2. Coomaraswmy’s Interest in Revival
of Arts and Crafts in the Orient
Coomaraswamy‟s family background.
The socializing experiences in his formative period.
The psychological implications of the perception of
self.
The socio-political background in the Orient.
2
3. Coomaraswamy’s
Childhood
Ananda Kentish Coomaraswamy was born in Ceylon in 1877
The only child, to a Tamil father and an English mother.
3
4. Coomaraswamy‟s
Education
Educated at Wycliffe College and at London University.
Doctoral work –
„Scientific Survey of the Mineralogy of Ceylon.‟
4
5. Coomaraswamy‟s
Interest in Ceylon
Roots in Ceylon
Carefully studied Ceylon culture.
Insider Vs. Outside status
Negotiating relations with the Occident and the Orient.
His pioneering efforts in safeguarding culture was
enriched by –
• The influence of Western socialization
• Keen interest in studying culture and traditional
knowledge of India and Sri Lanka
5
6. Distressed about the
Colonial Influence
The corrosive effects
and
negative impact
of
British Colonialism
in
India and Sri Lanka.
6
7. Colonization
Introduced Western way of life.
Disoriented the colonized from their art of living.
Had the Impact of destroying the traditional art of
7
living.
8. „The highest ideal of nationality is service;
and it is because this service is impossible for us as long
as we are politically and spiritually dominated by any
Western civilisation,
that we are bound to achieve our freedom.
It is in this spirit that we must say to Englishmen,
that we will achieve this freedom,
if they will,
with their consent and with their help;
and if they will not,
then without their consent
and in spite of their resistance.‟
(Coomaraswamy, A. K. 1909: Essays in National Idealism. P. ix) 8
9. Introduction of Western
Education
A way of introducing English way of life and
English value system.
The colonial education oriented the young
generations,
to the colonial language,
to western religions
to the western perspective of history.
9
10. The aim of such education system is to form a
class of persons “Indian in colour, but English
in taste, in opinion, in morals and intellect.”
(Coomaraswamy, A. K. 1946: Indian Culture and English Influence: An Address to
Indian Students and Their Friends, Massachusetts Institute of Technology,
January 1944, P. 31)
10
11.
„I have no idea how many years it
might take to outgrow a missionary
college education, or to recover from
a course of lectures on Comparative
Religion offered by a Calvinist.‟
(Coomaraswamy, A. K. East and West: 10)
11
12. The Introduction of Capitalist
Mode of Production
“An acquisitive
society, materialistic
in its interests,
unhealthy in its
pleasures, “A murderous
disillusioned in its machine with no
ideals and moving conscience and no
blindly towards
disaster” ideals.”
- Professor Foerster, of Princeton - Professor La Piana of
University) Harvard University 12
13. Breakdown of Value
System
Any established institution is governed by the values
the given society.
Most foreigners who attack and reject the existing
institutions, do so without understanding the morale
basis of the established institution.
Introducing new institutions without understanding
the moral basis of a society results in not been able to
fulfil moral intentions. (Coomaraswamy, A. K. East and West: 15)
13
14. Breakdown of Traditional
Legal System
In the pre-colonial era,
the law was based on the religious and belief system of the
community.
the law promoted and safeguarded traditional arts and
crafts
Roman Dutch Law was alien to the community in
Sri Lanka.
The new legal system had the effect in changing
values, customs and social practices. 14
15. Cultural Alienation
One can
“become a queer mixture of East
and West,
out of place everywhere,
at home nowhere”
(Coomaraswamy, A. K. East and West: 11)
15
16. The Role of Traditional Arts and Crafts in
Safeguarding Cultural Identity of a Community
Artists and poets
play the most
crucial role in
crafting the
identity of a
nation.
(Coomaraswamy, A. K. 1909.
Essays in National Idealism: p. ii)
16
17. „Art contains in itself
the deepest principals of life,
the truest guide to the greatest art,
the Art of Living.
The true life, the ideal of Indian culture,
is itself a unity and an art,
because of its inspirations by one ruling
passion,
the desire to realise a spiritual inheritance.‟
(Coomaraswamy, A. K. 1909:Essays in National Idealism p.ii) 17
24. Defending Indigenous art and
architecture in India and Sri Lanka
Purpose of traditional art :
preserve and transmit moral values and
spiritual teachings derived from the tradition
in which it appeared, and
towards the satisfaction of present needs.
24
25. Interpreting Cultures,
Arts and Crafts
Provides an ideological base to interpret and
understand different cultures, arts and crafts.
He is a pioneer interpreter of Sri Lankan and
Indian culture to the west.
He introduces the religious meaning of art. 25
26. Promoting Traditional
Form of Government
The practical value of the
traditional theory of
kingship for the 20th
century promoted in –
„Spiritual Authority and
Temporal Power‟
26
27. Developing National
Consciousness
The two essentials of nationality
Geographical unity
A common historic evolution or culture
(Coomaraswamy A. K. 1909: 7)
27
28. Promoting Cultural
Nationalism
Cultural nationalism meant,
a national identity shaped by cultural
traditions and by language
28
29. Ceylon Social
Reform Society
Ananda Coomaraswamy is
the founder ,
the inaugural President and
the moving force,
of the Ceylon Social Reform Society (1905).
The objective was to preserve and revive the traditional
arts and crafts as well as the social values and customs
which had helped to shape them.
29
30. Contribution towards
Swadeshi Movement
Advocated for 'cultural nationalism.„
The Honorary National President of the National Committee
for Indian freedom formed in Washington, USA, in 1914.
30
31. Promoting Indigenous
Education
“In order to safeguard the traditional
education system, every Government and
missionary college and school during the
colonial period to be replaced by native
colleges and schools, where young men
and women are taught to be true
nationalists.”
(Coomaraswamy, A. K. 1909: Essays in National Idealism. P. iii) 31
33. International Recognition
for Asian Art
A pioneer in introducing Indian and Sri
Lankan civilization and its arts and crafts
based on eastern religious philosophies.
33
34. Reviving, Internationalizing and
Safeguarding Cultural Identity
Through,
Ideologies
Research
Documentation
Political Mobilisation
34
35. Think-Tanks to Promote and
Preserve Traditional Culture
Following Institutions were influenced by
Coomaraswamy‟s ideologies-
Sri Lanka Institute of Traditional Studies
The Indira Gandhi National Centre for the Arts
The Foundation for Traditional Studies in the U.S.
35
36. Ananda Coomaraswamy was,
one of the most erudite scholars of 20th Century; who
advocated the wisdom of tradition; and
revived the cultural identity of India and Sri Lanka,
through arts and crafts…
36
37. Special Thanks to
My Supervisors
Prof. Fiona Kumari Campbell
Principal Supervisor
Deputy Head of School (Learning and Teaching
Scholarship), Griffith Law School, Griffith
University, Queensland, Australia.
Dr. Jay Sanderson
Associate Supervisor
Lecturer, Griffith Law School, Griffith
University, Queensland, Australia
Dr. Asoka Sinharaja Wijetunga Tammita-Delgoda
External Supervisor
37
Pic 1. AKCPic 2 Dancing Shiva, Brass ImagePic 3. Temple Image of Lord Buddha, Temple of the Tooth Relic, KandyPic 4. The print mark design by C.R. Asby first used in Medieval Sinhalese Art
Pic – From AKC Collection of traditional arts and crafts (AKC Website)
Pic 1 Sir MuthuCoomaraswamy Pic 2 AKC’s Childhood PhotoPic 3 Mrs. Elizabeth Beeby from http://akc.satishankar.com/view/classic
Pic 1- AKC at UniPic 2 – Wycliffe Prepatary CollegePic 3 – University of LondonPic 4- SL GemsPic 5- AKC’s Publication- Geology and Mineralogy
Pic 1- Map of CeylonPic 2 – YoungAKC
Pic 1 AKC
Pic 1 –Cartoon- British Colonizers in SL http://www.lankarising.com/2008/03/are-we-ready-to-shed-bbc-media-tail-of.htmlPic 2- European colonial powers were incessantly at war with each other and every culture they contacted. (http://kataragama.org/research/history-is-whose-story.htm)Pic 3- Spilburgen and the KindVimaladharmasooriya
Pic- AKC in IndiaCoomaraswamy, A. K. (1909) Essays in National Idealism. Colombo: ColomoApathecaries Co., Ltd.
Pic 1- Kingswood College, Kandy
Pic 1- Royal Prefects, Colonial era
Pic 1. St. Thomas College, AnglicanChurchPic 2. St. Thomas College Procession- to appoint the Warden Pic 3. Service at the Trinity College ChurchPic 4. Graduates from Royal Institute (University of London Degree)
Pic 1- Capitalist Mode of ProductionSir George Birdwood, “such an ideal social order we should have held impossible of realization, but that it continues to exist, and to afford us, in the yet living results of its daily operation in India, a proof of the superiority, in so many unsuspected ways, of the hieratic civilization of antiquity over the secular, joyless, inane, and self-destructive, modern civilization of the West”; adding that modern politicians do not distinguish between the prosperity of a country and the felicity of its inhabitants, and asking whether it is the case that Europe and America want to reduce all Asia to the level of their own slums. One need to go no farther than to Bombay or Calcutta to see that that is what is really happening, and must happen wherever “commerce settles on every tree.”
Pic 1- Trinity College ChoirMetaphysical reasoning of a society establishes its morality and its customs. Although the cosmic pattern of ‘good form’ is unanimously accepted, public opinion sufficiently controls the whole situation. Morality is a matter of correction and as in the case of art, a matter of knowing what to do, rather than of feeling. No one can be convicted of the irrationality of a custom unless his metaphysic can first be shown to be at fault. (Coomaraswamy, A. K. East and West: 14)
Traditional legal systems….As embodied in NithNiganduwa…dating back to…Thesawalame…
‘‘East and West’ imports a cultural rather than a geographical antithesis: an opposition of the traditional or ordinary way of life that survives in the East to the modern and irregular way of life that now prevails in the West.’ (Coomaraswamy, A. K. East and West: 1)
Pic- Craftsman, Wood carving
Pic- Dharma Chakra, Konark Sun temple in Odisha, Odisa, Orissa, India
Pic- Handloom, Brass, Potery, Basket Weaving
Pic – Moonstone, SL‘Coomaraswamy's contention that we cannot ever hope to understand the quality of Hindu sculpture until and unless we took account of the 'inner spirit' of the artist that had produced it, necessarily dissolved the whole problem of style into metaphysical generalisations.’ (Mitter, P.:1984: 49)‘Art served as a 'station' in his spiritual journey, for in the eternal scheme of things it had a central moral purpose. For Coomaraswamyart history was the history of the spirit. The image of Indian art he thus held up was more a mirror to his own soul than to a tradition existing in India.’ (Mitter, P.:1984: 50)
Pic- Traditional Kings of SL
Pic- Sri Lankan Image
Pic- Different Cultures Co-Existing in Sri Lanka‘In India, in the forefront of cultural regeneration were individuals like Annie Besant, Sister Nivedita and Havell, all of whom advocated indigenous education and indigenous art. The last three had developed their elective affinity with India early on. They formed an important bridge between East and West with their form of cultural nationalism and their defense of Indian values. Among these, Coomaraswamy was most suited for his role as the mediator between two cultures. He was born of an upper class Westernised Tamil father who was a personal friend of Disraeli and of an English mother who came from a cultivated family. His early career shows his ability to move from Indian society to European with ease, and he was listened to with respect by both societies. ‘There is evidence enough that the founders of Indian culture and civilization and religion had this unity in view; and the manner in which this idea pervades the whole of Indian culture is the explanation of the possibility of its rapid realization now.’ (Coomaraswamy A. K. 1909: 8)‘The whole of Indian culture is so pervaded with this idea of India as THE LAND, that it has never been necessary to insist upon it overmuch, for no one could have supposed it otherwise. “Every province within the vast boundaries fulfils some necessary part in the completion of a nationality. No one place repeats the specialised functions of another.” Take, for example, Ceylon (whose people are now the most denationalised of any in India); can we think of India as complete without Ceylon? Ceylon is unique as the home of Pāli literature and Southern Buddhism, and in its possession of a continuous chronicle invaluable as a check upon some of the more uncertain data of Indian Chronology. Sinhalese art, Sinhalese religion, and the structure of Sinhalese society, bring most vividly before us certain aspects of early Hindu culture, which it would be hard to find so perfectly reflected in any other part of modern India. ‘ (Coomaraswamy A. K. 1909: 9) Coomaraswamy sees Sri Lanka as part of India with common historical traditions and ties of spiritual kinship. (Coomaraswamy A. K. 1909: 10)