Pamela Rutledge: Transmedia Storytelling for Branding & Education
1. TRANSMEDIA STORYTELLING
Creating Engagement and Meaning for
Organizations, Brands, Education, and
Practice
Pamela Rutledge, PhD, MBA
@pamelarutledge
2012 APA Annual Convention, Orlando, Florida
August 2, 2012 #apatransmedia
2. Pamela Rutledge, PhD, MBA
• Director, Media Psychology Research Center
• Faculty, Massachusetts School of Professional
Psychology and Instructor, UCIrvine Extension
• Blogger, Psychology Today, Positively Media
• Consultant & speaker: Transmedia storytelling for
brands, visual and data design, interactive design
for optimal engagement, social impact of
technology
ORGANIZATIONS & BRANDS
12. WHAT IS IT?
WHAT
• STORY
• Unfolds across platforms
• Each piece adds something
unique and valuable
• Motivates user to find others
Henry Jenkins
• USERS Convergence Culture
• Join at different places
• Participate and contribute
content
13. SO WHAT
Transmedia content doesn’t promote a product: it
becomes part of the product
•It starts with the story, not the brand or product
•The brand becomes part of the story’s universe
•The audience is transported into the universe by the
story
•The audience connects with the brand as a participant
and a co-creator
21. Case Study: The Three Little Pigs
CASE STUDY: 3 PIGS
Wolf: Website
Pig 1: Website
Wolf: Ning Network
Pig 1: Anime for Team Wolf
Super Pig
Main Story Anchor: Novel Sequels
Pig 2: Twitter Pig 3: Cooking Pig 3:
Dialogue Blog Cookbook
Pig 3: YouTube
Pig 3: Fan Page
Videos
Full description at http://athinklab.com/transmedia-storytelling/case-study-example-the-three-little-pigs/
29. NOW WHAT ?
• Branding and Marketing
SO WHAT ?
• Non-Profits
• Advocacy Campaigns
• Education
• Corporate Training
#apatransmedia
30. Overview
OVERVIEW
• Transmedia storytelling is a way of looking at the
world with a 360 degree view
• Stories allow the message to be heard and
experienced
• Emotional engagement at multiple levels and to
a wider audience
• Creates audience investment through
participation and co-creation
31. Key Factors
KEY FACTORS
• Emotional engagement
– Core story with universal metaphors
– Opportunities for empathy & narrative transportation
– Clear protagonist and conflict
– Defined world values and rules
• Cognitive engagement
– Coherent meta-narrative
– Media pieces additive and consistent to story
– Designed gaps, mysteries, and narrative spaces
• Social engagement
– Design for participation and sharing
– Enable social validation and identity
• Technology is only a tool
• Respect the audience
33. TRANSMEDIA STORYTELLING
Pamela Rutledge, PhD, MBA
pamelarutledge@gmail.com
#apatransmedia
THANK YOU
Editor's Notes
Oder and pattern: stories are mental models, schema, cognitive maps, narratives File cabinets in our brain context categories meaning; culturally dependent Gilligan, “Wild and Crazy Guy”, Kennedy shot, Obama elected, ipad—stories place brand in meaning
http://popculturesnackshack.wordpress.com/
The mass media model—what we now think of as traditional media-- is one-to-many. One message was distributed to many people. In this model, information access is wider, but still controllable. The small number of distribution channels means information is filtered by the producers.
What we have now is a “mash-up” of the first two: Web 2.0 and social media have taken the power and distribution qualities of mass media and made it personal by creating peer-to-peer communication that allows for the creation and exchange of user-generated content, and produces links and connections that are dynamic and constantly changing. The new media landscape profoundly affects the ability to connect people with resources.
Emerging stars: definition, code of credits producers association Wow, he’s a really smart guy. That’s freaking brilliant. What the hell am I supposed to do with it?
Emerging stars: definition, code of credits producers association Wow, he’s a really smart guy. That’s freaking brilliant. What the hell am I supposed to do with it?