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FUTURISM : Futurist Ideas and the Visual Arts
Marinetti:  Futurist Manifesto  (1909)
Russolo – Carra – Marinetti – Boccioni – Severini
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],From the Manifesto of the Futurist Painters (1910)
Giacomo Balla Street Light (1909)
Balla:  Stairwell: the Farewells  (1908)
Boccioni:  The City Rises  (1910-11)
Boccioni:  States of Mind: the Farewells, Those that Go, Those that Stay  (1911)
 
 
 
Russolo:  The Revolt  (1911)
All objects […] tend to the infinite by dint of their  force-lines , the continuity of which is measured by our intuition.  It is these  force-lines  that we must reproduce in order to lead the work of art back to true paining. We interpret nature by rendering these objects upon the canvas as the beginnings or prolongations of the rhythms which these very objects impress upon our sensibility. The Exhibitors to the Public  (1912)
Russolo:  Dynamics of an Automobile  (1912/13)
Carlo Carra:  Funeral of the Anarchist Galli  (1911)
OTHER INFLUENCES
Georges Seurat:  Sunday Afternoon on the Island of Grand Jatte  (1884-6)
Pablo Picasso:  Accordionist  (1911)
Robert Delaunay:  Red Eiffel Tower  (1911)
Severini:  Dynamic Hieroglyphic  of the Bal Tabarin   (1912)
Severini:  Armoured Train in Action  (1915)
Severini:  Dancer by the Sea   (1912/13)
TIME DURATION  AND  SIMULTANEITY
Bergson Nietzsche
Balla:  Dog on a Leash  (1912)
The gesture which we would reproduce on canvas shall no longer be a fixed  moment  in universal dynamism. It shall simply be the  dynamic sensation  itself. Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular. Futurist Painting: Technical Manifesto 1910
É tienne-Jules Marey: Chronophotograph:  Man Jumping off Stool  (late 19th c)
Marey's chronophotographic gun
Eadweard J.  Muybridge
Anton Bragaglia:  Change of Position  (1911)
Balla:  The Violinist’s Hands  (1912)
Balla:  Speed of a Motorcycle  1913 For us simultaneity is a lyrical exaltation, a plastic manifestation of a new absolute, speed. Futurist Painting and Sculpture  (1914)
Balla:  Abstract Speed - The Car has Passed  (1913)
Balla:  Speed and Landscape  (1913)
Balla:  Mercury Passing in Front of the Sun   (1914)
Boccioni:  Study for Dynamism of a Cyclist 1  (1913)
Boccioni:  Unique Forms of Continuity in Space   (1913)
Balla: Futurist clothing
Anton Guila Bragaglia:  Perfido Incanto  (1916)
Bragaglia:  Perfido Incanto

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Futurist Art