SlideShare uma empresa Scribd logo
1 de 49
How much do I owe you?
                               An exhibition by No Longer Empty




Artists who make work that requires viewer interaction
Looking quite empty, not to mention busted up



How much do I owe you?
Looking very empty…although cleaned up a little bit



How much do I owe you?
Less than a month later… It’s a real art space!



How much do I owe you?
Less than a month later… It’s a real art space!



How much do I owe you?
Give and Take (2012)
Sal Randolf   Money, plates, people
Give and Take (2012)
Sal Randolf   Money, plates, people
“For me, the artwork happens
              inside the other person as they
              experience the situation—as they
              think about, give away or spend
              the money.”




                        Give and Take (2012)
Sal Randolf             Money, plates, people
How would you choose to interact with this piece of art?


                                Give and Take (2012)
Sal Randolf                     Money, plates, people
Money Actions (ongoing)
Sal Randolf   Money, string, people
Money Actions is an ongoing series in which I have
been using the social dimensions of money as the
basis of an interactional and interventionist art
practice. I give away money in streets, stores,
galleries, talks, dinners, cafés, sometimes
anonymously, sometimes in groups or person to
person—often to people who give it away in turn.
Because money is caged in rules, simply acting
outside these rules opens up new ranges of social
action and interaction. The money serves as a
provocation for thought, conversation, feeling. In
my experience, people are more reluctant to
receive than to give; it’s awkward for people to be
put in that situation, and I like to linger there.




                                          Money Actions (ongoing)
 Sal Randolf                              Money, string, people
Class responses:

What issues does this artwork raise for the viewer/participant?
•Greed, desire, temptation, honor

How does money usually enter your life?
Receiving                     Earning                   Finding
(from family/friend)          (from working)            (randomly and rarely)
•Sometimes awkward to         •Seems to be worth more   •Exciting to find, it can
receive                       than it actually is.      change the whole ‘feel’ of a
•More likely to save rather   •Less likely to spend     day.
than spend                    •Very likely to save or   •Less likely to save.
•If spent, it’s usually for   “protect”                 • Very likely to spend on
something special that you    •It’s “mine!”             immediate desires,
normally wouldn’t be able                               food/drink
to get.




 Sal Randolf
Bloodbank
Artefacting Working
Group
Bloodbank
Artefacting Working
Group
Bloodbank
Artefacting Working
Group
Answer the question:
What is your Blood worth?
Leave some of your blood behind…
And you get a nice red balloon!
“Members of the community and citizens of NYC
will come together with project leaders Alex White
Mazzarella and Iandry Randriamondroso to Artefact what
compels people to give, all the way through the donation
of blood. Bloodbank is an online video registry and a
storefront art incubator space where the social dynamics
of blood and everyday gifting will fuse as a multimedia
experience about how social capital is formed.”
So…What is your Blood worth?
What is your Blood worth?
Reckoning (2012)
                  Plexiglass boxes, memo pads,
Jennifer Dalton   buttons
This interactive installation invites us to consider
              issues of “Surplus” and “Debt” in our own lives
              and experiences. The pads detail many ways that
              each of can classify ourselves and the many areas
              of interaction from country to family. Consider
              situations where you feel you have given more
              than you have received back or where you have
              received more than you have given and fill out the
              appropriate sheet and place in either “Surplus” or
              “Debt.” In exchange for your participation you are
              invited to take one of the buttons located under
              your entry box. Multiple surveys can be filled out
              reflecting different aspects of one’s life.



                              Reckoning (2012)
                              Plexiglass boxes, memo pads,
Jennifer Dalton               buttons
Reckoning (2012)
                  Plexiglass boxes, memo pads,
Jennifer Dalton   buttons
What are some areas in your life where you receive and/or give?


  1.   Friendship
  2.   Affection
  3.   Finance
  4.   Learning (academics)
  5.   Energy consumption
  6.    -
  7.   -




                                   Reckoning (2012)
                                   Plexiglass boxes, memo pads,
Jennifer Dalton                    buttons
Jennifer Dalton is an emerging
Brooklyn artist who doesn't shy away
from making a political statement
(unlike so many of her
contemporaries). Through a variety of
media ranging from sculpture,
installation, and drawing, to event
organization, Dalton sticks her nose
where mainstream discourse tells her
it doesn't belong. 
Much of her artwork targets the
imbalances of power structures, using
group discussion to dissect a shared
sense of struggle among people.
                                                            From artinfo.com



                                        Reckoning (2012)
                                        Plexiglass boxes, memo pads,
Jennifer Dalton                         buttons
Are you in Surplus?         Are you in Debt?


                         Reckoning (2012)
                         Plexiglass boxes, memo pads,
Jennifer Dalton          buttons
Have you ever interacted with these objects before?



Theodoros                            Untitled(2012)
Stamatogiannis                       Ping pong table, net, and mats
Theodoros        Untitled(2012)
Stamatogiannis   Ping pong table, net, and mats
How do we usually interact with art objects in a museum or gallery?
                         Who decides how we are supposed to interact?




Theodoros                                Untitled
Stamatogiannis                           Basketball equipment
Untitled
photography



Theodoros
Stamatogiannis
“Traditionally, architecture
                 creates place while sculpture
                 creates objects. My practice
                 is a research of how
                 architecture can create
                 sculptural objects that arise
                 from the geometry and the
                 function of architectural
                 place.”




Theodoros        Untitled(2012)
Stamatogiannis   Ping pong table, net, and mats
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
More examples from http://www.fundred.org/

f. r.e.e.                       Pilot Branch of Operation
(Fundred Reserve                             Paydirt
Even Exchange)                  A project by Mel Chin
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                Paydirt
Even Exchange)     A project by Mel Chin
Mel Chin initiated Operation Paydirt in New
Orleans in 2008 where at least 30% of the
inner city childhood population was affected
by lead-poisoning before Katrina.

Chin also inserts art into unlikely places,
including destroyed homes, toxic landfills,
and even popular television, investigating
how art can provoke greater social
awareness and responsibility. He develops
projects in the field of “green remediation,”
using plants to remove toxic, heavy metals
from soil, and improve the quality of
communities.

f. r.e.e.                             Pilot Branch of Operation
(Fundred Reserve                                   Paydirt
Even Exchange)                        A project by Mel Chin
Operation Paydirt is a
                   multidisciplinary, artist-driven
                   project advancing a solution to
                   the devastating problem of lead
                   (Pb) contaminated soil that puts
                   thousands of children at risk for
                   severe learning disabilities and
                   behavioral problems. The goals of
                   the project are to raise
                   awareness of the issues of lead
                   and to create a model for making
                   cities lead-safe across the United
                   States. Ultimately Operation
                   Paydirt’s purpose is to support
                   generational human and
                   environmental health.

f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                      Paydirt
Even Exchange)     A project by Mel Chin
http://melchin.org/oeuvre/operation-paydirtfundred-
                                       dollar-bill-project
f. r.e.e.          Pilot Branch of Operation
(Fundred Reserve                      Paydirt
Even Exchange)     A project by Mel Chin
This field near St Paul, Minnesota ranked at the top
                   of the government issued Superfund list, indicating
                   its incredible toxicity. At the time when Chin was
                   considering his proposal to heal the land, it was so
                   infected with incinerated sewage sludge that it was
                   illegal for anyone to even step foot on it.
                   Chin heals this polluted land by building a garden
                   on it. He works on his project one plot at a time
                   and fences off about a fifty-foot radius to plant the
                   current garden. Heavy metals, which are proliferate
                   in the soil, are fatal to most organisms when
                   concentrated, however Chin has discovered a type
                   of plant that cannot only tolerate such toxic
                   elements, but leaches them out of the soil and
                   stores it in its vascular system. These plants are
                   called “hyperaccumulators” and are unique in the
                   plant world because they can thrive in toxic lands


f. r.e.e.                       Pilot Branch of Operation
(Fundred Reserve                                   Paydirt
Even Exchange)                  A project by Mel Chin
Superfund
sites in
NYC
Superfund
                   sites in
                   the USA
f. r.e.e.
(Fundred Reserve
Even Exchange)
Is this what you’d expect “art” to be?
                      Or is this more “community activism?”

What qualities should ‘good art’ have?
1.-
2.-
3.-
4.-
5.-
6.-
7.-




f. r.e.e.                                Pilot Branch of Operation
(Fundred Reserve                                            Paydirt
Even Exchange)                           A project by Mel Chin

Mais conteúdo relacionado

Semelhante a Nle interaction$

Kaecee Fitzgerald Folio 2017
Kaecee Fitzgerald Folio 2017Kaecee Fitzgerald Folio 2017
Kaecee Fitzgerald Folio 2017Kaecee Fitzgerald
 
Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...Max Mollon
 
Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.
Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.
Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.Culture Summit
 
Wisdom, Passion And Dedication Are The Necessity Traits To...
Wisdom, Passion And Dedication Are The Necessity Traits To...Wisdom, Passion And Dedication Are The Necessity Traits To...
Wisdom, Passion And Dedication Are The Necessity Traits To...Kristen Stacey
 
Chapter 3, Daniel Pinks A Whole New Mind
Chapter 3, Daniel Pinks A Whole New MindChapter 3, Daniel Pinks A Whole New Mind
Chapter 3, Daniel Pinks A Whole New Mindnataliebrandhorst
 
+AUDIO Applied Ethnography - Bruce Davis
+AUDIO Applied Ethnography - Bruce Davis+AUDIO Applied Ethnography - Bruce Davis
+AUDIO Applied Ethnography - Bruce DavisIIBA UK Chapter
 
Visual Communication That Works! (PPT)
Visual Communication That Works! (PPT)Visual Communication That Works! (PPT)
Visual Communication That Works! (PPT)Barry Casey
 
Environment Action 2013
Environment Action 2013Environment Action 2013
Environment Action 2013Stephen Duff
 
Engagement, Art, & Often Children : Gobal Exhibit Forum Sweden
Engagement, Art, & Often Children: Gobal Exhibit Forum SwedenEngagement, Art, & Often Children: Gobal Exhibit Forum Sweden
Engagement, Art, & Often Children : Gobal Exhibit Forum SwedenMaria Mortati
 
Creating Powerful Partnerships
Creating Powerful PartnershipsCreating Powerful Partnerships
Creating Powerful Partnershipscraigslist_fndn
 
Rituals for Online Artist Events
Rituals for Online Artist EventsRituals for Online Artist Events
Rituals for Online Artist EventsChristy Dena
 
Joburg Art Gallery Redesign - Open Access Conference
Joburg Art Gallery Redesign - Open Access ConferenceJoburg Art Gallery Redesign - Open Access Conference
Joburg Art Gallery Redesign - Open Access Conferencejason hobbs
 
The Gift Economy + Report of Prototype
The Gift Economy + Report of PrototypeThe Gift Economy + Report of Prototype
The Gift Economy + Report of PrototypeTom Tresser
 
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014Andrew Sleigh
 
McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...
McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...
McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...McLachlan Lister Pty Limited
 

Semelhante a Nle interaction$ (20)

Kaecee Fitzgerald Folio 2017
Kaecee Fitzgerald Folio 2017Kaecee Fitzgerald Folio 2017
Kaecee Fitzgerald Folio 2017
 
Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...Design for debate, an introduction to design fiction and my research topic (T...
Design for debate, an introduction to design fiction and my research topic (T...
 
Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.
Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.
Culture Summit 2015 - Culture By Design with Didier Elzinga CEO of Culture Amp.
 
Wisdom, Passion And Dedication Are The Necessity Traits To...
Wisdom, Passion And Dedication Are The Necessity Traits To...Wisdom, Passion And Dedication Are The Necessity Traits To...
Wisdom, Passion And Dedication Are The Necessity Traits To...
 
Chapter 3, Daniel Pinks A Whole New Mind
Chapter 3, Daniel Pinks A Whole New MindChapter 3, Daniel Pinks A Whole New Mind
Chapter 3, Daniel Pinks A Whole New Mind
 
+AUDIO Applied Ethnography - Bruce Davis
+AUDIO Applied Ethnography - Bruce Davis+AUDIO Applied Ethnography - Bruce Davis
+AUDIO Applied Ethnography - Bruce Davis
 
Visual Communication That Works! (PPT)
Visual Communication That Works! (PPT)Visual Communication That Works! (PPT)
Visual Communication That Works! (PPT)
 
Environment Action 2013
Environment Action 2013Environment Action 2013
Environment Action 2013
 
Engagement, Art, & Often Children : Gobal Exhibit Forum Sweden
Engagement, Art, & Often Children: Gobal Exhibit Forum SwedenEngagement, Art, & Often Children: Gobal Exhibit Forum Sweden
Engagement, Art, & Often Children : Gobal Exhibit Forum Sweden
 
Creating Powerful Partnerships
Creating Powerful PartnershipsCreating Powerful Partnerships
Creating Powerful Partnerships
 
C2C Greening DJ
C2C Greening DJC2C Greening DJ
C2C Greening DJ
 
Rituals for Online Artist Events
Rituals for Online Artist EventsRituals for Online Artist Events
Rituals for Online Artist Events
 
Joburg Art Gallery Redesign - Open Access Conference
Joburg Art Gallery Redesign - Open Access ConferenceJoburg Art Gallery Redesign - Open Access Conference
Joburg Art Gallery Redesign - Open Access Conference
 
Module2
Module2Module2
Module2
 
The Gift Economy + Report of Prototype
The Gift Economy + Report of PrototypeThe Gift Economy + Report of Prototype
The Gift Economy + Report of Prototype
 
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
 
Handmadehope
HandmadehopeHandmadehope
Handmadehope
 
McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...
McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...
McLachlan Lister Sustainability Corner McLachlan Lister Sustainability - McLa...
 
OMA form & function
OMA form & functionOMA form & function
OMA form & function
 
2015 Arts Midwest Workshop: Embracing the Digital Age
2015 Arts Midwest Workshop: Embracing the Digital Age2015 Arts Midwest Workshop: Embracing the Digital Age
2015 Arts Midwest Workshop: Embracing the Digital Age
 

Mais de kozakartclass

Performance art unit
Performance art unitPerformance art unit
Performance art unitkozakartclass
 
Exit through the gift shop 2019
Exit through the gift shop 2019Exit through the gift shop 2019
Exit through the gift shop 2019kozakartclass
 
Moma van gogh inquiry_2019
Moma van gogh inquiry_2019Moma van gogh inquiry_2019
Moma van gogh inquiry_2019kozakartclass
 
Kozak edit andy warhol, whitney exhibit
Kozak edit andy warhol, whitney exhibitKozak edit andy warhol, whitney exhibit
Kozak edit andy warhol, whitney exhibitkozakartclass
 
Programmed: at the Whitney Museum
Programmed: at the Whitney Museum Programmed: at the Whitney Museum
Programmed: at the Whitney Museum kozakartclass
 
Whitney museum history
Whitney museum historyWhitney museum history
Whitney museum historykozakartclass
 
A nari ward presentation
A nari ward presentationA nari ward presentation
A nari ward presentationkozakartclass
 
A history of the new museum
A history of the new museumA history of the new museum
A history of the new museumkozakartclass
 
Street Art INTRO and Banksy
Street Art INTRO and BanksyStreet Art INTRO and Banksy
Street Art INTRO and Banksykozakartclass
 
Uncutt, Obey (shepard fairey) and cope
Uncutt, Obey (shepard fairey) and copeUncutt, Obey (shepard fairey) and cope
Uncutt, Obey (shepard fairey) and copekozakartclass
 
Adhesive Artists: BNE and snoeman and space invader .
Adhesive Artists: BNE and snoeman and space invader .Adhesive Artists: BNE and snoeman and space invader .
Adhesive Artists: BNE and snoeman and space invader .kozakartclass
 
Lady Pink, Swoon, BTM, TatsCru
Lady Pink, Swoon, BTM, TatsCruLady Pink, Swoon, BTM, TatsCru
Lady Pink, Swoon, BTM, TatsCrukozakartclass
 
Diana Al Hadid - past work
Diana Al Hadid - past workDiana Al Hadid - past work
Diana Al Hadid - past workkozakartclass
 
Diana Al Hadid - madison square park
Diana Al Hadid - madison square parkDiana Al Hadid - madison square park
Diana Al Hadid - madison square parkkozakartclass
 
Diana Al Hadid - bronx museum installation
Diana Al Hadid - bronx museum installationDiana Al Hadid - bronx museum installation
Diana Al Hadid - bronx museum installationkozakartclass
 

Mais de kozakartclass (20)

Performance art unit
Performance art unitPerformance art unit
Performance art unit
 
Frida Kahlo
Frida KahloFrida Kahlo
Frida Kahlo
 
Do it
Do itDo it
Do it
 
Exit through the gift shop 2019
Exit through the gift shop 2019Exit through the gift shop 2019
Exit through the gift shop 2019
 
Moma van gogh inquiry_2019
Moma van gogh inquiry_2019Moma van gogh inquiry_2019
Moma van gogh inquiry_2019
 
Kozak edit andy warhol, whitney exhibit
Kozak edit andy warhol, whitney exhibitKozak edit andy warhol, whitney exhibit
Kozak edit andy warhol, whitney exhibit
 
Programmed: at the Whitney Museum
Programmed: at the Whitney Museum Programmed: at the Whitney Museum
Programmed: at the Whitney Museum
 
Whitney museum history
Whitney museum historyWhitney museum history
Whitney museum history
 
A nari ward presentation
A nari ward presentationA nari ward presentation
A nari ward presentation
 
A history of the new museum
A history of the new museumA history of the new museum
A history of the new museum
 
Chairs
Chairs Chairs
Chairs
 
Kevin beasley
Kevin beasleyKevin beasley
Kevin beasley
 
Street Art INTRO and Banksy
Street Art INTRO and BanksyStreet Art INTRO and Banksy
Street Art INTRO and Banksy
 
Uncutt, Obey (shepard fairey) and cope
Uncutt, Obey (shepard fairey) and copeUncutt, Obey (shepard fairey) and cope
Uncutt, Obey (shepard fairey) and cope
 
Adhesive Artists: BNE and snoeman and space invader .
Adhesive Artists: BNE and snoeman and space invader .Adhesive Artists: BNE and snoeman and space invader .
Adhesive Artists: BNE and snoeman and space invader .
 
Lady Pink, Swoon, BTM, TatsCru
Lady Pink, Swoon, BTM, TatsCruLady Pink, Swoon, BTM, TatsCru
Lady Pink, Swoon, BTM, TatsCru
 
Diana Al Hadid - past work
Diana Al Hadid - past workDiana Al Hadid - past work
Diana Al Hadid - past work
 
Diana Al Hadid - madison square park
Diana Al Hadid - madison square parkDiana Al Hadid - madison square park
Diana Al Hadid - madison square park
 
Diana Al Hadid - bronx museum installation
Diana Al Hadid - bronx museum installationDiana Al Hadid - bronx museum installation
Diana Al Hadid - bronx museum installation
 
Tania bruguera
Tania bruguera Tania bruguera
Tania bruguera
 

Nle interaction$

  • 1. How much do I owe you? An exhibition by No Longer Empty Artists who make work that requires viewer interaction
  • 2. Looking quite empty, not to mention busted up How much do I owe you?
  • 3. Looking very empty…although cleaned up a little bit How much do I owe you?
  • 4. Less than a month later… It’s a real art space! How much do I owe you?
  • 5. Less than a month later… It’s a real art space! How much do I owe you?
  • 6.
  • 7. Give and Take (2012) Sal Randolf Money, plates, people
  • 8. Give and Take (2012) Sal Randolf Money, plates, people
  • 9. “For me, the artwork happens inside the other person as they experience the situation—as they think about, give away or spend the money.” Give and Take (2012) Sal Randolf Money, plates, people
  • 10. How would you choose to interact with this piece of art? Give and Take (2012) Sal Randolf Money, plates, people
  • 11. Money Actions (ongoing) Sal Randolf Money, string, people
  • 12. Money Actions is an ongoing series in which I have been using the social dimensions of money as the basis of an interactional and interventionist art practice. I give away money in streets, stores, galleries, talks, dinners, cafés, sometimes anonymously, sometimes in groups or person to person—often to people who give it away in turn. Because money is caged in rules, simply acting outside these rules opens up new ranges of social action and interaction. The money serves as a provocation for thought, conversation, feeling. In my experience, people are more reluctant to receive than to give; it’s awkward for people to be put in that situation, and I like to linger there. Money Actions (ongoing) Sal Randolf Money, string, people
  • 13. Class responses: What issues does this artwork raise for the viewer/participant? •Greed, desire, temptation, honor How does money usually enter your life? Receiving Earning Finding (from family/friend) (from working) (randomly and rarely) •Sometimes awkward to •Seems to be worth more •Exciting to find, it can receive than it actually is. change the whole ‘feel’ of a •More likely to save rather •Less likely to spend day. than spend •Very likely to save or •Less likely to save. •If spent, it’s usually for “protect” • Very likely to spend on something special that you •It’s “mine!” immediate desires, normally wouldn’t be able food/drink to get. Sal Randolf
  • 17. Answer the question: What is your Blood worth?
  • 18. Leave some of your blood behind…
  • 19. And you get a nice red balloon!
  • 20. “Members of the community and citizens of NYC will come together with project leaders Alex White Mazzarella and Iandry Randriamondroso to Artefact what compels people to give, all the way through the donation of blood. Bloodbank is an online video registry and a storefront art incubator space where the social dynamics of blood and everyday gifting will fuse as a multimedia experience about how social capital is formed.”
  • 21. So…What is your Blood worth?
  • 22. What is your Blood worth?
  • 23. Reckoning (2012) Plexiglass boxes, memo pads, Jennifer Dalton buttons
  • 24. This interactive installation invites us to consider issues of “Surplus” and “Debt” in our own lives and experiences. The pads detail many ways that each of can classify ourselves and the many areas of interaction from country to family. Consider situations where you feel you have given more than you have received back or where you have received more than you have given and fill out the appropriate sheet and place in either “Surplus” or “Debt.” In exchange for your participation you are invited to take one of the buttons located under your entry box. Multiple surveys can be filled out reflecting different aspects of one’s life. Reckoning (2012) Plexiglass boxes, memo pads, Jennifer Dalton buttons
  • 25. Reckoning (2012) Plexiglass boxes, memo pads, Jennifer Dalton buttons
  • 26. What are some areas in your life where you receive and/or give? 1. Friendship 2. Affection 3. Finance 4. Learning (academics) 5. Energy consumption 6. - 7. - Reckoning (2012) Plexiglass boxes, memo pads, Jennifer Dalton buttons
  • 27. Jennifer Dalton is an emerging Brooklyn artist who doesn't shy away from making a political statement (unlike so many of her contemporaries). Through a variety of media ranging from sculpture, installation, and drawing, to event organization, Dalton sticks her nose where mainstream discourse tells her it doesn't belong.  Much of her artwork targets the imbalances of power structures, using group discussion to dissect a shared sense of struggle among people. From artinfo.com Reckoning (2012) Plexiglass boxes, memo pads, Jennifer Dalton buttons
  • 28. Are you in Surplus? Are you in Debt? Reckoning (2012) Plexiglass boxes, memo pads, Jennifer Dalton buttons
  • 29. Have you ever interacted with these objects before? Theodoros Untitled(2012) Stamatogiannis Ping pong table, net, and mats
  • 30. Theodoros Untitled(2012) Stamatogiannis Ping pong table, net, and mats
  • 31. How do we usually interact with art objects in a museum or gallery?  Who decides how we are supposed to interact? Theodoros Untitled Stamatogiannis Basketball equipment
  • 33. “Traditionally, architecture creates place while sculpture creates objects. My practice is a research of how architecture can create sculptural objects that arise from the geometry and the function of architectural place.” Theodoros Untitled(2012) Stamatogiannis Ping pong table, net, and mats
  • 34. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 35. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 36. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 37. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 38. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 39. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 40. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 41. More examples from http://www.fundred.org/ f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 42. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 43. Mel Chin initiated Operation Paydirt in New Orleans in 2008 where at least 30% of the inner city childhood population was affected by lead-poisoning before Katrina. Chin also inserts art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility. He develops projects in the field of “green remediation,” using plants to remove toxic, heavy metals from soil, and improve the quality of communities. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 44. Operation Paydirt is a multidisciplinary, artist-driven project advancing a solution to the devastating problem of lead (Pb) contaminated soil that puts thousands of children at risk for severe learning disabilities and behavioral problems. The goals of the project are to raise awareness of the issues of lead and to create a model for making cities lead-safe across the United States. Ultimately Operation Paydirt’s purpose is to support generational human and environmental health. f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 45. http://melchin.org/oeuvre/operation-paydirtfundred- dollar-bill-project f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 46. This field near St Paul, Minnesota ranked at the top of the government issued Superfund list, indicating its incredible toxicity. At the time when Chin was considering his proposal to heal the land, it was so infected with incinerated sewage sludge that it was illegal for anyone to even step foot on it. Chin heals this polluted land by building a garden on it. He works on his project one plot at a time and fences off about a fifty-foot radius to plant the current garden. Heavy metals, which are proliferate in the soil, are fatal to most organisms when concentrated, however Chin has discovered a type of plant that cannot only tolerate such toxic elements, but leaches them out of the soil and stores it in its vascular system. These plants are called “hyperaccumulators” and are unique in the plant world because they can thrive in toxic lands f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin
  • 48. Superfund sites in the USA f. r.e.e. (Fundred Reserve Even Exchange)
  • 49. Is this what you’d expect “art” to be?  Or is this more “community activism?” What qualities should ‘good art’ have? 1.- 2.- 3.- 4.- 5.- 6.- 7.- f. r.e.e. Pilot Branch of Operation (Fundred Reserve Paydirt Even Exchange) A project by Mel Chin