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SOCIAL SCIENCE

POWER POINT
PERSENTATION
TOPIC
ARCHITECHTURE AS
     POWER
FORTS AND SACRED
     PLACES
Architecture
Of the visual arts of ancient and medieval
 India much architecture and sculpture have
 survived.

The bricks building of the Harappan culture
 were utilitarian , strong and competent
 though they had little aesthetic merit.
 Megasthenes mentions that the palace of
 Chandragupta Maurya which was large and
 luxurious was built of carved and gilded wood.

 Indian building in the mauryan period were not
  mean or primitive though they lacked a variety
  material . In the medieval period , the adoption
  of stones as a building medium was due to
  foreign contacts.
 The craftsmen learnt their work from Persia
 and Greece.

 In this presentation we will study about the
 various styles adopted in making temples,
 the differences in the architectural styles of
 north and south , the Mughal school of
 architecture and regional influences.
 There is an architectural difference
 between the temples of the north
 and those of the south

The 2 different styles are:
   NAGARA              DRAVIDA
Nagara
 in the nagara style temples the tower
 (shikhara) of the temple is an inverted
 beehive shaped in structure with a bulge in
 the middle.
 the temples are usually surrounded by
 enclosures or boundary walls.
 the plan is based on a square but the walls
 are sometimes broken up to give a circular
 impression
 the exterior of the nagara type of temples is
 characterized by horizontal tiers of layers
 eg Khajuraho temples

 The khajuraho temple have an entrace hall
 or mandapa and a holy place or garbha griha.
 The porch and hall have pyramidal roof made
 of several horizontal layers
Khajuraho Temple
Dravida
 in the dravida type temples the tower of the
 temple is pyramidal in shape and is
 composed of a series of tiers or layers that
 diminish in size as they ascend.
 the temple has many storeys each of which
 is smaller than the one below.
 it has an enclosure and a gateway called
 gopuram.
 eg        Kailashnath Temple
 The world famous kailashnath temple is a
  marvelous specimen of Rashtrakutas
  architecture. It is a rock cut temple and has
  four parts
 the body of the temple
 the entrance gate
 the main Nandi shrine
 a group of five shrine surrounding the
  courtyard
Kailashnath Temple
The Central
   Indian or
Vessara style of
 Architecture
 Vessara is also a style of Indian architecture
 primarily used in temples this style contains
 elements of both Dravida and Nagara style.
 The trend was started by Chalkyas of
 Badami who built temples in a style that was
 essentially a mixture of the Nagara and
 Dravida styles further refined by the
 Rashtrakutas and Chalukya of Kalyani.
Architecture
under the
 Sultanate
 Alu-ud-din khilji , a great builder enlarged
 the quwat-ul-islam mosque in Delhi and
 added a gateway called Alai Darwaza. It has
 decorative windows and arched recesses. The
 gateway is a square structure and has a low
 dome over it.
 He built a new city of Siri (in Delhi) and
 embellished it with attractive buildings. He
 also constructed a new tank here. It was
 called hauz khas. Ferozshah tughlaq built
 many cities eg Firozabad , etc
The
Mughal Period
 The Mughal age is famous for its cultural
 developments and has been called the
 ‘Second Classical Age’ the first being Gupta
 age in northern India. The Mughals brought
 with them the Turko-Iranian cultural
 traditions which gave rise to the composite
 Mughal culture.
Three most important aspects are
 Mughal Culture was largely secular in nature.
 In this growth and enrichment of this culture
 , people from different parts of India and
 outside contributed equally.
 the cultural norms which the Mughals
 introduced in India in the field of architecture
 , painting , music , etc deeply influenced the
 future course of India culture.
Mughal Architecture
 Mughal architecture blended the Persian
 and Indian styles. Graceful domes, small
 domes at the corners standing on pillars, a
 huge palace hall and vaulted gateway are
 some of the salient features of Mughals
 architecture. The new style of building
 mausoleums in the middle of park like
 enclosures and double domes was
 introduced by the Mughals.
Shah Jahan
 Shah Jahan was popularly called the
 engineer king and the prince of builders.
 Moti Masjid and the Taj Mahal and the Red
 Fort and Jama Masjid are some of his famous
 buildings.
Moti Masjid
Taj Mahal
Jama Masjid
Architecture in
  Regional
  Kingdoms
 the provincial governors and independent
 rulers, besides the Delhi sultans, were also great
 builders of their capitals and forts. Ahmad Shah
 of Gujarat founded the Tin Darwaza and the
 Jama Masjid. The Tin Darwaza is a Triumphal
 gateway.
 the Bahmani rulers erected many buildings
 which are founded at Gulbarga, Bidar and
 Bijapur. These buildings have a distinct persian
 styles.
Ancient Period
 in the ancient period Buddhism, Jainism,
 Saivism and vaishnavism strove to grow
 independently with distinct entities in term
 of architectural design and the execution of
 structure.
 Each dynasty brought with itself different
 styles and techniques that enriched Indian
 architecture further and helped it reach its
 zenith.
Made by -
Shubham
 Agarwal

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Forts n Sacred Places

  • 2. TOPIC ARCHITECHTURE AS POWER FORTS AND SACRED PLACES
  • 3. Architecture Of the visual arts of ancient and medieval India much architecture and sculpture have survived. The bricks building of the Harappan culture were utilitarian , strong and competent though they had little aesthetic merit.
  • 4.  Megasthenes mentions that the palace of Chandragupta Maurya which was large and luxurious was built of carved and gilded wood.  Indian building in the mauryan period were not mean or primitive though they lacked a variety material . In the medieval period , the adoption of stones as a building medium was due to foreign contacts.
  • 5.  The craftsmen learnt their work from Persia and Greece.  In this presentation we will study about the various styles adopted in making temples, the differences in the architectural styles of north and south , the Mughal school of architecture and regional influences.
  • 6.  There is an architectural difference between the temples of the north and those of the south The 2 different styles are: NAGARA DRAVIDA
  • 7. Nagara  in the nagara style temples the tower (shikhara) of the temple is an inverted beehive shaped in structure with a bulge in the middle.  the temples are usually surrounded by enclosures or boundary walls.  the plan is based on a square but the walls are sometimes broken up to give a circular impression
  • 8.  the exterior of the nagara type of temples is characterized by horizontal tiers of layers eg Khajuraho temples  The khajuraho temple have an entrace hall or mandapa and a holy place or garbha griha. The porch and hall have pyramidal roof made of several horizontal layers
  • 10. Dravida  in the dravida type temples the tower of the temple is pyramidal in shape and is composed of a series of tiers or layers that diminish in size as they ascend.  the temple has many storeys each of which is smaller than the one below.  it has an enclosure and a gateway called gopuram.  eg Kailashnath Temple
  • 11.  The world famous kailashnath temple is a marvelous specimen of Rashtrakutas architecture. It is a rock cut temple and has four parts  the body of the temple  the entrance gate  the main Nandi shrine  a group of five shrine surrounding the courtyard
  • 13. The Central Indian or Vessara style of Architecture
  • 14.  Vessara is also a style of Indian architecture primarily used in temples this style contains elements of both Dravida and Nagara style.  The trend was started by Chalkyas of Badami who built temples in a style that was essentially a mixture of the Nagara and Dravida styles further refined by the Rashtrakutas and Chalukya of Kalyani.
  • 16.  Alu-ud-din khilji , a great builder enlarged the quwat-ul-islam mosque in Delhi and added a gateway called Alai Darwaza. It has decorative windows and arched recesses. The gateway is a square structure and has a low dome over it.  He built a new city of Siri (in Delhi) and embellished it with attractive buildings. He also constructed a new tank here. It was called hauz khas. Ferozshah tughlaq built many cities eg Firozabad , etc
  • 18.  The Mughal age is famous for its cultural developments and has been called the ‘Second Classical Age’ the first being Gupta age in northern India. The Mughals brought with them the Turko-Iranian cultural traditions which gave rise to the composite Mughal culture.
  • 19. Three most important aspects are  Mughal Culture was largely secular in nature.  In this growth and enrichment of this culture , people from different parts of India and outside contributed equally.  the cultural norms which the Mughals introduced in India in the field of architecture , painting , music , etc deeply influenced the future course of India culture.
  • 20. Mughal Architecture  Mughal architecture blended the Persian and Indian styles. Graceful domes, small domes at the corners standing on pillars, a huge palace hall and vaulted gateway are some of the salient features of Mughals architecture. The new style of building mausoleums in the middle of park like enclosures and double domes was introduced by the Mughals.
  • 22.  Shah Jahan was popularly called the engineer king and the prince of builders. Moti Masjid and the Taj Mahal and the Red Fort and Jama Masjid are some of his famous buildings.
  • 26. Architecture in Regional Kingdoms
  • 27.  the provincial governors and independent rulers, besides the Delhi sultans, were also great builders of their capitals and forts. Ahmad Shah of Gujarat founded the Tin Darwaza and the Jama Masjid. The Tin Darwaza is a Triumphal gateway.  the Bahmani rulers erected many buildings which are founded at Gulbarga, Bidar and Bijapur. These buildings have a distinct persian styles.
  • 28. Ancient Period  in the ancient period Buddhism, Jainism, Saivism and vaishnavism strove to grow independently with distinct entities in term of architectural design and the execution of structure.  Each dynasty brought with itself different styles and techniques that enriched Indian architecture further and helped it reach its zenith.
  • 29. Made by - Shubham Agarwal