3. is the process by which the writer reveals the
personality of a character…
Where the author creates a character on a page
and make readers feel as if they have met a real
person…
creating characters boils down to, ultimately:
making the audience care...
Character Development
4. Character Analysis
Physical.
• What does the character look like?
• How do the character’s physical
attributes play a role in the story?
• How does the character feel about his
or her physical attributes?
• How does the character change
physically during the story?
• How do these changes affect the
character’s experience?
Intellectual.
• How would you describe this
character’s intelligence?
• What does this character know? How
does this character’s intellect compare
to others in the story?
• Is this character smart enough to thrive
in the world in which he or she lives?
• What does this character learn as the
story develops?
5. Character Analysis
Emotional.
• How does this character feel most of
the time?
• How do his or her feelings change
throughout the story?
• How does this character feel about
himself or herself?
• When faced with challenges in the
story, what emotions come up for
this character?
Social.
• How does this character get along with
other characters in the story?
• Who does this character choose for
friends and why does this character
choose them?
• Where does this character stand in the
social order?
• How does this character’s social
standing affect events in the story?
6. Character Analysis
Philosophical.
• What does this character believe
about the way life is?
• What are these beliefs based on? How
do these beliefs affect the choices
this character makes?
• How do those beliefs change
throughout the story?
• Do others in the story share these
beliefs?
7. “The ten-minute walk in a cooling breeze took none
of the heat from his indignation. He marched straight
through the doors of the bowls club, his clothes still
damp and dishevelled from a day on the barge, the
bloody gash along his thumb dripping blood onto the
carpet. He spotted Beryl at the last poker machine in
a long gaudy row and made for her with purposeful
strides until he stood only metres away.” (p.97)
Description of Carl Matt
8. “The ten-minute walk in a cooling breeze took none
of the heat from his indignation. He marched straight
through the doors of the bowls club, his clothes still
damp and dishevelled from a day on the barge, the
bloody gash along his thumb dripping blood onto the
carpet. He spotted Beryl at the last poker machine in
a long gaudy row and made for her with purposeful
strides until he stood only metres away.” (p.97)
Description of Carl Matt
- Description
9. Character Name: Carl Matt
What does the character
say and do? What does the character
think and feel?
How does the character
look?
What do the other
characters think about the
character?
How does the character
make you feel?
He marched into the
bowls club, purposely
He felt indignant
He looked damp and
dishevelled. He had a
gash on his thumb.
He is ignored by his
Aunt Beryl.
Proud – that he finds
the courage to stand up
for Harley.
10. Character Traits
Identify a character trait for Carl Matt: ________________courageous
If possible, identify another character trait: ________________caring
11. Help us understand why characters speak and act the
way they do.
Help us understand what the characters think or why
they have certain beliefs.
Help us understand a character’s relationships with
other characters.
Help us predict what characters might do next.
Help us make inferences and to draw conclusions
about events in the story.
Character Traits:
12. “He took in a breath. Held it. Words, he needed
words. The breath slid out of him and he began to
shiver, not from the icy touch of his clothes but the
fear that suddenly froze his heart. “I want the key,”
he managed to say. Pitiful words. No more than the
woman expected of him. They told nothing of what
was sealed inside him still.” (p.98)
Description of Carl Matt
13. Character Name: Carl Matt
What does the character
say and do? What does the character
think and feel?
How does the character
look?
What do the other
characters think about the
character?
How does the character
make you feel?
Name a character trait ________________
If possible name another character trait ________________
14. The two types of characterization are direct
characterisation and indirect characterisation.
If a writer tells you what a character is like, the method
is called direct characterisation.
If a writer prefers to show characters in action, the
method is called indirect characteriation.
Characterisation: Creating Characters
15. Direct presentation Indirect presentation
The author or narrator makes direct
statements about a character's
personality and tells what the character is
like.
How does the character STEAL your
attention:
• A character’s Speech (What does the character say? How does
the character speak?)
• A character’s Thoughts (What is revealed through the character’s
private thoughts and feelings?)
• A character’s interactions [Effect on others] (What is revealed
through the character’s effect on other people? How do other
characters feel or behave in reaction to the character?)
• A character’s Actions (What does the character do? How does the
character behave?)
• A character’s Looks (What does the character look like? How
does the character dress?)
To identify character traits, think of
the following:
16. Direct Indirect
Lewis always took ages to get ready. He
really did. He always forgot something.
He had to make sure that his outfit was
just right - that was his problem.
Eventually he would appear, say sorry,
and you’d explain to him that he had
taken ages – again.
Lewis looked at himself in the mirror, adjusting his
shirt. He put on his new watch and looked at the
time. Getting on, he thought. His wallet was
somewhere, as were his keys, but he wasn’t ready to
look yet. He looked at the shirts on his bed, thinking
what to wear. After a while, he took off the one he
was already wearing, picked up the yellow one
instead and put it on. He looked into the mirror
again, checking his beard and spraying some cologne
on his neck. He found his keys on the side, and
eventually his wallet appeared in a coat he had worn
the night before. He put on his shoes and had one
last look in the mirror by the door. His friends were
waiting outside, grumpy and muttering because of
the time he had taken. “Sorry.” He said.
Direct/Indirect: Example…
17. He knew this wasn’t enough. He was being reasonable,
controlled, keeping that same damned politeness in his own
voice. He could feel the heat inside him and in that instant he
let it go, let it bubble up into his throat. He shouted for the
whole bar, whole town, to hear, a wild ferocious roar.
“You’re not putting him on that chain any more. Do you hear
me? No more. You won’t hit him, you won’t even touch him,
no matter what he does.” Carl’s hand rose up, index finger
pointing, punching the air in front of his aunt. “He deserves
better than that.”
He made his way past the stunned and silent patrons, turning
briefly as he entered the foyer. “And so do I,” he shouted.
Then he was gone. (p.99)
Indirect? Direct?
18.
19. Writers also give readers a view of their characters
from another angle: through characters’ relationships
with each other.
Character reactions reveal qualities of both characters
and their relationship…through:
what characters say to each other and
how characters act toward each other
Relationships - Indirect
20. Beryl didn’t realise at first that he had lingered and she continued to play,
pressing the button, watching the garish symbols roll down the screen and one
by one come to a halt. She’d lost this time. Only then did she notice Carl and
the other faces peering from either side of him.
“You shouldn’t have done it,” Carl said again, less tentatively this time. He
imagined himself on the barge, shouting to a driver, putting him on the deck in
just the right spot. His voice rose. “It was cruel. You wouldn’t do it to a dog.”
Men began to move closer from the bar, forming an audience. “Don’t make
such a big drama out it,” said Beryl, looking around at the startled faces.
Carl saw nothing but his aunt slouched on the stool, still unmoved by what she
had done. She brought the cigarette to her lips and drew deeply, tilting her
head and letting the smoke shoot out strongly. This was her most intimidating
pose, one that had repelled him many times before. “Go home, Carl,” she said.
(p. 98/9)
Aunt Beryl and Carl
21. What relationship exists between Aunt Beryl and Carl?
How is this revealed in the passage by:
what the characters say to each other?
how the characters act toward each other?
What indication do we have, in this passage, that
times are changing? That the relationship is changing?
Aunt Beryl and Carl
22. Motivation is the reason why people do the things
they do.
Uncover a character’s motivations by paying
attention to
Then, think about the outcome of the character’s
actions.
Motivation
what the
character
says
What the
character
does
Clues
about
motivation
23. What was the motivation for Carl’s outburst at his
Aunt Beryl?
What about the outcome of Carl’s actions…was his
outburst justified?
Motivation
24. The protagonist is the main character.
The antagonist is the character or force opposing the main
character.
Flat: characterized by one or two traits, summed up in a
few sentences.
Round: complex and many-sided.
Stock: a type of flat, stereotypical figure who has occurred
so often in fiction that his/her nature is immediately known
(i.e. sinister villain, good sheriff, mad scientist, etc.)
Classifying Characters
25. Static: unchanging character from the beginning to
the end.
Developing or Dynamic: undergoes a permanent
change in some aspect of his/her character,
personality, or outlook. Change should be plausible,
meaning that the change is believable, given the
details in the story.
Classifying Characters
26. the events that take place in a story. Every story
needs a plot! The plot has different parts:
Exposition/Orientation
Conflict
Rising Action
Climax
Falling Action
Resolution
Plot
27.
28. Suspense- excitement or tension
Flashback- interrupts the normal sequence of events
to tell about something that happened in the past
Surprise Ending- conclusion that reader does not
expect
And…Foreshadowing…
Ways to develop your plot
32. Character vs Character – problem with another
character
Character vs Nature – problem with a force of nature
Character vs Society - problem with the laws or beliefs
of a group or character vs. community, society or
culture
Character vs Self -problem with deciding what to do
or think; “inner conflict”
Types of Conflict
33. Character vs Character
Character vs Nature
Character vs Society
Character vs Self
Conflict – A Bridge to Wiseman’s
Cove
What type(s) of conflict(s) existed in A Bridge to
Wiseman’s Cove:
For Carl?
For Aunt Beryl?
34.
35. What is this place like?
Why does it not suit Carl in the beginning?
How does Carl evolve to belong in Wattle Beach?
How does the ‘setting’ of a place impact on our
development as human beings?
Setting
36.
37. What central message, concern or purpose was/were
evident in A Bridge to Wiseman’s Cove?
Are some themes more evident/important than
others?
Themes
38. The literary device ‘motif’ is any element, subject, idea
or concept that is constantly present through the
entire body of literature. Using a motif refers to the
repetition of a specific theme dominating the literary
work.
Motifs are very noticeable and play a significant role
in defining the nature of the story, the course of
events and the very fabric of the literary piece.
Motifs
39. How does the idea of the ‘bridge’ play a significant
role in defining the nature of the story in A Bridge to
Wiseman’s Cove?
Bridges
40. A symbol is a person, place, or thing comes to
represent an abstract idea or concept -- it is anything
that stands for something beyond itself.
Symbols
41. Joy keeps the injured bird safe until it is healed and ready
to be released back into the world.
When Carl joins Joy and the others in setting the osprey
free he feels an overwhelming sense of elation and
freedom.
Joy remarks “Wasn’t it brilliant. It must be great to be free
again, like that. I almost know how the bird feels.” (p193)
The need for ‘freedom’ is a reoccurring theme in this novel.
The Osprey
42. Carl suffers from the behaviour of his family – “the curse of the Matts”.
Everyone assumes that because he is a Matt he will cause problems. Even
Skip Duncan doesn’t want to employ Carl once he realises who he is.
I lost so much that day ‘cause of your grandfather. ‘Cause of you Matts. Why
should I care what happens to any of you? Bloody Matts. Rotten to the core.
Every one I’ve ever laid eyes on. (p157)
Are the Matts “rotten to the core”? Beryl feels that her family also suffered as a
result of the accident. Do you agree that the Matts deserve any sympathy?
What damage can it cause to have preconceived ideas of people?
Can you identify any groups or people in society about which you or others may
have preconceived ideas? What impact does this have on the way you view them
and treat them?
Consider the ‘pygmalion effect’ (people rise to the levels of expectations others
have for them). Can you think of any circumstances where this may come into
play? What impact does it have?
Preconceptions
Notas do Editor
www.picstopin.comCharacterisationPlotSettingThemeConflictStylePoint of View
Sourced from: teacherlingo.com
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Character traits are descriptive adjectives.We can describe characters using character traits that tell us the specific qualities of the character. An author may tell us the character traits directly (direct presentation), but more often the author will show us these traits by what the character does (indirect presentation).
Sourced from: edtech2.boisestate.edu
Perrine, L. (1987) Story and Structure, Toronto: Harcourt Brace Canada Ltd
teacherlingo.comExposition: The mood and conditions existing at the beginning of the story. The setting is identified. The main characters with their positions, circumstances and relationships to one another are established. The exciting force or initial conflict is introduced. Sometimes called the “Narrative HOOK” this begins the conflict that continues throughout the story.Rising Action: The series of events, conflicts, and crises in the story that lead up to the climax, providing the progressive intensity, and complicate the conflict.Climax: The turning point of the story. A crucial event takes place and from this point forward, the protagonist moves toward his inevitable end. The event may be either an action or a mental decision that the protagonist makes.Falling Action: The events occurring from the time of the climax to the end of the story. The main character may encounter more conflicts in this part of the story, but the end is inevitable.Resolution/Denouement: The tying up of loose ends and all of the threads in the story. The conclusion. The hero character either emerges triumphant or is defeated at this point.
Carl Matt is an awkward, lumpy fifteen-year-old who just wants to be loved. Sarah, Carl and Harley’s father all walked out on the family and their mother, Kerry, often finds them too difficult to cope with. When his mother walks out on the family, apparently for good, nineteen-year-old Sarah, terrified of the responsibility of raising the two boys, heads to Europe, packing the boys off to stay with their Aunt Beryl in Wattle Beach. Beryl is less than delighted at the idea of taking in the boys, until she realises that she can keep their social services payments. However, far from filling the role of their mother, she shows the boys no love and even attempts to keep Harley chained to the house to prevent him stealing and misbehaving. Carl is miserable in Wattle Beach. His size and awkwardness make him feel self-conscious and unable to make friends at school. Even the townspeople of Wattle Beach regard the boys with suspicion, believing all the Matt clan to be useless no-hopers. All Carl wants is a family and the security of knowing that he is loved. When, at sixteen, Carl stops receiving any social security benefits, Beryl forces him to leave school. He finds work with Skip and Joy Duncan who run a rusty run-down barge from Wattle Bay to the nearby island. When Carl first starts to work for them the business is losing money, largely because of competition from a rival barge company. Before long however, Carl, revelling in finally belonging to something, shows initiative and helps to bring trade to the struggling business. He even begins to find the courage to stand up to his uncaring, manipulative Aunt Beryl. But, just as Carl begins to experience happiness, family secrets come back to haunt him and again bring his world crashing down around him. Finally the truth is revealed and Carl is forced to confront many of his demons. Gradually he begins to let down his defences and allow others in, finally accepting himself as a loved and valued member of the community.
Themes and Questions for DiscussionThe novel lends itself well to an examination of many relevant themes and issues including:Family Love Belonging Body Image Rites of Passage FamilyCarl Matt wants nothing more than to be a part of a family, something he has never experienced. He is acutely aware of the fact that everyone else seems to have what he never has.Carl floated in a sea of families where everyone, it seemed, walked, spoke and laughed with at least one other – a daughter, a father, a mate.(p23)For all that she is related to the boys, Aunt Beryl does not welcome them as family. She is only interested in letting the boys stay so that she can obtain their social security payments.Because of his own upbringing, Carl has little understanding of how families work. He is horrified when Skip tells Joy about Beryl chaining Harley up.Skip already told herHe shouldn’t haveCarl, they’re a family. That’s what families do. Talk about things. (p147)LoveCarl Matt is crippled by the belief that his mother doesn’t love him. Carl himself is a gentle person with a lot of love to give.He goes to Nugent’s store every afternoon to meet the bus, hoping that his mother will get off it. He buys reflectors for Harley’s bike and a coffee plunger for Beryl, even though he receives and expects nothing in return. He constantly looks out for Harley and tries to protect him.When Harley is suspended from school for fighting with Liam Wilson, Beryl says he is Carl’s responsibility. To enable Carl to keep working on the barge, Joy takes Harley back to her house.Carl searched back through his memory for a time when anyone considered Harley in need of care rather than watching. Nothing turned up. (p107)Joy helps Harley to bake a cake which he proudly offers to all of the passengers.It’s not the cake. It’s Joy. She’s the only person who’s been good to him since we came here. (p132)Joy is amazed at the type of life Carl and Harley have had. I didn’t think there’d be a kid in the world who didn’t know what to do with the beaters from a cake mix. (140)In contrast, when Beryl is in charge, Harley rides off on his bike and spray paints the town. She hits him across the face.When Carl returns home to find Harley chained up like a dog, he says “What are we going to do, Harley? Mum’s gone, Sarah’s gone, everyone hates us. “(p119)Throughout the novel Carl is haunted by Beryl’s comment Who’ll love you if your own mother doesn’t? (p112)Carl says of Harley He’s miserable and hurt. He’s not a wild creature, just a little boy. (p115). BelongingWhen Carl arrives in Wattle Beach he doesn’t fit in as he is neither a local nor a visitor. He watches the other teens from a safe distance, but he never joins in. When he goes to work on the Duncan ’s barge, A Bridge to Wiseman’s Cove, for the first time in his life he feels as if he belongs.Body ImageCarl is big and awkward and very aware of his body.He is too self-conscious to swim, afraid of what others might say.He wore a t-shirt as a paltry ruse against public humiliation. (p44)In contrast, Justine is quite comfortable in her own skin.When Carl removes his t-shirt and swims with the girls it is a huge turning point for him (p195)Rites of PassageDuring the course of the novel the self conscious, awkward Carl matures and begins to stand up for himself. Consider the changes in Carl throughout the novel.When Carl first arrives in Wattle Beach he is miserable and lonely. Alone in the park, Carl wished he was a concrete statue, set there for the birds to sit on. No thoughts, no cares, no pain, just years of weathering in the sun and rain until there was nothing left.(p29)He is extremely naïve and hands over all of his money to Beryl. Then, once he starts working, in an effort to have her keep him and Harley he gives her all of his pay. Gradually, Carl learns to stand up for himself and his brother When Beryl chains Harley up, Carl finds the courage to confront her at the bowls club where she has been all day playing the pokies. If you’d stayed with him, kept an eye on him, if you cared about him, he wouldn’t get into trouble. (p122)Carl is amazed by Justine’s confidence. She is big and awkward like him, but happy and contented, and able to poke fun at herself. How did she let her feelings come so quickly to the surface?(p148)Carl refuses to go to the island with the others when they go to release the osprey. Joy couldn’t understand that it was better to be by yourself than embarrassed by what you were. (p177)When he rubs the sunscreen on Justine’s back, Carl has never touched anyone like that before.(p196)Carl refuses to work for Bruce. He doesn’t approve of his corrupt methods of doing business. Carl protects Maddie by standing up to Nathan at Justine’s party. The others regard him as a hero. No-one’s ever told him off like that (p215)He had never been at peace with the touch of another as he was that night. He was awash with it, afloat and drifting happily. (p221)You’re coming alive. You’ve been playing dead all this time and now you can’t keep yourself down any longer. (p224)Each time Carl starts to get a little more self-confident another secret is revealed and he slips back into his self-doubts.