on some evaluation tasks week13 deadline for evaluation tidy up blog Sept 12-Dec 16 or Jan 9- Mar 26+ April 16-27
  • 14. Step 3: activity ā€¢ teaching students to use the equipment ā€¢ camera exercises ā€¢ editing exercises ā€¢ audio exercises ā€¢ make their own production company logo/ident ā€¢ (b)logging evidence and reļ¬‚ecting critically and creatively
  • 15. Step 4: investigate ā€¢ structuring research activities- classwork and homework ā€¢ ļ¬lm openings: narrative, genre, audience, institution ā€¢ looking at examples of other student work- critiques and criteria ā€¢ ļ¬lm titles research timeline activity ā€¢ ļ¬lm language: storyboarding and re-make activities
  • 16.
  • 18. what could be better?
  • 19. what could be better? ā€¢ audio ā€¢ direction of actors ā€¢ camerawork ā€¢ editing ā€¢ mise-en-scene ā€¢ titles
  • 20.
  • 21. Step 5: helping the idea ā€¢ give some possible scenarios for treatments ā€¢ 25 word pitch ā€¢ moodboard pitch ā€¢ peer and teacher feedback ā€¢ realistic expectations
  • 22. The Pitch ā€¢ 25 word pitch ā€¢ Keep it simple ā€¢ Know the ļ¬lm but make the opening
  • 23. A mainstream action film that will appeal A supernatural thriller that will to 15-25yr old males appeal to female audiences Your film should appear to be based on a "fictional" Your film should appear to be an international comic book co-production possible scenarios A remake of a late 50s/early 60s An independent movie featuring a young Hammer film protagonist Your film should offer a take suitable for the Your film should appear to be financed through modern media-savvy audience regional funding
  • 24. Step 6: Planning ā€¢ experimenting with camera and editing ā€¢ recce shots of locations ā€¢ examples of shots, costumes, props, etc onto blog ā€¢ post-it storyboard, animatic, moodboard ā€¢ logistics planning- including risk assessment
  • 25.
  • 26. Feedback ā€¢ On pitch, moodboard, storyboard, animatic, rough cut and ļ¬nal video ā€¢ Keep evidence of feedback and note your response to it
  • 27.
  • 28. Step 6: production ā€¢ limiting timeframe for camera loan ā€¢ ensuring process is recorded ā€¢ extra audio capture e.g. voice memo on phone ā€¢ students becoming directors...
  • 29. The Shoot ā€¢ Check your equipment ā€¢ Plan people, places, props and costumes ā€¢ Practice ā€¢ Rehearse your actors ā€¢ Pay attention to your audio as well as visuals
  • 30. Step 7: edit ā€¢ all having a voice/hand in it ā€¢ screengrabs of process ā€¢ importance of audio and titles ā€¢ foley - not just music ā€¢ rough cut deadline and peer feedback
  • 31. The Edit ā€¢ Start with the big picture ā€¢ Do ļ¬ne detail later ā€¢ Titles could all be done ļ¬rst
  • 32. Step 8: evaluation ā€¢ time to do it properly ā€¢ structure and opportunity
  • 33. The Evaluation ā€¢ Seven tasks, not just seven written answers ā€¢ www.petesmediablog.blogspot.com
  • 35. In what ways does your media product use, develop or challenge forms and conventions of real media products? Myā€©mediaā€©productā€©isā€©aā€©videoā€©1ilmā€©whichā€©hasā€©beenā€©createdā€©toā€©1itā€©inā€©withā€©otherā€©horrorā€©1ilms,ā€©howeverā€©atā€©theā€©sameā€©timeā€©itā€© hasā€©beenā€©madeā€©toā€©challengeā€©conventionsā€©ofā€©realā€©mediaā€©productsā€©allowingā€©itā€©toā€©beā€©consideredā€©asā€©unique.ā€©Thereā€©wereā€© variousā€©aspectsā€©whichā€©in1luencedā€©ourā€©decisionā€©toā€©createā€©aā€©1ilmā€©basedā€©onā€©theā€©horrorā€©genre.ā€©Itā€©wasā€©importantā€©thatā€©ourā€© audienceā€©wereā€©satis1iedā€©byā€©theā€©1ilmā€©andā€©allā€©thereā€©expectationsā€©ofā€©aā€©horrorā€©1ilmā€©wereā€©met.ā€©Lookingā€©atā€©theā€©typicalā€© conventionsā€©ofā€©aā€©horrorā€©1ilm,ā€©suchā€©asā€©blood,ā€©killing,ā€©violenceā€©andā€©screamsā€©helpedā€©usā€©toā€©considerā€©theā€©aspectsā€©ofā€©aā€©typicalā€© horrorā€©1ilmā€©thatā€©weā€©didā€©andā€©didnā€™tā€©wishā€©toā€©include.ā€©Weā€©knewā€©thatā€©toā€©createā€©aā€©goodā€©1ilmā€©weā€©neededā€©toā€©incorporateā€©someā€© ofā€©theā€©elementsā€©fromā€©anā€©ordinaryā€©horrorā€©1ilm,ā€©causingā€©usā€©toā€©placeā€©ourā€©focusā€©onā€©aā€©rangeā€©ofā€©similarā€©1ilmsā€©andā€©pickā€©outā€© ideasā€©whichā€©weā€©feltā€©wouldā€©alsoā€©1itā€©intoā€©ourā€©ownā€©work.ā€©Filmsā€©suchā€©asā€©ā€˜Screamā€™ā€©andā€©ā€˜Blairā€©witchā€©projectā€™ā€©wereā€©consideredā€© andā€©ideasā€©whichā€©weā€©likedā€©wereā€©consideredā€©forā€©ourā€©ownā€©1ilm.ā€©Byā€©usingā€©blood,ā€©violenceā€©andā€©screamingā€©weā€©allowedā€©ourā€© movieā€©toā€©1itā€©intoā€©theā€©sameā€©categoryā€©asā€©generalā€©horrorā€©1ilms,ā€©howeverā€©usingā€©aā€©slightā€©twistā€©asā€©inā€©Blairā€©witchā€©projectā€©byā€© creatingā€©aā€©similarā€©settingā€©andā€©styleā€©ofā€©1ilmingā€©weā€©wereā€©ableā€©toā€©challengeā€©theā€©conventionsā€©ofā€©realā€©mediaā€©products.ā€©Weā€© usedā€©aā€©completelyā€©newā€©storylineā€©howeverā€©usedā€©oldā€©andā€©previouslyā€©usedā€©ideasā€©toā€©putā€©heā€©storylineā€©togetherā€©creatingā€©aā€© newā€©andā€©differentā€©typeā€©ofā€©1ilm.ā€©Byā€©thenā€©usingā€©iMovieā€©toā€©helpā€©usā€©withā€©editingā€©weā€©wereā€©ableā€©toā€©createā€©effectsā€©toā€©makeā€©ourā€© 1ilmā€©moreā€©scaryā€©andā€©1itā€©intoā€©itsā€©speci1icā€©genre.ā€©
  • 36. How does your media product represent particular social groups? Ourā€©mediaā€©productā€©isā€©aimedā€©towardsā€©youngā€©adults/teenagersā€©soā€©weā€©feltā€©itā€©wouldā€©beā€©aā€©goodā€©ideaā€©toā€©useā€©theā€©sameā€© ageā€©rangeā€©inā€©ourā€©actualā€©work.ā€©Teenagersā€©areā€©oftenā€©usedā€©inā€©horrorā€©1ilmsā€©andā€©Iā€©feelā€©thisā€©makesā€©ourā€©1ilmā€©seemā€© similarā€©toā€©those.ā€©Peopleā€©expectā€©toā€©seeā€©thereā€©typesā€©ofā€©characters,ā€©average,ā€©everydayā€©peopleā€©whoā€©wouldnā€™tā€©expectā€© toā€©beā€©targeted.ā€©Bothā€©malesā€©andā€©femalesā€©areā€©targetedā€©asā€©theā€©audienceā€©inā€©horrorā€©1ilmsā€©canā€©appealā€©toā€©both.ā€©Alsoā€© peopleā€©ofā€©allā€©differentā€©ethnicā€©originsā€©mayā€©1indā€©theā€©productā€©appealingā€©asā€©aā€©mixā€©ofā€©peopleā€©fromā€©differentā€© backgroundsā€©haveā€©workedā€©togetherā€©toā€©createā€©it.ā€©Ourā€©1ilmā€©howeverā€©doesā€©ful1ilā€©aā€©stereoā€ā€©typeā€©asā€©itā€©isā€©aā€©young,ā€© teenageā€©girlā€©whoā€©isā€©attackedā€©whichā€©happensā€©inā€©myā€©horrorā€©1ilmsā€©asā€©manyā€©peopleā€©mayā€©thinkā€©theyā€©areā€©moreā€© venerable.ā€©Iā€©feelā€©thatā€©thisā€©worksā€©inā€©bothā€©aā€©positiveā€©andā€©negativeā€©way.ā€©Positiveā€©asā€©itsā€©whatā€©theā€©audienceā€©expectā€©toā€© seeā€©inā€©aā€©horrorā€©basedā€©1ilmā€©andā€©negativeā€©asā€©itsā€©veryā€©predictable.ā€©Teenagersā€©areā€©oftenā€©placedā€©intoā€©aā€©stereotypeā€©inā€© whichā€©theyā€©areā€©alwaysā€©causingā€©trouble,ā€©thisā€©isā€©partlyā€©theā€©reasonā€©theyā€©areā€©madeā€©outā€©toā€©beā€©theā€©victimā€©inā€©mostā€© horrorā€©1ilms.ā€©Iā€©feelā€©thatā€©ourā€©1ilmā€©1itsā€©inā€©withā€©thisā€©stereoā€typeā€©asā€©weā€©haveā€©alsoā€©usedā€©aā€©youngā€©femaleā€©characterā€©asā€© ourā€©victim. What kind of media institution might distribute your media product and why? Iā€©personallyā€©feelā€©thatā€©ifā€©ourā€©openingā€©sequenceā€©wasā€©toā€©beā€©producedā€©itā€©wouldā€©1itā€©intoā€©theā€©Britishā€©1ilmā€©institution,ā€©Iā€©feelā€© thereā€©areā€©manyā€©reasonsā€©behindā€©this.ā€©Asā€©ourā€©1ilmā€©isā€©yetā€©amateurā€©Iā€©feelā€©itā€©wouldnā€™tā€©completelyā€©1itā€©intoā€©theā€©Americanā€©1ilmā€© institution,ā€©howeverā€©itā€©isā€©professionalā€©enoughā€©toā€©beā€©partā€©ofā€©theā€©Britishā€©institution.ā€©Iā€©de1initelyā€©believeā€©theā€©openingā€© sequenceā€©couldā€©beā€©shownā€©overā€©theā€©internetā€©toā€©introduceā€©viewersā€©toā€©theā€©1ilm.ā€©Ourā€©1ilmā€©isā€©basedā€©onā€©aā€©goodā€©storyline,ā€© howeverā€©manyā€©1ilmsā€©haveā€©similaritiesā€©andā€©inā€©orderā€©toā€©makeā€©itā€©bigā€©inā€©theā€©1ilmā€©institutionā€©Iā€©feelā€©thatā€©ourā€©1ilmā€©wouldā€© haveā€©toā€©beā€©madeā€©moreā€©original.ā€©YouTubeā€©viewersā€©inā€©myā€©opinionā€©wouldā€©enjoyā€©watchingā€©ourā€©creationā€©asā€©theā€©storylineā€© isā€©understandableā€©withoutā€©givingā€©toā€©muchā€©awayā€©whichā€©leadsā€©viewersā€©wantingā€©toā€©watchā€©more.ā€©
  • 37. Who would be the audience for your media product? Ourā€©1ilmā€©wasā€©createdā€©forā€©aā€©speci1icā€©audienceā€©inā€©whichā€©weā€©tookā€©outā€©timeā€©toā€©clearlyā€©thingā€©aboutā€©ideasā€©whichā€©wouldā€©letā€© ourā€©audienceā€©knowā€©weā€©hadā€©createdā€©thisā€©forā€©them.ā€©Teenagersā€©andā€©youngā€©adultsā€©wereā€©ourā€©aimedā€©audienceā€©asā€©weā€©usedā€© theseā€©sameā€©charactersā€©inā€©ourā€©1ilm.ā€©Dependingā€©onā€©yourā€©otherā€©tasteā€©inā€©1ilmsā€©youā€©wouldā€©1indā€©ourā€©1ilmā€©interesting.ā€©Ourā€© audienceā€©feedbackā€©helpedā€©usā€©inā€©thisā€©departmentā€©asā€©weā€©foundā€©outā€©thatā€©theā€©majorityā€©ofā€©teenagersā€©wouldā€©enjoyā€©ourā€©1ilm,ā€© thereā€©ownā€©tasteā€©andā€©whatā€©theyā€©themselvesā€©likeā€©toā€©seeā€©isā€©whatā€©wouldā€©determineā€©whetherā€©ourā€©1ilmā€©metā€©thereā€©standards.ā€© Inā€©ourā€©1ilmā€©weā€©haveā€©triedā€©toā€©bringā€©inā€©mysteryā€©whichā€©weā€©feltā€©wouldā€©alsoā€©helpā€©usā€©inā€©drawingā€©inā€©aā€©widerā€©audienceā€©asā€© manyā€©areā€©interestedā€©inā€©ā€˜whatā€©happensā€©next?ā€™ā€©Audienceā€©feedbackā€©helpedā€©usā€©hereā€©andā€©encourageā€©usā€©inā€©makingā€©decisionsā€© whichā€©wouldā€©helpā€©bringā€©inā€©aā€©widerā€©audience.ā€©Bothā€©malesā€©andā€©females,ā€©dependingā€©onā€©thereā€©tasteā€©wouldā€©alsoā€©enjoyā€©ourā€© openingā€©sequenceā€©asā€©weā€©gaveā€©featuredā€©bothā€©genders.ā€©Alsoā€©theā€©genreā€©ofā€©theā€©1ilmā€©isā€©appealingā€©toā€©both,ā€©howeverā€© audienceā€©feedbackā€©allowedā€©usā€©toā€©seeā€©malesā€©1indā€©theā€©genreā€©moreā€©interesting.ā€© How did you attract/address your audience? Inā€©orderā€©toā€©attractā€©ourā€©audienceā€©weā€©hadā€©toā€©lookā€©atā€©thingsā€©fromā€©thereā€©pointā€©ofā€©view.ā€©Whatā€©doā€©theyā€©expectā€©toā€©see?ā€© Whatā€©doā€©theyā€©wantā€©toā€©see?ā€©Researchā€©wasā€©essentialā€©andā€©byā€©theā€©timeā€©itā€©cameā€©toā€©1ilmingā€©weā€©realisedā€©thereā€©wasā€©noā€© betterā€©wayā€©toā€©attractā€©teenagers,ā€©byā€©usingā€©themā€©inā€©theā€©actualā€©1ilm!ā€©Weā€©alsoā€©lookedā€©atā€©theā€©setting,ā€©ratherā€©thanā€© usingā€©aā€©placeā€©whereā€©noā€©teenagerā€©wouldā€©everā€©beā€©found,ā€©weā€©choseā€©toā€©pickā€©theā€©simpleā€©routeā€©homeā€©andā€©theā€© woodlandā€©areaā€©1ittedā€©perfectā€©withā€©ourā€©genre.ā€©Byā€©gatheringā€©audienceā€©researchā€©weā€©couldā€©seeā€©thisā€©isā€©whatā€©ourā€© audienceā€©wouldā€©expectā€©toā€©see.ā€©Theā€©elementā€©ofā€©mysteryā€©isā€©whatā€©interestedā€©manyā€©ofā€©themā€©soā€©weā€©choseā€©toā€©bringā€© thisā€©intoā€©ourā€©mediaā€©text.ā€©
  • 38. What have you learnt about technologies from the process of constructing this product? Whenā€©creatingā€©thisā€©projectā€©weā€©allā€©learntā€©aā€©lotā€©aboutā€©newā€©technologiesā€©suchā€©asā€©iMac,ā€©althoughā€©theā€© deviceā€©hasā€©manyā€©positivesā€©andā€©allowedā€©usā€©toā€©editā€©ourā€©mediaā€©inā€©aā€©professionalā€©way,ā€©Iā€©feelā€©itā€©wasā€© hardā€©toā€©getā€©toā€©gripsā€©withā€©atā€©1irst,ā€©howeverā€©afterā€©thisā€©problemā€©wasā€©solvedā€©weā€©wereā€©ableā€©toā€© effectibleā€©makeā€©changesā€©toā€©ourā€©1ilmā€©creatingā€©aā€©positiveā€©pieceā€©ofā€©mediaā€©text.ā€©Theā€©cameraā€©wasā€©easyā€© toā€©getā€©toā€©termsā€©with,ā€©byā€©playingā€©aroundā€©withā€©itā€©weā€©wereā€©ableā€©toā€©1indā€©applicationsā€©suchā€©asā€©slowā€© 1ilmingā€©andā€©snapā€©shotsā€©whichā€©thenā€©allowedā€©usā€©toā€©useā€©convectionsā€©fromā€©realā€©mediaā€©texts.ā€©
  • 39. Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product? Lookingā€©backā€©atā€©theā€©productionā€©whichā€©weā€©createdā€©Iā€©feelā€©thatā€©weā€©asā€©aā€©groupā€©andā€©Iā€©individuallyā€©haveā€©learntā€©aā€©lot,ā€©notā€©aloneā€© fromā€©usingā€©newā€©technology,ā€©butā€©alsoā€©fromā€©theā€©wayā€©Iā€©haveā€©workedā€©myself.ā€©Iā€©realisedā€©justā€©howā€©crucialā€©planningā€©andā€© researchā€©isā€©andā€©howā€©thisā€©canā€©affectā€©yourā€©work.ā€©Whenā€©watchingā€©1ilmsā€©inā€©theā€©pastā€©Iā€©haven'tā€©takenā€©anyā€©particularā€©noticeā€©inā€© cameraā€©shotsā€©howeverā€©whenā€©creatingā€©myā€©ownā€©1ilmā€©Iā€©realisedā€©justā€©howā€©importantā€©itā€©isā€©toā€©ensureā€©theā€©aā€©varietyā€©ofā€©cameraā€© shotsā€©areā€©shown.ā€©Althoughā€©Iā€©foundā€©1ilmingā€©fromā€©differentā€©anglesā€©quiteā€©easy,ā€©Iā€©realisedā€©howā€©timeā€©consumingā€©thisā€©reallyā€© was.ā€©Planningā€©andā€©havingā€©aā€©storyboardā€©wasā€©de1initelyā€©anā€©advantage,ā€©althoughā€©whilstā€©1ilmingā€©weā€©didā€©decideā€©toā€©makeā€©aā€© fewā€©changesā€©inā€©orderā€©toā€©beā€©moreā€©practical.ā€©iMacā€©thenā€©againā€©helpingā€©usā€©inā€©makingā€©evenā€©moreā€©changesā€©toā€©bene1itā€©ourā€© work.ā€©Iā€©feelā€©theā€©tripodā€©helpedā€©usā€©aā€©lotā€©especiallyā€©1ilmingā€©fromā€©soā€©manyā€©angles,ā€©itā€©ensuresā€©ourā€©1ilmingā€©wasnā€™tā€©shakyā€©andā€© helpedā€©usā€©inā€©improvingā€©theā€©overallā€©qualityā€©ofā€©theā€©1ilm.ā€©Overallā€©Iā€©feelā€©ourā€©mediaā€©productionā€©wasā€©veryā€©successful,ā€©weā€©didnā€™tā€© justā€©challengeā€©otherā€©mediaā€©texts,ā€©weā€©alsoā€©createdā€©aā€©differentā€©andā€©funā€©pieceā€©ofā€©mediaā€©text.ā€©Fromā€©thisā€©productionā€©Iā€©haveā€© takenā€©outā€©thatā€©researchā€©andā€©planningā€©canā€©makeā€©orā€©breakā€©yourā€©project.
  • 41. new site: http://ocrmediastudies.weebly.com/ tips from march 25 conference: http://www.wix.com/misslowdon/as-foundation-portfolio-video
  • 43. Step 9: marking ā€¢ mark the blogs as you go along ā€¢ rank order the videos ā€¢ benchmark against INSET material ā€¢ best ļ¬t may = bottom of the level ā€¢ evaluation - covering all questions, critically reļ¬‚ecting, making good use of creative opportunity
  • 44. Step 10: moderation ā€¢ prepare the blogs: ļ¬nal product at top, evaluation next ā€¢ label everything clearly, make sure links work, add candidate numbers on hub ā€¢ justify your marks with reference to criteria and candidate
  • 45. feel the beneļ¬t ā€¢ knock-on impact on G322 analysis ā€¢ skills developed for A2 ā€¢ material stacked up for G325 1a/1b ā€¢ better marks for this unit

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