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   Hi! I am Mario. This is my fifth assignment
    for “Introduction and Music Production”
    at Coursera.org
 Hi! I am Mario. This is my fifth assignment
  for “Introduction and Music Production”
  at Coursera.org
 I will be teaching about “Compare and
  contrast an algorithmic and convolution
  reverb. Demonstrate the difference and
  the important features in both types of
  reverb.”
   To produce an original sound, a
    synthesizer uses several units or modules
    of generation and sound processing to
    create a basic signal, and then change
    the settings to get the desired tone.
   We are going to study the usage of the 5
    most important synthesis modules:
   We are going to study the usage of the 5
    most important synthesis modules:
                        Oscillator
                        Filter
                        Amplifier
                        Envelope
                        LFO
   The VCO (Voltage Controlled Oscillator)
    is an electrical voltage controlled
    oscillator.
   The VCO (Voltage Controlled Oscillator)
    is an electrical voltage controlled
  oscillator.
 Its purpose is to generate a waveform
  rich in harmonics to allow effective
  treatment by filtering section.
 Eachwaveform has a “sound
 personality”, determined by its
 harmonic content
 Each waveform has a “sound
  personality”, determined by its
  harmonic content



Sine     Sawtooth   Square    Triangle
   a sine wave produces a simple clean sound
    without harmonic
   a sine wave produces a simple clean sound
    without harmonic

   the sawtooth signal for its part contains all
    harmonics of decreasing amplitude and its
    corespondant is quite soft and copper.
   a sine wave produces a simple clean sound
    without harmonic

   the sawtooth signal for its part contains all
    harmonics of decreasing amplitude and its
    corespondant is quite soft and copper.

   the squared signal contains only odd harmonics
    of decreasing amplitude. The raw sound a little
    hollow.
   a sine wave produces a simple clean sound
    without harmonic

   the sawtooth signal for its part contains all
    harmonics of decreasing amplitude and its
    corespondant is quite soft and copper.

   the squared signal contains only odd harmonics
    of decreasing amplitude. The raw sound a little
    hollow.
   the triangular signal looks like a sine wave rich in
    harmonics and sound closer to an oboe
 TheVCF (Voltage Controlled Filter) is
 the filter section of a synthesizer
 The  VCF (Voltage Controlled Filter) is
  the filter section of a synthesizer
 A Filter is used to remove frequencies
  from the waveform so as to alter the
  timbre.
 Themain filter is the Low-Pass Filter
 (LPF).
 The main filter is the Low-Pass Filter
  (LPF).
 Low-Pass Filters allows the lower
  frequencies to pass through
  unaffected and filters out (or blocks
  out) the higher frequencies.
 Another    common filter is the High-Pass
 Filter, it does the opposite of a LPF and
 allows the higher frequencies to pass
 through unaffected and filters out
 (blocks-out) the lower frequencies.
 TheVCA (Voltage Controlled
 Amplifier) 's role is to amplify the signal
 (preamp) before output to the
 external amplification.
 Byvarying a voltage input, we can
 change the amplitude of a signal,
 making it quieter and louder by
 supplying a smaller or larger voltage
 as a control signal.
 AnAmplifier uses an Envelope to
 control the overall loudness (or
 amplitude) of the sound over time.
 There
      are many variations of
 envelopes available. However, the
 most common envelope has 4
 parameters:
 There
      are many variations of
 envelopes available. However, the
 most common envelope has 4
 parameters: • Attack time
             •   Decay time
             •   Sustain level
             •   Release time
 Thereare many variations of
  envelopes available. However, the
  most common envelope has 4
  parameters: • Attack time
                  •   Decay time
                  •   Sustain level
                  •   Release time
 This   is usually called ADSR Envelope.
A (Attack): Just after pressing a key, the envelope opens from
zero to full. This is controlled by the attack time. An attack time
of zero means that the envelope goes from zero to full instantly.
Increasing the Attack time means that it will happen more
slowly.
D (Decay): While the key is still pressed, the envelope drops from
full to the sustain level. This is controlled by decay time. A decay
time of zero means that the envelope goes from full to sustain
instantly. Increasing the decay time means that this will happen
more slowly.
S (Sustain): While the key is still being pressed, the continuing
envelope just remains at the Sustain level. This is set by sustain
level.
R (Release): When the key is released, the envelope then drops
from the sustain level to zero. This is controlled by Release time. A
release time of zero means that this will happen instantly.
Increasing the Release time means that this will happen more
slowly.
 Tomodulate    is to exert control or
 affect or influence or shape.
 Tomodulate     is to exert control or
  affect or influence or shape.
 Modulation is used to breathe more
  life into a sound and make it more
  expressive.
 Tomodulate     is to exert control or
  affect or influence or shape.
 Modulation is used to breathe more
  life into a sound and make it more
  expressive.
 A Low Frequency Oscillator (LFO) is a
  very common modulator
 Basically,an LFO is an oscillator
  working in a range of subsonic
  frequencies.
 Basically, an LFO is an oscillator
  working in a range of subsonic
  frequencies.
 It acts directly on the generator.
 Basically, an LFO is an oscillator
  working in a range of subsonic
  frequencies.
 It acts directly on the generator.
 Several settings can be varied and
  the effect intensity: speed modulation,
  frequency, waveform used ...
 Tosimulate a vibrato effect, the
 LFO is modulating at a certain
 speed the frequency of the signal
 from the VCO (Voltage
 Controlled Oscillator).
 To simulate a vibrato effect, the
  LFO is modulating at a certain
  speed the frequency of the signal
  from the VCO (Voltage
  Controlled Oscillator).
 Similarly, a tremolo is obtained by
  modulating the LFO VCA
  (Voltage Controlled Amplifier)
  volume.
   This is my last work for “Introduction to
    Music Production”, we’ve learnt a lot of
    things this last weeks, a lot of information,
    so I tried to present the concepts as
    clearly as possible.
   Thank you for taking the time to read my
    lesson
 Thank you for taking the time to read my
  lesson
 I hope I was clear and the work I’ve
  done could be useful for people without
  this knowledge

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Explain the usage of the 5 most important synthesis modules: Oscillator, F…

  • 1.
  • 2.
  • 3. Hi! I am Mario. This is my fifth assignment for “Introduction and Music Production” at Coursera.org
  • 4.  Hi! I am Mario. This is my fifth assignment for “Introduction and Music Production” at Coursera.org  I will be teaching about “Compare and contrast an algorithmic and convolution reverb. Demonstrate the difference and the important features in both types of reverb.”
  • 5.
  • 6. To produce an original sound, a synthesizer uses several units or modules of generation and sound processing to create a basic signal, and then change the settings to get the desired tone.
  • 7. We are going to study the usage of the 5 most important synthesis modules:
  • 8. We are going to study the usage of the 5 most important synthesis modules:  Oscillator  Filter  Amplifier  Envelope  LFO
  • 9.
  • 10. The VCO (Voltage Controlled Oscillator) is an electrical voltage controlled oscillator.
  • 11. The VCO (Voltage Controlled Oscillator) is an electrical voltage controlled oscillator.  Its purpose is to generate a waveform rich in harmonics to allow effective treatment by filtering section.
  • 12.  Eachwaveform has a “sound personality”, determined by its harmonic content
  • 13.  Each waveform has a “sound personality”, determined by its harmonic content Sine Sawtooth Square Triangle
  • 14. a sine wave produces a simple clean sound without harmonic
  • 15. a sine wave produces a simple clean sound without harmonic  the sawtooth signal for its part contains all harmonics of decreasing amplitude and its corespondant is quite soft and copper.
  • 16. a sine wave produces a simple clean sound without harmonic  the sawtooth signal for its part contains all harmonics of decreasing amplitude and its corespondant is quite soft and copper.  the squared signal contains only odd harmonics of decreasing amplitude. The raw sound a little hollow.
  • 17. a sine wave produces a simple clean sound without harmonic  the sawtooth signal for its part contains all harmonics of decreasing amplitude and its corespondant is quite soft and copper.  the squared signal contains only odd harmonics of decreasing amplitude. The raw sound a little hollow.  the triangular signal looks like a sine wave rich in harmonics and sound closer to an oboe
  • 18.
  • 19.  TheVCF (Voltage Controlled Filter) is the filter section of a synthesizer
  • 20.  The VCF (Voltage Controlled Filter) is the filter section of a synthesizer  A Filter is used to remove frequencies from the waveform so as to alter the timbre.
  • 21.  Themain filter is the Low-Pass Filter (LPF).
  • 22.  The main filter is the Low-Pass Filter (LPF).  Low-Pass Filters allows the lower frequencies to pass through unaffected and filters out (or blocks out) the higher frequencies.
  • 23.  Another common filter is the High-Pass Filter, it does the opposite of a LPF and allows the higher frequencies to pass through unaffected and filters out (blocks-out) the lower frequencies.
  • 24.
  • 25.  TheVCA (Voltage Controlled Amplifier) 's role is to amplify the signal (preamp) before output to the external amplification.
  • 26.  Byvarying a voltage input, we can change the amplitude of a signal, making it quieter and louder by supplying a smaller or larger voltage as a control signal.
  • 27.  AnAmplifier uses an Envelope to control the overall loudness (or amplitude) of the sound over time.
  • 28.
  • 29.  There are many variations of envelopes available. However, the most common envelope has 4 parameters:
  • 30.  There are many variations of envelopes available. However, the most common envelope has 4 parameters: • Attack time • Decay time • Sustain level • Release time
  • 31.  Thereare many variations of envelopes available. However, the most common envelope has 4 parameters: • Attack time • Decay time • Sustain level • Release time  This is usually called ADSR Envelope.
  • 32. A (Attack): Just after pressing a key, the envelope opens from zero to full. This is controlled by the attack time. An attack time of zero means that the envelope goes from zero to full instantly. Increasing the Attack time means that it will happen more slowly.
  • 33. D (Decay): While the key is still pressed, the envelope drops from full to the sustain level. This is controlled by decay time. A decay time of zero means that the envelope goes from full to sustain instantly. Increasing the decay time means that this will happen more slowly.
  • 34. S (Sustain): While the key is still being pressed, the continuing envelope just remains at the Sustain level. This is set by sustain level.
  • 35. R (Release): When the key is released, the envelope then drops from the sustain level to zero. This is controlled by Release time. A release time of zero means that this will happen instantly. Increasing the Release time means that this will happen more slowly.
  • 36.
  • 37.  Tomodulate is to exert control or affect or influence or shape.
  • 38.  Tomodulate is to exert control or affect or influence or shape.  Modulation is used to breathe more life into a sound and make it more expressive.
  • 39.  Tomodulate is to exert control or affect or influence or shape.  Modulation is used to breathe more life into a sound and make it more expressive.  A Low Frequency Oscillator (LFO) is a very common modulator
  • 40.  Basically,an LFO is an oscillator working in a range of subsonic frequencies.
  • 41.  Basically, an LFO is an oscillator working in a range of subsonic frequencies.  It acts directly on the generator.
  • 42.  Basically, an LFO is an oscillator working in a range of subsonic frequencies.  It acts directly on the generator.  Several settings can be varied and the effect intensity: speed modulation, frequency, waveform used ...
  • 43.
  • 44.  Tosimulate a vibrato effect, the LFO is modulating at a certain speed the frequency of the signal from the VCO (Voltage Controlled Oscillator).
  • 45.  To simulate a vibrato effect, the LFO is modulating at a certain speed the frequency of the signal from the VCO (Voltage Controlled Oscillator).  Similarly, a tremolo is obtained by modulating the LFO VCA (Voltage Controlled Amplifier) volume.
  • 46.
  • 47. This is my last work for “Introduction to Music Production”, we’ve learnt a lot of things this last weeks, a lot of information, so I tried to present the concepts as clearly as possible.
  • 48.
  • 49. Thank you for taking the time to read my lesson
  • 50.  Thank you for taking the time to read my lesson  I hope I was clear and the work I’ve done could be useful for people without this knowledge