2. • Electric Cyberdance Research Group belongs to the
Laboratory for Advanced Research of Body
(LaPAC),Postgraduate Programm in Dance, School
of Dance, University Federal of Bahia, Brazil.
• It has as its object of study the contemporary dance
at the interface with the language of the digital
technologies and, therefore, relates to issues of
Cyberculture and Ciberdance.
3. COMPONENTS
• Professor Ludmila Pimentel/Dean (UFBA, HBK
Saar, Slash Lab)
• Professor Daniela Amoroso/2ndDean (UFBA)
• Doctor Mirella Misi (Slash Lab Amsterdam)
• Bruna Spoladore (Master degree)
• Roberto Basilio (Master degree)
• Dorotea Bastos (Master student)
• Isa Sara Rego (Master student)
• Carolina Falcao (Master student)
• Natalia Ribeiro (Specialization student)
• Andreia Oliveira (Specialization student)
• Ana Carolina Frinhani (graduation student)
4. LABORATORIES PARTNERS
• Xm::Lab Hochschule der Bildenden Künste
Saar, Germany with Dr. Soenke Zehle (Dean)
and Jan Tretschok
• Slash Lab Amsterdam, Netherlands with Dr.
Mirella Misi (Dean)
• Laboratorio de Creaciones
Intermedia, Universidad Politecnica de
Valencia, Spain with Professor Gema Hoyas
(2ndDean)
6. PROFESSOR LUDMILA PIMENTEL
AND ELECTRIC CYBERDANCE GROUP
Postdoctoral studies and Research: Interfaces and
Softwares for Interactive Performance: Motion Capture
and Motion Tracking technologies, at Xm::Lab
Hochschule der Bildenden Künste Saar, Germany with
Dr. Soenke Zehle (Dean) and Jan Tretschok
with CAPES sponsorship
13. RESEARCHES
• AESTHETIC CONFIGURATION IN BRAZILIAN
DANCES: DIGITAL INTERFACES by Professor
Daniela Amoroso
• This line of research aims to create dialogue between the
popular dances of Brazil and creative processes in
contemporary dance and its interfaces with digital technology.
14. DR. MIRELLA MISI/SLASH LAB AMSTERDAM
• INTERDISCIPLINARITY AND INTERACTIVITY IN THE
CONTEMPORARY ART SCENE by Dr. Mirella Misi
• Through interdisciplinary research and team work, we develop our
own software and interfaces in order to present interactive artworks.
Our interest is to investigate the poetics that are made in the
incorporation of interactive software programming as part of the
creation’s process of artistic work, assuming thus the technology not
as a tool but as a creative partner.
28. CYBORG MIRRORS (2011)BY ANDREIA
OLIVEIRA, BRUNA SPOLADORE, CAROL
FRINHANI, ISA SARA REGO, LUDMILA PIMENTEL
29.
30.
31.
32. STUDENTS DISSERTATION WORKS AND MASTER
RESEARCHS
• BODYINTERFACE:
RELATIONSHIP BETWEEN BODY AND IMAGE IN
CONTEMPORARY DANCE SCENE, (2011)
DISSERTATION BY ROBERTO BASILIO, TUTOR:
PROFESSOR LUDMILA PIMENTEL
• SKIN, FILM, PIXEL: METAPHORS FOR UPDATING
THE CONCEPT OF SPACE AND THE
PROPOSITION OF DIGITAL ENVIRONMENTS IN
CONTEMPORARY DANCE(2011) DISSERTATTION
BY BRUNA SPOLADORE, TUTOR PROFESSOR
LUDMILA PIMENTEL
33. • LIGHTS, CAMERA, DANCE!SCREENDANCE: AND
THE DRAMATURGIES OF MOVING IMAGES (2010-
2012), MASTER IN DANCE RESEARCH PROJECT
BY DOROTEA BASTOS, TUTOR PROFESSOR
LUDMILA PIMENTEL
• VIRTUALIZED BODIES, PONTENTIATED DANCES:
UPDATES FOR THE CONTEMPORARY CYBORG
BODY (2010-2012), MASTER IN DANCE
RESEARCH PROJECT BY ISA SARA
REGO, TUTOR PROFESSOR LUDMILA PIMENTEL
34. • DIGITAL POETICS IN DANCE: TRACKING A CONCEPT
(2012), SPECIALIZATION IN DANCE RESEARCH
PROJECT BY NATALIA RIBEIRO, TUTOR PROFESSOR
DANIELA AMOROSO
• THE PERFORMATIVITY OF CHOICE: CREATIVE AND
POLITICAL-CRITICAL CURATORIAL PROCESS OF
FILMDANCE FESTIVALS (2012), MASTER
DISSERTATTION PROJECT BY CAROLINA
FALCAO, COLLABORATION PROFESSOR LUDMILA
PIMENTEL