Studio Arts vocab
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The document provides definitions and descriptions of various art terms and concepts including gradational, delineated edges, color scheme, cropped, distorted, geometric shapes, composition, highlights, foreground, and background. It also includes images and information about specific artworks to illustrate these terms.
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Studio Arts vocab
- 1. Gradational: a smooth transition between black and white, one colour and another, or colour and the lack of it. Brassaï Staircase, Montmartre, Paris 1935-36 gelatin-silver print
- 2. delineated edges: object or image with the outlines shown Man Ray Fingers 1930 gelatin-silver print 11 1/2 x 8 3/4 in.
- 3. colour scheme: The colours an artist uses and the way they are combined in an artwork Piet Mondrian Composition A 1920 oil on canvas 36 x 36 1/4 in.
- 4. Kurt Kranz Eye Series Crop/cropping/cropped : To trim one or more 1930-31 of a picture’s edges, or to place one or more of 16 Gelatin-silver prints mounted on board the edges of an image so that only part of a 13 7/8 x 19 3/4 in. overall subject can be seen within the image.
- 5. The use of text... Text can be used explicitly or conceptually to enhance your image, or give it another dimension or message Barbara Kruger Untitled 1981
- 6. André Kertész Distortion No. 40 Distorted /contorted: twist and manipulate out of shape 1933 gelatin-silver print
- 7. geometric shapes describing shapes and forms such as squares, circles, cubes, and spheres. Ellsworth Kelly Red Blue Green 1963 oil on canvas 83 5/8 x 135 7/8 in.
- 8. Carefully arranged composition Composition : The plan, placement or arrangement of the elements of art in a work, usually according to the principles of design. Piet Mondrian Broadway Boogie Woogie 1943 oil on canvas 50 x 50 in.
- 9. Hue : The name of any colour as found in its pure state in the spectrum, or that aspect of any colour. Jean-Michel Basquiat Hollywood Africans 1983 synthetic polymer and mixed media on canvas 84 x 84 in.
- 10. There is a sense of balance in the image, created by… James Rosenquist I Love You with My Ford 1961 oil on canvas 6 ft. 10 3/4 in. x 7 ft. 9 1/2 in.
- 11. flat blocks of colour Roy Lichtenstein Whaam! 1963 oil and magna on canvas 5 ft. 8 in. x 13 ft. 4 in.
- 12. Robert Smithson Spiral Jetty (Great Salt Lake, Utah) carefully arranged 1970 black basalt and limestone rocks and earth 1,500 ft.
- 13. alludes to: To refer to something indirectly or by suggestion Roy Lichtenstein Little Big Painting 1965 oil and synthetic polymer paint on canvas 68 x 80 in.
- 14. Construction : A term referring to a sculpture made by joining together various components of various materials or of the same substance. El Lissitsky Prouenraum (Proun Room) 1923 wood, metal, paint
- 15. Vivid: Intensity of colour; having the highest saturation; "vivid green"; "intense blue" Laurie Simmons Pink Bathroom 1984 Cibachrome print 20 x 16 in.
- 16. Elongated: extensive in length; stretched Alberto Giacometti Man Pointing 1947 bronze 70 1/2 in. high
- 17. Tactile: A texture you can feel with your hands Alberto Giacometti Figure from Venice II 1956 painted bronze 47 1/2 in. high
- 18. Monumentality: an artwork or object which is larger than life, an exaggerated form ... this can give everyday objects a status they do not enjoy in reality Claes Oldenburg Clothes Pin Philadelphia, Pennsylvania 1976 Cor-ten steel 45 ft. x 12 ft. 3 in. x 4 ft. 6 in.
- 19. Collaboration : Two or more artists working together in a joint effort to produce an artwork or artworks. Man Ray, Yves Tanguy, Joan Miró, Max Morise Exquisite Corpse 1928 ink on paper
- 20. The artist has … to imbue the image with... Francis Bacon Study After Valasquez’s Portrait of Pope Innocent X 1953 oil on canvas
- 22. … is dominated by… Robert Doisneau Hell 1948 gelatin-silver print
- 23. Morris Louis Saraband contemplative 1959 acrylic on unprimed canvas 257 x 378 cm
- 24. directional lines Henry Moore Tube Shelter Perspective 1941 chalk, pen and watercolor 8 1/2 x 6 1/2 in.
- 25. reductive / stylised Henry Moore King and Queen 1952 bronze
- 26. punctured surface Lucio Fontana Spatial Concept: The End of God 1963 oil on canvas 70 x 48 1/2 in.
- 27. intensity Alberto Giacometti Annette 1961 oil on canvas 21 5/8 x 18 1/8 in.
- 29. delineated edges: object or image with the outlines shown Roy Lichtenstein Hopeless 1963 oil on canvas 3 ft. 8 in. x 3 ft. 8 in.
- 30. sequence: arrangement in which things follow in logical order or a recurrent pattern Eadweard Muybridge Walking and Throwing a Handkerchief 1884-85 gelatin-silver print
- 31. Non-objective Art / Non- representational Art : Art works having no recognisable subject matter such as houses, trees or people. Kenneth Noland Magus 1967 acrylic on canvas 225 x 686 cm
- 32. tonal contrast Henri Cartier-Bresson Behind the Gare Saint-Lazare 1932 gelatin-silver print
- 33. Organic / organic shapes - A word describing shapes and forms similar to those in nature and the opposite of geometric. Yves Klein Anthropometry 1960
- 34. Deep shadows Giorgio De Chirico The Melancholy and Mystery of a Street 1914 oil on canvas 34 1/4 x 28 1/4 in.
- 35. Exaggerated form Form : Form refers to an element of art that is three- dimensional (height, width and depth) and encloses volume. Claes Oldenburg Floor Cake 1962 synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes 58 3/8 in. x 9 ft. 6 1/4 in. x 58 3/8 in.
- 36. muted Antoni Tàpies Ochre Relief with Rose 1965 mixed media on plywood 5 ft. 3 1/8 x 3 ft. 8 1/2 in.
- 37. A palette of… is employed to… David Hockney Ian Washing His Hair 1983 collage of chromogenic-development prints 30 x 33 in.
- 38. Mark Tansey Monochrome/Monochromatic : A painting, A Short History of Modernist Painting drawing or print in one colour, including that colour’s shades and tints. 1982 oil on canvas three panels, each 4 ft. 10 in. x 3 ft. 4 in.
- 39. Carl Andre Earth Art / Documentation / Environmental sculpture Stone Field Sculpture 1977 thirty-six glacial boulders Hartford, Connecticut
- 40. fragmentation David Hockney Ian Washing His Hair 1983 collage of chromogenic-development prints 30 x 33 in.
- 41. unsettling: puts the viewer in an uncomfortable space Francis Bacon Three Studies for Figures at the Base of a Crucifixion c. 1944 oil and pastel on hardboard each panel 145 x 128 cm.
- 42. Highlights – Areas of direct light (or implied light) on an object. Francis Bacon Study from the Human Body 1949 oil on canvas 57 7/8 x 51 1/2 in.
- 43. Asymmetry/ Asymmetrical : The parts of an image organised so that one side differs from the other without destroying the overall harmony in the composition. Balthus Therese 1938 oil on canvas
- 44. Converging lines Andy Warhol Ambulance Disaster 1963 silkscreen ink and synthetic polymer paint on canvas 9 ft.11 1/4 in. x 6 ft. 8 in.
- 45. Background : The part of a picture or scene that appears to be farthest away from the viewer, usually nearest the horizon. Henri Cartier-Bresson Rue Mouffetard, Paris 1954 gelatin-silver print
- 46. The use of repetition produces the effect of... Richard Prince Untitled (Three Women Looking in the Same Direction) 1980 3 Ektacolor prints 40 x 60 in. each
- 47. Warm colours- The family of colours that includes reds, yellows, and oranges. Karel Appel Exploded Head 1958 oil on canvas
- 48. Foreground : The area of a picture or field of vision, often at the bottom, that appears to be closest to the viewer. Robert Doisneau From the series The Sideway Glance 1949 gelatin-silver print
- 49. meandering line Roy Lichtenstein Drowning Girl 1963 oil and synthetic polymer paint on canvas 67 5/8 x 66 3/4 in.
- 50. A theme that emerges... Richard Hamilton Just what is it that makes today’s homes so different, so appealing? 1956 collage on paper 10 1/4 x 9 3/4 in.
- 51. Balthus The Mountain Figurative : Describes artwork representing the 1937 oil on canvas form of a human, an animal or a thing. 98 x 144 in.
- 52. The low vantage point... Cindy Sherman Untitled #35 1979 gelatin-silver print 10 x 8 in.
- 53. Karel Appel Angry Landscape 1967 ...use of brilliant colours... oil on canvas 51 1/4 x 76 3/4 in.
- 54. Words to include • Luminous • Linear Perspective : A system of drawing or painting in which the artist attempts to create the illusion of depth on a flat surface.
- 55. Barbara Kruger We Won’t Play Nature to Your Culture 1983 gelatin-silver print 73 x 49 in.
- 56. Barbara Kruger You Rule By Pathetic Display 1982 gelatin-silver print 73 x 49 in.
- 57. John Baldessari Some Rooms 1986 gelatin-silver prints and gouache 96 1/2 x 109 1/2 in.
- 58. Christian Boltanski Les Suisses morts (The Dead Swiss) 1990 mixed media installation
- 59. Mike and Doug Starn Blue Hands 1987 toned silver prints and tape 64 x 76 in.
- 60. Andy Warhol Grace Jones 1984-86 9 gelatin-silver prints and thread 40 x 33 in.
- 61. William Wegman Family Combinations 1972 six gelatin silver prints edition of 10 each 12 3/8 x 10 3/16 in.
- 62. Jean Dubuffet Group of Four Trees 1972 epoxy paint on polyurethane over metal structure 38 x 40 x 34 ft.
- 67. Barbara Hepworth Group III 1952 marble 9 in. high
- 68. Alberto Burri Composition 1953 oil, gold paint and glue on canvas and burlap 34 x 39 3/8 in.
- 69. Lucio Fontana Spatial Concept 1962 watercolor on canvas 9 x 13 3/4 in.
- 70. Yves Klein Untitled Blue Monochrome 1960 IKB pigment on canvas 199 x 153 cm
- 71. Yves Klein Anthropometry 1960 pigment in synthetic resin on paper on canvas 145 x 248 cm
- 72. Arman Le Plein at galerie Iris Clert October 1960
- 73. Eduardo Paolozzi It’s a Psychological Fact Pleasure Helps Your Disposition 1948 collage on paper 14 1/2 x 9 1/2 in.
- 74. Jasper Johns Flag 1954-55 encaustic, oil and collage on fabric mounted on plywood 3 ft. 6 1/4 in. x 5 ft. 5/8 in.
- 75. Jasper Johns Three Flags 1958 encaustic on canvas 78.4 x 115.6 x 12.7 cm
- 76. Jasper Johns Painted Bronze 1960 painted bronze 5 1/2 x 8 x 4 3/4 in.
- 77. Robert Rauschenberg Bed 1955 oil and pencil on pillow, quilt, and sheet on wood 6 ft. 3 1/4 in. x 31 1/2 in. x 8 in.
- 78. Robert Rauschenberg Estate 1963 oil and silkscreen ink on canvas 8 ft. x 70 in.
- 79. Andy Warhol Water Heater 1960 synthetic polymer paint on canvas 44 3/4 x 40 in.
- 80. Andy Warhol Turquoise Marilyn 1962 silkscreen ink and synthetic polymer paint on canvas 40 x 40 in.
- 81. Andy Warhol Marilyns 1965 nine silkscreen prints on paper from a portfolio of ten 36 x 36 in. each
- 82. Andy Warhol Marilyn Diptych 1962 silkscreen ink and synthetic polymer paint on canvas 6 ft. 10 in. x 6 ft. 9 ft..
- 83. Andy Warhol Double Elvis 1963 silkscreen ink and synthetic polymer paint on canvas 7 x 7 ft.
- 84. Andy Warhol 210 Coca-Cola Bottles 1962 silkscreen ink, synthetic polymer paint and pencil on linen 6 ft. 10 1/2 x 8 ft. 9 in.
- 85. Andy Warhol Green Coca-Cola Bottles 1962 silkscreen ink, synthetic polymer paint and pencil on linen 6 ft. 10 1/2 x 4 ft. 9 in.
- 86. Andy Warhol Brillo Box 1968 silkscreen ink and synthetic polymer paint on wood 17 1/8 x 17 x 14 in.
- 87. Andy Warhol White Burning Car III 1963 silkscreen ink and synthetic polymer paint on canvas 8 ft.4 1/2 in. x 6 ft. 6 3/4 in.
- 88. Andy Warhol Lavender Disaster 1963 silkscreen ink and synthetic polymer paint on canvas 8 ft. 10 in. x 6 ft. 9 7/8 in.
- 89. Andy Warhol Empire 1964 16mm film, silent shot at 24 fps, projected at 16 fps 8 hours, 5 minutes
- 90. Andy Warhol Shadows 1979 silkscreen ink and synthetic polymer paint on canvas 102 canvases, each 6 ft. 4 in. x 52 in.
- 91. James Rosenquist President Elect 1960-61 oil on masonite 63 3/4 x 51 1/8 in.
- 92. James Rosenquist F-111 1964-65 oil on canvas and aluminum 10 x 86 ft.
- 93. Roy Lichtenstein Girl with Ball 1961 oil on canvas 153.7 x 92.7 cm
- 94. Roy Lichtenstein Mirror #1 1969 oil and magna on canvas 63 x 48 in.
- 95. Tom Wesselmann Still Life No. 12 1962 mixed media and collage on board 48 x 48 in.
- 96. Claes Oldenburg Pastry Case 1961-62 enamel paint on nine plaster sculptures in glass showcase 20 3/4 x 30 1/8 x 14 3/4 in.
- 97. Claes Oldenburg Installation at Greene Gallery 1962
- 98. Claes Oldenburg Giant Soft Fan 1966-67 construction of vinyl filled with foam rubber, wood, metal, and plastic tubing 10 ft. x 58 7/8 in. x 61 7/8 in.
- 99. Claes Oldenburg Lipstick (Ascending) on Caterpillar Tracks Yale University, Beinecke Plaza New Haven, Connecticut 1969 Cor-ten steel, aluminum, cast resin, polyurethane enamel 23 ft. 6 in. x 24 ft. 11 in. x 10 ft. 11 in.
- 100. Claes Oldenburg and Coosje van Bruggen Spoonbridge and Cherry Minneapolis, Minnesota 1985-88 Aluminum, stainless steel and paint 29 ft. 6 in. x 51 ft. 6 in. x 13 ft. 6 in.
- 101. Claes Oldenburg and Coosje van Bruggen Spoonbridge and Cherry Minneapolis, Minnesota 1985-88 Aluminum, stainless steel and paint 29 ft. 6 in. x 51 ft. 6 in. x 13 ft. 6 in.
- 102. George Segal The Diner 1964-66 plaster, wood, chrome, masonite and formica 8 ft. 6 in. x 9 ft. x 7 ft. 3 in.
- 104. Helen Frankenthaler Mountains and Sea 1952 oil on unprimed canvas 7 ft. 2 7/8 in. x 9 ft. 9 1/4 in.
- 105. Helen Frankenthaler Sun Shapes 1963 acrylic on unprimed canvas 81 1/2 x 56 1/2 in.
- 106. Helen Frankenthaler Bayside 1967 acrylic on unprimed canvas 6 ft. 2 in x 6 ft. 9 in.
- 107. Morris Louis Kaf 1959-60 acrylic on canvas 8 ft. 4 in. x 12 ft.
- 108. Morris Louis Moving In 1961 acrylic on unprimed canvas 7 ft. 3 1/2 in. x 41 1/2 in.
- 109. Frank Stella Die Fahne Hoch 1959 oil on canvas
- 110. Bridget Riley Loss 1964 oil on canvas
- 111. Bridget Riley Cataract 1967 oil on canvas
- 112. Carl Andre Lever 1966 137 firebricks 4 1/2 in. x 8 7/8 in. x 29 ft. 5 in. overall
- 113. Donald Judd Untitled 1966 galvanized iron and blue lacquer on aluminum 40 in. x 190 in. x 40 in. overall
- 114. Donald Judd Stack 1969 laminated plastic and stainless steel
- 115. Robert Morris Installation at Green Gallery 1964 painted plywood
- 116. Dan Flavin Untitled 1963 green fluorescent light 8 ft. high
- 117. Dan Flavin Monument for V Tatlin 1968 cool white fluorescent light 8 ft. high
- 118. Dan Flavin Untitled 1971 yellow, blue and rose colored fluorescent lights 290 x 240 cm
- 119. Tony Smith Die 1971 steel 6 x 6 x 6 ft.
- 120. Richard Serra Titled Arc 1981 Cor-ten steel 12 ft. x 120 ft. x 2 1/2 ft.
- 121. Richard Serra Titled Arc 1981 Cor-ten steel 12 ft. x 120 ft. x 2 1/2 ft.
- 122. Sol LeWitt Serial Project No. 1 (ABCD) 1966-67 baked enamel on aluminum 51 x 39 x 399 cm
- 123. Sol LeWitt Wall Drawing #811 1996 acrylic paint on gallery wall
- 124. Douglas Huebler Site Sculpture Project— Air Marker Piece, The Contrails from Three Jet Airplanes (Flying Simultaneously) Will Mark the Space between Vancouver, B.C. and St. Johns, Newfoundland, Portland Ore., and Halifax, N.S., Eureka, Calif., and New York City. (All Planes Will Leave at the Same Time from the West Coast) 1968 felt tip pen and colored pencil on photocopy on paper 8 1/2 x 11 in.
- 125. Lawrence Weiner A 36” x 36” removal of the lathing or support wall of plaster or wallboard from a wall 1969
- 127. Robert Barry Closed Gallery 1969 announcement card 13 3/4 x 13 3/4
- 128. Robert Barry 88 mc Carrier Wave (FM) and 1600 kc Carrier Wave (AM) 1968
- 129. Robert Barry Radiation Piece, Cesium 137 1969
- 130. Robert Barry Inert Gas Series (Krypton) March 5, 1969 3 color photographs and typewritten text 11 3/4 x 15 3/4 in. overall
- 131. Joseph Kosuth One and Three Chairs 1965 folding chair, photograph of chair and photostat of the definition of a chair
- 132. Joseph Kosuth One and Three Hammers 1965 hammer, photograph of hammer and photostat of the definition of a hammer 24 x 53 3/8 in. overall
- 133. Joseph Kosuth Art as Idea as Idea (water) 1967 photostat on paper mounted on wood 47 x 47 in.
- 134. Vito Acconci Step Piece 1970 5 black and white photographs type on 4 sheets of bond paper, mounted on paperboard with felt-tip annotations 30 x 40 in.
- 135. Vito Acconci Following Piece 1969 black and white photographs with text and chalk, text on index cards, mounted on cardboard 30 1/4 x 40 1/4 in.
- 136. Gordon Matta-Clark Splitting Exterior 1974 six black and white photographs
- 137. Gordon Matta-Clark Splitting 1974 black and white photo collage 40 x 30 in.
- 138. Gordon Matta-Clark Splitting: Four Corners 1974 four building fragments
- 139. Richard Long A Line Made by Walking December 1967
- 140. Michael Heizer Displaced-Replaced Mass #3/3 (Silver Springs, Nevada) 1969 granite and concrete in playa surface 100 x 800 x 9 ft. 6 in.
- 141. Robert Smithson Spiral Jetty (Great Salt Lake, Utah) 1970 black basalt and limestone rocks and earth 1,500 ft.
- 142. Robert Smithson Spiral Jetty (Great Salt Lake, Utah) 1970 black basalt and limestone rocks and earth 1,500 ft.
- 143. Walter De Maria Lightening Field (Quemado, New Mexico) 1977 stainless steel poles overall 5,280 x 3,300 ft.
- 144. Walter De Maria Lightening Field (Quemado, New Mexico) 1977 stainless steel poles overall 5,280 x 3,300 ft.
- 145. Christo and Jeanne-Claude The Gates Central Park, New York, New York 2004 pencil, charcoal, pastel, way crayon, fabric sample, aerial photograph, tape and hand-drawn technical data In two parts: 15x96 in. and 42x96 in.
- 146. Christo and Jeanne-Claude The Gates Central Park, New York, New York 1979-2005 (on view February 12-28, 2005) steel, aluminum, vinyl, nylon
- 147. Christo and Jeanne-Claude The Gates Central Park, New York, New York 1979-2005 (on view February 12-28, 2005) steel, aluminum, vinyl, nylon
- 148. Christo and Jeanne-Claude The Gates Central Park, New York, New York 1979-2005 (on view February 12-28, 2005) steel, aluminum, vinyl, nylon
- 149. Christo and Jeanne-Claude The Gates Central Park, New York, New York 1979-2005 (on view February 12-28, 2005) steel, aluminum, vinyl, nylon
- 150. Christo and Jeanne-Claude The Gates Central Park, New York, New York 1979-2005 (on view February 12-28, 2005) steel, aluminum, vinyl, nylon
- 151. Christo and Jeanne-Claude The Gates Central Park, New York, New York 1979-2005 (on view February 12-28, 2005) steel, aluminum, vinyl, nylon
- 152. Titian Venus of Urbino 1538 oil on canvas 4 ft. x 5 ft. 6 in.
- 153. Édouard Manet Olympia 1863 oil on canvas 51 x 74 3/4 in.
- 154. Claude Monet Gare St. Lazare 1877 oil on canvas 30 x 40 in.
- 155. Camille Pissarro Snow Effect at Eragny, Road to Gisors 1885 oil on canvas 33 x 41cm
- 156. Edgar Degas L’absinthe 1876 oil on canvas 36 1/4 x 26 3/4 in.
- 159. Gertrude Käsebier Blessed Art Thou among Women ca. 1900 platinum print on Japanese tissue 9 3/8 x 5 1/2 in.
- 160. Paul Gauguin The Vision after the Sermon 1888 oil on canvas 2 ft. 4 3/4 in. x 3 ft. 1/2 in.
- 161. Vincent van Gogh The Night Café 1888 oil on canvas 2 ft. 4 1/2 in. x 3 ft.
- 162. Paul Cézanne Mount Sainte Victoire 1885 oil on canvas
- 163. Paul Cézanne Mount Sainte Victoire 1897 oil on canvas
- 164. Paul Cézanne Mount Sainte-Victoire 1902-1904 oil on canvas 2 ft. 3 1/2 in. x 2 ft. 11 1/4 in.
- 165. Georges Braque Houses of L’Estaque 1908 oil on canvas 28 3/4 x 23 5/8 in.
- 166. Pablo Picasso Les Demoiselles d’Avignon 1907 oil on canvas 96 x 92 in.
- 167. Pablo Picasso Still Life with Chair Caning 1912 oil and oilcloth on canvas with rope frame 10 5/8 x 13 3/4 in.
- 168. Arnold Böcklin Self-Portrait with Death Playing the Violin 1872 oil on canvas
- 169. Edvard Munch The Scream 1893 oil, pastel and casein on cardboard 2 ft. 11 3/4 in. x 2 ft. 5 in.
- 170. Gustav Klimt Death and Life 1908-11 oil on canvas 70 1/8 x 78 in.
- 171. André Derain Turning Road, L’Estaque 1906 oil on canvas 51 x 76 3/4 in.
- 172. Henri Matisse Harmony in Red 1908 oil on canvas 70 7/8 x 86 5/8 in.
- 173. Henri Matisse Dance II 1909-10 oil on canvas 8 ft. 5 5/8 in. x 12 ft. 9 1/2 in.
- 174. Ernst Ludwig Kirchner Nudes in the Forest 1908 oil on canvas
- 175. Vassily Kandinsky Sketch for Composition Number 2 1910 oil on canvas 38 x 52 in.
- 176. Pablo Picasso Ma Jolie 1911 oil on canvas 39 3/8 x 25 3/4 in.
- 177. Pablo Picasso maquette for Guitar 1912 cardboard, string and wire 2 ft. 1 1/4 in. x 1 ft. 7 1/2 in.
- 178. Aleksandr Archipenko Woman Combing Her Hair 1915 bronze approximately 1 ft. 1 3/4 in. high
- 179. Giacomo Balla Dynamism of a Dog on a Leash 1912 oil on canvas 2 ft. 11 3/8 in. x 3 ft. 7 1/4 in.
- 180. Umberto Boccioni Unique Forms of Continuity in Space 1913 bronze 3 ft. 7 7/8 in. x 2 ft. 10 7/8 in. x 1 ft. 3 3/4 in.
- 182. Vladimir Tatlin Counter Relief 1915 wood, metal, paint
- 183. Vladimir Tatlin Corner-Counter Reliefs 1915 wood, metal, paint
- 184. Vladimir Tatlin Monument to the 3rd International 1919-20 wood, iron and glass
- 185. El Lissitsky Beat the Whites with the Red Wedge 1919 oil on canvas
- 186. El Lissitsky The Constructor (Self-Portrait) 1924 gelatin-silver print 4 1/2 x 4 7/8 in.
- 188. Alexander Rodchenko Poster for Leningrad Publishing House 1924 gouache and photomontage on paper 27 1/2 x 33 7/8
- 189. Alexander Rodchenko Poster for Leningrad Publishing House 1924 ink on paper
- 190. Dziga Vertov The Man with the Movie Camera 1929 68 minute black and white film
- 191. Alexander Rodchenko Assembling for a Demonstration 1928 gelatin-silver print 19 1/2 x 13 7/8 in.
- 193. Alexander Rodchenko Marching Column of the Dynamo Sporting Club 1935 gelatin-silver print
- 194. László Moholy-Nagy Untitled ca. 1940 photogram, silver-bromide print 20 x 16 in.
- 195. László Moholy-Nagy Untitled (looking down from the Radio Tower, Berlin) ca. 1928 gelatin-silver print 14 1/4 x 10 in.
- 196. Paul Klee In the Current Six Thresholds 1929 oil and tempera on canvas 17 1/8 x 17 1/8 in.
- 197. Paul Klee Ad Parnassum 1932 oil and casein on canvas 39 3/8 x 49 5/8 in.
- 198. Piet Mondrian Ocean 5 1915 charcoal and gouache on paper 34 1/2 x 47 3/8 in.
- 199. Piet Mondrian Composition No. 2: Composition in Line and Color 1913 oil on canvas 34 5/8 x 45 1/4 in.
- 200. Piet Mondrian Composition with Gray & Light Brown 1918 oil on canvas 31 9/16 x 19 5/8 in.
- 201. Piet Mondrian Rhythm of Black Lines ca. 1935 oil on canvas 72.2 x 69.5 cm
- 202. Piet Mondrian New York City 1941-42 oil on canvas 46 7/8 x 44 7/8 in.
- 203. Kasimir Malevich Supresmus No. 56 1916 oil on canvas 31 3/4 x 28 in.
- 204. Giorgio De Chirico The Great Metaphysician 1917 oil on canvas 41 1/8 x 27 1/2 in.
- 205. André Breton Performing Far-Sighted Manifesto Translation of sign: “In order for you to like something it is necessary for you to have seen and understood it a long time ago, you bunch of idiots.” 1920
- 207. Max Ernst The Robing of the Bride 1940 oil on canvas 129.6 x 96.3 cm
- 208. Max Ernst Europe After the Rain 1940-42 oil on canvas 21 1/2 x 58 1/8 in.
- 209. Salvador Dali The Persistence of Memory 1931 oil on canvas 9 1/2 x 13 in.
- 210. Salvador Dali The Metamorphosis of Narcissus 1937 oil on canvas 51.2 x 78.5 cm
- 211. Salvador Dali and Louis Buñuel Un Chien Andalou 1929 motion picture
- 212. Salvador Dali, Joan Miró, Max Ernst, Oscar Domenguez International Surrealist Exhibition Mannequins 1938 installation
- 213. René Magritte The False Mirror 1928 oil on canvas 21 1/4 x 21 7/8 in.
- 214. Frida Kahlo The Broken Column 1944 oil on canvas
- 215. Frida Kahlo Henry Ford Hospital 1932 oil on metal 12 1/4 x 15 1/2 in.
- 217. Brassaï Lesbian Couple at Le Monocle, Paris 1932 gelatin-silver print
- 218. Man Ray Le Violin d’Ingres 1924 gelatin-silver print
- 220. Man Ray Yves Tanguy 1936 gelatin-silver print
- 221. Joan Miró Ciphers and Constellations in Love with a Woman 1941 oil on canvas
- 222. Oscar Dominguez Untitled 1936 gouache transfer on paper 14 1/8 x 11 1/2 in.
- 223. Meret Oppenheim Object 1936 fur-Covered cup, saucer and spoon 2 7/8 in. high
- 224. Feminist CalArts Program Womanhouse (Womanhouse (Bridal Staircase, Nurturant Kitchen, Sheet Closet) Los Angeles, California 1971 installation
- 225. Eleanor Antin Carving: A Traditional Sculpture 1972 148 gelatin-silver photographs and text panel each photograph 7 x 5 in.
- 226. Ana Mendieta Flowers on Body 1973 earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico
- 228. Barbara Kruger Untitled 1983 photostat and red painted frame 6 ft. 1 in x 4 ft. 1 in.
- 229. Annegret Soltau transgenerativ 79 1998 photo collage with thread 52 x 98.5 cm
- 230. Guerrilla Girls The Advantages of Being a Woman Artist 1988 poster
- 231. Romare Bearden The Block 1971 mixed-media 48 x 216 in.
- 232. Romare Bearden Jazz II 1980 serigraph 31 x 41 1.2 in.
- 233. David Hammons Higher Goals 1982 wooden poles, basketball hoops, bottle caps 40 ft. high
- 234. Lorna Simpson Stereo Styles 1988 10 black-and-white Polaroid prints and 10 engraved plastic plaques 5 ft. 4 in. x 9 ft. 8 in. overall
- 235. Lorna Simpson Guarded Conditions 1989 18 color Polaroid prints, 21 engraved plastic plaques, 17 plastic letters 91 x 131 in.
- 236. Lorna Simpson Untitled (Two Necklines) 1989 2 gelatin-silver prints and 11 engraved plastic plaques
- 237. Renee Cox The Yo Mama and Yo Mama at Home 1993 gelatin-silver prints each 82 x 47 in.
- 238. Renee Cox Taxi 1998 Cibachrome print 152.4 x 101.6 cm
- 240. Anselm Kiefer Nigredo 1984 oil paint on photosensitized fabric, acrylic emulsion, straw, shellac, relief paint on paper pulled from painted wood 11 x 18 ft.
- 242. David Wojnarowicz “When I Put My Hands on Your Body” 1990 gelatin-silver print and silkscreened text in museum board 2 ft. 2 in. x 3 ft. 2 in.
- 243. Jean-Michel Basquiat Grillo 1984 oil on wood with nails 8 ft. x 17 ft. 6 1/2 in.
- 244. Jean-Michel Basquiat Charles the First 1982 synthetic polymer and oilstick on canvas 6 ft. 6 in. x 5 ft. 2 1/4 in.
- 245. Chuck Close Linda 1975-76 acrylic on linen 9 x 7 ft.
- 246. Chuck Close Study for Self-portrait 1968 silver-gelatin print, ink, pencil, and pressure-sensitive tape on board 18 5/8 x 13 3/8 in.
- 247. Chuck Close Big Self-portrait 1968 acrylic on canvas 107 1/2 x 83 1/2 in.
- 248. Chuck Close Phil III 1982 cast handmade paper 68 7/8 x 52 5/8 in.
- 249. Duane Hanson Tourists 1970 polychromed fiberglass and polyester approximately life-sized
- 250. Duane Hanson Supermarket Shopper 1970 polyester resin and fiberglass polychromed in oil with clothing, steel cart and groceries approximately life-sized
- 251. Sherrie Levine Untitled (After Walker Evans) 1981 gelatin-silver print 10 x 8 in.
- 252. William Wegman Fay Ray 1988 gelatin silver print 6 x 6 in.
- 253. William Wegman Front Faade 1993 color Polaroid 24 x 20 in.
- 254. Jeff Koons Rabbit 1986 stainless steel 41 x 19 x 12 in.
- 255. Jeff Koons Vacuum Cleaners: New Hoover Deluxe Shampoo Polishers 1980 polishers in Plexiglas boxes with fluorescent lights 56 x 22 x 14 in.