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5 Fashion The Visual Image Portraits

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1. Clothing carries social, economic, and moral messages and was used in portraits to convey status and power. 2. Certain styles of clothing, like particular colors of rags, were used by prison gangs to identify members and led to at least one killing by mistaken affiliation. 3. Until the late 19th century, paintings were commissioned primarily to show the patron in a favorable light and showcase their wealth through expensive clothing, not as artistic works for an art market.

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FASHION: THE VISUAL IMAGE Symbolism, Power and Representation: Dress in Portraits
Clothing is not just clothes ,[object Object],[object Object],[object Object],[object Object]
THOSE MESSAGES CAN ACTUALLY BE LETHAL ,[object Object],[object Object],[object Object]
WHAT WERE THEY SAYING? ,[object Object],[object Object],[object Object],[object Object]
IF YOU KNOW THE DRESS HISTORY SOME PICTURES LOOK DIFFERENT ,[object Object],[object Object],[object Object]
THEY CAN SHOW CHANGES IN CIRCUMSTANCES AND PROJECT A MESSAGE
Beware of Mistakes When Looking at Visual Sources ,[object Object],[object Object],[object Object]
COLOURS WERE SO IMPORTANT But they fade!
Meanings Do Change ,[object Object],[object Object],[object Object],[object Object],[object Object]
Blue for a Girl: Pink for a Boy
Some Medieval Propaganda ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SYMBOLISM (DUTCH) Goltzius (1578) Lucretia and Handmaids: Leyster (F) 1650 The Proposition ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ Married in her Hair” ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Hans Memling Portraits ,[object Object],[object Object],[object Object]
Giovanni & Giovanna Arnolfini Wedding (Van Eyk) 1434 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Allegories upon Allegories ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
THE AMBASSADORS (1533) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
LITURGICAL GLOVES ,[object Object],[object Object]
My Very Best Picture ,[object Object]
TUDOR POWER POLITICS Not for Public Show ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
A Chip of the Old Tudor Block ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
1546 Princess Elizabeth ,[object Object],[object Object],[object Object],[object Object]
Who is this Woman? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Pelican Portrait 1575 ,[object Object]
1580-85 Peace Portrait ,[object Object],[object Object],[object Object],[object Object]
The Italian Job ? (Believed to be 1575-1579) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The ‘Sieve’ Portraits (1579-1580 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GLORIANA (1588) Gower ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Ditchley Portrait (1592) ,[object Object],[object Object],[object Object],[object Object],[object Object]
A Problem 1600 ,[object Object],[object Object],[object Object],[object Object],[object Object]
Men’s Clothes Told the Story ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
A Procession as the Light of England Countess of Southampton: French Farthingale
In Contrast the ‘Melancholy’ Statesman ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Mr and Mrs Andrews ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Same Set-Up ,[object Object],[object Object],[object Object]
But 30 Years later ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
IT HAPPENED IN THE AMERICAS AS WELL (B.1732)
200 Years Later ,[object Object],[object Object],[object Object],[object Object]
Real Propaganda Through Dress ,[object Object],[object Object],[object Object]
Propaganda at its Peak ,[object Object],[object Object]
Nazi Ideology Through Dress
BUT HOW POPULAR WAS IT?
Contrasts
The Modern World ,[object Object]
But you can really get it wrong ,[object Object],[object Object],[object Object]
FASHION: THE VISUAL IMAGE Symbolism, Power and Representation: Dress in Portraits

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