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NEW CRITICISM
Analyse this!   Baa, baa,black sheep, Have you any wool? Yes Sir, Yes Sir  Three bags full. One for the master, One for the dame, And one for the little boy Who lives down the lane.
New Criticism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Applying New Criticism A poem should be palpable and mute  As a globed fruit,  Dumb  As old medallions to the thumb,  Silent as the sleeve-worn stone  Of casement ledges where the moss has grown—  A poem should be wordless  As the flight of birds.  A poem should be motionless in time  As the moon climbs,   Leaving, as the moon releases  Twig by twig the night-entangled trees,  Leaving, as the moon behind the winter leaves,  Memory by memory the mind—  A poem should be motionless in time  As the moon climbs.  A poem should be equal to:  Not true.  For all the history of grief  An empty doorway and a maple leaf.  For love  The leaning grasses and two lights above the sea—  A poem should not mean  But be.  Ars Poetica Archibald MacLeish
Applying New Criticism The snows of the Tyrol, the clear beer of Vienna  Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew.    I have always been sacred of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You----    Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.    Excerpt from  Daddy     Sylvia Plath
Limitations ,[object Object],[object Object],[object Object]
Limitations ,[object Object],[object Object],[object Object],[object Object],[object Object]

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New criticism

  • 2. Analyse this!   Baa, baa,black sheep, Have you any wool? Yes Sir, Yes Sir Three bags full. One for the master, One for the dame, And one for the little boy Who lives down the lane.
  • 3.
  • 4. Applying New Criticism A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be. Ars Poetica Archibald MacLeish
  • 5. Applying New Criticism The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew.    I have always been sacred of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You----   Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.   Excerpt from Daddy     Sylvia Plath
  • 6.
  • 7.

Notas do Editor

  1. o       Poem has ontological status – it possesses its own being and exists like any other object o Objective theory of art – meaning of a poem must not be equated with author’s feelings; stated/implied intentions o Against Intentional Fallacy – believing that a poem’s meaning is nothing more than an expression of private experiences/author’s intentions o Against Affective Fallacy – a reader’s emotional response to text is not equivalent or important to its interpretation o Organic unity – all parts of a poem are interrelated and interconnected Against Heresy of Paraphrase – Poem’s interpretation is equal to a mere paraphrased version of the text