3. Romanian folklore represents all the creations ofRomanian folklore represents all the creations of
spiritual culture. The phrase refers at the speakingspiritual culture. The phrase refers at the speaking
ethnical productions of Romanian language in all ofethnical productions of Romanian language in all of
her dialects Thanks to their diversity, many habits,her dialects Thanks to their diversity, many habits,
traditions, customs, reveal the Romanians’straditions, customs, reveal the Romanians’s
identity, their ancient existence.identity, their ancient existence.
4. The Romanian folklore consists of the national costumes, oldThe Romanian folklore consists of the national costumes, old
habits, old objects with spiritual meaning. It is an overallhabits, old objects with spiritual meaning. It is an overall
conception of habits and believes in the middle of social orconception of habits and believes in the middle of social or
national groups, that is transmitted from generation tonational groups, that is transmitted from generation to
generation.generation.
5. InIn Romania the folklore means a lot. The old houses wereRomania the folklore means a lot. The old houses were
made of earth and wood, dressed up in carpets according tomade of earth and wood, dressed up in carpets according to
people’s taste.people’s taste.
8. Brâul
Brâul is a term used for types of men's
chain dances, although there are now
mixed and women's versions. The term is
applied to several different regional
families of dances that have little
choreographic similarity.
9.
10. The word Brâul comes from the Dacio-
Illyrian language group meaning belt.
Formations where the dancers hold their
neighbour's belts are common throughout
Bulgaria and east Serbia. Belt hold causes
the dancers to be connected more rigidly
than hand holds.
11. Învârtita
The 'turning' dance is thought to have developed
later than the 'walking' dance and is found from
Sweden, through Poland down to Maramureş
and Transylvania. The Romanian dance is the
called the Învârtita with the Hungarian version
called Forgatós.
The basic form is at moderate tempo with
turning as a couple, in alternate directions
separated by a resting step, without progressing
around the dance space.