SlideShare uma empresa Scribd logo
1 de 38
Nirekha De Silva,
PhD Candidate, Griffith Law School, Queensland, Australia
Coomaraswmy’s Interest in Revival
    of Arts and Crafts in the Orient
                        
Coomaraswamy‟s family background.
The socializing experiences in his formative period.
The psychological implications of the perception of
 self.
The socio-political background in the Orient.




                                                   2
Coomaraswamy’s
                   Childhood
                          
 Ananda Kentish Coomaraswamy was born in Ceylon in 1877
 The only child, to a Tamil father and an English mother.




                                                        3
Coomaraswamy‟s
        Education
                                
 Educated at Wycliffe College and at London University.




 Doctoral work –
„Scientific Survey of the Mineralogy of Ceylon.‟

                                                           4
Coomaraswamy‟s
               Interest in Ceylon
 Roots in Ceylon
                            
 Carefully studied Ceylon culture.
 Insider Vs. Outside status
 Negotiating relations with the Occident and the Orient.

His pioneering efforts in safeguarding culture was
enriched by –
   • The influence of Western socialization
   • Keen interest in studying culture and traditional
     knowledge of India and Sri Lanka
                                                         5
Distressed about the
        Colonial Influence
                        
The corrosive effects
         and
  negative impact
          of
 British Colonialism
          in
India and Sri Lanka.
                              6
Colonization
                        



 Introduced Western way of life.
 Disoriented the colonized from their art of living.
 Had the Impact of destroying the traditional art of
                                                        7
  living.
„The highest ideal of nationality is service;
and it is because this service is impossible for us as long
                                      
 as we are politically and spiritually dominated by any
                    Western civilisation,
         that we are bound to achieve our freedom.
   It is in this spirit that we must say to Englishmen,
             that we will achieve this freedom,
                          if they will,
           with their consent and with their help;
                     and if they will not,
                 then without their consent
               and in spite of their resistance.‟
        (Coomaraswamy, A. K. 1909: Essays in National Idealism. P. ix)   8
Introduction of Western
                        Education
                          
A way of introducing English way of life and
 English value system.

The colonial education oriented the young
 generations,
   to the colonial language,
   to western religions
   to the western perspective of history.
                                                9
The aim of such education system is to form a
class of persons “Indian in colour, but English
 in taste, in opinion, in morals and intellect.”

(Coomaraswamy, A. K. 1946: Indian Culture and English Influence: An Address to
  Indian Students and Their Friends, Massachusetts Institute of Technology,
                             January 1944, P. 31)




                                                                                 10

 „I have no idea how many years it
might take to outgrow a missionary
college education, or to recover from
a course of lectures on Comparative
  Religion offered by a Calvinist.‟
      (Coomaraswamy, A. K. East and West: 10)




                                                11
The Introduction of Capitalist
Mode of Production
  “An acquisitive 
society, materialistic
   in its interests,
  unhealthy in its
      pleasures,         “A murderous
 disillusioned in its   machine with no
 ideals and moving     conscience and no
  blindly towards
       disaster”            ideals.”
- Professor Foerster, of Princeton   - Professor La Piana of
            University)               Harvard University       12
Breakdown of Value
              System
                             
 Any established institution is governed by the values
  the given society.

 Most foreigners who attack and reject the existing
  institutions, do so without understanding the morale
  basis of the established institution.

 Introducing new institutions without understanding
  the moral basis of a society results in not been able to
  fulfil moral intentions. (Coomaraswamy, A. K. East and West: 15)
                                                                13
Breakdown of Traditional
         Legal System

                           
 In the pre-colonial era,
   the law was based on the religious and belief system of the
    community.
   the law promoted and safeguarded traditional arts and
    crafts


 Roman Dutch Law was alien to the community in
  Sri Lanka.

 The new legal system had the effect in changing
  values, customs and social practices.                       14
Cultural Alienation
                     
            One can
“become a queer mixture of East
           and West,
   out of place everywhere,
      at home nowhere”
      (Coomaraswamy, A. K. East and West: 11)


                                                15
The Role of Traditional Arts and Crafts in
   Safeguarding Cultural Identity of a Community

                              
  Artists and poets
   play the most
   crucial role in
    crafting the
    identity of a
       nation.
 (Coomaraswamy, A. K. 1909.
Essays in National Idealism: p. ii)
                                                   16
„Art contains in itself
       the deepest principals of life,
    the truest guide to the greatest art,
               the Art of Living.
  The true life, the ideal of Indian culture,
         is itself a unity and an art,
  because of its inspirations by one ruling
                    passion,
the desire to realise a spiritual inheritance.‟
      (Coomaraswamy, A. K. 1909:Essays in National Idealism p.ii)   17
Coomaraswamy‟s Efforts
 in Reviving Traditional
     Arts and Crafts
     



                       18
Documented
 Ananda Kentish
                   
 Coomaraswamy‟ s multifaceted
 writings deal primarily with,
     visual art,
    aesthetics,
    literature and language,
    folklore,
    mythology,
    religion,
    metaphysics.
                                 19
20





    21
22
23
Defending Indigenous art and
architecture in India and Sri Lanka
                      
Purpose of traditional art :
  preserve and transmit moral values and
   spiritual teachings derived from the tradition
   in which it appeared, and
  towards the satisfaction of present needs.


                                                    24
Interpreting Cultures,
          Arts and Crafts
                        

 Provides an ideological base to interpret and
  understand different cultures, arts and crafts.

 He is a pioneer interpreter of Sri Lankan and
  Indian culture to the west.

 He introduces the religious meaning of art.       25
Promoting Traditional
 Form of Government
         
        The practical value of the
           traditional theory of
           kingship for the 20th
          century promoted in –
         „Spiritual Authority and
             Temporal Power‟


                                 26
Developing National
      Consciousness
                                   
The two essentials of nationality
    Geographical unity
    A common historic evolution or culture
    (Coomaraswamy A. K. 1909: 7)




                                              27
Promoting Cultural
     Nationalism
                



    Cultural nationalism meant,
a national identity shaped by cultural
     traditions and by language
                                         28
Ceylon Social
                    Reform Society
                          
             Ananda Coomaraswamy is
                        the founder ,
                the inaugural President and
                      the moving force,
        of the Ceylon Social Reform Society (1905).


The objective was to preserve and revive the traditional
arts and crafts as well as the social values and customs
which had helped to shape them.
                                                           29
Contribution towards
        Swadeshi Movement
                           
 Advocated for 'cultural nationalism.„

 The Honorary National President of the National Committee
  for Indian freedom formed in Washington, USA, in 1914.




                                                        30
Promoting Indigenous
                              Education
                               
  “In order to safeguard the traditional
education system, every Government and
missionary college and school during the
 colonial period to be replaced by native
 colleges and schools, where young men
    and women are taught to be true
              nationalists.”
   (Coomaraswamy, A. K. 1909: Essays in National Idealism. P. iii)   31
The Impact of Coomaraswamy‟s
            Efforts
             



                               32
International Recognition
      for Asian Art
                      
A pioneer in introducing Indian and Sri
 Lankan civilization and its arts and crafts
 based on eastern religious philosophies.




                                               33
Reviving, Internationalizing and
   Safeguarding Cultural Identity
                             
Through,
   Ideologies

   Research

   Documentation

   Political Mobilisation


                                     34
Think-Tanks to Promote and
     Preserve Traditional Culture
                        
Following Institutions were influenced by
Coomaraswamy‟s ideologies-

 Sri Lanka Institute of Traditional Studies

 The Indira Gandhi National Centre for the Arts

 The Foundation for Traditional Studies in the U.S.

                                                       35
Ananda Coomaraswamy was,
one of the most erudite scholars of 20th Century; who
       advocated the wisdom of tradition; and
 revived the cultural identity of India and Sri Lanka,
              through arts and crafts…


                                                         36
Special Thanks to
                My Supervisors
                          
Prof. Fiona Kumari Campbell
Principal Supervisor
Deputy Head of School (Learning and Teaching
Scholarship), Griffith Law School, Griffith
University, Queensland, Australia.
Dr. Jay Sanderson
Associate Supervisor
Lecturer, Griffith Law School, Griffith
University, Queensland, Australia


Dr. Asoka Sinharaja Wijetunga Tammita-Delgoda
External Supervisor
                                                37
Thank You!!!
  

Mais conteúdo relacionado

Mais procurados

Buddhist art in india 2
Buddhist art in india 2Buddhist art in india 2
Buddhist art in india 2dshimkhada
 
Painting and Sculptures In India
Painting and Sculptures In IndiaPainting and Sculptures In India
Painting and Sculptures In IndiaMohamed Faseehun
 
Indian Tribal & Folk Art Forms that Every Art Lover Should Own
Indian Tribal & Folk Art Forms that Every Art Lover Should OwnIndian Tribal & Folk Art Forms that Every Art Lover Should Own
Indian Tribal & Folk Art Forms that Every Art Lover Should OwnIndian Art Ideas
 
Indian aesthetics 1
Indian aesthetics 1Indian aesthetics 1
Indian aesthetics 1Abdul Karim
 
Gupta - Art & Archietecture
Gupta - Art & ArchietectureGupta - Art & Archietecture
Gupta - Art & ArchietectureRaunak Hajela
 
Company school painting
Company school paintingCompany school painting
Company school paintingAkhil Arora
 
P. 7. Theory of Riti.
 P. 7. Theory of Riti.  P. 7. Theory of Riti.
P. 7. Theory of Riti. PrinjalShiyal
 
'Renaissance In India'- Sri. Aurobindo's ideas
'Renaissance In India'- Sri. Aurobindo's ideas 'Renaissance In India'- Sri. Aurobindo's ideas
'Renaissance In India'- Sri. Aurobindo's ideas deepikavaja
 
Diverse Arts and Crafts from India
Diverse Arts and Crafts from IndiaDiverse Arts and Crafts from India
Diverse Arts and Crafts from IndiaRadiance Within
 
Art of india
Art of indiaArt of india
Art of indiaGreg A.
 
GUPTA ART, ARCHITECTURE AND CULTURE
GUPTA ART, ARCHITECTURE AND CULTUREGUPTA ART, ARCHITECTURE AND CULTURE
GUPTA ART, ARCHITECTURE AND CULTUREvimlendrarajak
 
The History of Tanjore Art Paintings and Tanjore Painting Materials
The History of Tanjore Art Paintings and Tanjore Painting MaterialsThe History of Tanjore Art Paintings and Tanjore Painting Materials
The History of Tanjore Art Paintings and Tanjore Painting MaterialsMangala Tanjore Paintings
 
Different art forms of India
Different  art forms  of IndiaDifferent  art forms  of India
Different art forms of IndiaNavaneeth Shetty
 
Art for art sake
Art for art sakeArt for art sake
Art for art sakeAMIR ZESHAN
 
Madhubani, the mithila art from India.
Madhubani, the mithila art from India.Madhubani, the mithila art from India.
Madhubani, the mithila art from India.anu partha
 
Journey of indian handicrafts
Journey of indian handicraftsJourney of indian handicrafts
Journey of indian handicraftsPalak M
 
kalamkari and pattachitra
kalamkari and pattachitrakalamkari and pattachitra
kalamkari and pattachitraarchittandon4
 

Mais procurados (20)

Significance of aeshetics in your daily life
Significance of aeshetics in your daily lifeSignificance of aeshetics in your daily life
Significance of aeshetics in your daily life
 
Buddhist art in india 2
Buddhist art in india 2Buddhist art in india 2
Buddhist art in india 2
 
Painting and Sculptures In India
Painting and Sculptures In IndiaPainting and Sculptures In India
Painting and Sculptures In India
 
Indian Tribal & Folk Art Forms that Every Art Lover Should Own
Indian Tribal & Folk Art Forms that Every Art Lover Should OwnIndian Tribal & Folk Art Forms that Every Art Lover Should Own
Indian Tribal & Folk Art Forms that Every Art Lover Should Own
 
Aesthetics
AestheticsAesthetics
Aesthetics
 
Indian aesthetics 1
Indian aesthetics 1Indian aesthetics 1
Indian aesthetics 1
 
Madhubani Paintings
Madhubani PaintingsMadhubani Paintings
Madhubani Paintings
 
Gupta - Art & Archietecture
Gupta - Art & ArchietectureGupta - Art & Archietecture
Gupta - Art & Archietecture
 
Company school painting
Company school paintingCompany school painting
Company school painting
 
P. 7. Theory of Riti.
 P. 7. Theory of Riti.  P. 7. Theory of Riti.
P. 7. Theory of Riti.
 
'Renaissance In India'- Sri. Aurobindo's ideas
'Renaissance In India'- Sri. Aurobindo's ideas 'Renaissance In India'- Sri. Aurobindo's ideas
'Renaissance In India'- Sri. Aurobindo's ideas
 
Diverse Arts and Crafts from India
Diverse Arts and Crafts from IndiaDiverse Arts and Crafts from India
Diverse Arts and Crafts from India
 
Art of india
Art of indiaArt of india
Art of india
 
GUPTA ART, ARCHITECTURE AND CULTURE
GUPTA ART, ARCHITECTURE AND CULTUREGUPTA ART, ARCHITECTURE AND CULTURE
GUPTA ART, ARCHITECTURE AND CULTURE
 
The History of Tanjore Art Paintings and Tanjore Painting Materials
The History of Tanjore Art Paintings and Tanjore Painting MaterialsThe History of Tanjore Art Paintings and Tanjore Painting Materials
The History of Tanjore Art Paintings and Tanjore Painting Materials
 
Different art forms of India
Different  art forms  of IndiaDifferent  art forms  of India
Different art forms of India
 
Art for art sake
Art for art sakeArt for art sake
Art for art sake
 
Madhubani, the mithila art from India.
Madhubani, the mithila art from India.Madhubani, the mithila art from India.
Madhubani, the mithila art from India.
 
Journey of indian handicrafts
Journey of indian handicraftsJourney of indian handicrafts
Journey of indian handicrafts
 
kalamkari and pattachitra
kalamkari and pattachitrakalamkari and pattachitra
kalamkari and pattachitra
 

Destaque (9)

Artifacts on sri lanka navy
Artifacts on sri lanka navyArtifacts on sri lanka navy
Artifacts on sri lanka navy
 
Sri lanka
Sri lankaSri lanka
Sri lanka
 
Sri lanka
Sri lankaSri lanka
Sri lanka
 
Sri Lanka - a paradise for tourists
Sri Lanka -  a paradise for touristsSri Lanka -  a paradise for tourists
Sri Lanka - a paradise for tourists
 
Why mothers die?
Why mothers die?Why mothers die?
Why mothers die?
 
SRI LANKA presentation
SRI LANKA presentationSRI LANKA presentation
SRI LANKA presentation
 
Economic Geography Ppp Presentation
Economic Geography Ppp PresentationEconomic Geography Ppp Presentation
Economic Geography Ppp Presentation
 
About Sri lanka
About Sri lankaAbout Sri lanka
About Sri lanka
 
Srilankan tourism
Srilankan tourismSrilankan tourism
Srilankan tourism
 

Semelhante a Revival of arts and crafts coomaraswamy-presentation - final

Multicultural Studies 100 Assignment Lecture Review o
 Multicultural Studies 100 Assignment Lecture Review o Multicultural Studies 100 Assignment Lecture Review o
Multicultural Studies 100 Assignment Lecture Review oMoseStaton39
 
Indian Literature in Transition Keynote Banda.pdf
Indian Literature in Transition Keynote Banda.pdfIndian Literature in Transition Keynote Banda.pdf
Indian Literature in Transition Keynote Banda.pdfmahendra Mahakamat70
 
After civilization
After civilization After civilization
After civilization vgrinb
 
Culture & Nationalism Group PPT-1 new.pptx
Culture & Nationalism Group PPT-1 new.pptxCulture & Nationalism Group PPT-1 new.pptx
Culture & Nationalism Group PPT-1 new.pptxshyam kumar
 
Culture & Nationalism Group PPT.pptx
Culture & Nationalism Group PPT.pptxCulture & Nationalism Group PPT.pptx
Culture & Nationalism Group PPT.pptxshyam kumar
 
IMAGINED COMMUNITIES
IMAGINED COMMUNITIESIMAGINED COMMUNITIES
IMAGINED COMMUNITIESSheikhnusu1
 
Cultural globalization in Indian context
Cultural globalization in Indian context Cultural globalization in Indian context
Cultural globalization in Indian context Likhil Sukumaran
 
Key concepts of Postcolonial literature
Key concepts of Postcolonial literatureKey concepts of Postcolonial literature
Key concepts of Postcolonial literatureKomal Shahedadpuri
 
interculturalcommunicationandunderstanding101-120811171308-phpapp02.ppt
interculturalcommunicationandunderstanding101-120811171308-phpapp02.pptinterculturalcommunicationandunderstanding101-120811171308-phpapp02.ppt
interculturalcommunicationandunderstanding101-120811171308-phpapp02.pptArlynAyag
 
Five Types Of Cultural studies
Five Types Of Cultural studiesFive Types Of Cultural studies
Five Types Of Cultural studiesNiyatiVyas
 
Rabindranath Tagore - The face of modernity
Rabindranath Tagore - The face of modernityRabindranath Tagore - The face of modernity
Rabindranath Tagore - The face of modernityPINAKI ROY
 
Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...
Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...
Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...Sujay Rao Mandavilli
 
pak studies chapter no1 ( short answer ) ideology of pakstan
pak studies chapter no1 ( short answer ) ideology of pakstanpak studies chapter no1 ( short answer ) ideology of pakstan
pak studies chapter no1 ( short answer ) ideology of pakstanHasnat khan
 
1. Advent of Islam & Ideology of Pakistan.pdf
1. Advent of Islam & Ideology of Pakistan.pdf1. Advent of Islam & Ideology of Pakistan.pdf
1. Advent of Islam & Ideology of Pakistan.pdfFarhanaAkhlaq
 

Semelhante a Revival of arts and crafts coomaraswamy-presentation - final (20)

Multicultural Studies 100 Assignment Lecture Review o
 Multicultural Studies 100 Assignment Lecture Review o Multicultural Studies 100 Assignment Lecture Review o
Multicultural Studies 100 Assignment Lecture Review o
 
Indian Literature in Transition Keynote Banda.pdf
Indian Literature in Transition Keynote Banda.pdfIndian Literature in Transition Keynote Banda.pdf
Indian Literature in Transition Keynote Banda.pdf
 
After civilization
After civilization After civilization
After civilization
 
Culture & Nationalism Group PPT-1 new.pptx
Culture & Nationalism Group PPT-1 new.pptxCulture & Nationalism Group PPT-1 new.pptx
Culture & Nationalism Group PPT-1 new.pptx
 
Culture & Nationalism Group PPT.pptx
Culture & Nationalism Group PPT.pptxCulture & Nationalism Group PPT.pptx
Culture & Nationalism Group PPT.pptx
 
decolonize.pptx
decolonize.pptxdecolonize.pptx
decolonize.pptx
 
IMAGINED COMMUNITIES
IMAGINED COMMUNITIESIMAGINED COMMUNITIES
IMAGINED COMMUNITIES
 
socio lec 4.pptx
socio lec 4.pptxsocio lec 4.pptx
socio lec 4.pptx
 
Cultural globalization in Indian context
Cultural globalization in Indian context Cultural globalization in Indian context
Cultural globalization in Indian context
 
Key concepts of Postcolonial literature
Key concepts of Postcolonial literatureKey concepts of Postcolonial literature
Key concepts of Postcolonial literature
 
The islamic civilization
The islamic civilizationThe islamic civilization
The islamic civilization
 
Cultural Studies
Cultural StudiesCultural Studies
Cultural Studies
 
interculturalcommunicationandunderstanding101-120811171308-phpapp02.ppt
interculturalcommunicationandunderstanding101-120811171308-phpapp02.pptinterculturalcommunicationandunderstanding101-120811171308-phpapp02.ppt
interculturalcommunicationandunderstanding101-120811171308-phpapp02.ppt
 
Five Types Of Cultural studies
Five Types Of Cultural studiesFive Types Of Cultural studies
Five Types Of Cultural studies
 
Pakistan Studies
Pakistan StudiesPakistan Studies
Pakistan Studies
 
THAKSIN.ppt
THAKSIN.pptTHAKSIN.ppt
THAKSIN.ppt
 
Rabindranath Tagore - The face of modernity
Rabindranath Tagore - The face of modernityRabindranath Tagore - The face of modernity
Rabindranath Tagore - The face of modernity
 
Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...
Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...
Sujay Cultural Symbiosis Personality and Mind-orientation FINAL FINAL FINAL.o...
 
pak studies chapter no1 ( short answer ) ideology of pakstan
pak studies chapter no1 ( short answer ) ideology of pakstanpak studies chapter no1 ( short answer ) ideology of pakstan
pak studies chapter no1 ( short answer ) ideology of pakstan
 
1. Advent of Islam & Ideology of Pakistan.pdf
1. Advent of Islam & Ideology of Pakistan.pdf1. Advent of Islam & Ideology of Pakistan.pdf
1. Advent of Islam & Ideology of Pakistan.pdf
 

Revival of arts and crafts coomaraswamy-presentation - final

  • 1. Nirekha De Silva, PhD Candidate, Griffith Law School, Queensland, Australia
  • 2. Coomaraswmy’s Interest in Revival of Arts and Crafts in the Orient  Coomaraswamy‟s family background. The socializing experiences in his formative period. The psychological implications of the perception of self. The socio-political background in the Orient. 2
  • 3. Coomaraswamy’s Childhood   Ananda Kentish Coomaraswamy was born in Ceylon in 1877  The only child, to a Tamil father and an English mother. 3
  • 4. Coomaraswamy‟s Education   Educated at Wycliffe College and at London University.  Doctoral work – „Scientific Survey of the Mineralogy of Ceylon.‟ 4
  • 5. Coomaraswamy‟s Interest in Ceylon  Roots in Ceylon   Carefully studied Ceylon culture.  Insider Vs. Outside status  Negotiating relations with the Occident and the Orient. His pioneering efforts in safeguarding culture was enriched by – • The influence of Western socialization • Keen interest in studying culture and traditional knowledge of India and Sri Lanka 5
  • 6. Distressed about the Colonial Influence  The corrosive effects and negative impact of British Colonialism in India and Sri Lanka. 6
  • 7. Colonization   Introduced Western way of life.  Disoriented the colonized from their art of living.  Had the Impact of destroying the traditional art of 7 living.
  • 8. „The highest ideal of nationality is service; and it is because this service is impossible for us as long  as we are politically and spiritually dominated by any Western civilisation, that we are bound to achieve our freedom. It is in this spirit that we must say to Englishmen, that we will achieve this freedom, if they will, with their consent and with their help; and if they will not, then without their consent and in spite of their resistance.‟ (Coomaraswamy, A. K. 1909: Essays in National Idealism. P. ix) 8
  • 9. Introduction of Western Education  A way of introducing English way of life and English value system. The colonial education oriented the young generations,  to the colonial language,  to western religions  to the western perspective of history. 9
  • 10. The aim of such education system is to form a class of persons “Indian in colour, but English in taste, in opinion, in morals and intellect.” (Coomaraswamy, A. K. 1946: Indian Culture and English Influence: An Address to Indian Students and Their Friends, Massachusetts Institute of Technology, January 1944, P. 31) 10
  • 11.  „I have no idea how many years it might take to outgrow a missionary college education, or to recover from a course of lectures on Comparative Religion offered by a Calvinist.‟ (Coomaraswamy, A. K. East and West: 10) 11
  • 12. The Introduction of Capitalist Mode of Production “An acquisitive  society, materialistic in its interests, unhealthy in its pleasures, “A murderous disillusioned in its machine with no ideals and moving conscience and no blindly towards disaster” ideals.” - Professor Foerster, of Princeton - Professor La Piana of University) Harvard University 12
  • 13. Breakdown of Value System   Any established institution is governed by the values the given society.  Most foreigners who attack and reject the existing institutions, do so without understanding the morale basis of the established institution.  Introducing new institutions without understanding the moral basis of a society results in not been able to fulfil moral intentions. (Coomaraswamy, A. K. East and West: 15) 13
  • 14. Breakdown of Traditional Legal System   In the pre-colonial era,  the law was based on the religious and belief system of the community.  the law promoted and safeguarded traditional arts and crafts  Roman Dutch Law was alien to the community in Sri Lanka.  The new legal system had the effect in changing values, customs and social practices. 14
  • 15. Cultural Alienation  One can “become a queer mixture of East and West, out of place everywhere, at home nowhere” (Coomaraswamy, A. K. East and West: 11) 15
  • 16. The Role of Traditional Arts and Crafts in Safeguarding Cultural Identity of a Community  Artists and poets play the most crucial role in crafting the identity of a nation. (Coomaraswamy, A. K. 1909. Essays in National Idealism: p. ii) 16
  • 17. „Art contains in itself the deepest principals of life, the truest guide to the greatest art, the Art of Living. The true life, the ideal of Indian culture, is itself a unity and an art, because of its inspirations by one ruling passion, the desire to realise a spiritual inheritance.‟ (Coomaraswamy, A. K. 1909:Essays in National Idealism p.ii) 17
  • 18. Coomaraswamy‟s Efforts in Reviving Traditional Arts and Crafts  18
  • 19. Documented  Ananda Kentish  Coomaraswamy‟ s multifaceted writings deal primarily with,  visual art,  aesthetics,  literature and language,  folklore,  mythology,  religion,  metaphysics. 19
  • 20. 20
  • 21. 21
  • 22. 22
  • 23. 23
  • 24. Defending Indigenous art and architecture in India and Sri Lanka  Purpose of traditional art : preserve and transmit moral values and spiritual teachings derived from the tradition in which it appeared, and towards the satisfaction of present needs. 24
  • 25. Interpreting Cultures, Arts and Crafts   Provides an ideological base to interpret and understand different cultures, arts and crafts.  He is a pioneer interpreter of Sri Lankan and Indian culture to the west.  He introduces the religious meaning of art. 25
  • 26. Promoting Traditional Form of Government  The practical value of the traditional theory of kingship for the 20th century promoted in – „Spiritual Authority and Temporal Power‟ 26
  • 27. Developing National Consciousness  The two essentials of nationality Geographical unity A common historic evolution or culture (Coomaraswamy A. K. 1909: 7) 27
  • 28. Promoting Cultural Nationalism  Cultural nationalism meant, a national identity shaped by cultural traditions and by language 28
  • 29. Ceylon Social Reform Society  Ananda Coomaraswamy is the founder , the inaugural President and the moving force, of the Ceylon Social Reform Society (1905). The objective was to preserve and revive the traditional arts and crafts as well as the social values and customs which had helped to shape them. 29
  • 30. Contribution towards Swadeshi Movement   Advocated for 'cultural nationalism.„  The Honorary National President of the National Committee for Indian freedom formed in Washington, USA, in 1914. 30
  • 31. Promoting Indigenous Education  “In order to safeguard the traditional education system, every Government and missionary college and school during the colonial period to be replaced by native colleges and schools, where young men and women are taught to be true nationalists.” (Coomaraswamy, A. K. 1909: Essays in National Idealism. P. iii) 31
  • 32. The Impact of Coomaraswamy‟s Efforts  32
  • 33. International Recognition for Asian Art  A pioneer in introducing Indian and Sri Lankan civilization and its arts and crafts based on eastern religious philosophies. 33
  • 34. Reviving, Internationalizing and Safeguarding Cultural Identity  Through,  Ideologies  Research  Documentation  Political Mobilisation 34
  • 35. Think-Tanks to Promote and Preserve Traditional Culture  Following Institutions were influenced by Coomaraswamy‟s ideologies-  Sri Lanka Institute of Traditional Studies  The Indira Gandhi National Centre for the Arts  The Foundation for Traditional Studies in the U.S. 35
  • 36. Ananda Coomaraswamy was, one of the most erudite scholars of 20th Century; who advocated the wisdom of tradition; and revived the cultural identity of India and Sri Lanka, through arts and crafts… 36
  • 37. Special Thanks to My Supervisors  Prof. Fiona Kumari Campbell Principal Supervisor Deputy Head of School (Learning and Teaching Scholarship), Griffith Law School, Griffith University, Queensland, Australia. Dr. Jay Sanderson Associate Supervisor Lecturer, Griffith Law School, Griffith University, Queensland, Australia Dr. Asoka Sinharaja Wijetunga Tammita-Delgoda External Supervisor 37

Notas do Editor

  1. Pic 1. AKCPic 2 Dancing Shiva, Brass ImagePic 3. Temple Image of Lord Buddha, Temple of the Tooth Relic, KandyPic 4. The print mark design by C.R. Asby first used in Medieval Sinhalese Art
  2. Pic – From AKC Collection of traditional arts and crafts (AKC Website)
  3. Pic 1 Sir MuthuCoomaraswamy Pic 2 AKC’s Childhood PhotoPic 3 Mrs. Elizabeth Beeby from http://akc.satishankar.com/view/classic
  4. Pic 1- AKC at UniPic 2 – Wycliffe Prepatary CollegePic 3 – University of LondonPic 4- SL GemsPic 5- AKC’s Publication- Geology and Mineralogy
  5. Pic 1- Map of CeylonPic 2 – YoungAKC
  6. Pic 1 AKC
  7. Pic 1 –Cartoon- British Colonizers in SL http://www.lankarising.com/2008/03/are-we-ready-to-shed-bbc-media-tail-of.htmlPic 2- European colonial powers were incessantly at war with each other and every culture they contacted. (http://kataragama.org/research/history-is-whose-story.htm)Pic 3- Spilburgen and the KindVimaladharmasooriya
  8. Pic- AKC in IndiaCoomaraswamy, A. K. (1909) Essays in National Idealism. Colombo: ColomoApathecaries Co., Ltd.
  9. Pic 1- Kingswood College, Kandy
  10. Pic 1- Royal Prefects, Colonial era
  11. Pic 1. St. Thomas College, AnglicanChurchPic 2. St. Thomas College Procession- to appoint the Warden Pic 3. Service at the Trinity College ChurchPic 4. Graduates from Royal Institute (University of London Degree)
  12. Pic 1- Capitalist Mode of ProductionSir George Birdwood, “such an ideal social order we should have held impossible of realization, but that it continues to exist, and to afford us, in the yet living results of its daily operation in India, a proof of the superiority, in so many unsuspected ways, of the hieratic civilization of antiquity over the secular, joyless, inane, and self-destructive, modern civilization of the West”; adding that modern politicians do not distinguish between the prosperity of a country and the felicity of its inhabitants, and asking whether it is the case that Europe and America want to reduce all Asia to the level of their own slums. One need to go no farther than to Bombay or Calcutta to see that that is what is really happening, and must happen wherever “commerce settles on every tree.”
  13. Pic 1- Trinity College ChoirMetaphysical reasoning of a society establishes its morality and its customs. Although the cosmic pattern of ‘good form’ is unanimously accepted, public opinion sufficiently controls the whole situation. Morality is a matter of correction and as in the case of art, a matter of knowing what to do, rather than of feeling. No one can be convicted of the irrationality of a custom unless his metaphysic can first be shown to be at fault. (Coomaraswamy, A. K. East and West: 14)
  14. Traditional legal systems….As embodied in NithNiganduwa…dating back to…Thesawalame…
  15. ‘‘East and West’ imports a cultural rather than a geographical antithesis: an opposition of the traditional or ordinary way of life that survives in the East to the modern and irregular way of life that now prevails in the West.’ (Coomaraswamy, A. K. East and West: 1)
  16. Pic- Craftsman, Wood carving
  17. Pic- Dharma Chakra, Konark Sun temple in Odisha, Odisa, Orissa, India
  18. Pic- Handloom, Brass, Potery, Basket Weaving
  19. Pic – Moonstone, SL‘Coomaraswamy's contention that we cannot ever hope to understand the quality of Hindu sculpture until and unless we took account of the 'inner spirit' of the artist that had produced it, necessarily dissolved the whole problem of style into metaphysical generalisations.’ (Mitter, P.:1984: 49)‘Art served as a 'station' in his spiritual journey, for in the eternal scheme of things it had a central moral purpose. For Coomaraswamyart history was the history of the spirit. The image of Indian art he thus held up was more a mirror to his own soul than to a tradition existing in India.’ (Mitter, P.:1984: 50)
  20. Pic- Traditional Kings of SL
  21. Pic- Sri Lankan Image
  22. Pic- Different Cultures Co-Existing in Sri Lanka‘In India, in the forefront of cultural regeneration were individuals like Annie Besant, Sister Nivedita and Havell, all of whom advocated indigenous education and indigenous art. The last three had developed their elective affinity with India early on. They formed an important bridge between East and West with their form of cultural nationalism and their defense of Indian values. Among these, Coomaraswamy was most suited for his role as the mediator between two cultures. He was born of an upper class Westernised Tamil father who was a personal friend of Disraeli and of an English mother who came from a cultivated family. His early career shows his ability to move from Indian society to European with ease, and he was listened to with respect by both societies. ‘There is evidence enough that the founders of Indian culture and civilization and religion had this unity in view; and the manner in which this idea pervades the whole of Indian culture is the explanation of the possibility of its rapid realization now.’ (Coomaraswamy A. K. 1909: 8)‘The whole of Indian culture is so pervaded with this idea of India as THE LAND, that it has never been necessary to insist upon it overmuch, for no one could have supposed it otherwise. “Every province within the vast boundaries fulfils some necessary part in the completion of a nationality. No one place repeats the specialised functions of another.” Take, for example, Ceylon (whose people are now the most denationalised of any in India); can we think of India as complete without Ceylon? Ceylon is unique as the home of Pāli literature and Southern Buddhism, and in its possession of a continuous chronicle invaluable as a check upon some of the more uncertain data of Indian Chronology. Sinhalese art, Sinhalese religion, and the structure of Sinhalese society, bring most vividly before us certain aspects of early Hindu culture, which it would be hard to find so perfectly reflected in any other part of modern India. ‘ (Coomaraswamy A. K. 1909: 9) Coomaraswamy sees Sri Lanka as part of India with common historical traditions and ties of spiritual kinship. (Coomaraswamy A. K. 1909: 10)
  23. Pic- SL Flag
  24. Pic 1- Swadeshi Movement, Women’s March, IndiaPic 2- Mahathma GandhiPic 3 – Tagore and AKC
  25. Pic- Palm leaf Manuscript
  26. Pic- Masses of Sri Lanka, Silver work, Batik, Pottery, Wood Work
  27. Pic 1. Wood craving at AmbekkeDevalaya, Kandy, Pic 2. Kandy Temple ArtPic 3. Book Seal – Library of AnandaCoomaraswamy
  28. Pic- PolonnaruwaVatadage
  29. Pic- AKC- Reflecting