In recent years, ceramics in New York have been exhibited in highly respected galleries not associated with ceramics. This highly promising integration into the Fine Arts could bode well for the future of the medium. An end to the stigma of the “craft medium” and segregation could finally be at hand.

1. Ceramic Art Leaving the
Ghetto
Lecture by
Marc Leuthold, Professor
State University of New York
Assissted by Mary Willmart
And Nate Infante
NCECA 2015

2. Sources
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7. Sources
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8. Sources
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February 25, 2015
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9. Sources
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10. Sources
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11. Sources
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12. What exhibits have I omitted?
Which artists have I neglected to include?
This lecture and project is a work in progress.
Please email your suggestions to:
www.marcleuthold.com

13. I have a dream:
1,000 ceramicists meet at the Museum of Modern Art
in New York City (53rd Street between 5th and 6th
Avenues on the north side of the street) on Friday,
August 21, 2015 at 4pm. Each ceramist brings one
small ceramic object and meets in the main second
floor gallery at exactly 5:01pm. At 5:07pm, all 1,000
ceramists place their ceramic object on the floor of
the museum with the manifesto “the medium doesn’t
matter; all media are equally viable for artistic
expression.”
www.marcleuthold.com
PS Entry to MoMA is free on Fridays, 4-8pm

14. Ferus Gallery

15. Exterior view of the Ferus Gallery during the exhibition of Edward Kienholz's installation Roxy's, 1962
Photo by William Claxton. Courtesy Demont Photo Management, LLC.

16. Ferus Gallery advertisement, c.1960
Photo: Mary Davis MacNaughton, editor,
Clay’s Tectonic Shift, (California: Getty
Museum and Scripps College, 2012).

17. Ken Price at the Ferus Gallery, 1961Photo:
Mary Davis MacNaughton, editor, Clay’s
Tectonic Shift, (California: Getty Museum and
Scripps College, 2012).

18. Poster for The Studs group exhibition at
the Ferus Gallery in Los Angeles, 1964
Robert Irwin, Ken Price and
Billy Al Bengston.
Image courtesy of Hal Glicksman

19. John Mason exhibit at Ferus Gallery, 1959
Photo: Mary Davis MacNaughton, editor, Clay’s
Tectonic Shift, (California: Getty Museum and
Scripps College, 2012).

20. John Mason
Andrew Perchuk, Getty Research Institute, with John Mason inspecting Mason’s sculpture
Orange Cross, 2010.
© J. Paul Getty Trust

21. John Mason
Vertical Sculpture, Spear Form, 1957
Glazed stoneware
67 5/16 x 28 x 12 in.
Aichi Prefectural Ceramic Museum
© John Mason
John Mason
Installation at Ferus Gallery Patio, 1957
Photo by John Mason
John Mason, Blue Wall, 1959
Ceramic. 96 x 252 x 8 in.
Collection of the artist
© John Mason. Photo by Anthony Cuñha

22. John Mason installation at the Pasadena Art
Museum,, 1960
Photo: Mary Davis MacNaughton, editor, Clay’s
Tectonic Shift, (California: Getty Museum and
Scripps College, 2012).
John Mason in the Glendale
Boulevard Studio, 1959-60
Photo: Mary Davis MacNaughton, editor, Clay’s
Tectonic Shift, (California: Getty Museum and
Scripps College, 2012).

23. John Mason with Black Cross, 1961
Photo by John Mason John Mason compacting clay
onto his easel for a large ceramic
relief in his Glendale Boulevard
studio in Los Angeles, 1959–6.
Image courtesy John Mason
Studio.
© Robert Bucknam
Setting up photo shoot of
John Mason sculpture
White Cross, 1964
From left to right: Corky
Clairmont, Jerry Avesian,
Gordon Thorpe, John
Mason.
Photo: Mary Davis
MacNaughton, editor,
Clay’s Tectonic Shift,
(California: Getty Museum
and Scripps College, 2012).
John Mason's Green Spear installed at
the Ferus Gallery, Los
Angeles, 1961

24. Ken Price
Ken Price firing works for his Curio Store at the
home of Dennis Hopper in Taos, New Mexico, 1973
Photo by Happy Price. Image courtesy of the Ken
Price Studio

25. Ken Price
L. Red
1963
“The largest and most lustrous lacquered egg in our show, L. Red, 1963, is
somewhat more vertical, and the opening is above the meridian of the orb. On
this work, Price did not use lines, but described shapes in an intense, deep
magenta. These are excellent examples of the work from this time
period” (Frank Lloyd, “Vanguard Ceramics: John Mason, Ken Price, and Peter
Voulkos,” in Clay’s Tectonic Shift)
Stoneware with lacquer and acrylic 13 1/2 x 12 x 10 in
Collection of the San Francisco Museum of Modern Art. Evelyn and Walter
Haas, Jr. Fund purchase. 82.155 © Kenneth Price
Ken Price
Avocado Mountain, 1959
Glazed ceramics (2 parts)
24 x 21 x 21 in.
James Corcoran Gallery, Los Angeles.
Permission courtesy Ken Price Studio
Ken Price
Ferus Gallery
Announcement,
1960

26. Ken Price
L. Blue
1961
Fired and painted clay
6 x 9 x 5 inches
Ken Price
Squatly
2003
Fired and painted clay
4 5/8 x 7 ¼ x 6 7/8 inches
Ken Price
Untitled (Two Part Geometric)
1979
Fired and painted clay
Part 1: 3 ¾ x 4 ½ x 3 ¼ inches
Part 2: 2 ½ x 1 ½ x 2 ¼ inches
Ken Price
Eeezo
1995
Fired and painted clay
20 x 24 x 17 inches

27. Ken Price
Zoma
2005
fired and painted clay
Barbara Gladstone Gallery
“Makers and Modelers: Works
in Ceramic”
September 8, 2007- October
13, 2007

28. Metropolitan Museum of
Art
Fifth Avenue at 82nd Street,
New York, NY
(212) 535-7710

29. Ken Price
Retrospective Exhibition at the Met

30. Mathew Marks
Gallery

31. Jeffrey Peabody with Ken Price artwork, Mathew Marks Gallery

32. Billy Al Bengston
Billy Al Bengston
Horn Pot
21.25 x 6 x 5.5 in.
Billy Al Bengston
Cups
1957

33. Larry Bell, Billy Al Bengston,
and Ken Price
outside Hotel Caesars in Tijuana, Mexico, 1968
Image courtesy of Larry Bell

34. An exhibition at Billy Al Bengston’s Artist Studio, with works by Ed Ruscha, Peter Alexander, and John McCracken, 1970
Image courtesy of Billy Al Bengston

35. Landau Gallery

36. Peter Voulkos
Peter Voulkos in his studio on Glendale Boulevard in Los Angeles,
1959, Image courtesy of the Voulkos & Co. Catalogue Project
John Mason and Peter Voulkos
photographing a sculpture outside their
shared studio on Glendale Boulevard in Los
Angeles, ca. 1959
Courtesy of the Voulkos & Co. Catalogue
Project

37. Peter Voulkos
Little Big Horn, 1959, Polychromed stoneware
62 x 40 x 40 in.
The Oakland Museum of California, gift of the Art Guild in memory
of Helen Schilling Stelzner.
© Mrs. Ann Voulkos, Voulkos Family Trust.
Image courtesy of the Voulkos & Co. Catalogue Project.
Photo by Joe Schopplein
”Clay into Art” exhibit
Metropolitan Museum, NYC, 1999
PeterVoulkos “Stack”

38. Peter Voulkos,
exhibition at the
Pasadena Art
Museum, 1958
Courtesy of the
Voulkos & Co.
Catalogue Project

39. Henry Takemoto
Henry Takemoto and
Peter Voulkos in front of
Takemoto's mural at Otis
Art Institute in Los
Angeles, 1959 Image
courtesy of Henry
Takemoto

40. Henry Takemoto working on his
glazed tile mural at Otis Art Institute
in Los Angeles, 1959
Photo by John Mason.
Image courtesy of Henry Takemoto
Henry Takemoto with
one of his coiled
glazed stoneware pots
at the studio of John
Mason and Peter
Voulkos, Los Angeles,
ca. 1959
Image courtesy of
Henry Takemoto

41. Joan Miro
Bildplatte
1956
Paul Gauguin
Double Vase
1886–7
Paul Gauguin
Portrait of the artist in the form
of a grotesque head
Winter 1889
Paul Gauguin, Oviri,
1894,
Aristide Maillol
Vas mit Aktfiguren
in Landschaft Asnieres,
1907
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Pablo Picasso
Canard Pique-
Fleurs
1951

42. George Ohr

43. MET NY, American Art
Pottery Exhibit, George Ohr
Collection of Robert Ellison

44. Henry Moore

45. Henry Moore

46. Charlie Cowles
Gallery
George Nakashima table
Peter Voulkos “Stack”
Charlie Cowles Gallery, Represented Voulkos and Toshiko Takaezu
Peter Voulkos platter on George Nakashima table
Manuel Neri figure

47. Pace Gallery
Keith Tyson
Large Field Array
artist
Neil
Tetkowski

48. Barbara Gladstone
Gallery
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

49. Gagosian Gallery

50. Dan Colen

51. Dan Colen
Poetry Exhibit
Gagosian Gallery
September 10 – Octover 16, 2010

52. Paul Noble Applied Egg 2014 Small Three (Noir et Blanc)
Paul Noble
Exhibited at Gagosian, NYC
2007

53. Lohin Geduld
Gallery

54. Ursula Hargens artwork, Lohin Geduld Gallery

55. Tibor de Nagy
Gallery

56. Kathy Butterly

57. Kathy Butterly
Tibor de Nagy Gallery

58. Nancy Hoffman
Gallery
Viola Frey artwork, Nancy Hoffman Gallery

59. Viola Frey
Nancy Hoffman Gallery

60. Whitney Museum
of American Art
Whitney Museum of Amerian Art, 945 Madison Avenue at 75th Street New York, NY 10021

61. “The Whitney’s new building will open to the public on May 1,
2015. Situated between the High Line and the Hudson River in
Manhattan’s Meatpacking District, it will vastly increase the
Whitney’s exhibition and programming space, offering the most
expansive display ever of its unsurpassed collection of modern
and contemporary American art.”

62. Charles Simonds
Charles Simonds
Dwelling, 1981
12 wide
Whitney Museum stairwell
Charles Simonds, Dwelling, 1981, Clay, sand
and wood Wall: 40’ long, Bricks: ½” long,
Museum of Contemporary Art, Chicago, IL

63. Charles Simonds,
Dwelling, 1981,
Clay, sand and wood
Wall: 40’ long,
Bricks: ½” long,
Museum of
Contemporary Art,
Chicago, IL

64. Charles Simonds, Dwelling, 1981, Clay, sand and wood
Wall: 40’ long, Bricks: ½” long

65. Views of the Whitney
Biennial, 2014
Whitney Museum of
American Art, New York,
NY

66. Sterling Ruby
Sterling Ruby, Basin Theology/Butterfly Wreck, 2013 Gerisch Sculpture Park, summer 2013
Back to Earth, Neumunster, Germany

67. Sterling Ruby
Mortar & Pestle 2007. Ceramic, formica
pedestal, sculpture: 5 x 19-1/2 x 17-1/2 inches
(12.7 x 47 x 41.9 cm); pedestal: 30 x 26 x 26
inches (76.2 x 66 x 66 cm)
Sterling Ruby
Bride's Basket with Mortar & Pestle, 2007.
Ceramic, formica pedestal. Sculpture: 13 x
20 inches (33 x 50.8 cm); pedestal: 30 x 26
x 26 inches (76.2 x 66 x 66 cm)

68. Sterling Ruby, Figure Maker with Sphere, 2007.
Ceramic, formica pedestal, sculpture: 18 x 46
inches (45.7 x 116.8 cm); pedestal: 24 x 40 x 64
inches (61 x 101.6 x 162.6 cm)
Sterling Ruby, Bread Basket, 2007.
Ceramic, formica pedestal. Sculpture:
17.5 x 23 x 16 inches (44.5 x 58.4 x
40.6 cm); pedestal: 40 x 30 x 23 inches
(101.6 x 76.2 x 58.4 cm)
SterlingRuby
Bread Basket, 2007.
Ceramic, formica
pedestal. Sculpture:
17.5 x 23 x 16 inches
(44.5 x 58.4 x 40.6
cm); pedestal: 40 x 30
x 23 inches (101.6 x
76.2 x 58.4 cm)

69. Pam Lins &
Amy Sillman
Pam Lins and Amy Sillman
I placed a Jar in Tennessee, 2014

70. Pam Lins & Amy Sillman
2013-14

71. Ceramist Shio Kusaka in
her Los Angeles studio.
Kusaka is represented in
the U.S. by Anton Kern
Gallery, Shane Campbell
Gallery, and Blum & Poe
Shio Kusaka

72. Shio Kusaka
Greengrassi, London, July 2011

73. Pat Lay

74. Pat Lay, Whitney Biennial, 1975
Pat Lay

75. What exhibits have I omitted?
Which artists have I neglected to include?
This lecture and project is a work in progress.
Please email your suggestions to:
www.marcleuthold.com

76. Adrián Villar Rojas
A person loved me, 2012
from “The Ungovernables”
2012 New Museum Triennial
Adrian Villar
Rojas

77. Adrián Villar Rojas
A person loved me, 2012
from “The Ungovernables”
2012 New Museum Triennial

78. Adrián Villar Rojas
A person loved me, 2012
from “The Ungovernables”
2012 New Museum Triennial

79. Mary Heilmann The Pink Cup 1983 glazed ceramic 4.25" x 8.5" x 3.5” (lying on a shelf attached to a
section of) Rob Wynne Snakepaper 2008 hand-screened ink on paper, dimensions variable (installation
view)
Mary Heilmann

80. Mary Heilmann, Good Vibrations Diptych, Remembering David, 2012
Oil on canvas and 11 glazed ceramic dots, painting diptych 40 x 60 inches, installation size variable
Represented by 303 Gallery, New York, and was the subject of a traveling
retrospective organized by the New Museum in 2008

81. Peter Schlessinger, Nicole Cherubini, Marc Leuthold, Joyce Robbins, Irrational Profusion exhibit,
PS1-MoMA dimensions variable, ceramic and mixed media, 2008
Irrational
Profusion
PS1 MoMA, Brooklyn

82. Peter Schlessinger, Nicole Cherubini, Marc
Leuthold, Joyce Robbins, Irrational Profusion
exhibit, PS1-MoMA dimensions variable, ceramic
and mixed media, 2008

83. Everson Museum
Syracuse, NY
Everson Museum, 401
Harrison St., Syracuse, NY
Arnie Zimmerman sculptures

84. “New Works in Clay”
curated and originated by
Margie Hughto
Everson Museum/
Syracuse University
Syracuse, NY
1976

85. Margie Hughto
nationally known ceramist with a sliver of the type of tile ceramic work she was doing for the city of New York's
Cortlandt Station. That station is directly under the World Trade Center towers.
Margie Hughto

86. Margie Hughto, Realm of Muses II
1992, Everson Museum Permanent Collection, Syracuse, NY

87. Sir Anthony Caro
New Works in Clay participant
Everson Museum

88. Sir Anthony Caro in the
British Pavilion in 1966 ©
Peter Townsend (Studio
International/Peter
Townsend Archive in the
Tate Gallery Archive)

89. Sir Anthony Caro at his retrospective exhibition at
the Whitechapel Art Gallery, London, 1963 ©
Barford Sculptures Ltd In the background (from
left to right) are Pompadour, 1963, Twenty Four
Hours, 1960, and Months of May, 1963
Sir Anthony Caro teaching at St
Martin's School of Art, London,
1960 © Barford Sculptures Ltd
Sir Anthony Caro at Henry Moore's studio, Much Hadham,
Hertfordshire c.1952 © Barford Sculptures Ltd

90. Sir Anthony Caro
Night Movements
1987-90
Sir Anthony Caro
The Barbarians
“The artist has constructed each individual
piece from wood, steel and vaulting horses that
he found in a junk-shop in London’s Kings
Cross neighborhood, combined with ceramic
elements he made in the South of France with
ceramicist Hans Spinner.”

91. Sam Durant
“Light Blue”
2006
unique mono-block resin chair, built at Jiao Zhi Studio, Xiamen, China
Porcelain
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007
Sam Durant

92. Mike Kelley
Tender Button
2000
ceramic
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007
Mike Kelley

93. Rosemarie Trockel
Exhibited at DIA Foundation, NY
Centre Pompidou, Paris
Guggenheim Museum, NY
Retrospective exhibit, Rosemarie Trockel: A Cosmos at the New Museum, NYC, 2012
Represented Germany at Venice Biennale, 1999
Exhibited in Documenta, 1997, 2012
Teaches at Kunstakademie Dusseldorf

94. Rosemarie Trockel
Gladstone Gallery, NY

95. Rosemarie Trockel
“Watching and Sleeping and Composing”
2007
steel, wood and glazed ceramics
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

96. Rosemarie Trockel
Landscapian Shroud of my Mother, 2008
Ceramics, steel, 70 x 278 x 200 cm

97. Liz Larner

98. Liz Larner
front: Smile (declining)
2006
cast porcelain
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

99. William O’Brien

100. William O’Brien
Cinaedus Table
2007
glazed ceramic, found objects, plaster, unfired clay,
fabric
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

101. Ricky Swallow
Skull with Bay Leaves and Coyote
2007
stoneware
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007
Ricky Swallow

102. Thomas Schütte
Dirty Dictators
2003
Marian Goodman Gallery, NYC
Thomas Schütte

103. Thomas Schütte
Red Woman Head
2007
ceramic
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

104. Thomas Schutte
Ohne Titel
1997
Gerisch Sculpture Park, summer 2013
Back to Earth, Neumunster, Germany

105. Untitled
1994
ceramic
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007
Anish Kapoor

106. Anish Kapoor
Untitled
1994
ceramic
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

108. Fischli & Weiss

109. Peter Fischli and David Weiss
Suddenly This Overview
Venice Biennial 2013

110. Peter Fischli & David Weiss, Venice Biennale
Peter Fischli and David Weiss
Plötzlich diese Übersicht (Suddenly This Overview) 1981
Installation view of The Encyclopedic Palace, Central
pavilion, Venice, 2013. Photo by Marin R. Sullivan

111. Fischli & Weiss
Untitled (climbing boot)
2007
unfired clay
Fischli & Weiss
Rat and Bear
1979
glazed ceramic
Fischli & Weiss, Untitled (brick), 2007, unfired clay

112. Peter Fischli and
David Weiss
Suddenly This
Overview
Peter Fischli and David Weiss
Suddenly This Overview
Venice Biennial, 2013

113. Jessica Jackson
Hutchins

114. Jessica Jackson Hutchins
Rondamoo, 2011-13
Plaster, collage, acrylic marker, fabric, glazed ceramic
Venice Bienale, 2013

115. Jessica Jackson Hutchins
Lascaux, 2012
Armchair, glazed ceramic
Venice Bienale, 2013

117. Jessica Jackson Hutchins
Carpaccio, 2013
Paint, fabric, collage and glazed
ceramics on leather couch
Venice Bienale, 2013

118. Jessica Jackson Hutchins, Couch For a Long Time, 2009. Couch, newspaper, ceramic
76 × 29 × 35.5 in. (193 × 73.7 × 90.2 cm)
Collection of the artist; courtesy Small A Projects, New York, and Derek Eller Gallery, New York.
Photograph by Dan Kvitka

119. Jessica Jackson Hutchins
Couch For a Long Time, 2009. Couch,
newspaper, ceramic
76 × 29 × 35.5 in. (193 × 73.7 × 90.2 cm)
Saatchi Gallery

120. Jessica Jackson Hutchins
Couch For a Long Time, 2009. Couch, newspaper, ceramic
76 × 29 × 35.5 in. (193 × 73.7 × 90.2 cm)
Whitney Biennial 2010

121. Shinichi Sawada’s work on display Venice Bienale, 2013
ShinichiSawada

122. Shinichi Sawada

123. Shinichi Sawada’s is
autistic and barely
speaks a word, but his
spiked ceramic works
depict a world
populated by
fantastical sea-
monsters and mythical
demons. Using his
long, slender fingers
with intricate
precision, he works in
silence and completes
even his largest
ceramic sculptures in
4-5 days.

124. “Sakti is the curatorial theme of the
Indonesia Pavilion. This Sanskrit term is
associated with the primordial cosmic
energy and with the personification of
divine, feminine creative power, as well as
change and liberation”
“Of Hindu origin, the concept of Sakti was
quickly integrated into local cosmology. Given
Indonesia’s 700 living languages, Sakti can
denote the foundational creative principle and
represents the unifying spirit of the Indonesian
Nation”
The Indonesian
Pavilion
“Sakti”

125. Lara Almarcegui
Spanish
Pavilion

126. Lara Almarcegui
Spanish Pavilion

127. Ron Nagle

128. Ron Nagle work in case
All work ceramic
Venice Bienale, Central Pavilion

130. Elizabeth Benassi

131. Elizabeth Benassi
The Dry Salvages

132. Hungarian Pavilion
Entrance way

133. Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

135. John Baldessari, Repository, 2002
Marcel Duchamp/ Alfred Stieglitz, Fountain, 1917
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

136. Matthias Hirtreiter
From the Mud
2012
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Matthias Hirtreiter

137. Daniel Spoerri
Bei Sevilla Serie Nr.28
1992
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Daniel Spoerri

138. Gert & Uwe Tobias
Ohne Titel,
2012
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Gert & Uwe Tobias

139. David Zink Yi

140. David Zink Yi
Untitled (Architeuthis)
Houser & Wirth Gallery, New York, NY
Photo By Geoffrey Dicker
“The 16 foot long squid (weighing 660 pounds)
is crafted from ceramic coated with a lead and
copper glaze. For this exhibit, the artist has it
laying in a pool of what appears to be the
squid’s own ink, but which is actually dyed
corn syrup. The squid is part of Zink Yi’s first
New York City solo exhibition Pneuma, a
group of seven experimental works.”

141. David Zink Yi
Untitled (Architeuthis)
2010
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

142. Mona Hatoum

143. Mona Hatoum
Still Life, 2008-09 Glazed ceramics, wood and painted steel 34 7/16 x 70 7/8 x 35 7/16 in. (87.5 x 180 x
90 cm) Courtesy of the artist and White Cube. Photo by Todd-White Art Photography

144. Stacked Revision Structure 2005
Liam Gillick

145. Liam Gillick
Guadalajara Revision Stack, 2009
Gerisch Sculpture Park, summer 2013
Back to Earth
Neumunster, Germany

146. Gerisch Sculpture Park, summer 2013, Back to EarthNeumunster, Germany
Piotr Nathan

147. Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

148. Quietus: The vessel, death and the human body
Installation shot, Middlebrough Institue of Modern Art, 2012 Photograph: Colin Davison
Julian Stair

149. Julian Stair
Bottom left: Five Cups on a
Ground, 2013

150. Yvonne Lee Schultz

151. Yvonne Lee Schultz
PP/Z (Zwiebelmuster)
2006
Gerisch Sculpture Park, summer 2013
Back to Earth, Neumunster, Germany

152. Robert Miller Gallery
Johan Cretin

153. Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Johan Cretin

154. Liu Jianhua

155. Liu Jianhua
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

156. Instituto Municipal de Cerámica de Avellaneda
Danijela Pivasevic
Tenner

157. Danijela Pivašević-Tenner

158. Dani Jela Tenner
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

159. Bertozzi & Casoni
Cestino della Discordia
2007
Gerisch Sculpture Park, summer 2013
Back to Earth, Neumunster, Germany
Bertozzi & Casoni

160. Bertozzi & Casoni
Cestino della Discordia
2007

161. Bertozzi & Casoni
Regeneration
2012
Bertozzi & Casoni
Bucranium with Varano
2012
Bertozzi & Casoni
Melanconia (Guitar case
with Swordfish
2012

162. Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Bertozzi & Casoni
Madonna Scheletrita
2003

163. Bertozzi & Casoni,
Madonna Scheletrita,
2003
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

165. Tony Cragg
In Camera
1993
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Tony Cragg

166. Grayson Perry
2003 Turner Prize
Tate Gallery
London, England
Grayson Perry, Precious Boys, 2004, detail

167. Pablo Picasso Grayson Perry
Gerisch Sculpture Park, summer 2013
Back to Earth, Neumunster, Germany

168. Grayson Perry
left, Saint Claire 37 Wanks Across Nothern Spain, Saatchi Gallery;
right, Village of Penians, 2001, Victoria Miro Gallery, London

169. Andrew Lord

170. Andrew Lord
assorted works of “The Bowery”
2007
Ceramic
Barbara Gladstone Gallery
“Makers and Modelers: Works in Ceramic”
September 8, 2007- October 13, 2007

171. Andrew Lord, At Sunset,
Carson Mesa (Gauguin), 2013
Andrew Lord, With Snow Falling,
Carson Mesa (Gauguin), 2013

172. What exhibits have I omitted?
Which artists have I neglected to include?
This lecture and project is a work in progress.
Please email your suggestions to:
www.marcleuthold.com

173. Mounir Fatmi
Mounir Fatmi, Forget, 2010
Porcelain, Courtesy of the artist; Goodman Gallery,
Johannesburg, Cape Town
Mounir Fatmi
The Monuments
5 parts, ceramics and porcelain paint,
160 x 30 x 18 cm. Ed. 5.
© artist and CONRADS, Duesseldorf
2008

174. Gabriel OrozcoMid career Retrospective at MoMA, NYC, 2009
Venince Biennale, 1993, 2003, 2005
Guggenheim Museum, NYC, 2012
Documenta X, XI, 1997, 2002
Galeria Kurimanzutto in Mexico City
Represented by Marian Goodman, NYC

175. Gabriel Orozco

176. Gabriel Orozco

177. Carlo Zauli

178. Lucio Fontana
Lucio Fontana
Musée d'Art Moderne, Paris

179. Lucio Fontana, Battaglia, 1947
Ceramics, varnish, h: 15 x w: 39 x d: 21.5 cm / h: 5.9 x w: 15.4 x d: 8.5 in

180. Lucio Fontana
1959
Lucio Fontana, designer, Rosenthal Porcelain
Factory, manufacturer, Concetto Spaziale -
White, 1968, and Concetto Spaziale - Black,
1968, Ailsa Mellon Bruce Fund, 2004.20.1 and
2004.20.2
Lucio Fontana
1957

181. Leon Ferrari

182. Leon Ferrari
Mujer
c. 1960
75 x 35 x 18 cm

183. Fausto Melotti
Fausto Melotti
Cavaliere
c. 1945
Fausto Melotti in his
studio, Milan, c. 1970
Photo by Ugo Mulas

184. Coppa con orlo mosso
1955
Copetta
1950
La Pittura

185. Fausto Melotti
Heretics and Saints and Bishops
1952
Fausto Melotti
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany

186. Joanne Greenbaum
ceramics and paintings in her studio, image courtesy Joanne Greenbaum
Joanne GreenbaumExhibited at Haus Konstruktiv in Zurich (March 6–May 4, 2008), exhibit traveled to the
Stadtisches Museum Abeitag Monchengladbach in Germany (June 15–August 24, 2008).

187. Joanne Greenbaum
image courtesy Joanne Greenbaum
Joanne Greenbaum
image courtesy Joanne Greenbaum

188. Josh Smith

189. Josh Smith
Installation view, Luhring Augustine Bushwick. September 12 – October 26, 2013

190. Julia Kunin
Julia Kunin
Solo exhibits at Stux
Gallery, NY, NY.
The Bellevue Saal,
Wiesbaden, Germany.
Selected Group exhibitions
include: Sandra Gering
Gallery,NY,
Suite 106 Gallery, NY,
Schroeder- Romero
Gallery, NY,
Artists Space, NY,
Museum of Applied Art
and Design, Frankfurt,
Germany.

191. Julia Kunin

192. Julia Kunin
Neon Lava, 2004
Julia Kunin
Folly, 2006

193. Arlene Shechet
Not Knot (in foreground), Because of the Wind, 2010, glazed and fired ceramic, hardwood
and steel, 16 3/8 x 16 1/4 x 74 inches.

194. Arlene Shechet
Idle Idol, 2013
glazed ceramic, wood base, ceramic 30.5 x 15 x
12 in, overall: 89.5 x 13.5 x 13.5 in.
Photos by Thomas Micchelli
Stories, 2013
glazed ceramic, steel base
ceramic 38.5 x 18 x 15 in
overall: 71.75 x 20 x 18 in.

195. Arlene Shechet
installation view of The Sound of It
Jack Shainman Gallery, NYC

196. Marit Tingleff
Blue Landscape, 2011 (Plate rack with 32 plates)Photo: Thomas Tveter

197. Marit Tingleff
Covered Landscape 201
129 cm x 94,5 cm, 2011 Photo: Gareth T. Bayly

198. Untitled (from the Starsprout series), 2009-10, terracotta center blue:, 15.75 x 18.25 x 10 inches
Paul Swenbeck
Fleisher / Ollman Gallery, New York

199. Michel Gouery
Vorlone 2006

200. Michel Gouery
Body and Soul Exhibit
Musuem of Arts and Design (MAD), New York
September 24, 2013 – March 2, 2014

201. Brie Ruais
Area Whole, 300lbs, 2014, Pigmented and glazed ceramic, hardware, square measures:
78 x 54 x 5 inches, circle measures: 44 x 38 x 5 inches

202. Brie Ruais
Installation view of X O at Nicole Klagsbrun NY, 2013
Photo credit: Christopher Burke Studios

203. Brie Rauis, Forced from Inside and Outside: Pillar, Vessel, and Brick Kiln Base, 2014, at Socrates Sculpture Park in
Long Island City. Each ceramic sculpture made from two people's combined body weight, wood-fired and varnished.

204. What exhibits have I omitted?
Which artists have I neglected to include?
This lecture and project is a work in progress.
Please email your suggestions to:
www.marcleuthold.com

205. Jeff Koons, Bubbles
Jeff Koons, Michael Jackson and Bubbles, 1988
"Jeff Koons: A Retrospective" at the Whitney Museum.
Jeff Koons

206. Installation view of Michael Jackson and Bubbles (1988) in "Jeff Koons: A Retrospective" at the Whitney Museum. P

207. Annabeth Rosen
Wave, ceramic, baling wire, 24 x 50 inches Fleisher / Ollman Gallery, New York

208. Meulensteen Gallery New York City, October 2010
Parcel, 59" high, ceramics, baling wire, casters
Fleisher / Ollman Gallery, New York

209. JW I have got nothing to offer I 2013Market Culture 2013
Jesse Wine

210. Jesse Wine
Installation views, Traveling White Man,
2013
Jesse Wine
Traveling White Man,
2013

211. Jesse Wine
Installation view, Open Heart Surgery,
The Moving Museum, London, UK
2013
Jesse Wine
Installation view, The Practice of the Wild,
Limoncello Gallery, London, UK
2012

212. research project "Kunstnerisk verdiskaping
represented by Cargo Gallery, Sweden
Kjell Rylander

213. Takeshi Yasuda

215. Sana Musasama

216. Sana Musasama Sana Musasama
Unspeakable Series

217. Sana Musasama
Maple Tree Group
Dartmouth Installation, 2007

218. Sana Musasama
Vessel Pottery
Houses Group
Port Chester Exhibition, 2013

219. Clare Twomey
Clare Twomey lecture, “Piece by Piece- a series of actions”

220. Clare Twomey,
Victoria and Albert Museum, London
Photo source:
http://www.uwe.ac.uk/sca/research/rtc/photos/two
mey/statue.jpg
“Trophy” was a temporary installation created in
the Cast Courts of the V&A Museum; the
museum wished to engage with ceramics in a
unique way and to encourage interest in non-
traditional approaches to material specialist
interests. Clare Twomey’s installation comprised
4000 birds made from Wedgwood Jasper blue
clay displayed throughout the Cast Courts; the
work considered the nature of the building and
its historic role, to permanently hold a valuable
collection for public view.
The birds could be taken away, creating a unique
activity in the context of the museum: visitors
were able to effectively steal an object from the
V&A’s collections. By collaborating with
Wedgwood in their production, Twomey
attributed a sense of history and worth to each
individual bird; the audience perceived them as
precious and desirable.

221. Clare Twomey,
Photo source: http://www.uwe.ac.uk/sca/research/rtc/photos/twomey/whole.jpg

222. Clare Twomey Forever 2010 Nelson Atkins Museum, Kansas City, MO
Working with Hartley Greens & Co. Leeds Pottery, a ceramics factory in northern England that has produced functional
earthenwares since the 18th century, Twomey authored a model of the Sandbach Cup for the site-specific installation
Forever. This cup was reproduced 1,345 times, honoring the number of works in the Burnap donation.
In addition to viewing the installation, visitors had an opportunity to own a Cup. Visitors viewed the vast collection of the
cups, and they had the opportunity to become owners. Visitors completed and signed a Deed that asked prospective
owners to consider why they want the work of art, and consider why and how they value the Cup. They signed a Deed
committing them to care for a Cup forever – just as the Burnaps required the Nelson-Atkins to sign their Deed of Gift nearly
70 years ago.

223. Clare Twomey
1000 cups and saucers are displayed in artist Clare Twomey's installation 'Exchange' at the Foundling Museum on
June 14, 2013 in London, England. Ceramic artist Clare Twomey has inscribed individual good deeds onto the cups
and saucers, encouraging visitors to undertake a deed in exchange for a piece of the installation.

224. Bai Ming
• 1965, born in Jiangxi, China
• 2000-present, Lecturer and Dean, Ceramics Department of the
Academy of Fine Arts, Tsinghua University, Beijing, China
• 1994, BA, Central Academy of Fine Arts, Beijing, China
• 1995-1999, Lecturer, Ceramic Department, Central Academy of Fine
Arts, Beijing, China
• 2002, Elected Lifetime Member, International Academy of Ceramics,
Geneva, Switzerland
• Member of the Chinese Artists’ Association
• Editor-in-Chief of the Chinese Ceramics Network website, and of
China Ceramic Art Journal
• Mentor and former teacher for most members of the Antares Passing
Pottery Society
• Maintains three studios in China, including in Jingdezhen, and Beijing
• Published author of over 20 books, including World Famous Ceramic
Artists’Studios
• Exhibited art all over the world since 1993, winning over a dozen gold,
silver, bronze, and excellence awards
• Approximately 80 major group/solo exhibits

225. Bai Ming

226. Bai Ming

227. Bai Ming

228. Lu Pinchang
• Professor, Dean of the Sculpture
Department, Central Academy of Fine Arts,
Beijing, China
• 1982, BFA, Fine Arts School of
Jingdezhen Ceramic Institute, Jingdezhen,
China
•1988, Master of Arts
• Secretary General of the Ceramic Art
Commission, China Artists Association
• Deputy Secretary General of China
Sculpture Society
• Deputy editor-in-chief of Chinese
Ceramicists magazine
• Winner of special government allowance
• Elected Lifetime Member, International
Academy of Ceramics, Geneva, Switzerland

229. Lu Pin Chang

230. Lu Pin Chang

231. Lu Pin Chang

232. Lu Pin Chang

233. • 1957, born in Beijing, China
• helped design the National Stadium of China, known as the Bird’s Nest,
in Beijing, which was used for the 2008 Olympic Games
Ai Weiwei

234. Ai Weiwei

235. Ai Weiwei

236. Ai Weiwei
Dropping a Han
Dynasty Urn
(1995). Middle view
of a triptych of
gelatin silver prints,
each print 49 5/8” x
39 1/4”. Courtesy
private collection,
USA

237. Ai Weiwei, Watermelon, porcelain, 2006

238. Ai Weiwei
Colored Vases (2006) Vases
from the Neolithic age (5000
- 3000 BCE) and industrial
paint; between 10” x
diameter 9” and 14 1/2” x
diameter 9 1/2”. Courtesy
AW Asia collection, New
York
Ai Weiwei Speaks with Hans Ulrich
Obrist:
“Yes, Ceramics is kind of crazy. I
hate ceramics but I do it. I think if
you hate something too much, you
have to do it. You have to use that.”
Page 9

239. Al Weiwei,
Coca Cola Vase, 2009
Gerisch Sculpture Park
Summer 2013
Back to Earth
Neumunster, Germany
Coca Cola Vase 1997, Vase from Neolithic Age
(5000 – 3000 BCE) and paint
11 7/8″ x diameter 13″
Courtesy Tsai Collection, New York

240. Yoko Ono, original performance
done in 1966 at the Jeanette
Cochrane Theatre in London where
she broke a vase on the stage and
asked people to pick up the pieces
and take them home, promising
that they would all meet again in
10 years time with the pieces and
put the vase together again.

241. Ai Weiwei, He Xie (river crab), installation at Mary Boone Gallery
745 Fifth Ave, New York, USA, 2012

242. lee Bontecourepresented by Leo Costelli Gallery, NYC
Cover girl, Time Magazine
Lee Bontecou
MoMa, Queens, NY

243. Black Brown, One Over Two 6 x 6 x 4 in. stoneware, salt glazed, wood-fired
Karen Karnes

244. Karen Karnes, stool

245. Karen Karnes
3 Red Vase Forms, 2007, stoneware
Karen Karnes
Flower Container, 1997
17.5 x 9.5 x 9.5 in.
stoneware, wood-fired

246. Betty Woodman
Betty Woodman
The Ming Sisters, 2003
The Met Museum

247. Pillow Pitcher
Floral Vase and Shadow 1983
(Part of solo retrospective at the Met)

248. Betty Woodman

249. Betty Woodman
Installation view, The Art of Betty Woodman, The Metropolitan Museum of Art, 2006

250. Ana Mendieta
Cuban born,
exhibited at
New Museum 1987
Hirshhorn Museum 2004
Whitney Museum 2005
Art Inst of Chicago 2011
controversial death in 1985
Suicide or accidental death or
Murdered by artist
Carl Andre

251. Ana Mendieta
Ana Mendieta

252. Léopold L. Foulem
Photo by Andrew Leyerie

253. Léopold L. Foulem
Blue and White Teapot
with Oriental
Landscapes in Silvered
Mounts
Ceramic and found
objects
30.0 cm h.
Collection of the Los
Angeles County
Museum of Art

254. Ann Agee
Gross Domestic Product

255. Ann Agee’s installation Super Imposition, 2010, at the Philadelphia Museum of Art
“presents the artist’s factory-like castings of rococo-style vessels in a re-created period room.”
Courtesy Philadelphia Museum of Art

256. Ann Agee

257. Mary Frank
Three Dancers, 1981,
slabs
29" x 34" x 25"

258. Crouching Woman With Two Faces
1981, slabs, 29"x24"x16"x
USA Lover,
1977, slabs, 23"x 44"x 25"t.t

259. Rudi Staffel
Philadephia Museum Retrospective ca 1998
“White Magic: Robert Ryman, Rudolf Staffel
David Nolan Gallery, NYC

260. Robert Arneson
Photo: Lea Suzuki, The Chronicle
SF MoMA staff pack Portrait of
George (Mascone)
Arneson represented by
George Adams Gallery, NYC

261. Robert Arneson, Typewriter, 1965, Arneson represented by George Adams Gallery, NYC
©ROBERT ARNESON/UNIVERSITY OF CALIFORNIA, BERKELEY ART MUSEUM AND PACIFIC FILM
ARCHIVE, GIFT OF THE ARTIST

262. What exhibits have I omitted?
Which artists have I neglected to include?
This lecture and project is a work in progress.
Please email your suggestions to:
www.marcleuthold.com

263. Theaster Gates
in his studio with
pottery from
Feast, an
exhibition at the
Smart Museum
of Art

264. Theaster Gates
Soul Manufacturing
Corporation— To Make
the Thing that Makes the
Things
Fabric Workshop and
Museum (FWM),
Philadelphia, PA

265. Theaster Gates: Stand-Ins for a Period of Wreckage, 2011 / Kavi Gupta Gallery, Chicago
Courtesy of Art Basel Miami Beach

266. I have a dream:
1,000 ceramicists meet at the Museum of Modern Art
in New York City (53rd Street between 5th and 6th
Avenues on the north side of the street) on Friday,
August 21, 2015 at 4pm. Each ceramist brings one
small ceramic object and meets in the main second
floor gallery at exactly 5:01pm. At 5:07pm, all 1,000
ceramists quietly place their ceramic object on the
floor of the museum with the manifesto “the medium
doesn’t matter; all media are equally viable for
artistic expression.”
www.marcleuthold.com
PS Entry to MoMA is free on Fridays, 4-8pm