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EVALUATION OF THREE
  AUDIO FEEDBACK
     METHODS
     DR I-CHANT CHIANG
      IAC@ABER.AC.UK
      2 FEBRUARY 2011
PROBLEMS WITH WRITTEN FEEDBACK


  LEAST SATISFIED AREA IN NATIONAL STUDENT SURVEY
  (BBC, 2007; UNISTATS, 2009)

    LACK OF DEPTH, SIMPLY STATE THE PROBLEM

    ILLEGIBLE HANDWRITING

    OVEREMPHASIS ON AREAS OF WEAKNESS

    INABILITY TO PRIORITIZE
BENEFITS OF AUDIO FEEDBACK

STUDENT

 EASIER TO UNDERSTAND

 MORE DEPTH

 RICHER FORM OF FEEDBACK

   NUANCED FEEDBACK

   TONE OF VOICE

   MORE GENUINE, ACCESSIBLE, PERSONAL
                                  (KING, MCGUGAN, BUNYAN, 2008;
 BETTER WORK, BETTER MARKS      ICE, CURTIS, PHILLIPS, WELLS, 2007;
                                    MERRY AND ORSMOND, 2008)
BENEFITS OF AUDIO FEEDBACK


TUTOR

 MORE DEPTH

 FLEXIBILITY

 TIME SAVINGS LONG-TERM

   GIVING FEEDBACK

   HIGHER QUALITY WORK

                            (KING, MCGUGAN, BUNYAN, 2008;
                          ICE, CURTIS, PHILLIPS, WELLS, 2007;
                              MERRY AND ORSMOND, 2008)
DIFFERENT TYPES OF STUDENTS
 DIFFERENT TYPES OF TUTORS
RESEARCH QUESTIONS



HOW DO DIFFERENT STUDENTS RESPOND TO AUDIO
FEEDBACK?

HOW DO DIFFERENT METHODS OF AUDIO FEEDBACK
COMPARE?
RESEARCH QUESTIONS

HOW DO DIFFERENT STUDENTS RESPOND TO AUDIO
FEEDBACK?

  LOW-PERFORMING STUDENTS DO NOT TAKE
  FEEDBACK ON BOARD LIKE HIGH-PERFORMING
  STUDENTS(VAN DER ZEE, 2009)

  LISTENING AND READING SKILLS DEVELOP
  DIFFERENTLY WHEN LEARNING IN A NON-NATIVE
  LANGUAGE (HERRON, MORRIS, SECULES, & CURTIS,
  1995)
RESEARCH QUESTIONS



HOW DO DIFFERENT METHODS OF AUDIO FEEDBACK
COMPARE?

  IMPLEMENTATION, EFFECTIVENESS, AND PREFERENCE

  TUTORS AND STUDENTS

  ACROSS ASSESSMENT TYPES
THREE METHODS
AUDIO ONLY



TUTOR: RECORDS ON
DIGITAL RECORDER

STUDENT: RECEIVES
MP3 FILE
AUDIO-VISUAL ASYNCHRONOUS



TUTOR: RECORDS VIA
HEADSET AND ADOBE
ACROBAT 9.0

STUDENT: RECEIVES
PDF FILE
AUDIO-VISUAL SYNCHRONOUS



TUTOR: RECORDS VIA
HEADSET AND SCREENCAST

STUDENT: RECEIVES LINK
TO WEBSITE

HTTP://SCREENCAST.COM/T/PBQZFECJ744
STUDY METHODOLOGY

5 ACADEMIC STAFF MEMBERS



33 PSYCHOLOGY HONOURS STUDENTS

  “HIGH-PERFORMING” AND “LOW-PERFORMING”

  11 NON-NATIVE ENGLISH SPEAKERS



14 ASSESSMENTS
EVALUATION

QUESTIONNAIRES



STUDENT PERFORMANCE



INTERVIEWS



FOCUS GROUPS
RESULTS
TIME PER METHOD

         Percent Listened     Average Minutes Recorded


100%                                                      12


75%                                                       9


50%                                                       6


25%                                                       3


 0%                                                       0
       Audio Only      A-V Asynchronous A-V Synchronous
% LISTENED TO FEEDBACK

        High Performing Students      Low Performing Students


100%
        100%                                   96%
                             94%
75%


50%             60%
                                    48%
25%                                                      35%

 0%
         Audio Only        A-V Asynchronous   A-V Synchronous
AUDIO ONLY


STUDENT PERSPECTIVE

  VERY USEFUL, LEAST CHALLENGING, LISTENED IN A
  VARIETY OF SETTINGS

  PREFERENCE: 2ND AMONG LO STUDENTS, 3RD AMONG
  HI STUDENTS

  “IT IS ALL IN ONE GO RATHER THAN HAVING TO CLICK
  ON SOUND BITES INDIVIDUALLY”
AUDIO ONLY


 TUTOR PERSPECTIVE

   VERY EASY TO USE, PORTABLE

   GAVE BROADER, LESS SPECIFIC FEEDBACK

   LEAST PREFERRED METHOD

   “IT WAS VERY STRAIGHTFORWARD”



BEST FOR POSTERS, NON-ELECTRONIC WORK
AUDIO-VISUAL ASYNCHRONOUS

STUDENT PERSPECTIVE

  VERY USEFUL, SPECIFIC AND DETAILED, SELF-PACED,
  NO WAY TO STOP MID-COMMENT, MANY CLICKS,
  SOMETIMES INCONSISTENT

  PREFERENCE: 1ST AMONG LO STUDENTS, 2ND AMONG
  HI STUDENTS

  “IT PINPOINTS EXACTLY WHERE THEY’RE SPEAKING
  ABOUT AND IT ALSO OFFERS THE MARKER AN
  OPPORTUNITY TO BE MORE ELABORATE, EXPRESS
  THEMSELVES BETTER”
AUDIO-VISUAL ASYNCHRONOUS


TUTOR PERSPECTIVE

  CLEAR, SIMPLE, STRAIGHTFORWARD, EXPANSIVE

  TEDIOUS, SPENDING MORE TIME

  HALF THE TUTORS PREFER THIS METHOD MOST

  “I LIKED IT, BUT I TOOK WAY TOO LONG”



    BEST FOR REPORTS, PROPOSALS
AUDIO-VISUAL SYNCHRONOUS


STUDENT PERSPECTIVE

  FELT LIKE SITTING WITH THE TUTOR, GOOD FOR
  FORMULATING ARGUMENTS, MUST HAVE GOOD
  INTERNET CONNECTION, COULD NOT SAVE THE FILE

  PREFERENCE: 3RD AMONG LO STUDENTS, 1ST AMONG
  HI STUDENTS

  “I CAN SEE THE LECTURERS’ THOUGHT PROCESS”
AUDIO-VISUAL SYNCHRONOUS


 TUTOR PERSPECTIVE

   CANNOT WAFFLE, FOCUS ON IMPORTANT POINTS

   PINPOINT SPECIFICS, RE-RECORD SOMETIMES

   HALF THE TUTORS PREFER THIS METHOD MOST

   “IT IS MORE LIKE A (ONE-SIDED) CONVERSATION”



BEST FOR ESSAYS, FORMAL PRESENTATIONS
STUDENT TYPES

   NO DIFFERENCES BETWEEN NATIVE AND NON-NATIVE
   ENGLISH SPEAKERS

                       Overall       High Performing            Low Performing


 A-V Synchronous


A-V Asynchronous


     Audio Only

                          SOME               ABOUT                SOME
               MUCH               SLIGHTLY           SLIGHTLY              MUCH
                          WHAT                THE                 WHAT
                LESS                LESS              MORE                 MORE
                           LESS              SAME                 MORE
OVERALL THEMES



TUTORS ENJOYED GIVING FEEDBACK THROUGH AUDIO
MEANS BUT SOME ARE PUT OFF BY TECHNOLOGY

END OF YEAR EVALUATIONS WERE HIGH FOR FEEDBACK

LANGUAGE COMPETENCE MAY BE A FACTOR IN 1ST YEAR

DIFFERENCES IN HIGH AND LOW PERFORMING STUDENTS
OVERALL THEMES



MARKS INCREASED MOST WITH A-V ASYNCHRONOUS

MATCH METHOD TO ASSESSMENT TYPE

 AUDIO ONLY: POSTER, NON-ELECTRONIC WORK

 A-V ASYNCHRONOUS: REPORTS, PROPOSALS

 A-V SYNCHRONOUS: ESSAYS, FORMAL PRESENTATIONS
FOR MORE INFORMATION
  ABOUT THIS PROJECT:
HTTP://SITES.GOOGLE.COM/SITE/AUDIOFEEDBACKUK/

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Strathclyde chiang

  • 1. EVALUATION OF THREE AUDIO FEEDBACK METHODS DR I-CHANT CHIANG IAC@ABER.AC.UK 2 FEBRUARY 2011
  • 2. PROBLEMS WITH WRITTEN FEEDBACK LEAST SATISFIED AREA IN NATIONAL STUDENT SURVEY (BBC, 2007; UNISTATS, 2009) LACK OF DEPTH, SIMPLY STATE THE PROBLEM ILLEGIBLE HANDWRITING OVEREMPHASIS ON AREAS OF WEAKNESS INABILITY TO PRIORITIZE
  • 3. BENEFITS OF AUDIO FEEDBACK STUDENT EASIER TO UNDERSTAND MORE DEPTH RICHER FORM OF FEEDBACK NUANCED FEEDBACK TONE OF VOICE MORE GENUINE, ACCESSIBLE, PERSONAL (KING, MCGUGAN, BUNYAN, 2008; BETTER WORK, BETTER MARKS ICE, CURTIS, PHILLIPS, WELLS, 2007; MERRY AND ORSMOND, 2008)
  • 4. BENEFITS OF AUDIO FEEDBACK TUTOR MORE DEPTH FLEXIBILITY TIME SAVINGS LONG-TERM GIVING FEEDBACK HIGHER QUALITY WORK (KING, MCGUGAN, BUNYAN, 2008; ICE, CURTIS, PHILLIPS, WELLS, 2007; MERRY AND ORSMOND, 2008)
  • 5. DIFFERENT TYPES OF STUDENTS DIFFERENT TYPES OF TUTORS
  • 6. RESEARCH QUESTIONS HOW DO DIFFERENT STUDENTS RESPOND TO AUDIO FEEDBACK? HOW DO DIFFERENT METHODS OF AUDIO FEEDBACK COMPARE?
  • 7. RESEARCH QUESTIONS HOW DO DIFFERENT STUDENTS RESPOND TO AUDIO FEEDBACK? LOW-PERFORMING STUDENTS DO NOT TAKE FEEDBACK ON BOARD LIKE HIGH-PERFORMING STUDENTS(VAN DER ZEE, 2009) LISTENING AND READING SKILLS DEVELOP DIFFERENTLY WHEN LEARNING IN A NON-NATIVE LANGUAGE (HERRON, MORRIS, SECULES, & CURTIS, 1995)
  • 8. RESEARCH QUESTIONS HOW DO DIFFERENT METHODS OF AUDIO FEEDBACK COMPARE? IMPLEMENTATION, EFFECTIVENESS, AND PREFERENCE TUTORS AND STUDENTS ACROSS ASSESSMENT TYPES
  • 10. AUDIO ONLY TUTOR: RECORDS ON DIGITAL RECORDER STUDENT: RECEIVES MP3 FILE
  • 11. AUDIO-VISUAL ASYNCHRONOUS TUTOR: RECORDS VIA HEADSET AND ADOBE ACROBAT 9.0 STUDENT: RECEIVES PDF FILE
  • 12. AUDIO-VISUAL SYNCHRONOUS TUTOR: RECORDS VIA HEADSET AND SCREENCAST STUDENT: RECEIVES LINK TO WEBSITE HTTP://SCREENCAST.COM/T/PBQZFECJ744
  • 13. STUDY METHODOLOGY 5 ACADEMIC STAFF MEMBERS 33 PSYCHOLOGY HONOURS STUDENTS “HIGH-PERFORMING” AND “LOW-PERFORMING” 11 NON-NATIVE ENGLISH SPEAKERS 14 ASSESSMENTS
  • 16. TIME PER METHOD Percent Listened Average Minutes Recorded 100% 12 75% 9 50% 6 25% 3 0% 0 Audio Only A-V Asynchronous A-V Synchronous
  • 17. % LISTENED TO FEEDBACK High Performing Students Low Performing Students 100% 100% 96% 94% 75% 50% 60% 48% 25% 35% 0% Audio Only A-V Asynchronous A-V Synchronous
  • 18. AUDIO ONLY STUDENT PERSPECTIVE VERY USEFUL, LEAST CHALLENGING, LISTENED IN A VARIETY OF SETTINGS PREFERENCE: 2ND AMONG LO STUDENTS, 3RD AMONG HI STUDENTS “IT IS ALL IN ONE GO RATHER THAN HAVING TO CLICK ON SOUND BITES INDIVIDUALLY”
  • 19. AUDIO ONLY TUTOR PERSPECTIVE VERY EASY TO USE, PORTABLE GAVE BROADER, LESS SPECIFIC FEEDBACK LEAST PREFERRED METHOD “IT WAS VERY STRAIGHTFORWARD” BEST FOR POSTERS, NON-ELECTRONIC WORK
  • 20. AUDIO-VISUAL ASYNCHRONOUS STUDENT PERSPECTIVE VERY USEFUL, SPECIFIC AND DETAILED, SELF-PACED, NO WAY TO STOP MID-COMMENT, MANY CLICKS, SOMETIMES INCONSISTENT PREFERENCE: 1ST AMONG LO STUDENTS, 2ND AMONG HI STUDENTS “IT PINPOINTS EXACTLY WHERE THEY’RE SPEAKING ABOUT AND IT ALSO OFFERS THE MARKER AN OPPORTUNITY TO BE MORE ELABORATE, EXPRESS THEMSELVES BETTER”
  • 21. AUDIO-VISUAL ASYNCHRONOUS TUTOR PERSPECTIVE CLEAR, SIMPLE, STRAIGHTFORWARD, EXPANSIVE TEDIOUS, SPENDING MORE TIME HALF THE TUTORS PREFER THIS METHOD MOST “I LIKED IT, BUT I TOOK WAY TOO LONG” BEST FOR REPORTS, PROPOSALS
  • 22. AUDIO-VISUAL SYNCHRONOUS STUDENT PERSPECTIVE FELT LIKE SITTING WITH THE TUTOR, GOOD FOR FORMULATING ARGUMENTS, MUST HAVE GOOD INTERNET CONNECTION, COULD NOT SAVE THE FILE PREFERENCE: 3RD AMONG LO STUDENTS, 1ST AMONG HI STUDENTS “I CAN SEE THE LECTURERS’ THOUGHT PROCESS”
  • 23. AUDIO-VISUAL SYNCHRONOUS TUTOR PERSPECTIVE CANNOT WAFFLE, FOCUS ON IMPORTANT POINTS PINPOINT SPECIFICS, RE-RECORD SOMETIMES HALF THE TUTORS PREFER THIS METHOD MOST “IT IS MORE LIKE A (ONE-SIDED) CONVERSATION” BEST FOR ESSAYS, FORMAL PRESENTATIONS
  • 24. STUDENT TYPES NO DIFFERENCES BETWEEN NATIVE AND NON-NATIVE ENGLISH SPEAKERS Overall High Performing Low Performing A-V Synchronous A-V Asynchronous Audio Only SOME ABOUT SOME MUCH SLIGHTLY SLIGHTLY MUCH WHAT THE WHAT LESS LESS MORE MORE LESS SAME MORE
  • 25. OVERALL THEMES TUTORS ENJOYED GIVING FEEDBACK THROUGH AUDIO MEANS BUT SOME ARE PUT OFF BY TECHNOLOGY END OF YEAR EVALUATIONS WERE HIGH FOR FEEDBACK LANGUAGE COMPETENCE MAY BE A FACTOR IN 1ST YEAR DIFFERENCES IN HIGH AND LOW PERFORMING STUDENTS
  • 26. OVERALL THEMES MARKS INCREASED MOST WITH A-V ASYNCHRONOUS MATCH METHOD TO ASSESSMENT TYPE AUDIO ONLY: POSTER, NON-ELECTRONIC WORK A-V ASYNCHRONOUS: REPORTS, PROPOSALS A-V SYNCHRONOUS: ESSAYS, FORMAL PRESENTATIONS
  • 27. FOR MORE INFORMATION ABOUT THIS PROJECT: HTTP://SITES.GOOGLE.COM/SITE/AUDIOFEEDBACKUK/