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World War One Poetry.

L/O: Learning to understand the
 importance of context to poetry
Copy the statements and add a score out of five depending
on your confidence with the subject (5 = really confident)

1.   I can identify similes and metaphors.
2.   I can identify enjambment and alliteration in poems.
3.   I know the effect of similes and metaphors.
4.   I can write about poems using pee.
5.   I can explain why the context of a poem is important to
     the understanding of the poem.
6.   I can compare two poems confidently.
7.   I can explain the different purposes of a poem using
     evidence to support my ideas.
8.   I can evaluate a poem and justify my views using
     evidence.
Revision of poetic terms: Draw in
           back of book.
Poetic term       Definition
Simile
Metaphor
Personification
Enjambment
Alliteration
Stanza
Onomatopoeia
The context of WW1
• What do you know about WW1?
• In pairs make a list of any information that
  you know.
(5min)
Some information
• 1914-1918
• Fought between Germany and England/France/
  Belgium and other Allied countries.
• Mainly fought in Trenches.
• British war dead:
• About 880,000 men from the United Kingdom,
  plus a further 200,000 from other countries in
  the British Empire and Commonwealth.
  German dead: approximately 1,808,000
Some video context of WW1
• Over the top
• The sniper
• The end
Some of the dead.
The men were convinced to fight
 through effective propaganda.

               How are these
               effective?
Now read the poem
    ‘Who’s for the game’ (Jessie Pope)
•    Who’s for the game, the biggest that’s played,
     The red crashing game of a fight?
     Who’ll grip and tackle the job unafraid?
     And who thinks he’d rather sit tight?
     Who’ll toe the line for the signal to ‘Go!’?
     Who’ll give his country a hand?
     Who wants a turn to himself in the show?
     And who wants a seat in the stand?
     Who knows it won’t be a picnic – not much-
     Yet eagerly shoulders a gun?
     Who would much rather come back with a crutch
     Than lie low and be out of the fun?
     Come along, lads –
     But you’ll come on all right –
     For there’s only one course to pursue,
     Your country is up to her neck in a fight,
     And she’s looking and calling for you.
Who’s for the game?
• In pairs decide how this poem persuades
  people to join up:
• Do you think that it successfully achieves
  its purpose? How?
• Who is this poem targeting?
• What does it compare war to and how?
• Which techniques can you find?
Choose one of the following:
• Either write your own enlisting
  poem/verse.
• Or
• Design your own Recruiting poster based
  around the ideas in the poem.

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World war one_poetry1

  • 1. World War One Poetry. L/O: Learning to understand the importance of context to poetry
  • 2. Copy the statements and add a score out of five depending on your confidence with the subject (5 = really confident) 1. I can identify similes and metaphors. 2. I can identify enjambment and alliteration in poems. 3. I know the effect of similes and metaphors. 4. I can write about poems using pee. 5. I can explain why the context of a poem is important to the understanding of the poem. 6. I can compare two poems confidently. 7. I can explain the different purposes of a poem using evidence to support my ideas. 8. I can evaluate a poem and justify my views using evidence.
  • 3. Revision of poetic terms: Draw in back of book. Poetic term Definition Simile Metaphor Personification Enjambment Alliteration Stanza Onomatopoeia
  • 4. The context of WW1 • What do you know about WW1? • In pairs make a list of any information that you know. (5min)
  • 5. Some information • 1914-1918 • Fought between Germany and England/France/ Belgium and other Allied countries. • Mainly fought in Trenches. • British war dead: • About 880,000 men from the United Kingdom, plus a further 200,000 from other countries in the British Empire and Commonwealth. German dead: approximately 1,808,000
  • 6. Some video context of WW1 • Over the top • The sniper • The end
  • 7. Some of the dead.
  • 8. The men were convinced to fight through effective propaganda. How are these effective?
  • 9. Now read the poem ‘Who’s for the game’ (Jessie Pope) • Who’s for the game, the biggest that’s played, The red crashing game of a fight? Who’ll grip and tackle the job unafraid? And who thinks he’d rather sit tight? Who’ll toe the line for the signal to ‘Go!’? Who’ll give his country a hand? Who wants a turn to himself in the show? And who wants a seat in the stand? Who knows it won’t be a picnic – not much- Yet eagerly shoulders a gun? Who would much rather come back with a crutch Than lie low and be out of the fun? Come along, lads – But you’ll come on all right – For there’s only one course to pursue, Your country is up to her neck in a fight, And she’s looking and calling for you.
  • 10. Who’s for the game? • In pairs decide how this poem persuades people to join up: • Do you think that it successfully achieves its purpose? How? • Who is this poem targeting? • What does it compare war to and how? • Which techniques can you find?
  • 11. Choose one of the following: • Either write your own enlisting poem/verse. • Or • Design your own Recruiting poster based around the ideas in the poem.