SlideShare uma empresa Scribd logo

4805

•
•
K
kotob arabia
Educação
1 de 88
Baixar para ler offline
   -٢-
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﺍﻹﻋـــــﻼﻥ ..........................................................- ٧ -‬ ‫ﺼﺩﺍﻗﺎﺕ ﻫﻭﺍﺌﻴﺔ ...........................................................- ٢١ -‬ ‫ﺤﻔﻨﺔ ﻤﻥ ﺍﻟﻜﻭﻤﺒﺎﺭﺱ.. ﻏﻴﺭ ﺍﻟﻤﺠﻴﺩﻴﻥ ................................- ٦١ -‬ ‫ﺠـــــﻭﻟــﺔ ......................................................- ٣٢ -‬ ‫ﺒﻼﻏﺔ ﺍﻟﺴﻘﻁﺔ ﺍﻷﻭﻟﻰ. ...................................................- ٨٢ -‬ ‫ﺒﻼﻏﺔ ﺍﻟﺴﻘﻁﺔ... .........................................................- ٩٢ -‬ ‫ﻤــﻌــــﺎﻭل .......................................................- ٢٣ -‬ ‫ﺍﻟﻤﺘﻭﺍﻁﺌﻭﻥ ................................................................- ٩٣ -‬ ‫ﻗﺼﺔ ﻗﺼﻴﺭﺓ ﻟﻴﺴﺕ ﻤﺎﻜﺭﺓ .............................................- ١٤ -‬ ‫ﺍﻟﻠﻘﻁﺔ ﺍﻷﺨﻴﺭﺓ.. ..........................................................- ٦٤ -‬ ‫ﺍﺼﻁﻴﺎﺩ ....................................................................- ٨٤ -‬ ‫ﻋــــــﺭﻱ ........................................................- ٢٥ -‬ ‫ﺍﻟـﺒـﻠـل .................................................................- ٦٥ -‬ ‫ﺭﺍﺌـــﺤـــﺔ .......................................................- ٠٦ -‬ ‫-٣-‬
‫ﻋ ﹶﻤﺔ .......................................................................- ٤٦ -‬ ‫‪‬ﻅ‬ ‫ﻭﺠﻬﺎﻥ ﻟﻠﻘﻭﺓ ...............................................................- ٨٦ -‬ ‫ﻭﺠﻪ ﻭﺍﺤﺩ..................................................................- ٣٧ -‬ ‫ﺍﻟﺤﻭﺍﺌﻁ.....................................................................- ٦٧ -‬ ‫-٤-‬
‫* ﺇﻟﻰ ﺭﺸﺎ ﻤﺅﻤﻥ‬ ‫ﺼﺎﺤﺒﺔ ﺍﻟﻘﻠﺏ‬ ‫ﺍﻟﺫﻱ ﻴﺴﻤﻊ‬ ‫ﻭﻴﺭﻯ‬ ‫-٥-‬
‫*ﺘﻡ ﺍﺴﺘﺨﺭﺍﺝ ﺍﻟﻨﺼﻭﺹ‬ ‫ﻤﻥ ﺍﻟﻌﺎﻡ ﺍﻟﻤﺴﻤﻰ ١٠٠٢‬ ‫".. ﻤﻨﺫ ﺘﺴﻌﺔ ﺸﻬﻭﺭ ﺘﻘﺭﻴ ‪‬ﺎ ﻭﻫﻭ ﻴﺤﻤل ﻤﻌﻪ ﻭﺭﺸﺔ ﻭﺜﺎﺌﻕ :‬ ‫ﺒ‬ ‫ﺨﺘﻡ ﺭﺴﻤﻲ ﻤﻥ ﺍﻟﻤﻁﺎﻁ ، ﺤﺯﻤﺔ ﻤﻥ ﺍﻷﻭﺭﺍﻕ ﺍﻟﺭﺴﻤﻴﺔ ﻟﻜـل‬ ‫ﺸﻲﺀ، ﻜﻭﺒﻭﻨﺎﺕ ﺤﺼﺹ ﺍﻟﻁﻌﺎﻡ ﺍﻟﺘﻲ ﻴﺤﺘﺎﺠﻬﺎ، ﻭﻜل ﺍﻷﺴﻤﺎﺀ‬ ‫ﺍﻟﺘﻲ ﻴﺭﻴﺩ ﺃﻥ ﻴﻌﻁﻴﻬﺎ ﻟﻨﻔﺴﻪ.‬ ‫ﻭﺭﺸﺔ ﺘﻤﻜﻨﻪ ﻤﻥ ﺘﺤﺭﻴﻙ ﻨﺼﻑ ﺴﺭﻴﺔ ﻤﻥ ﺍﻟﺠﻨﻭﺩ ﺒﺸـﻜل‬ ‫ﻏﻴﺭ ﻗﺎﻨﻭﻨﻲ، ﺠﻴ ﹰﺎ ﺨﺎ ‪‬ﺎ ﺨﻴﺎﻟ ‪‬ﺎ ﻴﺴﻴﺭ ﻨﺤﻭ ﺃﻫﺩﺍﻑ ﺨﻴﺎﻟﻴﺔ، ﺇﻻ‬ ‫ﻴ‬ ‫ﺸ ﺼ‬ ‫ﺃﻨﻬﺎ ﻭﺭﺸﺔ ﻗﺎﻨﻭﻨﻴﺔ ﺤﻴﺙ ﺇﻥ ﺍﻟﺨﺘﻡ ﺍﻟﻌﺴﻜﺭﻱ ﻜﺎﻥ ﺤﻘﻴﻘ ‪‬ﺎ.."‬ ‫ﻴ‬ ‫ﻫﺎﻴﻨﺭﺵ ﺒﻭل‬ ‫-٦-‬
 -٧-
‫ﺜﻕ ﺃﻨﻙ ﻤﻌﻨﺎ ﻓﻲ ﺃﻓﻀل ﺤﺎل‬ ‫ﻤﻤﻜﻥ.‬ ‫ﺇﻨﻙ ﺍﻷﻓﻀل ﻋﻠﻰ ﺍﻹﻁﻼﻕ....‬ ‫ﻋﻨﺩ ﺸﺭﺍﺌﻙ ﺃﺭﺒﻌﻴﻥ ﻀﺤﻜﺔ‬ ‫ﹰ‬ ‫ﻤﻌﺘﻘﺔ ﺃﻭ ﺤﺘﻰ ﺜﻼﺜﻴﻥ ـ‬ ‫ﹰ‬ ‫ﺘﺤﺼل ﻋﻠﻰ ﺸﻬﺎﺩﺓ ﻤﺨﺘﻭﻤﺔ‬ ‫ﺘﺜﺒﺕ ﻜﻭﻨﻙ ﺍﻟﺤﺯﻴﻥ ﺍﻟﻤﺜﺎﻟﻲ‬ ‫ﻋﻠﻰ ﻤﺴﺘﻭﻯ ﺍﻟﺠﻴل‬ ‫ﻭﺃﻥ ﺍﻟﻤﺴﺘﻬﺘﺭﻴﻥ ﺩﺍﺨﻠﻙ‬ ‫ﺴﻴﻨﺘﻬﻭﻥ ﻓﻲ ﺨﻼل ﻋﺎﻡ ﻭﺍﺤﺩ‬ ‫ٍ‬ ‫ﻋﻥ ﺍﻟﻀﺠﻴﺞ ﻭﺍﻟﺸﻜﻭﻯ...‬ ‫ﻭﻋﻨﺩ ﺸﺭﺍﺌﻙ ﺤﻀ ﹰﺎ‬ ‫ﻨ‬ ‫ﻭﺍﺤ ‪‬ﺍ ﺘﻘﻠﻴﺩ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺩ‬ ‫-٨-‬
‫ﺘﻔﻭﺯ ﺒﺠﺜﺔ ﺯﺍﻫﻴﺔ‬ ‫ِ‬ ‫ﺘﺘﻌﻠﻡ ﻋﻠﻴﻬﺎ ﺍﻟﺤﺏ.‬ ‫ﻭﺇﺫﺍ ﺘﺠﺎﻭﺯﺕ ﻤﺸﺘﺭﻴﺎﺘﻙ‬ ‫ﻭﺯﻥ ﻜﻴﺱ ﻀﺨﻡ‬ ‫ﻤﻥ ﺍﻟﺩﻤﺎﺀ‬ ‫ﻴﻜﻭﻥ ﻟﻜل ﻤﻥ ﻴﺸﺒﻬﻙ‬ ‫ﻤﻥ ﺃﻭﻻﺩﻙ ﺍﻟﻅﺎﻫﺭﻴﻥ‬ ‫ﻓﻲ ﻋﻴﻨﻴﻙ‬ ‫ﺼﻙ ﺒﺘﺨﻔﻴﺽ ﺩﺍﺌﻡ‬ ‫ﻋﻠﻰ ﺒﺭﻤﺠﺔ ﺍﻟﻤﺸﺎﻋﺭ‬ ‫ﻭﺘﻨﻅﻴﻡ ﻭﻗﺕ ﺍﻟﺩﻤﻭﻉ.‬ ‫ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل‬ ‫ﺃﻨﺕ ﻤﻌﻨﺎ ﻋﻤﻴل ﻤﻤﻴﺯ‬ ‫-٩-‬
‫ﻨﹾﺨﺭﺝ ﻤﻨﻙ ﻋﻘﺩﻙ ﺍﻟﻤﺘﺄﺼﻠﺔ ﻓﻴﻨﺎ‬ ‫ﻭﻨﺤﺒﻙ ﻤﻥ ﻗﻠﻭﺒﻨﺎ‬ ‫ﻗﻠﻭﺒﻨﺎ ﺍﻟﺴﻭﺩﺍﺀ ﺍﻟﻼﻤﻌﻪ.‬ ‫ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل‬ ‫ﺃﻨﺕ ﺍﻷﻜﺜﺭ ﺴﻭﺍ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﻜل ﻨﺠﻭﻡ ﺍﻟﺼﻭﺭ...‬ ‫- ٠١ -‬
‫- ﺼﺩﺍﻗﺎﺕ ﻫﻭﺍﺌﻴﺔ.‬ ‫- ﺤﻔﻨﺔ ﻤﻥ )ﺍﻟﻜﻭﻤﺒﺎﺭﺱ (‬ ‫- ﺠﻭﻟﺔ.‬ ‫- ١١ -‬
  - ١٢ -
‫ﻁﻭل ﻋﻤﺭﻱ ﺃﺼﺎﺩﻗﻬﻡ‬ ‫ﺍﻟﻁﻴﻭﺭ ﺍﻟﺒﻌﻴﺩﺓ ﻫﻨﺎﻙ‬ ‫ﻋﻠﻰ ﺃﻤل ﻭﺤﻴﺩ‬ ‫ﺃﻥ ﻴﺼﻴﺭ ﻓﻤﻲ ﻤﺭﺓ‬ ‫ﹰ‬ ‫ﻭﻋﺎﺀ ﻟﻠﻤﻭﺴﻴﻘﻰ‬ ‫‪‬‬ ‫ﺃﺭﺴﻡ ﻟﻪ ﻓﻀﺎﺀ‬ ‫‪‬‬ ‫ﺘﺄﻜﻠﻪ ﺍﻷﺠﻨﺤﺔ‬ ‫ﻭﺘﺤﺎﺼﺭﻨﺎ ﺍﻷﻟﻭﺍﻥ.‬ ‫ﺍﻟﺭﺠل ﺫﻭ ﺍﻟﻘﺒﻌﺔ‬ ‫ﺼﺩﻴﻕ ﺍﻷﺠﻨﺤﺔ ﺍﻟﻤﺨﻠﺹ‬ ‫ﻫﻭ ﺍﻟﻤﺜﺎل ﺍﻟﻀﺎﻏﻁ ﻁﻭل ﺍﻟﻭﻗﺕ‬ ‫ﻋﻠﻰ ﻤﺭﺁﺘﻲ‬ ‫- ٣١ -‬
‫ﻟﻜﻥ ﺍﻟﺤل ﺍﻟﺤﻜﻴﻡ ﻤﺎ ﺯﺍل ﻴﻨﺎﻭﺵ‬ ‫ﹸ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻥ ﺘﺼﻴ ‪ ‬ﻋﻴﻨﻲ ﻓﺠﻭﺓ ﺨﺎﺩﻋﺔ‬ ‫ﹰ‬ ‫ﺭ‬ ‫ﺘﺘﻘﻠﺏ ﻓﻲ ﻟﺤﻅﺔ ﻤﺩﻓ ‪‬ﺎ )ﻜﺎﺭﻴﻜﺎﺘﻭﺭ ‪‬ﺎ (‬ ‫ﻴ‬ ‫ٍ ﻌ‬ ‫ﻴﺼﻁﺎﺩ ﻗﻠﻭﺒﻬﻡ‬ ‫ﺒﺜﻘﺔ ﺃﻗﻭﻴﺎﺀ ﺍﻟﻨﻅﺭ.‬ ‫ِ‬ ‫ﺒﻬﺫﺍ‬ ‫ﻴﺘﺤﻠﻘﻭﻥ ﺤﻭﻟﻲ ﺃﻴ ‪‬ﺎ‬ ‫ﻀ‬ ‫ﻭﻟﻜﻥ ﺒﺩﻤﺎﺌﻬﻡ‬ ‫ﻟﻴﻌﺎﺘﺒﻭﻨﻲ‬ ‫ﻋﻠﻰ ﻗﺴﻭﺓ ﺍﻟﺨﺎﺌﻔﻴﻥ.‬ ‫ﻁﻭل ﻋﻤﺭﻱ ﻻ ﺃﺩﺭﻱ ﺘﻔﺴﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻷﺤﺎﺩﻴﺙ ﺃﻓﺎﺭﻴﺯﻱ ﺍﻟﻤﺸﻭﺸﺔ‬ ‫ﺇﻓﺭﻴﺯ ﺍﻟﺫﺍﻜﺭﺓ‬ ‫ﻭﺇﻓﺭﻴﺯ ﺍﻟﻅل ﺍﻟﻤﺭﺘﻌﺵ‬ ‫- ٤١ -‬
‫ﻭﺃﺘﺤﻤل ﺜﺭﺜﺭﺘﻬﺎ ﺭﺍﻀ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﻋﻠﻬﺎ ﺘﺤﻜﻰ ﻤﻥ ﻗﻠﺒﻬﺎ‬ ‫ﺤﻜﺎﻴﺎﺕ ﺘﻜﺸﻑ ﺍﻷﻤﻭﺭ‬ ‫ﻓﺄﺤﻔﻅ ﺍﻟﺭﻴﺵ ﺍﻟﻨﺎﺩﺭ‬ ‫ﻟﻤﻨﺎﺴﺒﺎﺕ ﻗﺎﺩﻤﺔ‬ ‫ﻴﺒﺎﻏﺘﻨﺎ ﻓﻴﻬﺎ ﺍﻟﺠﻴﺭﺍﻥ ﺍﻟﺸﺒﺤﻴﻭﻥ‬ ‫ﺒﻜﺭﺍﻫﻴﺘﻬﻡ ﺍﻟﻤﻀﻤﻭﻨﺔ‬ ‫ﻭﻴﺴﺩﻭﻥ ) ‪‬ﻨﹶﻙ ( ﺍﻟﻬﻭﺍﺀ‬ ‫ﺤ‬ ‫ﻋﻥ ﻀﺤﻜﺎﺕ ﺃﻤﻲ‬ ‫ﺍﻟﻤﻠﻭﻨﺔ ﺒﺎﻟﻁﻴﻭﺭ‬ ‫ﻭﺃﺴﺤﺏ ﺃﻨﺎ ﻤﻨﺎﻗﻴﺭ ﺍﻟﻨﻭﻡ‬ ‫ﻭﺃﻨﻜﻤﺵ...‬ ‫- ٥١ -‬
..     - ١٦ -
‫ﺩﻋﻭﻨﺎ ﻨﺘﻘﻤﺹ ﻴﺎ ﺇﺨﻭﺓ.‬ ‫ﻨﺸﺭﺏ‬ ‫ﻭﻨﻨﺘﺸﻲ‬ ‫ﺜﻡ ﻨﺒﺘﻠﻊ ﺍﻟﻌﻅﺎﻡ.‬ ‫ﻨﺘﻘﻤﺹ ﺍﻷﻭﻻﺩ‬ ‫ﺍﻟﺫﻴﻥ ﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺒﻴﻭﺘﻬﻡ‬ ‫ﺍﻟﻤﺜﻠﺜﺔ ﺍﻟﺭﺃﺱ‬ ‫ﻟﻴﻠﻌﺒﻭﺍ ﻓﻲ ﺍﻟﻐﺎﺒﺎﺕ‬ ‫ﻭﻋﻨﺩﻤﺎ ﻴﻜﺒﺭﻭﻥ ﻗﻠﻴﻼ‬ ‫ﹰ‬ ‫ﻴﻘﺒﻠﻭﻥ ﻓﺘﻴﺎﺘﻬﻡ‬ ‫ﺘﺤﺕ ﺍﻷﺸﺠﺎﺭ...‬ ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﻔﺎﺠﺌﻨﺎ‬ ‫ﻓﻭ ‪‬ﺍ ﻨﻘﻑ‬ ‫ﺭ‬ ‫ﻓﺘﻬﺩﺃ ﻫﻲ‬ ‫- ٧١ -‬
‫ﻭﺘﻘﻭل ﺍﺴﺘﺴﻠﻡ ﺍﻟﺠﺒﻨﺎﺀ.‬ ‫ﻨﺘﺤﺭﻙ ﺒﺤﺫﺭ‬ ‫ﻓﺘﻤﺩ ﺫﺭﺍ ‪‬ﺎ‬ ‫ﻋ‬ ‫ﺃﻁﻭل ﻤﻥ ﺤﻜﺎﻴﺎﺘﻨﺎ.‬ ‫ﺴﺘﻼﺤﻘﻨﺎ ﺍﻟﻘﺎﺩﺭﺓ‬ ‫ﹲ‬ ‫ﻟ ﹶﻥ ﻋﻨﺎﺩ ﺍﻷﻏﺒﻴﺎﺀ‬ ‫ﻜ‬ ‫ﺍﻟﺫﻱ ﺭﺒﺘﻨﺎ ﻋﻠﻴﻪ‬ ‫)ﺍﻟﻔﻭﺘﻭﻏﺭﺍﻓﻴﺎ (‬ ‫ﻴﺄﺒﻰ ﺃﻥ ﻨﻨﻬﺯﻡ‬ ‫ﻭﻴﻭﺸﻭﺵ ﻓﻲ ﺁﺫﺍﻨﻨﺎ‬ ‫" ﺍﻤﺸﻭﺍ ﺒﺒﻁﺀ‬ ‫ﻜﻲ ﻨﺨﺩﻋﻬﺎ‬ ‫ﻋﻠﻬﺎ ﻨﺎﻤﺕ‬ ‫ﺃﻭ ﻨﺴﻴﺕ‬ ‫ﺃﻭ ﺃﺭﻫﻘﻬﺎ ﺍﻟﻌ ‪‬ﺯ ".‬ ‫‪‬ﺠ‬ ‫- ٨١ -‬
‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﻠﻌﺏ.‬ ‫ﻤﻥ ﻤﺨﺎﺯﻨﻬﺎ ﺍﻟﻤﺘﺭﺍﻤﻴﺔ‬ ‫ﺘﺤﻴﻁ ﺒﻨﺎ‬ ‫ﺃﻜﻭﺍﺥ ﻤﻴﺘﺔ‬ ‫ﺘﺭﺴﻤﻨﺎ ﻓﺌﺭﺍ ﹰﺎ‬ ‫ﻨ‬ ‫ﺘﺒﺤﺙ ﻋﻥ ﺍﻟﺩﻑﺀ ﺍﻟﻁﻴﻊ‬ ‫ﻭﺍﻟﺴﺤﺭﺓ ﺍﻟﻘﺎﺩﺭﻴﻥ...‬ ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﻠﻌﺏ.‬ ‫ﻤﺴﺎﻤﻨﺎ ﺘﺘﻔﺘﺢ ﻋﻠﻰ ﺍﹶﺨﺭﻫﺎ‬ ‫ﻟﻨﺭﻭﻱ ﺫﻜﺭﻴﺎﺘﻨﺎ ﺍﻟﺘﻲ ﺘﺠﺭﻱ ﺒﺴﺭﻋﺔ‬ ‫ﺒﺎﻟ ‪‬ﺭﻕ‬ ‫ﻌ‬ ‫ﻭﺒﻴﺎﺽ ﺍﻟﻌﻴﻭﻥ‬ ‫ﻭﻗﺒﻼﺕ ﺍﻷﻤﻬﺎﺕ.‬ ‫- ٩١ -‬
‫ﺇﻤﺎ ﺃﻥ ﻨﻤﻭﺕ ﻤﻜﺎﻨﻨﺎ‬ ‫ﻤﻥ ﺍﻟﺨﻭﻑ ﻴﺎ ﻋﺎﺼﻔﺔ‬ ‫ﻭﺒﻬﺫﺍ ﻨﻔﻭﺕ ﻋﻠﻴﻙ‬ ‫ِ‬ ‫ﻓﺭﺼﺔ ﺍﺼﻁﻴﺎﺩ‬ ‫ﻁﻌﻡ ﺍﻟﻘﺘل‬ ‫ﺃﻭ ﻨﻀﺤﻙ ﺒﻜل ﻤﺎ ﺒﻘﻲ‬ ‫ﻋﻨﺩﻨﺎ ﻤﻥ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ‬ ‫ﻓﺘﻤﻠﺊ ) ﺯﻨﺎﺒﻴﻠﻙ (‬ ‫ﺒﻤﻼﻤﺤﻨﺎ ﺍﻟﻤﺨﻨﻭﻗﺔ‬ ‫ﻭﺘﺠﺩﻱ ﻜﻼ ‪‬ﺎ ﻏﻴﺭ ﻤﻜﺭﻭﺭ‬ ‫ﻤ‬ ‫ﻟﺸﺎﻱ ﺍﻟﺴﺎﻋﺔ ﺍﻟﺨﺎﻤﺴﺔ‬ ‫ﻤﻊ ﺍﻟﻤﺴﻨﺎﺕ.‬ ‫ﻻ ﻫﺫﺍ ﻭﻻ ﺫﺍﻙ.‬ ‫ﺘﻠﺨﻴﺹ ﺍﻷﻤﺭ‬ ‫ﺃﻨﻨﺎ ﻭﺍﻗﻔﻭﻥ ﻓﻴﻨﺎ‬ ‫- ٠٢ -‬
‫ﻭﺍﻟﻐﻴﻤﺔ‬ ‫ﻓﻭﻗﻨﺎ‬ ‫ﺇﻥ ﺘﺤﺭﻜﻨﺎ‬ ‫ﻫﻲ ﻓﻲ ﺍﻟﻠﺤﻡ‬ ‫ﺃﻭ ﻗﺭﺏ ﺍﻟﻅل‬ ‫ﺇﺫﻥ‬ ‫ﻓﻠﻨﻀﻐﻁ ﻭﻟﻨﻀﻐﻁ ﻷﺴﻔل‬ ‫ﺤﺘﻰ ﻨﻘﺘﺤﻡ ﻤﻘﺎﺒﺭﻨﺎ‬ ‫ﻜﺎﻷﺒﻁﺎل...‬ ‫ﻨﻠﻤﺱ ﺍﻷﺴﺭﺍﺭ ﺍﻟﺤﻘﻴﻘﻴﺔ‬ ‫ﻓﻲ ﺒﺎﻁﻥ ﺍﻷﺭﺽ‬ ‫ﻭﻨﺜﺒﺘﻬﺎ ﻟﻸﻭﻻﺩ‬ ‫ﻜﻠﻤﺎ ﻤﺭﻭﺍ ﻤﻥ ﻫﻨﺎ‬ ‫ﻻ ﻴﻀﺤﻜﻭﻥ‬ ‫ﻭﻻ ﻴﺒﻜﻭﻥ‬ ‫- ١٢ -‬
‫ﻓﻘﻁ ﻴﻨﻔﻀﻭﻥ ﺍﻟﺘﺭﺍﺏ‬ ‫ﻋﻥ ﺃﺤﺫﻴﺘﻬﻡ‬ ‫ﺍﻟﺒﺭﺍﻗﺔ...‬ ‫- ٢٢ -‬
 - ٢٣ -
‫ﺍﻟﻁﻔل ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻟﺸﺭﻓﺔ‬ ‫ﺃﺒﻭﻩ ﻴﺤﺫﺭ ﺍﻟﺭﻴﺎﺡ‬ ‫ﻭﺍﻟﻤﻼﻙ ﻴﻘﺒل ﺭﺃﺴﻪ‬ ‫ﻭﻟﻜﻨﻪ ﻻ ﻴﺴﻤﻊ ﺃﺤ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺒﻌﺩ ﺜﻭﺍﻥ‬ ‫ﺴﻴﺼﻴﺭ ﺍﻟﻤﻤﻴﺯ‬ ‫ﺍﻟﺫﻱ ﻴﻤﻠﻙ ﺒﺎﻟﻭﻨﺎﺕ ﺍﻟﺤﻜﺎﻴﺎ.‬ ‫ﺍﻟﺨﻁﻴﺭ.‬ ‫ﻓﻲ ﺍﻟﺸﺎﺭﻉ ﻜﻠﻪ.‬ ‫ﺃﺤﻜﻰ ﻟﻬﻡ‬ ‫ﻓﻴﻀﺊ ﺭﺃﺴﻲ.‬ ‫ﻜﻠﻤﺎ ﺍﻨﺒﻬﺭﻭﺍ‬ ‫ﻴﻀﺊ ﺃﻜﺜﺭ‬ ‫ﻭﻴﺨﺭﺠﻭﻥ ) ﺍﻟﺤﻠﻭﻴﺎﺕ( ﻤﻥ ﺍﻟﺠﻴﻭﺏ‬ ‫- ٤٢ -‬
‫ﻜﺎﻟﻤﺴﺤﻭﺭﻴﻥ‬ ‫ﺜﻡ ﻴﺤﻠﻭﻥ ﻤﺴﺄﻟﺔ ﺍﻟﻭﺍﺠﺒﺎﺕ ﺍﻟﻜﺜﻴﺭﺓ.‬ ‫ﻴﻘﺴﻤﻭﻨﻬﺎ ﺒﻴﻨﻬﻡ ﺃﻭ ﻴﺠﺭﻭﻥ ﻗﺭﻋﺔ‬ ‫ﺃﻭ ﺤﺘﻰ ﻴﺒﺘﻬﻠﻭﺍ ﻟﻌﺼﺎ ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﺍﻟﻤﻬﻡ )ﻴﺘﺼﺭﻓﻭﺍ (‬ ‫ﻭﺇﻻ ﺤﺭﻤﺘﻬﻡ ﻤﻥ ﻓﻴﻀﻲ.‬ ‫ﺍﻷﻤﺭ ﻴﺴﺘﺤﻕ‬ ‫ﺃﻏﻠﻕ ﻋﻴﻨﻴﺎ‬ ‫ﻓﺄﻁﻴﺭ‬ ‫ﺃﻁﻴﺭ....‬ ‫ﻟﻜﻨﻨﻲ ﺃﻫﻭﻯ‬ ‫ﺃﻫﻭﻯ...‬ ‫- ٥٢ -‬
‫ﺃﻟﺤﻕ ﻨﻔﺴﻲ‬ ‫ﺴﺭﻴ ‪‬ﺎ‬ ‫ﻌ‬ ‫ﻓﺄﻨﺎ ﻤﺜﻠﻤﺎ ﻴﻌﻠﻡ ﺍﻟﺠﻤﻴﻊ‬ ‫ﺸﺠﺎﻉ ﻭﺫﻜﻲ ﻤﺜل ﻨﺴﺭ ﺍﻟﺤﺩﻴﻘﺔ.‬ ‫ﻜﻠﻬﻡ ﻫﻨﺎ‬ ‫ﺇﺫﻥ..‬ ‫ﻅﻬﺭﺕ ﺤﻘﻴﻘﺘﻬﻡ ﺃﺨﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫ﻤﺠﺭﺩ ) ﺨﻭﺍﻓﻴﻥ ( ﻻ ﺃﻜﺜﺭ.‬ ‫- ﺍﻷﻤﻬﺎﺕ‬ ‫ﺍﻟﻼﺘﻲ ﻴﺘﺭﻜﻨﻨﺎ‬ ‫ﻋﻠﻰ ﺃﻁﺭﺍﻑ ﺃﺼﺎﺒﻌﻬﻥ‬ ‫ﻟﻴﺫﻫﺒﻥ ﻟﻶﺒﺎﺀ ﺍﻟﺫﻴﻥ ﻻ ﻴﺨﺎﻓﻭﻥ ﺍﻟﻅﻼﻡ‬ ‫ﻭﻴﻜﺘﻤﻥ ﻀﺤﻜﺎﺘﻬﻥ‬ ‫ﻜﻴﻼ ﻨﻜﺘﺸﻑ ﺍﻟﺨﻴﺎﻨﺔ.‬ ‫- ٦٢ -‬
‫ﻫل ﻴﺘﺫﻜﺭﻥ ﺍﻟﻭﺤﻭﺵ ﺍﻟﺘﻲ ﻴﻨﺴﻭﻨﻨﺎ ﻓﻲ ﻁﺭﻴﻘﻬﺎ‬ ‫ﻭﺍﻷﻓﺎﻋﻲ ﺍﻟﺘﻲ ﺘﺩﺨﻠﻨﺎ ﻭﻻ ﺘﺨﺭﺝ؟‬ ‫ﺍﻟﻬﻭﺍﺀ‬ ‫ﺍﻟﺫﻱ ﻴﻌﺎﻨﺩﻨﺎ ﻭﻴﺠﺒﺭﻨﺎ ﻋﻠﻰ ﺃﻥ ﻨﺠﺭﻱ‬ ‫ﻭ ﻨﺠﺭﻱ‬ ‫ﺤﺘﻰ ﺘﺼﻁﻔﻲ ﺍﻟﺭﻭﺡ ﺒﻭﺍﺒﺎﺘﻬﺎ‬ ‫ﻓﻘﻁ ﻟﻨﺤﺱ ﺒﻁﻴﺭﺍﻥ ﺸﻌﺭﻨﺎ‬ ‫ﺍﻟﻁﻴﺭﺍﻥ ﺍﻟﺫﻱ ﻻ ﻴﺄﺘﻲ ﺇﻻ ﻟﻤﻥ ﺴﻴﺩﺨﻠﻭﻥ ﺍﻟﺠﻨﺔ.‬ ‫ﻋﻴﻭﻨﻪ ﺍﻨﻜﺸﻔﺕ ﻫﻭ ﺍﻵﺨﺭ‬ ‫ﻭﺼﻭﺘﻪ ﺼﺎﺭ ﺨﺸ ﹰﺎ.‬ ‫ﻨ‬ ‫-ﺍﻟﺴﻴﺎﺭﺍﺕ‬ ‫ﺍﻟﺠﻴﺭﺍﻥ ﺍﻟﺫﻴﻥ...‬ ‫ﺍﻟﻁﻔل ﺍﻟﻴﻭﻡ‬ ‫ﻻ ﻴﺸﺒﻪ ﺃﺤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺇﻻ ﺴﺤﺎﺒﻪ ﺍﻟﺠﺩ‬ ‫ﺍﻟﻜﺒﻴﺭ...‬ ‫- ٧٢ -‬
.   . - ٢٨ -
...  - ٢٩ -
‫ﻭﻗﻊ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻓﺎﻨﻜﺸﻑ ﻅﻬﺭﻱ‬ ‫ﻭﻋﺭﻓﻭﺍ ﺃﻨﻨﻲ ﺒﻼ ﺃﻓﺭﺍﺡ‬ ‫ٍ‬ ‫ﻭﻻ ﻋﺯﻴﻤﺔ‬ ‫ٍ‬ ‫ﻭﻻ ﻅل.‬ ‫ﺴﻜﺘﻭﺍ ﻜﻠﻬﻡ‬ ‫ﺒﻌﺩ ﺃﻥ ﺘﻌﺒﻭﺍ ﻤﻥ ﺍﻟﻀﺤﻙ‬ ‫" ﺃﻨﺕ ﺃﺒﺸﻊ ﻤﻥ ﺭﻜﻠﺔ‬ ‫ﻭﺃﻤﻙ ﻤﻥ ﺃﺠل ﻫﺫﺍ‬ ‫ﻜﺎﻨﺕ ﺘﺒﻜﻲ‬ ‫ﻓﻲ ﺃﻴﺎﻤﻬﺎ ﺍﻷﺨﻴﺭﺓ ".‬ ‫" ﺨﺩﻋﺘﻨﺎ ﻁﻭل ﺍﻟﺴﻨﻴﻥ‬ ‫ﻭﺃﺨﺫﺕ ﻤﺴﺎﺤﺎﺕ ﻤﻥ ﻨﻅﺭﺍﺘﻨﺎ‬ ‫- ٠٣ -‬
‫ﻭﺘﺸﺒﻴﻜﺎﺕ ﺍﻟﺫﺭﺍﻋﻴﻥ‬ ‫ﻭﺍﻟﻌﻨﺎﻕ ﺍﻟﻤﺠﺎﻤل ﻓﻲ ﺍﻟﺴﺭﺍﺩﻗﺎﺕ "‬ ‫ﺩﻴ‪‬ﻨﻲ ﺜﻘﻴل‬ ‫ﻟﻜﻨﻲ ﺴﺄﺠﺭﺏ ﺃﻥ ﺃﺘﺠﺎﻭﺯ ﺍﻷﻤﺭ.‬ ‫ﺒﺒﺴﺎﻁﻪ.. ﻟﻥ ﺃﺭﺩ ﺸﻴ ًﺎ ﻤﻥ ﻟﺤﻤﻲ‬ ‫ﺌ‬ ‫ﺃﻭ ﺃﻋﺘﺫﺭ ﻟﻠﺴﻤﺎﺀ‬ ‫ﺃﻭ ﺤﺘﻰ ﺃﻗﺘل ﻨﻔﺴﻲ ﻟﻴﻨﻌﺱ ﺍﻟﻁﻴﻥ‬ ‫ﺒل ﺴﺄﻗﻭل ﻓﻲ ﺍﻟﻤﺭﺃﺓ‬ ‫" ﻟﻡ ﻴﺤﺩﺙ ﺸﻲﺀ.‬ ‫ﻤﺠﺭﺩ ﺃﺸﺒﺎﺡ ﻤﻌﻁﺎﺀﺓ‬ ‫ﻤﻨﺤﺘﻨﻲ ﺴﺒ ‪‬ﺎ ﻤﻨﻁﻘ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺒ‬ ‫ﻷﺭﺤل‬ ‫ﻭﺃﺭﻯ ﺠﺎﻨﺒﻲ‬ ‫ﺍﻟﺒﻌﻴﺩ..‬ ‫ﺍﻟﺒﻌﻴﺩ ".‬ ‫- ١٣ -‬
 - ٣٢ -
‫ﻫﺫﺍ ﻤﺎ ﺃﻁﻠﻕ ﻋﻠﻴﻪ‬ ‫ﺍﻟﺒﻁﻭﻟﺔ.‬ ‫ﺍﻟﻤﻨﻅﺭ ﺍﻟﻁﺒﻴﻌﻲ ﺍﻟﻌﺘﻴﻕ‬ ‫ﻴﻨﺠﺢ ﻤﻨﺫ ﺃﺴﺒﻭﻋﻴﻥ‬ ‫ﻓﻲ ﻤﻘﺎﻭﻤﺔ ﺍﻟﻬﺒﻭﻁ ﺍﻟﻤﺩﻭﻱ.‬ ‫ﻜل ﺍﻟﺤﻭﺍﺌﻁ‬ ‫ﻭﺃﺴﻼﻙ ﺍﻟﻜﻬﺭﺒﺎﺀ‬ ‫ﻭﻨﻘﻭﺩ ﺍﻟﻤﻼﺌﻜﺔ‬ ‫ﺍﻟﻤﺨﻔﻴﺔ ﻓﻲ ﺍﻟﺯﻤﻥ ﺍﻟﻁﻭﺒﻲ ﺍﻷﻭل‬ ‫ﻭﻀﺤﻜﺎﺕ ﺍﻟﺤﺼﺎﻻﺕ‬ ‫ﺍﻟﺘﻲ ﻋﻠﻰ ﺸﻜل ﻜﻭﺥ ) ﺴﻨﺩﺭﻴﻼ(..‬ ‫ﻜل ﻫﺫﺍ ﺘﻬﺩﻤﺕ ﺭﻭﺤﻪ‬ ‫- ٣٣ -‬
‫ﻭﺍﻟﻤﻨﻅﺭ ﺜﺎﺒﺕ‬ ‫ﺸﺎﻤﺦ ﻤﺜل ﻭﻗﺎﺭ ﺍﻟﺠﺩ ﺍﻟﺫﻱ ﻋﻠﻘﻪ‬ ‫ﻓﻲ ﻟﻴﻠﺔ ﺨﻤﻴﺱ‬ ‫ﻭﺃﻤﺭﻩ ﺃﻥ ﻴﻠﺘﺼﻕ‬ ‫ﺒﺩﻭﻥ ﺃﻥ ﻴﻠﻭﺙ ﻫﻭﺍﺀ ﺍﻟﻐﺭﻓﺔ‬ ‫ﺒﺎﻟﺼﻤﻎ.‬ ‫ﻫﺫﺍ ﺍﻟﺼﺒﺎﺡ‬ ‫ﺃﺨﺫ ﻓﻲ ﺠﻨﺒﻪ‬ ‫ﺃﺭﺒﻌﺔ ﻤﻌﺎﻭل‬ ‫ﻭﻓﻲ ﻋﻴﻨﻴﻪ ﺍﺜﻨﺎﻥ‬ ‫ﻭﻓﻲ ﻗﻠﺒﻪ ﻗﻨﺒﻠ ﹰ ﺼﻐﻴﺭﺓ‬ ‫ﹰ‬ ‫ﺔ‬ ‫ﻤﻥ ﻏﻴﻅ ﺍﻟﻌﻤﺎل ﺍﻟﺴﺎﻗﻁﻴﻥ‬ ‫ﻟﻜﻨﻪ ﻴﺒﺘﺴﻡ ﺴﺎﺨ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻤﺎ ﻴﺯﺍل.‬ ‫ﺍﻨﻅﺭﻭﺍ ﺩﺍﺨﻠﻲ ﺠﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫- ٤٣ -‬
‫ﻭﺃﻨﺘﻡ ﺘﺩﺭﻜﻭﻥ.‬ ‫" ﻜﺎﻥ ﺍﻟﺸﺠﺭ ﺍﻟﺫﻱ ﻴﺤﺭﺱ ﺍﻟﻨﺎﺱ‬ ‫ﺸﺠ ‪‬ﺍ ﺤﻘﻴﻘ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺭ‬ ‫ﻴﺘﻐﺎﻀﻰ ﺒﻜل ﻜﺭﻡ‬ ‫ﻋﻥ ﻨﺴﻴﺎﻥ ﺍﻟﻤﻁﺭ ﺃﻭﻗﺎﺕ ﺍﻟﻤﺠﺎﻋﺔ‬ ‫ﺒﺩﻋﻙ ﺨﺩﻩ ﺒﺨﻔﺔ‬ ‫ﻜﺄﻨﻪ ﻨﻔﺴﻪ‬ ‫ﺃﺏ ﻭﻁﻔل.‬ ‫ﻜﺎﻥ ﻴﻨﻤﻭ ﻤﻥ ﺍﻟﻬﺩﻭﺀ ﺍﻟﻤﻌﻁﺭ‬ ‫ﻭﺍﺒﺘﺴﺎﻤﺎﺕ ﺍﻟﺠﻤﻴﻊ... "‬ ‫ﺃﻫﻡ ﻤﺎ ﻴﻀﺎﻴﻘﻪ‬ ‫ﺍﻟﻐﺒﺎﺭ‬ ‫ﺍﻟﻤﺴﺘﻬﺘﺭ‬ ‫ﺍﻟﺫﻱ ﻟﻭﺙ ﻤﻨﺎﻤﺎﺕ ﺍﻟﻭﺭﺩ‬ ‫ﻭﺠﻌل ﺍﻟﺴﻤﺎﺀ ﺘﺸﺤﺏ.‬ ‫- ٥٣ -‬
‫..........‬ ‫..........‬ ‫ﺍﺴﻤﻌﻭﺍ ﺍﻟﻨﺩﺍﺀ ﺍﻷﺨﻴﺭ :‬ ‫ﺇﻥ ﻟﻡ ﺘﻜﻔﻭﺍ ﻋﻥ ﺸﺩ ﻟﺤﻴﺔ ﻫﻴﺒﺘﻲ‬ ‫ﺴﺄﻁﻠﻕ ﻋﻠﻴﻜﻡ‬ ‫ﺍﻟﺨﻤﺴﻴﻥ ﻋﺎ ‪‬ﺎ ﻜﻠﻬﺎ‬ ‫ﻤ‬ ‫ﻤﻥ ﺍﻷﺨﻀﺭ ﺍﻟﻨﺎﻀﺞ‬ ‫ﻟﺘﺨﺘﻔﻭﺍ ﺃﻴﻬﺎ‬ ‫ﺍﻟﻤﻠﻭﺜﻭﻥ.‬ ‫ﺤﺘﻰ ﺍﺘﻜﺎﺀﻜﻡ ﻋﻠﻲ‬ ‫‪‬‬ ‫ﻜﻠﻤﺎ ﻀﺤﻜﺕ ﻋﻠﻴﻜﻡ ﺃﻭﻗﺎﺘﻜﻡ‬ ‫ﺴﺄﻨﺴﺎﻩ’‬ ‫ﻟﻥ ﺘﺸﻤﺘﻭﺍ ﻓﻲ ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻭﻻ ﺘﺜﺭﺜﺭﻭﺍ‬ ‫- ٦٣ -‬
‫ﺇﻥ ﺍﺴﺘﻁﻌﺘﻡ‬ ‫ﺍﺨﻠﻌﻭﺍ ﺃﻨﻔﺎﺴﻬﻡ ﻤﻨﻲ‬ ‫ﻭﻭﻗﺘﻬﺎ ﺴﺄﺭﻭﺡ ﺇﻟﻴﻬﻡ‬ ‫ﻭﺃﻨﺎﻡ ﻓﻲ ﺤﻀﻨﻬﻡ‬ ‫ﻭﺃﻗﻭل.‬ ‫ﺃﻗﻭل‬ ‫ﻜل ﺸﻲﺀ...‬ ‫- ٧٣ -‬
‫• ﺍﻟﻤﺘﻭﺍﻁﺌﻭﻥ.‬ ‫• ﻗﺼﺔ ﻗﺼﻴﺭﺓ ﻟﻴﺴﺕ ﻤﺎﻜﺭﺓ.‬ ‫• ﺍﻟﻠﻘﻁﺔ ﺍﻷﺨﻴﺭﺓ.‬ ‫• ﺍﺼﻁﻴﺎﺩ.‬ ‫• ﻋﺭﻱ.‬ ‫• ﺍﻟﺒﻠل.‬ ‫• ﺭﺍﺌﺤﺔ.‬ ‫• ﻋ ﹶﻤﺔ.‬ ‫‪‬ﻅ‬ ‫- ٨٣ -‬
 - ٣٩ -
‫ﻜﻠﻤﺎ ﻤﺭﺕ ﺠﻨﺎﺯﺘﻲ‬ ‫ﺍﻟﻤﺸﻭﻫﺔ ﻓﻲ ﻜل ﺍﻟﺤﺭﻭﺏ‬ ‫ﻴﺒﺘﺴﻤﻭﻥ ﻨﺼﻑ ﺍﺒﺘﺴﺎﻤﺔ.‬ ‫- ٠٤ -‬
    - ٤١ -
‫ﻋﺎﺩ ﻤﻥ ﺍﻟﺤﺭﻭﺏ‬ ‫ﻓﻭﺠﺩ ﺍﻷﺸﻼﺀ ﻭﺍﻟﺼﺭﺨﺎﺕ‬ ‫ﺃﻜﺜﺭ ﻤﻤﺎ ﻗﺩﺭ ﻭﻫﻭ ﻓﻲ ﺍﻟﻁﺭﻴﻕ.‬ ‫ﺒﻌﺩ ﺴﺎﻋﺔ‬ ‫ٍ‬ ‫ﺨﺎﻑ ﻤﻥ ﺍﻟﻭﺤﺩﺓ‬ ‫ﻓﺯﺭﻉ ﺍﻷﺸﻼﺀ ﻭﺍﻟﺼﺭﺨﺎﺕ‬ ‫ﺤﻭل ﺤﻁﺎﻡ ﺍﻟﺒﻴﺕ‬ ‫ﻟﺘﺼﻴﺭ ﺃﺸﺒﺎ ‪‬ﺎ ﺘﺅﻨﺴﻪ ﻓﻲ ﺍﻟﻤﺴﺎﺀ.‬ ‫ﺤ‬ ‫ﻟﻜﻥ ﺍﻷﻤﺭ ﻟﻡ ﻴﺴﺭ‬ ‫ﻜﻤﺎ ﻗﺩﺭ ﻭﻫﻭ ﻓﻲ ﺍﻟﻁﺭﻴﻕ.‬ ‫ﻷﻥ ﺍﻟﺩﻤﺎﺀ ﺍﻟﺘﻲ ﺤﺎﻭل‬ ‫ﺃﻥ ﻴﺴﻘﻲ ﺒﻬﺎ ﺃﺤﻼﻤﻪ ﺘﻠﻙ‬ ‫ﺘﺒﺭﻉ ﺒﻬﺎ ﻜﻠﻬﺎ‬ ‫ﻭﻷﻥ ﺍﻟﻤﺴﺎﺀ ﻴﺼﻴﺭ ﻋﺠﻭ ‪‬ﺍ‬ ‫ﺯ‬ ‫ﺃﺴﺭﻉ ﻤﻤﺎ ﻗﺩﺭ ﻭﻫﻭ ﻓﻲ ﺍﻟﻁﺭﻴﻕ.‬ ‫- ٢٤ -‬
‫ﻤﻥ ﻜﻨﺎ ﻨﺤﻜﻲ ﻋﻨﻪ‬ ‫ﻓﻲ ﺍﻟﻤﻘﻁﻊ ﺍﻟﺴﺎﺒﻕ‬ ‫ﻟﻴﺱ ﺒﻁﻼ‬ ‫ﹰ‬ ‫ﺇﻨﻪ ﻤﺠﺭﺩ ﺸﺒﺢ.‬ ‫ﺍﻟﻁﺭﻴﻕ ﺇﻟﻰ ﺍﻟﺤﺭﺏ‬ ‫ﺴﻬل ﺠ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺘﺄﺨﺫ ﺃﻭل ﺸﺎﺭﻉ ﺒﺎﻙ‬ ‫ٍ‬ ‫ﻓﻲ ﺤﻀﻨﻙ‬ ‫ﺜﻡ ﺘﺤﺎﺫﻯ‬ ‫ﻋﻨﺩ ﺃﻭل ﻁﻔل ﻋﺠﻭﺯ‬ ‫ﻴﺩﻴﻪ ﻤﺭﺒﻭﻁﺘﻴﻥ ﺒﻅﻠﻙ‬ ‫ﻭﻋﻴﻭﻨﻪ ﻤﻁﻔﺄﺓ.‬ ‫- ٣٤ -‬
‫ﺍﻟﺘﻤﺎﺜﻴل ﺘﺼﻴﺭ ﻤﻼﺌﻜﺔ‬ ‫ﺘﻀﻤﺩ ﺍﻟﺠﺭﺤﻰ ﻗﺒل ﺃﻥ ﻴﺴﺘﺄﻨﻔﻭﺍ ﺍﻟﻌﻭﻴل‬ ‫ﻭﺘﻔﺘﺢ ﻗﻠﺒﻬﺎ ﻟﻠﻨﺸﻴﺞ ﺍﻟﻨﺎﺌﻡ ﻓﻲ )ﺍﻟﺤﻴﻁﺎﻥ (‬ ‫ﻭﺘﻜﻨﺱ ﺍﻟﺸﻭﺍﺭﻉ ﻤﻥ ﺍﻟﺠﺜﺙ ﺍﻟﺜﺭﺜﺎﺭﺓ‬ ‫ﻭﺘﺴﺩ ﺍﻟﻨﻭﺍﻓﺫ ﻋﻠﻰ ﺍﻟﺭﻴﺎﺡ‬ ‫ﻜﻴﻼ ﺘﺯﺩﺤﻡ ﺍﻟﺤﻘﺎﺌﺏ‬ ‫ﺒﻜل ﻫﺫﺍ ﺍﻟﺼﻤﺕ.‬ ‫ﺍﻷﺤﺠﺎﺭ‬ ‫ﺍﻟﺘﻲ ﻤﻸﺕ ﺍﻟﻤﻘﻁﻊ ﺍﻟﺴﺎﺒﻕ‬ ‫ﻤﺠﺭﺩ ﺃﺭﻭﺍﺡ ﺼﻠﺒﺔ..‬ ‫ﺍﻟﺸﺎﺏ ﺍﻟﻤﻭﻟﻭﺩ ﻓﻲ ٥٧٩١‬ ‫ﻭﻟﻡ ﻴﺸﻬﺩ‬ ‫ﺇﻻ ﺍﻟﺤﺭﻭﺏ ﺍﻟﻤﻠﻭﻨﺔ ﻋﻠﻰ ﺍﻟـ ‪.C.N.N‬‬ ‫ﻭﻟﻡ ﻴﺤﺩﻕ ﻓﻲ ﻋﻴﻭﻥ ﺃﻱ ﺸﻬﻴﺩ‬ ‫ﺴﻭﻯ ﺍﻟﻤﺩﻟﻰ ﻓﻲ )ﺍﻟﺼﺎﻟﻭﻥ (‬ ‫- ٤٤ -‬
‫ﺩﻭﻥ ﺍﺴﻡ ﺃﻭ ﺴﻼﺡ.‬ ‫ﻭﻟﻡ ﻴﺫﻫﺏ ﻟﻠﺩﺒﺎﺒﺎﺕ ﻭﺭﺍﺀ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻷﻨﻪ ﺭﺸﻴﺩ ﻋﺎﺌﻠﺔ ﻁﻴﺒﺔ.‬ ‫ﻴﺼﺤﻭ ﻤﺫﻋﻭ ‪‬ﺍ ﻜل ﻴﻭﻡ‬ ‫ﺭ‬ ‫ﻭﻴﻘﺎﺒل ﺍﻷﺸﻼﺀ ﻓﻲ ﺃﻱ ﻤﻜﺎﻥ‬ ‫ﻭﻴﻨﺎﻡ ﻤﻥ ﺴﻨﻭﺍﺕ ﻓﻲ ﺨﻭﺫﺓ.‬ ‫ٍ‬ ‫ﺠﻠﺩﻩ ﻟﻴﺱ ﻁﺭ ‪‬ﺎ ﻜﺭﺸﻔﺔ‬ ‫ﻴ‬ ‫ﺒل ﻤﻨﻘﻭ ﹰﺎ ﺒﻤﺭﺍﻭﻏﺎﺕ ﺍﻟﺸﻅﺎﻴﺎ‬ ‫ﺸ‬ ‫ﺤﺘﻰ ﻨﻅﺭﺍﺘﻪ...‬ ‫ﻤﻠﻭﺜﺔ ﺒﺎﻟﺩﻴﺩﺍﻥ.‬ ‫ﻟﺫﺍ‬ ‫ﺃﺤﺒﻭﻩ ﻭﺭﺒﺘﻭﺍ ﻋﻠﻰ ﻜﺘﻔﻪ ﻜل ﺤﻴﻥ‬ ‫ﺃﻭ ﺍﻗﺘﻠﻭﻩ ﺒﺭﺼﺎﺼﺔ ﻤﺤﻜﻤﺔ‬ ‫ﺤﺘﻰ ﻴﺒﺘﺴﻡ..‬ ‫- ٥٤ -‬
..  - ٤٦ -
‫ﺍﻷﺭﺽ‬ ‫ﻓﻲ ﺼﺩﺭﻱ‬ ‫ﻭﺍﻟﺴﻤﺎﺀ ﻋﻨﺩ ﺍﻷﺭﻴﻜﺔ‬ ‫ﻴﺘﺤﺩﺜﻭﻥ ﺃﺨﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫ﺍﻟﺠﻤﻭﻉ ﺍﻟﺘﻲ ﻜﺎﻨﺕ ﺘﻨﺘﻅﺭ‬ ‫ﺘﺨﺭﺝ ﻋﺼﺎﻓﻴﺭﻫﺎ ﻤﻥ ﺍﻟﺫﺍﻜﺭﺓ.‬ ‫ﺭﺠل ﻁﻴﺏ ﻴﻀﺤﻙ ﻟﻠﻤﺫﺒﺤﺔ‬ ‫ﻭﻴﻐﺭﻕ ﺃﻭﻻﺩﻩ ﻓﻲ ﺍﻟﺩﻡ ﺍﻟﺴﺎﺨﻥ‬ ‫ﻭﻴﻁﻴﺭ.‬ ‫- ٧٤ -‬
 - ٤٨ -
‫ﻜﻨﺎ ﻗﺩ ﺍﻨﺘﻬﻴﻨﺎ‬ ‫ﺒﻌﺩ ﻜل ﻫﺫﺍ ﺍﻟﺠﺩﺍل‬ ‫ﺇﻟﻰ ﺤﺘﻤﻴﺔ ﺍﻨﺘﻅﺎﺭﻩ‬ ‫ﻭﺍﻟﺘﺤﺩﻴﻕ ﻟﻤﺩﺩ ﻤﺘﻔﺎﻭﺘﺔ‬ ‫ٍ‬ ‫ﻓﻲ ﺜﺒﺎﺕ ﺤﺫﺍﺌﻪ ﻭﺍﺭﺘﻌﺎﺸﺎﺕ ﺍﻟﺤﺭﻭﺏ.‬ ‫ﻓﻲ ﺍﻟﻨﻴﺎﺸﻴﻥ ﺍﻟﻭﻫﻤﻴﺔ..‬ ‫ﻓﻲ ﻤﺤﺎﺼﺭﺓ ﻋﻴﻨﻴﻪ‬ ‫ﻗﺒل ﺃﻥ ﺘﻔﻜﺭ ﻓﻲ ﺍﻟﻬﺭﺏ.‬ ‫ﺒﻬﺩﻭﺀ ﻭﺩﻭﻥ ﻜﻭﺍﺒﻴﺱ‬ ‫ﻨﺒﺩﺃ‬ ‫ﻓﻲ ﺸﺤﺫ ﺍﻟﺴﻨﻴﻥ‬ ‫ﻋﻠﻰ ﺍﻷﺫﺭﻉ ﺍﻟﻤﺘﺼﻠﺒﺔ‬ ‫ﻭﺘﻌﻠﻴﻕ ﺍﻷﺴﺌﻠﺔ‬ ‫- ٩٤ -‬
‫ﺒﺤﻭﺍﺸﻴﻬﺎ ﻭﺤﻭﺍﻓﻬﺎ‬ ‫ﻓﻭﻕ ﻗﻤﻴﺼﻪ‬ ‫ﺍﻟﻜﺒﻴﺭ...‬ ‫ﻜﺄﻱ ﺤﺭﺏ‬ ‫ﻫﻨﺎﻙ ﺨﻴﺎﻨﺔ‬ ‫ﻭﺨﻭﻓﻨﺎ‬ ‫ﺍﻟﺫﻱ ﺴﻴﺼﻴﺭ ﺨﻭﻓﻪ‬ ‫ﺴﻴﻔﺘﺢ ﻟﻪ ﻤﺴﺎﺤﺎﺕ ﻗﺎﺩﺭﺓ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻟﻠﺘﺼﻭﺭ‬ ‫ﺍﻟﻭﺍﺜﺏ‬ ‫ﻴﺨﻠﻊ ﻓﻴﻬﺎ‬ ‫ﺘﻼﻓﻴﻑ ﻜﺭﺍﻫﻴﺘﻪ‬ ‫ﻭﻴﺒﺎﻏﺘﻨﺎ‬ ‫ﻋﺎﺭ ‪‬ﺎ ﻤﻨﺎ.‬ ‫ﻴ‬ ‫- ٠٥ -‬
‫ﺍﻟﻤﺼﻭﺭ‬ ‫ﻴﺭﺴﻡ ﺁﺨﺭ ﻟﻘﻁﺎﺘﻨﺎ‬ ‫ﻭﻨﺤﻥ ﺘﻤﺎﺜﻴل ﻤﻥ )ﺍﻟﺠﺒﺱ (‬ ‫ﺍﻟﻁﺭﻱ...‬ ‫ﻭﺍﻟﺒ ﹶﺎﺀ ﻴﺤﺎﺼﺭ‬ ‫ﻨ‬ ‫ﻤﺎﺀ ﻤﻔﺘﻭ ﹰﺎ ﺤﻤﻀ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﻨ‬ ‫ﺴﻭﻑ ﻴﺅﻟﻡ ﺍﻟﺤﻔﺭ....‬ ‫- ١٥ -‬
 - ٥٢ -
‫ﺃﻨﺴﺎﻫﻡ ﻓﻭ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﺍﻹﺴﻡ ﻭﺍﻟﺴﻤﺕ‬ ‫‪ ‬ﹶ‬ ‫ﻭﺍﻟﺠﻐﺭﺍﻓﻴﺎ ﻭﺍﻟﻁﻘﺱ ﻭﺍﻟﺭﻭﺍﺌﺢ‬ ‫ﻟﻜﻨﻨﻲ ﻻ ﺃﻨﺴﻰ ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺫﻟﻙ ﺍﻟﺫﻱ ﺠﺭﻯ.‬ ‫ﺒﻌﺩﻫﺎ‬ ‫ﺁﺨﺫﻩ ﻭﺃﻟﺼﻘﻪ ﻓﻲ ﺍﻟﻬﻭﺍﺀ‬ ‫ﺃﻭ ﺃﺭﺴﻡ ﻟﻪ ﻋﻠﻰ ﻁﻭل ﻋﻅﺎﻤﻪ‬ ‫ﺃﺸﻭﺍ ﹰﺎ‬ ‫ﻜ‬ ‫ﻭﺃﺭﺩﻴﺔ ﺴﻭﺩﺍﺀ‬ ‫ﺘﺩﻓﺌﻪ‬ ‫ﻭﺘﺤﻀﻥ ﻀﺤﻜﺎﺘﻪ‬ ‫ﺒﺎﻟﺩﻡ ﺍﻟﺼﺎﻓﻲ.‬ ‫- ٣٥ -‬
‫ﺃﺸﺘﺎﻕ ﺍﻟﻨﻭﻡ‬ ‫ﻭﺃﻨﺎ ﻻ ﺃﻗﺒل ﻨﺼل ﺴﻜﻴﻥ‬ ‫ﻭﻻ ﺃﻏﻨﻲ ﻏﻨﺎﺀ ﺍﻟﺩﻤﻭﻉ.‬ ‫ﺃﺠﻠﺱ ﻭﺴﻁ ﺍﻷﺫﺭﻉ‬ ‫ﻓﻴﻅﻬﺭ ﺍﻟﺼﺩﻴﻕ‬ ‫ﻜﻠﻤﺔ ﻤﻥ ﻫﻨﺎ‬ ‫ﻭﻜﻠﻤﺔ ﻤﻥ ﻫﻨﺎﻙ.‬ ‫ﻤﺩﺓ ﻴﺩ‬ ‫ﻭﻀﺤﻜﺔ ﻭﺨﺒﻁﺔ ﺒﺎﺏ‬ ‫ﻴﺩﺨل ﻜل ﻫﺫﺍ ﻤﺫﻋﻭ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻭﻻ ﻴﺨﺭﺝ‬ ‫ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﺍﻟﺠﻴﻭﺏ‬ ‫ﺍﻟﻤﻬﺘﺭﺌﺔ...‬ ‫- ٤٥ -‬
‫ﻜل ﻤﺎ ﻋﻨﺩﻱ‬ ‫ﻫﺎﺘﻑ ﺠﻤﻴل ﺍﻟﺼﻭﺭﺓ‬ ‫ﻴﺩﺨل ﻋﻠﻲ ﻜل ﺼﺒﺎﺡ‬ ‫ﺜﻡ ﻴﺩﻴﺭ ﺫﺍﻜﺭﺘﻪ ﺨﺠﻼ‬ ‫ﹰ‬ ‫ﻷﻨﻨﻲ ﻋﺎﺭ.. ﺘﻤﺎ ‪‬ﺎ ﻤﻨﻬﺎ..‬ ‫ﻤ‬ ‫ٍ‬ ‫ﺫﺍﻜﺭﺓ ﺍﻟﻜﺎﺌﻥ.‬ ‫- ٥٥ -‬
 - ٥٦ -
‫ﺠﺜﺘﺎﻥ ﻓﻲ ﻗﺎﻉ ﺍﻟﻤﺭﺤﺎﺽ.‬ ‫ﺃﻭﻻﻫﻤﺎ ﻜﺎﻨﺕ ﺭﺍﻴﺔ‬ ‫ﻻﺤﻅﺕ ﺴﺭﻋﺔ ﺍﻷﺴﻔﻠﺕ‬ ‫ﻤﻥ ﺜﻘﺏ ﺍﻟﺤﺫﺍﺀ‬ ‫ﻓﺄﺩﺭﻜﺕ ﺃﻨﻬﺎ ﺴﺘﻤﻭﺕ ﻗﺭﻴ ‪‬ﺎ.‬ ‫ﺒ‬ ‫ﺍﻗﺘﺭﺒﺕ ﻤﻥ ﺍﻟﻤﻌﺴﻜﺭ‬ ‫ﻭﺴﺄﻟﺕ ﺍﻟﺴﻭﺭ ﺍﻟﻌﺠﻭﺯ ﺒﻬﻤﺱ‬ ‫ﻭﺍﻗﺘﻨﻌﺕ ﺒﻌﺩﻫﺎ‬ ‫ﺒﺎﻟﻨﻅﺭ ﺇﻟﻰ ﻴﻤﻴﻨﻬﺎ ﺩﺍﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﺤﺘﻰ ﺘﺄﺘﻲ ﺍﻟﻁﻠﻘﺔ )ﻤﺭﺘﺎﺤﺔ (‬ ‫ﹰ‬ ‫ﻤﻥ ﺍﻟﻴﺴﺎﺭ.‬ ‫- ٧٥ -‬
‫ﺜﺎﻨﻴﻬﻤﺎ ﻜﺎﻥ ﻤﻔﺘ ﹰﺎ ﺭﻭﺘﻴﻨ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺸ‬ ‫ﻋﻠﻰ ﺤﻴﻭﻴﺔ ﺍﻟﺠﺜﺙ‬ ‫ﺍﻟﺘﻲ ﺤﺴﻤﺕ ﺃﻤﺭﻫﺎ‬ ‫ﻤﻊ ﺍﻟﻐﺭﺒﺎﺀ ﺍﻟﻤﺸﻜﻭﻙ ﻓﻲ ﻨﻭﺍﻴﺎﻫﻡ.‬ ‫ﺍﻟﻤﺴﻜﻴﻥ‬ ‫ﺃﻋﻠﻥ ﻷﻭﻻﺩﻩ ﻓﺸل ﺍﻟﻌﻤﺭ‬ ‫ﻭﺸﺭﺏ ) ﺍﻟﻔﻭﺭﻤﺎﻟﻴﻥ ( ﻜﻠﻪ‬ ‫ﻭﺘﻤﺩﺩ...‬ ‫ﻟﻴﺤﺒﻭﻩ.‬ ‫- ٨٥ -‬
‫ﺍﻟﺠﺜﺔ ﺍﻟﺜﺎﻟﺜﺔ‬ ‫ﺍﻟﺘﻲ ﺘﺸﺒﻪ ﺍﻷﺴﻔﻠﺕ ﻭﺍﻟﻁﻠﻘﺎﺕ‬ ‫ﻭ) ﺍﻟﻔﻭﺭﻤﺎﻟﻴﻥ ( ﻭﺍﻟﻤﺤﺒﺔ‬ ‫ﺃﻏﻠﻘﺕ ﺒﻭﺍﺒﺔ ﺍﻟﻤﺭﺤﺎﺽ‬ ‫ﻭﺼﺎﺭﺕ ﺤﺒﻼ‬ ‫ﹰ‬ ‫ﻓﻲ ﺸﻴ‪‬ﺒﺔ ﺍﻟﺭﻴﺢ.‬ ‫- ٩٥ -‬
 - ٦٠ -
‫ﻅل ﺍﻟﻠﻭﺤﺔ ﻤﺴﺘﻁﻴل ﻴﺜﻘﺏ ﺴﻴﺎﺝ ﺍﻟﺫﻜﺭﻯ‬ ‫ﻭﻅل ) ﺍﻟﻤﺭﻭﺤﺔ ( ﻏﺭﺍﺏ .‬ ‫) ﺍﻟﺒﻨﻁﻠﻭﻥ (‬ ‫ﻴﻬﺘﺯ ﺨﺎﺌ ﹰﺎ‬ ‫ﻔ‬ ‫ﻭﻤﻔﺘﻭ ‪‬ﺎ ﻋﻠﻰ ﺤﻴﺭﺘﻪ‬ ‫ﺤ‬ ‫ﻭﺍﻟﻴﺩ ﺠﻤﺭﺓ ﺘﻨﻁﻔﺊ.‬ ‫ﺭﺍﺌﺤﺔ ﺍﻟﺒﺭﻭﺩﺓ‬ ‫ﺘﻭﻓﺭ ﻋﻠﻴﻨﺎ ﺤﺩﻴﺙ ﻜل ﻟﻴﻠﺔ‬ ‫" ﻤﻠﻠﻨﺎ ﺍﻟﻭﺤﺩﺓ ﻤﻊ ﺃﻁﺭﺍﻓﻨﺎ ﺍﻟﺼﻨﺎﻋﻴﺔ... "‬ ‫ﻭﺘﻨﺯل ﻟﺘﻠﻬﻭ‬ ‫ﺒﺭﺴﻭﻤﺎﺘﻬﺎ ﻭﺃﺸﻜﺎﻟﻬﺎ‬ ‫ﻭﺨﻴﺎﻻﺘﻬﺎ ﺍﻟﻤﻜﻠﻠﺔ ﺒﺎﻟﻤﺭﺍﻫﻘﺔ.‬ ‫ﻨﺨﺎﻑ ﻤﻥ ﻋﻠﻴﺎﺌﻬﺎ‬ ‫- ١٦ -‬
‫ﻭﺘﺠﺎﺭﺒﻬﺎ ﺍﻟﺤﻴﺎﺘﻴﺔ ﺍﻟﻤﺜﻴﺭﺓ.‬ ‫ﺸﻬﺩﺕ ﻜل ﺍﻷﺤﺩﺍﺙ‬ ‫ﻭﺍﺒﺘﺴﻤﺕ ﻓﻲ ﻭﺠﻪ‬ ‫ﺍﻟﻤﺭﺁﺓ ﺍﻷﻭﻟﻰ.‬ ‫ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﺯﻤﻥ‬ ‫ﺴﻨﺘﻌﺏ ﻤﻥ ﺍﻷﺩﺏ ﺍﻟﻤﺼﻁﻨﻊ‬ ‫ﻭﻫﻲ ﺴﺘﻌﺘﺭﻑ ﺒﺴﻤﺎﺀ ﺍﻟﺠﺒﺎﻨﺎﺕ‬ ‫ﻭﺍﻷﺭﻜﺎﻥ ﺍﻟﺘﻲ ﻭﺭﺍﺀ ﻜل ﻤﻨﻬﺎ ﺩﻴﻨﺎﺼﻭﺭ.‬ ‫ﺴﻨﻠﺘﻘﻲ ﺒﺤﺭﺍﺭﺓ ﺃﺼﺤﺎﺏ ﺍﻟﻔﺭﺹ‬ ‫ﻟﻨﻤﻀﻎ )ﺤﻭﺍﺩﻴﺕ (‬ ‫ﹶ‬ ‫ﻻ ﻴﺸﺘﺭﻁ ﺃﻥ ﺘﻜﻭﻥ‬ ‫ﺒﻼﻏﻴﺔ‬ ‫ﻴﻜﻔﻰ ﺃﻥ ﻨﺠﻤﻊ ﺘﺎﺭﻴﺦ ﺍﻷﻋﻀﺎﺀ...‬ ‫- ٢٦ -‬
‫ﻅل ﺍﻟﺩﻫﺸﺔ ﻗﺎﺭﺏ ﻴﺭﺒﻰ ﺜﻘﺒﻪ‬ ‫ﻭﻅل ﺍﻟﻨﻬﺭ ﺴﻴﺦ ﻓﻲ ﺍﻟﻁﻔل..‬ ‫ﻅل ﺍﻟﻨﺎﻓﺫﺓ ﺃﺤﻀﺎﻥ ﻤﻴﺘﺔ‬ ‫ﻭﻅل ﺍﻟﻭﻗﺕ ﺤﺭﺏ....‬ ‫- ٣٦ -‬
  - ٦٤ -
‫ﺃﻏﻁﻲ ﻨﻔﺴﻲ ﺒﺎﻟﻘﺎﺭ‬ ‫ﺍﻟﻘﺎﺭ ﺍﻟﻤﻠﺘﻬﺏ ﺍﻟﺤﺎﻗﺩ.‬ ‫ﻭﺤﺘﻰ ﻴﺘﻡ ﺍﻟﺘﻬﺎﻤﻲ‬ ‫ﺃﻁﻠﻕ ﺼﺭﺨﺎﺘﻲ ﻟﻠﺩﺍﺨل‬ ‫)ﻓﻴﻨﺤﺎﺵ( ﺴﺒﻴل ﺍﻟﺼﻭﺕ‬ ‫ﻭﺃﺼﻴﺭ ﻜﻭﻤﺔ ﺘﻁﻘﻁﻕ‬ ‫ﺘﺨﻴﻑ ﺍﻟﻬﻭﺍﺀ ﻭﺍﻷﺭﺽ ﻭﺍﻟﺒﻴﻭﺕ.‬ ‫ﺒﻌﺩﻫﺎ ﺃﺒﻌﺙ ﺭﻭﺤﻲ‬ ‫ﻓﺘﺴﺭﻕ ﺍﻟﻠﻭﻥ ﻜﻠﻪ‬ ‫ﻭﺘﻐﻁﻴﻨﻲ‬ ‫ﻓﺄﻜﻭﻥ ﺍﻟﺠﺜﺔ ﺍﻟﻤﺸﻭﻫﺔ‬ ‫ﻟﻁﺎﺌﺭ ٍ‬ ‫ﻤﻨﻘﺭ ٍ‬ ‫ﺽ‬ ‫ﻏﺭﻴﺏ.‬ ‫- ٥٦ -‬
‫ﻫﺫﻩ ﺠﺭﻴﻤﺘﻲ ﺍﻟﻜﺎﻤﻠﺔ‬ ‫ﻓﻸﺘﻤﻬﺎ ﺇﺫﻥ ﻴﺎ ﺃﺴﺭﻯ‬ ‫ﻭﺃﺭﻤﻲ ﻟﻜﻡ ﻗﻠﺒﻲ‬ ‫ﻟﺘﺠﻌﻠﻭﻩ ﻋﺼﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻟﻠﺤﺒﺎﺭﺍﺕ‬ ‫ﻭﻜﻠﻤﺎ ﺘﺤﻔﺭﻭﻥ‬ ‫ﺃﻀﺤﻙ ﺃﻨﺎ....‬ ‫- ٦٦ -‬
‫• ﻭﺠﻬﺎﻥ ﻟﻠﻘﻭﺓ.‬ ‫• ﻭﺠﻪ ﻭﺍﺤﺩ ﻟﻺﺨﻼﺹ.‬ ‫- ٧٦ -‬
  - ٦٨ -
‫ﺇﻨﻬﺎ ﺍﻟﺘﻲ ﻜﻨﺕ ﺃﺒﺤﺙ ﻋﻨﻬﺎ‬ ‫ﻤﻬﻨﺘﻲ‬ ‫ﺍﻟﺘﻲ ﻭﺼﻠﺕ ﻓﻲ ﻤﻴﻌﺎﺩﻫﺎ ﺃﺨﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫ﺃﻥ ﺃﻜﻭﻥ ﺭﺠﻠﻬﻡ‬ ‫ﺍﻟﺫﻱ ﻻ ﺘﺘﻡ ﺍﻷﻤﻭﺭ ﺇﻻ ﺒﻪ‬ ‫ﺍﻟﺸﺨﺹ ﺍﻟﺫﻱ ﻴﺠﺭﺒﻭﻥ ﻋﻠﻴﻪ ﻨﻅﺭﻴﺎﺘﻬﻡ‬ ‫ﻭﻴﻠﻘﻭﻥ ﻋﻠﻴﻪ ﺒﺎﻷﻓﻜﺎﺭ‬ ‫ﻓﺘﺸﻊ ﻋﻠﻰ ﺍﻟﺠﺩﺭﺍﻥ ﻭﺍﻟﻤﻼﺒﺱ.‬ ‫ﻴﺭﺍﻗﺒﻭﻥ ﻓﻴﻪ ﺃﻓﻌﺎﻟﻬﻡ ﺍﻟﺨﻁﻴﺭﺓ ﺍﻟﻤﺭﻋﺒﺔ‬ ‫:ﺍﻟﺘﺭﻜﻴﺯ... ﺍﻹﺩﺭﺍﻙ‬ ‫ﻭﺍﻹﺒﺘﺴﺎﻡ.‬ ‫ﺤﺘﻰ ﻤﺭﺍﻭﻏﺔ ﺍﻟﻜﻬﺭﺒﺎﺀ‬ ‫ﻭﺘﺄﺜﻴﺭ ﻜل ﻤﻀﺨﺔ ﺃﺤﺯﺍﻥ ﻋﻠﻰ ﺭﻭﺤﻪ‬ ‫ﻭﺭﺩﻭﺩ ﺃﻓﻌﺎﻟﻪ‬ ‫- ٩٦ -‬
‫ﺘﺠﺎﻩ ﻗﺘﻠﻪ ﻭﺩﻫﻙ ﺭﺍﺌﺤﺘﻪ‬ ‫ﻭﻫﺯﺍﺌﻡ ﺍﻟﺠﻴﻭﺵ.‬ ‫ﺍﻟﻁﻠﺒﺔ ﺍﻷﺸﻘﻴﺎﺀ‬ ‫ﻜﺎﻨﻭﺍ ﻴﻌﺘﺒﺭﻭﻨﻪ ﺯﺠﺎ ‪‬ﺎ‬ ‫ﺠ‬ ‫ﻴﻤﺭﺭﻭﻥ ﻋﺒﺭﻩ‬ ‫ﻗﺒﻼﺘﻬﻡ ﺍﻟﻁﺎﺌﺭﺓ‬ ‫ﻭﺍﻹﺸﺎﺭﺍﺕ ﺍﻟﻘﺫﺭﺓ ﻷﺼﺎﺒﻌﻬﻡ‬ ‫ﻭﺍﻟﺘﺼﺎﻕ ﺍﻷﺤﻼﻡ ﺒﻜﻔﻭﻓﻬﻡ.‬ ‫ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺃﻥ ﻤﺎ ﻴﻐﻀﺒﻨﻰ ﺤ ﹰﺎ ﻫﻭ ﺍﻷﺠﺭ‬ ‫ﻘ‬ ‫ﻻ ﻴﺭﻀﻴﻨﻲ.. ﻭﻴﺤﺭﺠﻨﻰ ﻤﻊ ﺘﺎﺭﻴﺨﻲ‬ ‫ﻟﻴﺱ ﻜﺜﻴ ‪‬ﺍ ﻋﻠﻰ ﻤﻥ ﻴﻔﻌل ﻜل ﻫﺫﺍ‬ ‫ﺭ‬ ‫ﺃﻥ ﻴﻘﺘﺭﺒﻭﺍ ﻤﻥ ﺴﻤﺎﺀﻩ‬ ‫- ٠٧ -‬
‫ﻭﻴﻀﺒﻁﻭﺍ ﻟﻪ ) ﺍﻟﻜﻭﻓﻴﺔ (‬ ‫ﺒﻌﺩ ﺘﺠﺎﺭﺏ ﺍﻻﺨﺘﻨﺎﻕ.‬ ‫ﻫﻡ ﻴﺼﺭﻭﻥ ﻋﻠﻰ ﺘﻠﻭﻴﺤﺔ ﺒﺴﻴﻁﺔ ﺒﺎﻟﻴﺩ‬ ‫ﻭﻫﻡ ﺃﻴﻥ؟‬ ‫ﻓﻲ ﺍﻟﺩﺭﺠﺔ ﺍﻷﺨﻴﺭﺓ ﻤﻥ ﺍﻟﺴﻠﻡ.‬ ‫ﺃﺘﻠﻘﻔﻬﺎ‬ ‫ﻭﺃﺭﺸﻘﻬﺎ ﻓﻲ ﻜﺘﻔﻲ‬ ‫ﻋﻠﻬﻡ ﻴﺤﺘﺎﺠﻭﻨﻬﺎ ﺒﻌﺩ ﺫﻟﻙ.‬ ‫ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫ﻴﺄﺘﻲ ﺍﻟﻌﺒﺎﻗﺭﺓ‬ ‫ﺍﻟﺫﻴﻥ ﻨﺴﻤﻊ ﻋﻨﻬﻡ ﻓﻲ ﺍﻟﻭﺭﻕ ﺍﻟﻘﺩﻴﻡ‬ ‫ﻭﻴﺘﺸﻤﻤﻭﻥ ﺍﻟﻤﻘﺎﻋﺩ‬ ‫ﻭﻴﻤﻠﺌﻭﻥ ﺴﻁﻭﺭﻫﻡ.‬ ‫- ١٧ -‬
‫ﻜﻠﻬﻡ ﻤﻬﺎﺒﺔ ﻭﺇﺤﺴﺎﺱ.‬ ‫ﻭﻫﻡ ﺭﺍﺤﻠﻭﻥ‬ ‫ﺘﻠﻤﻊ ﻋﻴﻭﻨﻬﻡ ﻟﻲ‬ ‫ﻟﻲ ﺃﻨﺎ‬ ‫ﻓﺄﻨﺘﺸﻲ‬ ‫ﻟﻠﻐﺩ...‬ ‫- ٢٧ -‬
  - ٧٣ -
‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﺼﻴﺩﻟﻴﺎﺕ‬ ‫ﻟﺭﺴﻡ ﺴﻜﻭﻥ ﻋﻠﻰ ﻤﻘﺎﺴﻨﺎ‬ ‫ﻷﻥ ﺍﻟﻤﻭﺕ ﻤﺘﺴﺭﻉ ﻭﻁﺎﺌﺵ‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ ﺩﺍﺌ ‪‬ﺎ.‬ ‫ﻤ‬ ‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﻘﻁﺎﺭﺍﺕ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﻷﻨﻨﺎ ﻨﺘﺨﻔﻰ ﻤﻨﺎ‬ ‫ﻓﻲ ﺍﻟﺩﺨﺎﻥ ﺍﻟﻤﺭﺍﻭﻍ‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ ﺩﺍﺌ ‪‬ﺎ.‬ ‫ﻤ‬ ‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﻬﻭﺍﺀ‬ ‫ﻟﻴﻤﺭﺭ ﻋﻠﻴﻨﺎ ﺼﻭ ﹰﺎ‬ ‫ﺘ‬ ‫ﻴﻘﻭل " ﺃﻨﺎ ﺃﺤﺒﻜﻡ "‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ ﺩﺍﺌ ‪‬ﺎ.‬ ‫ﻤ‬ ‫- ٤٧ -‬
‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﺭﺏ‬ ‫ﻜﻲ ﻴﻔﺘﺵ ﻓﻲ ﺫﺍﻜﺭﺘﻪ‬ ‫ﻋﻥ ﻤﻼﻤﺤﻨﺎ‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ.‬ ‫ﻟﻜﻥ ﺍﻟﺫﻱ ﻟﻥ ﻴﺤﺩﺙ‬ ‫ﻤﻁﻠ ﹰﺎ‬ ‫ﻘ‬ ‫ﺃﻻ ﺘﻁﺒﻕ ﻋﻠﻴﻨﺎ ﺤﻭﺍﺌﻁﻨﺎ‬ ‫ﺭﻏﻡ ﺃﻨﻨﺎ‬ ‫ﺭﺒﻴﻨﺎﻫﺎ‬ ‫ﺒﻜل ﺇﺨﻼﺹ...‬ ‫- ٥٧ -‬
 - ٧٦ -
‫ﺍﻟﺭﻋﺏ ﻋﻠﻰ ﺍﻟﺴﻼﻟﻡ‬ ‫ﺍﻟﻘﻁﻁ ﺍﻟﺴﻭﺩﺍﺀ ﺘﺒﺩﺃ ﻜﻔﺎﺤﻬﺎ ﺍﻟﺜﻭﺭﻱ‬ ‫ﻤﻥ ﻭﺠﻬﻲ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻁﺭﻴﻕ‬ ‫ﺘﻨﻔﻠﺕ ﺍﻷﺸﺒﺎﺡ‬ ‫ﻤﻥ ﻭﺭﺍﺀ )ﺍﻟﺼﺎﺝ( ﺍﻟﻤﺎﺜل‬ ‫ﻓﻲ ) ﺍﻟﻔﺘﺭﻴﻨﺎﺕ (‬ ‫ﻭﻤﻥ ﺠﻤﺭﺍﺕ ﺍﻟﻭﺠﻭﻩ‬ ‫ﺍﻟﻤﺭﻜﻭﻨﺔ ﺠﻭﺍﺭ ﺍﻟﻘﻤﺎﻤﺔ.‬ ‫- ٧٧ -‬
‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺴﻴﺎﺭﺓ‬ ‫ﺍﻟﻤﺼﺎﺒﻴﺢ ﺘﺭﺴﻡ ﺍﻟﻀﺤﻜﺔ ﺍﻟﺸﺭﻴﺭﺓ‬ ‫ﻭﺍﻟﺼﻭﺕ ﻴﻌﻠﻭ‬ ‫ﻜﻲ ﻴﻐﻁﻲ ﻋﻠﻰ ﺨﺠل ﺍﻟﺴﻤﺎﺀ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺠﻴﻭﺏ‬ ‫ﺍﻟﺭﻋﺸﺔ ﺘﻤﺴﻙ ﺍﻟﻜﻑ‬ ‫ﻭﻫﻭ )ﻴﺘﺴﺤﺏ ( ﺩﺍﺨﻼ‬ ‫ﹰ‬ ‫ﺍﻟﺜﻌﺒﺎﻥ ﻴﺭﻗﺩ ﻫﻨﺎ‬ ‫ﻴﻭﺠﺩ ﻫﻨﺎ ﻋﻘﺭﺏ‬ ‫ﺘﻭﺠﺩ ﻤﺼﻴﺩﺓ‬ ‫ﺍﻟﺩﻡ ﻴﻨﺸﻑ‬ ‫ﻓﻨﻀﻁﺭ ﺇﻟﻰ ﺒﺘﺭ ﺍﻟﻜﻑ‬ ‫ﺍﻟﻴﺘﻴﻡ.‬ ‫- ٨٧ -‬
‫ﺍﻟﺭﻋﺏ ﻋﻨﺩ ﺍﻟﺒﻨﺕ‬ ‫ﻓﻲ ﺤﻀﻨﻬﺎ ﺍﻟﻤﺩﻭﻱ‬ ‫ﺤﺭﺍﺸﻑ‬ ‫ﺍﻟﻌﺠﺯ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺴﻴﻨﻤﺎ‬ ‫ﺒﻁل ﺍﻟﻔﻴﻠﻡ ﺍﻟﻬﺎﺭﺏ‬ ‫ﻤﻥ ﺸﻨﻘﻪ ﻋﻠﻰ ﺍﻟﺠﺩﺍﺭ‬ ‫ﺴﻴﺨﺘﺎﺭﻨﻲ ﺤﺘ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻷﻨﻨﻲ ﺍﻵﻥ ﺃﺨﺭﺱ‬ ‫ﺃﻤﻭﺕ ﺒﺩﻭﻥ ﻜﻼﻡ ﻜﺜﻴﺭ‬ ‫ٍ‬ ‫ﻴﺸﻭﺵ ﻋﻠﻰ ﺍﻵﺨﺭﻴﻥ.‬ ‫- ٩٧ -‬
‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺼﺒﺎﺡ‬ ‫ﺍﻟﺸﻤﺱ ﺘﺭﻤﻲ ﻨﻔﺴﻬﺎ ﻋﻠﻰ ﻏﺭﻓﺘﻲ ﺍﻟﻤﺯﺩﺤﻤﺔ‬ ‫ﻜﻲ ﻨﺤﺘﺭﻕ ﺃﺨﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻓﻴﺘﺩﻓﺄ ﺍﻟﻤﻤﺭ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﺘﻠﻴﻔﻭﻥ (‬ ‫ﺫﺒﺫﺒﺎﺕ ﺍﻟﺨﺸﺒﺔ‬ ‫ﺘﺨﻨﻕ ﺍﻟﺤﻨﺎﺠﺭ‬ ‫ﺍﻷﺴﻼﻙ ﺘﻀﻐﻁ ﺍﻟﺤﻠﻘﻭﻡ‬ ‫ﻭﺍﻟﺭﻭﺡ ﺘﻬﺭﺏ ﻤﻜﺴﻭﺭﺓ ﺍﻟﺠﻨﺎﺡ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺭﻗﺹ‬ ‫ﺍﻟﺨﻁﻭﺓ ﺍﻷﺨﺭﻯ‬ ‫ﺴﺘﺒﻁﺵ ﺒﻲ ﺍﻟﺠﺎﺫﺒﻴﺔ.‬ ‫- ٠٨ -‬
‫ﻋﻨﺩﻤﺎ ﺃﻗﻊ‬ ‫ﻴﺩﺨل ﺍﻟﺯﺠﺎﺝ ﻓﻲ ﻋﻴﻨﻲ‬ ‫ﻟﻴﻨﻔﺠﺭ ﺍﻟﺩﻡ‬ ‫ﻭﺘﺸﺭﺒﻪ ﺃﻤﻲ‬ ‫ﻓﺘﻌﻭﺩ ﺴﺎﺤﺭﺓ ﺸﺭﻴﺭﺓ...‬ ‫ﺍﻟﺭﻋﺏ ﻋﻠﻰ ﺍﻟﻤﻘﻌﺩ‬ ‫ﺍﻟﺨﺸﺏ ﻴﻨﻔﻠﺕ ﻤﻥ ﺍﻟﻤﺴﺎﻤﻴﺭ‬ ‫ﺍﻟﻤﻐﺭﻭﺴﺔ ﻓﻲ ﻟﺤﻤﻪ‬ ‫ﻟﻴﺼﻨﻊ ﺸﺭ ﹰﺎ ﻟﻅﻠﻲ.‬ ‫ﻜ‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﺒﻭﺭﻨﻭ (‬ ‫ﺘﻨﻐﻠﻕ ﺴﻴﻘﺎﻨﻨﺎ ﺘﻠﻘﺎﺌ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺨﺠﻼ ﻤﻥ ﺤﻴﻭﻴﺔ ﺍﻟـ ‪.Media‬‬ ‫ﹰ‬ ‫- ١٨ -‬
‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻤﺭﺁﺓ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﻭﺍﻗﻑ ﺨﻠﻔﻲ‬ ‫ﻻ ﻴﺜﺒﺕ ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻫﻭ ﺍﻵﻥ ﺇﻟﻰ ﺠﻭﺍﺭﻱ.‬ ‫ﻋﻠﻰ ﻴﻤﻴﻨﻲ.‬ ‫ﺴﻴﺴﺭﻕ ﺫﺭﺍﻋﻲ‬ ‫ﺜﻡ ﺴﻴﺠﺭﻱ ﻓﻭﻗﻲ‬ ‫ﻭﺘﺤﺘﻲ‬ ‫ﻜﻲ ) ﺘﺘﺸﻘﻠﺏ ( ﻤﻼﻤﺤﻲ‬ ‫ﻓﻼ ﻴﻌﺭﻓﻭﻨﻨﻲ‬ ‫ﻭﻴﻘﻭﻟﻭﻥ ﺃﻨﺕ ﻗﺎﺘل ﺃﺒﻴﻙ‬ ‫ﺼﺎﺤﺏ ﺍﻟﻨﻭﺭ.‬ ‫- ٢٨ -‬
‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻻﺒﺘﺴﺎﻤﺔ‬ ‫ﺍﻷﺴﻨﺎﻥ ﺘﻨﺘﻘل ﻋﺒﺭ ﺍﻟﻬﻭﺍﺀ ﺍﻟﻤﺨﺎﺘل‬ ‫ﻟﺘﻤﺴﻙ ﺒﺎﻟﻤﺠﺭﻡ‬ ‫ﺍﻟﻨﺎﺌﻡ ﻓﻲ ﺍﻟﺸﻬﻴﻕ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﺤﻨﻔﻴﺎﺕ (‬ ‫ﺍﻟﻁﺤﺎﻟﺏ ﺘﺘﺠﻤﻊ‬ ‫ﻟﺘﺼﻴﺭ ﺘﻤﺴﺎ ‪‬ﺎ ﺴﻤﻴ ﹰﺎ‬ ‫ﻜ‬ ‫ﺤ‬ ‫ﻟﺯ ‪‬ﺎ.‬ ‫ﺠ‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻜﻨﻴﺴﺔ‬ ‫ﺤﺎﺌﻁ ﺍﻻﻋﺘﺭﺍﻑ‬ ‫ﻤﻥ ﻫﻭل ﺍﻵﺜﺎﻡ‬ ‫ﺴﻴﻨﻘﺽ ﻋﻠﻰ ﺨﻁﻭﺘﻲ.‬ ‫- ٣٨ -‬
‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻠﻭﺤﺔ‬ ‫ﺭﻭﺡ ﺍﻟﺭﺴﺎﻡ ﻤﺴﺠﻭﻨﺔ ﻓﻲ ﻏﻴﻤﺔ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻷﻁﻔﺎل‬ ‫ﻜﻠﻤﺎ ﻴﺼﻤﺘﻭﻥ‬ ‫ﻴﺩﺒﺭﻭﻥ ﺍﻟﻤﺅﺍﻤﺭﺓ‬ ‫ﻭﻜﻠﻤﺎ ﻴﺘﺤﺭﻜﻭﻥ‬ ‫ﺘﺭﺘﺞ ﻀﺂﻟﺘﻨﺎ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﻤﺸﺭﺤﺔ (‬ ‫ﻨﻘﺎﻁ ﺍﻟﺒﻜﺎﺀ ﺸﻼل ﺃﺴﻭﺩ.‬ ‫- ٤٨ -‬
‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻨﻭﻡ‬ ‫ﻜل ﺍﻟﺠﺜﺙ ﺇﻟﻰ ﺠﻭﺍﺭﻱ‬ ‫ﻓﻼ ﺃﺘﻘﻠﺏ ﺃﺒ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺴﺄﺴﻘﻁ‬ ‫ﻋﻠﻴﻬﻡ‬ ‫ﻓﻲ ﻟﺤﻤﻬﻡ ﺍﻟﻤﻬﺘﺭﺉ ﺍﻟﻤﻔﺭﻱ‬ ‫ﻓﻠﻴﺘﺼﻘﻭﻥ ﺒﻲ‬ ‫ﻟﻸﺒﺩ..‬ ‫ﻟﻸﺒﺩ..‬ ‫ﻴﺎ ﻜل ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ﺍﻟﺨﺎﺭﺠﻴﻥ ﻤﻥ ﺍﻟﺤﺭﻭﺏ ﻤﺸﻭﻫﻴﻥ‬ ‫ﺍﻟﻭﺍﻗﻌﻴﻥ ﺤﺘ ‪‬ﺎ ﻓﻲ ) ﺍﻟﺒﻼﻋﺎﺕ (‬ ‫ﻤ‬ ‫ﻭﻓﻲ ﺍﻟﻘﺒﻭﺭ‬ ‫ﺍﻨﻅﺭﻭﺍ ﺤﻭﻟﻜﻡ ﺒﻌﺯﺓ‬ ‫- ٥٨ -‬
‫ﻭﺨﺫﻭﺍ ﺍﻟﻤﺩﻯ ﻤﻥ ﺫﻜﺭﻴﺎﺘﻜﻡ‬ ‫ﻭﺍﻗﺘﻠﻭﻨﻲ ﺒﻌﻨﻑ‬ ‫ﻭﺍﻏﻠﻘﻭﺍ ﻋﻴﻨﻲ ﺠﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻜﻲ ﻻ ﺘﻠﻭﺙ ﻨﻅﺭﺍﺘﻲ‬ ‫ﻫﻭﺍﺀﻜﻡ...‬ ‫ﻤﺅﻤﻥ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ﻋﻠﻰ. ﺍﻻﺴﻡ ﺍﻷﺩﺒﻲ / ﻤﺅﻤﻥ ﺴﻤﻴﺭ.‬ ‫ﻫﺎﺘﻑ / ٠٣١٥١٨٣٠١٠‬ ‫- ٦٨ -‬
‫ﺼﺩﺭ ﻟﻠﻤﺅﻟﻑ‬ ‫]١[ ﺒﻭﺭﺘﺭﻴﻪ ﺃﺨﻴﺭ ﻟﻜﻭﻨﺸﺭﺘﻭ ﺍﻟﻌﺘﻤﺔ، ﺸﻌﺭ، ﺩﺍﺭ ﺴﻭﺒﺭ ﻤـﺎﻥ‬ ‫٨٩٩١‬ ‫]٢[ ﻫﻭﺍﺀ ﺠﺎﻑ ﻴﺠﺭﺡ ﺍﻟﻤﻼﻤﺢ، ﺸﻌﺭ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻘﺼـﻭﺭ‬ ‫ﺍﻟﺜﻘﺎﻓﺔ، ٠٠٠٢.‬ ‫]٣[ ﻏﺎﻴﺔ ﺍﻟﻨﺸﻭﺓ، ﺸﻌﺭ، ﺍﻟﻁﺒﻌﺔ ﺍﻷﻭﻟﻰ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻘﺼﻭﺭ‬ ‫ﺍﻟﺜﻘﺎﻓﺔ ٢٠٠٢، ﺍﻟﻁﺒﻌﺔ ﺍﻟﺜﺎﻨﻴﺔ : ﻤﻜﺘﺒﺔ ﺍﻷﺴﺭﺓ ٣٠٠٢.‬ ‫]٤[ ﺒﻬﺠﺔ ﺍﻻﺤﺘﻀﺎﺭ، ﺸﻌﺭ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻤﺼﺭﻴﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻠﻜﺘـﺎﺏ‬ ‫٣٠٠٢.‬ ‫]٥[ ﺍﻟﺴﺭﻴﻭﻥ ﺍﻟﻘﺩﻤﺎﺀ، ﺸﻌﺭ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻤﺼﺭﻴﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻠﻜﺘـﺎﺏ‬ ‫٣٠٠٢.‬ ‫ﻴﺼﺩﺭ‬ ‫ﺇﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ ﻭﻤﻭﺴﻴﻘﻰ " ﺘﺠﻠﻴﺎﺕ ﺍﻟﻭﺤﻴﺩ "، ﻤﺠﻤﻭﻋﺔ‬ ‫ﻤﺴﺭﺤﻴﺔ، ﻤﻁﺒﻭﻋﺎﺕ ﺍﺘﺤﺎﺩ ﺍﻟﻜﺘﺎﺏ.‬ ‫- ٧٨ -‬

Recomendados

4917
49174917
4917kotob arabia
 
4783
47834783
4783kotob arabia
 
5961
59615961
5961kotob arabia
 
3191
31913191
3191kotob arabia
 
1365
13651365
1365kotob arabia
 
745
745745
745kotob arabia
 
3151
31513151
3151kotob arabia
 
3199
31993199
3199kotob arabia
 

Recomendados

4917
49174917
4917kotob arabia
 
4783
47834783
4783kotob arabia
 
5961
59615961
5961kotob arabia
 
3191
31913191
3191kotob arabia
 
1365
13651365
1365kotob arabia
 
745
745745
745kotob arabia
 
3151
31513151
3151kotob arabia
 
3199
31993199
3199kotob arabia
 
5826
58265826
5826kotob arabia
 
5174
51745174
5174kotob arabia
 
5966
59665966
5966kotob arabia
 
4784
47844784
4784kotob arabia
 
4793
47934793
4793kotob arabia
 
5379
53795379
5379kotob arabia
 
4748
47484748
4748kotob arabia
 
4724
47244724
4724kotob arabia
 
912
912912
912kotob arabia
 
5463
54635463
5463kotob arabia
 
5895
58955895
5895kotob arabia
 
501
501501
501kotob arabia
 
5865
58655865
5865kotob arabia
 
280
280280
280kotob arabia
 
5697
56975697
5697kotob arabia
 
2
22
2Hatim El Alaoui
 
3128
31283128
3128kotob arabia
 
1215
12151215
1215kotob arabia
 
4673
46734673
4673kotob arabia
 
6023
60236023
6023kotob arabia
 
apresentação de islides de João henrique
apresentação de islides de João henriqueapresentação de islides de João henrique
apresentação de islides de João henriqueismaktec
 
Bosque Tallado . Chi
Bosque Tallado . ChiBosque Tallado . Chi
Bosque Tallado . Chinieves sanchez
 

Mais conteúdo relacionado

Mais procurados

Mais procurados (20)

5826
58265826
5826
 
5174
51745174
5174
 
5966
59665966
5966
 
4784
47844784
4784
 
4793
47934793
4793
 
5379
53795379
5379
 
4748
47484748
4748
 
4724
47244724
4724
 
912
912912
912
 
5463
54635463
5463
 
5895
58955895
5895
 
501
501501
501
 
5865
58655865
5865
 
280
280280
280
 
5697
56975697
5697
 
2
22
2
 
3128
31283128
3128
 
1215
12151215
1215
 
4673
46734673
4673
 
6023
60236023
6023
 

Destaque

apresentação de islides de João henrique
apresentação de islides de João henriqueapresentação de islides de João henrique
apresentação de islides de João henriqueismaktec
 
Espaço viveka retrospectiva 2013
Espaço viveka retrospectiva 2013Espaço viveka retrospectiva 2013
Espaço viveka retrospectiva 2013Zilpa Magalhães
 
Uma homenagem a Irmã Andreia
Uma homenagem a Irmã AndreiaUma homenagem a Irmã Andreia
Uma homenagem a Irmã Andreiaguestf5ac89
 
Az én bolondom röviden
Az én bolondom rövidenAz én bolondom röviden
Az én bolondom rövidenSzilárd Kozma
 
A Bak konstelláció erőtere
A Bak konstelláció erőtereA Bak konstelláció erőtere
A Bak konstelláció erőtereSzilárd Kozma
 
C:\Fakepath\Projecto Ida
C:\Fakepath\Projecto IdaC:\Fakepath\Projecto Ida
C:\Fakepath\Projecto Idaprapina
 
Filcbagoly
FilcbagolyFilcbagoly
FilcbagolyBrigi79
 
Jamie Shaw 'Shadows' Solo Show Catalogue
Jamie Shaw 'Shadows' Solo Show CatalogueJamie Shaw 'Shadows' Solo Show Catalogue
Jamie Shaw 'Shadows' Solo Show CatalogueThe Future Tense
 
Tanácsadó szerepe Jelentésíráskor Alternate
Tanácsadó szerepe Jelentésíráskor AlternateTanácsadó szerepe Jelentésíráskor Alternate
Tanácsadó szerepe Jelentésíráskor Alternateguestd27e70
 
Lista material 3º ciclo
Lista material 3º cicloLista material 3º ciclo
Lista material 3º ciclolucar2010
 
Feliz dia das mães
Feliz dia das mãesFeliz dia das mães
Feliz dia das mãesguest0a4e96
 

Destaque (20)

apresentação de islides de João henrique
apresentação de islides de João henriqueapresentação de islides de João henrique
apresentação de islides de João henrique
 
Bosque Tallado . Chi
Bosque Tallado . ChiBosque Tallado . Chi
Bosque Tallado . Chi
 
Espaço viveka retrospectiva 2013
Espaço viveka retrospectiva 2013Espaço viveka retrospectiva 2013
Espaço viveka retrospectiva 2013
 
Carta de jesus
Carta de jesusCarta de jesus
Carta de jesus
 
1037
10371037
1037
 
Axioma da vida
Axioma da vidaAxioma da vida
Axioma da vida
 
Uma homenagem a Irmã Andreia
Uma homenagem a Irmã AndreiaUma homenagem a Irmã Andreia
Uma homenagem a Irmã Andreia
 
Az én bolondom röviden
Az én bolondom rövidenAz én bolondom röviden
Az én bolondom röviden
 
Presente
PresentePresente
Presente
 
Antiguidade oriental em
Antiguidade oriental emAntiguidade oriental em
Antiguidade oriental em
 
A Bak konstelláció erőtere
A Bak konstelláció erőtereA Bak konstelláció erőtere
A Bak konstelláció erőtere
 
C:\Fakepath\Projecto Ida
C:\Fakepath\Projecto IdaC:\Fakepath\Projecto Ida
C:\Fakepath\Projecto Ida
 
Filcbagoly
FilcbagolyFilcbagoly
Filcbagoly
 
Cartão de Natal
Cartão de Natal Cartão de Natal
Cartão de Natal
 
Jamie Shaw 'Shadows' Solo Show Catalogue
Jamie Shaw 'Shadows' Solo Show CatalogueJamie Shaw 'Shadows' Solo Show Catalogue
Jamie Shaw 'Shadows' Solo Show Catalogue
 
Guerra
GuerraGuerra
Guerra
 
Tanácsadó szerepe Jelentésíráskor Alternate
Tanácsadó szerepe Jelentésíráskor AlternateTanácsadó szerepe Jelentésíráskor Alternate
Tanácsadó szerepe Jelentésíráskor Alternate
 
Lista material 3º ciclo
Lista material 3º cicloLista material 3º ciclo
Lista material 3º ciclo
 
Feliz dia das mães
Feliz dia das mãesFeliz dia das mães
Feliz dia das mães
 
Deus nunca erra
Deus nunca erraDeus nunca erra
Deus nunca erra
 

Mais de kotob arabia

Mais de kotob arabia (20)

1086
10861086
1086
 
960
960960
960
 
764
764764
764
 
6487
64876487
6487
 
6205
62056205
6205
 
942
942942
942
 
96
9696
96
 
5962
59625962
5962
 
763
763763
763
 
6486
64866486
6486
 
6204
62046204
6204
 
6435
64356435
6435
 
5961
59615961
5961
 
6182
61826182
6182
 
959
959959
959
 
941
941941
941
 
594
594594
594
 
762
762762
762
 
744
744744
744
 
6485
64856485
6485
 

4805

  • 1.
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﺍﻹﻋـــــﻼﻥ ..........................................................- ٧ -‬ ‫ﺼﺩﺍﻗﺎﺕ ﻫﻭﺍﺌﻴﺔ ...........................................................- ٢١ -‬ ‫ﺤﻔﻨﺔ ﻤﻥ ﺍﻟﻜﻭﻤﺒﺎﺭﺱ.. ﻏﻴﺭ ﺍﻟﻤﺠﻴﺩﻴﻥ ................................- ٦١ -‬ ‫ﺠـــــﻭﻟــﺔ ......................................................- ٣٢ -‬ ‫ﺒﻼﻏﺔ ﺍﻟﺴﻘﻁﺔ ﺍﻷﻭﻟﻰ. ...................................................- ٨٢ -‬ ‫ﺒﻼﻏﺔ ﺍﻟﺴﻘﻁﺔ... .........................................................- ٩٢ -‬ ‫ﻤــﻌــــﺎﻭل .......................................................- ٢٣ -‬ ‫ﺍﻟﻤﺘﻭﺍﻁﺌﻭﻥ ................................................................- ٩٣ -‬ ‫ﻗﺼﺔ ﻗﺼﻴﺭﺓ ﻟﻴﺴﺕ ﻤﺎﻜﺭﺓ .............................................- ١٤ -‬ ‫ﺍﻟﻠﻘﻁﺔ ﺍﻷﺨﻴﺭﺓ.. ..........................................................- ٦٤ -‬ ‫ﺍﺼﻁﻴﺎﺩ ....................................................................- ٨٤ -‬ ‫ﻋــــــﺭﻱ ........................................................- ٢٥ -‬ ‫ﺍﻟـﺒـﻠـل .................................................................- ٦٥ -‬ ‫ﺭﺍﺌـــﺤـــﺔ .......................................................- ٠٦ -‬ ‫-٣-‬
  • 5. ‫ﻋ ﹶﻤﺔ .......................................................................- ٤٦ -‬ ‫‪‬ﻅ‬ ‫ﻭﺠﻬﺎﻥ ﻟﻠﻘﻭﺓ ...............................................................- ٨٦ -‬ ‫ﻭﺠﻪ ﻭﺍﺤﺩ..................................................................- ٣٧ -‬ ‫ﺍﻟﺤﻭﺍﺌﻁ.....................................................................- ٦٧ -‬ ‫-٤-‬
  • 6. ‫* ﺇﻟﻰ ﺭﺸﺎ ﻤﺅﻤﻥ‬ ‫ﺼﺎﺤﺒﺔ ﺍﻟﻘﻠﺏ‬ ‫ﺍﻟﺫﻱ ﻴﺴﻤﻊ‬ ‫ﻭﻴﺭﻯ‬ ‫-٥-‬
  • 7. ‫*ﺘﻡ ﺍﺴﺘﺨﺭﺍﺝ ﺍﻟﻨﺼﻭﺹ‬ ‫ﻤﻥ ﺍﻟﻌﺎﻡ ﺍﻟﻤﺴﻤﻰ ١٠٠٢‬ ‫".. ﻤﻨﺫ ﺘﺴﻌﺔ ﺸﻬﻭﺭ ﺘﻘﺭﻴ ‪‬ﺎ ﻭﻫﻭ ﻴﺤﻤل ﻤﻌﻪ ﻭﺭﺸﺔ ﻭﺜﺎﺌﻕ :‬ ‫ﺒ‬ ‫ﺨﺘﻡ ﺭﺴﻤﻲ ﻤﻥ ﺍﻟﻤﻁﺎﻁ ، ﺤﺯﻤﺔ ﻤﻥ ﺍﻷﻭﺭﺍﻕ ﺍﻟﺭﺴﻤﻴﺔ ﻟﻜـل‬ ‫ﺸﻲﺀ، ﻜﻭﺒﻭﻨﺎﺕ ﺤﺼﺹ ﺍﻟﻁﻌﺎﻡ ﺍﻟﺘﻲ ﻴﺤﺘﺎﺠﻬﺎ، ﻭﻜل ﺍﻷﺴﻤﺎﺀ‬ ‫ﺍﻟﺘﻲ ﻴﺭﻴﺩ ﺃﻥ ﻴﻌﻁﻴﻬﺎ ﻟﻨﻔﺴﻪ.‬ ‫ﻭﺭﺸﺔ ﺘﻤﻜﻨﻪ ﻤﻥ ﺘﺤﺭﻴﻙ ﻨﺼﻑ ﺴﺭﻴﺔ ﻤﻥ ﺍﻟﺠﻨﻭﺩ ﺒﺸـﻜل‬ ‫ﻏﻴﺭ ﻗﺎﻨﻭﻨﻲ، ﺠﻴ ﹰﺎ ﺨﺎ ‪‬ﺎ ﺨﻴﺎﻟ ‪‬ﺎ ﻴﺴﻴﺭ ﻨﺤﻭ ﺃﻫﺩﺍﻑ ﺨﻴﺎﻟﻴﺔ، ﺇﻻ‬ ‫ﻴ‬ ‫ﺸ ﺼ‬ ‫ﺃﻨﻬﺎ ﻭﺭﺸﺔ ﻗﺎﻨﻭﻨﻴﺔ ﺤﻴﺙ ﺇﻥ ﺍﻟﺨﺘﻡ ﺍﻟﻌﺴﻜﺭﻱ ﻜﺎﻥ ﺤﻘﻴﻘ ‪‬ﺎ.."‬ ‫ﻴ‬ ‫ﻫﺎﻴﻨﺭﺵ ﺒﻭل‬ ‫-٦-‬
  • 9. ‫ﺜﻕ ﺃﻨﻙ ﻤﻌﻨﺎ ﻓﻲ ﺃﻓﻀل ﺤﺎل‬ ‫ﻤﻤﻜﻥ.‬ ‫ﺇﻨﻙ ﺍﻷﻓﻀل ﻋﻠﻰ ﺍﻹﻁﻼﻕ....‬ ‫ﻋﻨﺩ ﺸﺭﺍﺌﻙ ﺃﺭﺒﻌﻴﻥ ﻀﺤﻜﺔ‬ ‫ﹰ‬ ‫ﻤﻌﺘﻘﺔ ﺃﻭ ﺤﺘﻰ ﺜﻼﺜﻴﻥ ـ‬ ‫ﹰ‬ ‫ﺘﺤﺼل ﻋﻠﻰ ﺸﻬﺎﺩﺓ ﻤﺨﺘﻭﻤﺔ‬ ‫ﺘﺜﺒﺕ ﻜﻭﻨﻙ ﺍﻟﺤﺯﻴﻥ ﺍﻟﻤﺜﺎﻟﻲ‬ ‫ﻋﻠﻰ ﻤﺴﺘﻭﻯ ﺍﻟﺠﻴل‬ ‫ﻭﺃﻥ ﺍﻟﻤﺴﺘﻬﺘﺭﻴﻥ ﺩﺍﺨﻠﻙ‬ ‫ﺴﻴﻨﺘﻬﻭﻥ ﻓﻲ ﺨﻼل ﻋﺎﻡ ﻭﺍﺤﺩ‬ ‫ٍ‬ ‫ﻋﻥ ﺍﻟﻀﺠﻴﺞ ﻭﺍﻟﺸﻜﻭﻯ...‬ ‫ﻭﻋﻨﺩ ﺸﺭﺍﺌﻙ ﺤﻀ ﹰﺎ‬ ‫ﻨ‬ ‫ﻭﺍﺤ ‪‬ﺍ ﺘﻘﻠﻴﺩ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺩ‬ ‫-٨-‬
  • 10. ‫ﺘﻔﻭﺯ ﺒﺠﺜﺔ ﺯﺍﻫﻴﺔ‬ ‫ِ‬ ‫ﺘﺘﻌﻠﻡ ﻋﻠﻴﻬﺎ ﺍﻟﺤﺏ.‬ ‫ﻭﺇﺫﺍ ﺘﺠﺎﻭﺯﺕ ﻤﺸﺘﺭﻴﺎﺘﻙ‬ ‫ﻭﺯﻥ ﻜﻴﺱ ﻀﺨﻡ‬ ‫ﻤﻥ ﺍﻟﺩﻤﺎﺀ‬ ‫ﻴﻜﻭﻥ ﻟﻜل ﻤﻥ ﻴﺸﺒﻬﻙ‬ ‫ﻤﻥ ﺃﻭﻻﺩﻙ ﺍﻟﻅﺎﻫﺭﻴﻥ‬ ‫ﻓﻲ ﻋﻴﻨﻴﻙ‬ ‫ﺼﻙ ﺒﺘﺨﻔﻴﺽ ﺩﺍﺌﻡ‬ ‫ﻋﻠﻰ ﺒﺭﻤﺠﺔ ﺍﻟﻤﺸﺎﻋﺭ‬ ‫ﻭﺘﻨﻅﻴﻡ ﻭﻗﺕ ﺍﻟﺩﻤﻭﻉ.‬ ‫ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل‬ ‫ﺃﻨﺕ ﻤﻌﻨﺎ ﻋﻤﻴل ﻤﻤﻴﺯ‬ ‫-٩-‬
  • 11. ‫ﻨﹾﺨﺭﺝ ﻤﻨﻙ ﻋﻘﺩﻙ ﺍﻟﻤﺘﺄﺼﻠﺔ ﻓﻴﻨﺎ‬ ‫ﻭﻨﺤﺒﻙ ﻤﻥ ﻗﻠﻭﺒﻨﺎ‬ ‫ﻗﻠﻭﺒﻨﺎ ﺍﻟﺴﻭﺩﺍﺀ ﺍﻟﻼﻤﻌﻪ.‬ ‫ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل‬ ‫ﺃﻨﺕ ﺍﻷﻜﺜﺭ ﺴﻭﺍ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﻜل ﻨﺠﻭﻡ ﺍﻟﺼﻭﺭ...‬ ‫- ٠١ -‬
  • 12. ‫- ﺼﺩﺍﻗﺎﺕ ﻫﻭﺍﺌﻴﺔ.‬ ‫- ﺤﻔﻨﺔ ﻤﻥ )ﺍﻟﻜﻭﻤﺒﺎﺭﺱ (‬ ‫- ﺠﻭﻟﺔ.‬ ‫- ١١ -‬
  • 14. ‫ﻁﻭل ﻋﻤﺭﻱ ﺃﺼﺎﺩﻗﻬﻡ‬ ‫ﺍﻟﻁﻴﻭﺭ ﺍﻟﺒﻌﻴﺩﺓ ﻫﻨﺎﻙ‬ ‫ﻋﻠﻰ ﺃﻤل ﻭﺤﻴﺩ‬ ‫ﺃﻥ ﻴﺼﻴﺭ ﻓﻤﻲ ﻤﺭﺓ‬ ‫ﹰ‬ ‫ﻭﻋﺎﺀ ﻟﻠﻤﻭﺴﻴﻘﻰ‬ ‫‪‬‬ ‫ﺃﺭﺴﻡ ﻟﻪ ﻓﻀﺎﺀ‬ ‫‪‬‬ ‫ﺘﺄﻜﻠﻪ ﺍﻷﺠﻨﺤﺔ‬ ‫ﻭﺘﺤﺎﺼﺭﻨﺎ ﺍﻷﻟﻭﺍﻥ.‬ ‫ﺍﻟﺭﺠل ﺫﻭ ﺍﻟﻘﺒﻌﺔ‬ ‫ﺼﺩﻴﻕ ﺍﻷﺠﻨﺤﺔ ﺍﻟﻤﺨﻠﺹ‬ ‫ﻫﻭ ﺍﻟﻤﺜﺎل ﺍﻟﻀﺎﻏﻁ ﻁﻭل ﺍﻟﻭﻗﺕ‬ ‫ﻋﻠﻰ ﻤﺭﺁﺘﻲ‬ ‫- ٣١ -‬
  • 15. ‫ﻟﻜﻥ ﺍﻟﺤل ﺍﻟﺤﻜﻴﻡ ﻤﺎ ﺯﺍل ﻴﻨﺎﻭﺵ‬ ‫ﹸ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻥ ﺘﺼﻴ ‪ ‬ﻋﻴﻨﻲ ﻓﺠﻭﺓ ﺨﺎﺩﻋﺔ‬ ‫ﹰ‬ ‫ﺭ‬ ‫ﺘﺘﻘﻠﺏ ﻓﻲ ﻟﺤﻅﺔ ﻤﺩﻓ ‪‬ﺎ )ﻜﺎﺭﻴﻜﺎﺘﻭﺭ ‪‬ﺎ (‬ ‫ﻴ‬ ‫ٍ ﻌ‬ ‫ﻴﺼﻁﺎﺩ ﻗﻠﻭﺒﻬﻡ‬ ‫ﺒﺜﻘﺔ ﺃﻗﻭﻴﺎﺀ ﺍﻟﻨﻅﺭ.‬ ‫ِ‬ ‫ﺒﻬﺫﺍ‬ ‫ﻴﺘﺤﻠﻘﻭﻥ ﺤﻭﻟﻲ ﺃﻴ ‪‬ﺎ‬ ‫ﻀ‬ ‫ﻭﻟﻜﻥ ﺒﺩﻤﺎﺌﻬﻡ‬ ‫ﻟﻴﻌﺎﺘﺒﻭﻨﻲ‬ ‫ﻋﻠﻰ ﻗﺴﻭﺓ ﺍﻟﺨﺎﺌﻔﻴﻥ.‬ ‫ﻁﻭل ﻋﻤﺭﻱ ﻻ ﺃﺩﺭﻱ ﺘﻔﺴﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻷﺤﺎﺩﻴﺙ ﺃﻓﺎﺭﻴﺯﻱ ﺍﻟﻤﺸﻭﺸﺔ‬ ‫ﺇﻓﺭﻴﺯ ﺍﻟﺫﺍﻜﺭﺓ‬ ‫ﻭﺇﻓﺭﻴﺯ ﺍﻟﻅل ﺍﻟﻤﺭﺘﻌﺵ‬ ‫- ٤١ -‬
  • 16. ‫ﻭﺃﺘﺤﻤل ﺜﺭﺜﺭﺘﻬﺎ ﺭﺍﻀ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﻋﻠﻬﺎ ﺘﺤﻜﻰ ﻤﻥ ﻗﻠﺒﻬﺎ‬ ‫ﺤﻜﺎﻴﺎﺕ ﺘﻜﺸﻑ ﺍﻷﻤﻭﺭ‬ ‫ﻓﺄﺤﻔﻅ ﺍﻟﺭﻴﺵ ﺍﻟﻨﺎﺩﺭ‬ ‫ﻟﻤﻨﺎﺴﺒﺎﺕ ﻗﺎﺩﻤﺔ‬ ‫ﻴﺒﺎﻏﺘﻨﺎ ﻓﻴﻬﺎ ﺍﻟﺠﻴﺭﺍﻥ ﺍﻟﺸﺒﺤﻴﻭﻥ‬ ‫ﺒﻜﺭﺍﻫﻴﺘﻬﻡ ﺍﻟﻤﻀﻤﻭﻨﺔ‬ ‫ﻭﻴﺴﺩﻭﻥ ) ‪‬ﻨﹶﻙ ( ﺍﻟﻬﻭﺍﺀ‬ ‫ﺤ‬ ‫ﻋﻥ ﻀﺤﻜﺎﺕ ﺃﻤﻲ‬ ‫ﺍﻟﻤﻠﻭﻨﺔ ﺒﺎﻟﻁﻴﻭﺭ‬ ‫ﻭﺃﺴﺤﺏ ﺃﻨﺎ ﻤﻨﺎﻗﻴﺭ ﺍﻟﻨﻭﻡ‬ ‫ﻭﺃﻨﻜﻤﺵ...‬ ‫- ٥١ -‬
  • 17. ..     - ١٦ -
  • 18. ‫ﺩﻋﻭﻨﺎ ﻨﺘﻘﻤﺹ ﻴﺎ ﺇﺨﻭﺓ.‬ ‫ﻨﺸﺭﺏ‬ ‫ﻭﻨﻨﺘﺸﻲ‬ ‫ﺜﻡ ﻨﺒﺘﻠﻊ ﺍﻟﻌﻅﺎﻡ.‬ ‫ﻨﺘﻘﻤﺹ ﺍﻷﻭﻻﺩ‬ ‫ﺍﻟﺫﻴﻥ ﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺒﻴﻭﺘﻬﻡ‬ ‫ﺍﻟﻤﺜﻠﺜﺔ ﺍﻟﺭﺃﺱ‬ ‫ﻟﻴﻠﻌﺒﻭﺍ ﻓﻲ ﺍﻟﻐﺎﺒﺎﺕ‬ ‫ﻭﻋﻨﺩﻤﺎ ﻴﻜﺒﺭﻭﻥ ﻗﻠﻴﻼ‬ ‫ﹰ‬ ‫ﻴﻘﺒﻠﻭﻥ ﻓﺘﻴﺎﺘﻬﻡ‬ ‫ﺘﺤﺕ ﺍﻷﺸﺠﺎﺭ...‬ ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﻔﺎﺠﺌﻨﺎ‬ ‫ﻓﻭ ‪‬ﺍ ﻨﻘﻑ‬ ‫ﺭ‬ ‫ﻓﺘﻬﺩﺃ ﻫﻲ‬ ‫- ٧١ -‬
  • 19. ‫ﻭﺘﻘﻭل ﺍﺴﺘﺴﻠﻡ ﺍﻟﺠﺒﻨﺎﺀ.‬ ‫ﻨﺘﺤﺭﻙ ﺒﺤﺫﺭ‬ ‫ﻓﺘﻤﺩ ﺫﺭﺍ ‪‬ﺎ‬ ‫ﻋ‬ ‫ﺃﻁﻭل ﻤﻥ ﺤﻜﺎﻴﺎﺘﻨﺎ.‬ ‫ﺴﺘﻼﺤﻘﻨﺎ ﺍﻟﻘﺎﺩﺭﺓ‬ ‫ﹲ‬ ‫ﻟ ﹶﻥ ﻋﻨﺎﺩ ﺍﻷﻏﺒﻴﺎﺀ‬ ‫ﻜ‬ ‫ﺍﻟﺫﻱ ﺭﺒﺘﻨﺎ ﻋﻠﻴﻪ‬ ‫)ﺍﻟﻔﻭﺘﻭﻏﺭﺍﻓﻴﺎ (‬ ‫ﻴﺄﺒﻰ ﺃﻥ ﻨﻨﻬﺯﻡ‬ ‫ﻭﻴﻭﺸﻭﺵ ﻓﻲ ﺁﺫﺍﻨﻨﺎ‬ ‫" ﺍﻤﺸﻭﺍ ﺒﺒﻁﺀ‬ ‫ﻜﻲ ﻨﺨﺩﻋﻬﺎ‬ ‫ﻋﻠﻬﺎ ﻨﺎﻤﺕ‬ ‫ﺃﻭ ﻨﺴﻴﺕ‬ ‫ﺃﻭ ﺃﺭﻫﻘﻬﺎ ﺍﻟﻌ ‪‬ﺯ ".‬ ‫‪‬ﺠ‬ ‫- ٨١ -‬
  • 20. ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﻠﻌﺏ.‬ ‫ﻤﻥ ﻤﺨﺎﺯﻨﻬﺎ ﺍﻟﻤﺘﺭﺍﻤﻴﺔ‬ ‫ﺘﺤﻴﻁ ﺒﻨﺎ‬ ‫ﺃﻜﻭﺍﺥ ﻤﻴﺘﺔ‬ ‫ﺘﺭﺴﻤﻨﺎ ﻓﺌﺭﺍ ﹰﺎ‬ ‫ﻨ‬ ‫ﺘﺒﺤﺙ ﻋﻥ ﺍﻟﺩﻑﺀ ﺍﻟﻁﻴﻊ‬ ‫ﻭﺍﻟﺴﺤﺭﺓ ﺍﻟﻘﺎﺩﺭﻴﻥ...‬ ‫ﺍﻟﻌﺎﺼﻔﺔ ﺘﻠﻌﺏ.‬ ‫ﻤﺴﺎﻤﻨﺎ ﺘﺘﻔﺘﺢ ﻋﻠﻰ ﺍﹶﺨﺭﻫﺎ‬ ‫ﻟﻨﺭﻭﻱ ﺫﻜﺭﻴﺎﺘﻨﺎ ﺍﻟﺘﻲ ﺘﺠﺭﻱ ﺒﺴﺭﻋﺔ‬ ‫ﺒﺎﻟ ‪‬ﺭﻕ‬ ‫ﻌ‬ ‫ﻭﺒﻴﺎﺽ ﺍﻟﻌﻴﻭﻥ‬ ‫ﻭﻗﺒﻼﺕ ﺍﻷﻤﻬﺎﺕ.‬ ‫- ٩١ -‬
  • 21. ‫ﺇﻤﺎ ﺃﻥ ﻨﻤﻭﺕ ﻤﻜﺎﻨﻨﺎ‬ ‫ﻤﻥ ﺍﻟﺨﻭﻑ ﻴﺎ ﻋﺎﺼﻔﺔ‬ ‫ﻭﺒﻬﺫﺍ ﻨﻔﻭﺕ ﻋﻠﻴﻙ‬ ‫ِ‬ ‫ﻓﺭﺼﺔ ﺍﺼﻁﻴﺎﺩ‬ ‫ﻁﻌﻡ ﺍﻟﻘﺘل‬ ‫ﺃﻭ ﻨﻀﺤﻙ ﺒﻜل ﻤﺎ ﺒﻘﻲ‬ ‫ﻋﻨﺩﻨﺎ ﻤﻥ ﻤﺎﺀ ﺍﻟﺤﻴﺎﺓ‬ ‫ﻓﺘﻤﻠﺊ ) ﺯﻨﺎﺒﻴﻠﻙ (‬ ‫ﺒﻤﻼﻤﺤﻨﺎ ﺍﻟﻤﺨﻨﻭﻗﺔ‬ ‫ﻭﺘﺠﺩﻱ ﻜﻼ ‪‬ﺎ ﻏﻴﺭ ﻤﻜﺭﻭﺭ‬ ‫ﻤ‬ ‫ﻟﺸﺎﻱ ﺍﻟﺴﺎﻋﺔ ﺍﻟﺨﺎﻤﺴﺔ‬ ‫ﻤﻊ ﺍﻟﻤﺴﻨﺎﺕ.‬ ‫ﻻ ﻫﺫﺍ ﻭﻻ ﺫﺍﻙ.‬ ‫ﺘﻠﺨﻴﺹ ﺍﻷﻤﺭ‬ ‫ﺃﻨﻨﺎ ﻭﺍﻗﻔﻭﻥ ﻓﻴﻨﺎ‬ ‫- ٠٢ -‬
  • 22. ‫ﻭﺍﻟﻐﻴﻤﺔ‬ ‫ﻓﻭﻗﻨﺎ‬ ‫ﺇﻥ ﺘﺤﺭﻜﻨﺎ‬ ‫ﻫﻲ ﻓﻲ ﺍﻟﻠﺤﻡ‬ ‫ﺃﻭ ﻗﺭﺏ ﺍﻟﻅل‬ ‫ﺇﺫﻥ‬ ‫ﻓﻠﻨﻀﻐﻁ ﻭﻟﻨﻀﻐﻁ ﻷﺴﻔل‬ ‫ﺤﺘﻰ ﻨﻘﺘﺤﻡ ﻤﻘﺎﺒﺭﻨﺎ‬ ‫ﻜﺎﻷﺒﻁﺎل...‬ ‫ﻨﻠﻤﺱ ﺍﻷﺴﺭﺍﺭ ﺍﻟﺤﻘﻴﻘﻴﺔ‬ ‫ﻓﻲ ﺒﺎﻁﻥ ﺍﻷﺭﺽ‬ ‫ﻭﻨﺜﺒﺘﻬﺎ ﻟﻸﻭﻻﺩ‬ ‫ﻜﻠﻤﺎ ﻤﺭﻭﺍ ﻤﻥ ﻫﻨﺎ‬ ‫ﻻ ﻴﻀﺤﻜﻭﻥ‬ ‫ﻭﻻ ﻴﺒﻜﻭﻥ‬ ‫- ١٢ -‬
  • 23. ‫ﻓﻘﻁ ﻴﻨﻔﻀﻭﻥ ﺍﻟﺘﺭﺍﺏ‬ ‫ﻋﻥ ﺃﺤﺫﻴﺘﻬﻡ‬ ‫ﺍﻟﺒﺭﺍﻗﺔ...‬ ‫- ٢٢ -‬
  • 25. ‫ﺍﻟﻁﻔل ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻟﺸﺭﻓﺔ‬ ‫ﺃﺒﻭﻩ ﻴﺤﺫﺭ ﺍﻟﺭﻴﺎﺡ‬ ‫ﻭﺍﻟﻤﻼﻙ ﻴﻘﺒل ﺭﺃﺴﻪ‬ ‫ﻭﻟﻜﻨﻪ ﻻ ﻴﺴﻤﻊ ﺃﺤ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺒﻌﺩ ﺜﻭﺍﻥ‬ ‫ﺴﻴﺼﻴﺭ ﺍﻟﻤﻤﻴﺯ‬ ‫ﺍﻟﺫﻱ ﻴﻤﻠﻙ ﺒﺎﻟﻭﻨﺎﺕ ﺍﻟﺤﻜﺎﻴﺎ.‬ ‫ﺍﻟﺨﻁﻴﺭ.‬ ‫ﻓﻲ ﺍﻟﺸﺎﺭﻉ ﻜﻠﻪ.‬ ‫ﺃﺤﻜﻰ ﻟﻬﻡ‬ ‫ﻓﻴﻀﺊ ﺭﺃﺴﻲ.‬ ‫ﻜﻠﻤﺎ ﺍﻨﺒﻬﺭﻭﺍ‬ ‫ﻴﻀﺊ ﺃﻜﺜﺭ‬ ‫ﻭﻴﺨﺭﺠﻭﻥ ) ﺍﻟﺤﻠﻭﻴﺎﺕ( ﻤﻥ ﺍﻟﺠﻴﻭﺏ‬ ‫- ٤٢ -‬
  • 26. ‫ﻜﺎﻟﻤﺴﺤﻭﺭﻴﻥ‬ ‫ﺜﻡ ﻴﺤﻠﻭﻥ ﻤﺴﺄﻟﺔ ﺍﻟﻭﺍﺠﺒﺎﺕ ﺍﻟﻜﺜﻴﺭﺓ.‬ ‫ﻴﻘﺴﻤﻭﻨﻬﺎ ﺒﻴﻨﻬﻡ ﺃﻭ ﻴﺠﺭﻭﻥ ﻗﺭﻋﺔ‬ ‫ﺃﻭ ﺤﺘﻰ ﻴﺒﺘﻬﻠﻭﺍ ﻟﻌﺼﺎ ﺍﻟﻤﻌﻠﻤﺔ‬ ‫ﺍﻟﻤﻬﻡ )ﻴﺘﺼﺭﻓﻭﺍ (‬ ‫ﻭﺇﻻ ﺤﺭﻤﺘﻬﻡ ﻤﻥ ﻓﻴﻀﻲ.‬ ‫ﺍﻷﻤﺭ ﻴﺴﺘﺤﻕ‬ ‫ﺃﻏﻠﻕ ﻋﻴﻨﻴﺎ‬ ‫ﻓﺄﻁﻴﺭ‬ ‫ﺃﻁﻴﺭ....‬ ‫ﻟﻜﻨﻨﻲ ﺃﻫﻭﻯ‬ ‫ﺃﻫﻭﻯ...‬ ‫- ٥٢ -‬
  • 27. ‫ﺃﻟﺤﻕ ﻨﻔﺴﻲ‬ ‫ﺴﺭﻴ ‪‬ﺎ‬ ‫ﻌ‬ ‫ﻓﺄﻨﺎ ﻤﺜﻠﻤﺎ ﻴﻌﻠﻡ ﺍﻟﺠﻤﻴﻊ‬ ‫ﺸﺠﺎﻉ ﻭﺫﻜﻲ ﻤﺜل ﻨﺴﺭ ﺍﻟﺤﺩﻴﻘﺔ.‬ ‫ﻜﻠﻬﻡ ﻫﻨﺎ‬ ‫ﺇﺫﻥ..‬ ‫ﻅﻬﺭﺕ ﺤﻘﻴﻘﺘﻬﻡ ﺃﺨﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫ﻤﺠﺭﺩ ) ﺨﻭﺍﻓﻴﻥ ( ﻻ ﺃﻜﺜﺭ.‬ ‫- ﺍﻷﻤﻬﺎﺕ‬ ‫ﺍﻟﻼﺘﻲ ﻴﺘﺭﻜﻨﻨﺎ‬ ‫ﻋﻠﻰ ﺃﻁﺭﺍﻑ ﺃﺼﺎﺒﻌﻬﻥ‬ ‫ﻟﻴﺫﻫﺒﻥ ﻟﻶﺒﺎﺀ ﺍﻟﺫﻴﻥ ﻻ ﻴﺨﺎﻓﻭﻥ ﺍﻟﻅﻼﻡ‬ ‫ﻭﻴﻜﺘﻤﻥ ﻀﺤﻜﺎﺘﻬﻥ‬ ‫ﻜﻴﻼ ﻨﻜﺘﺸﻑ ﺍﻟﺨﻴﺎﻨﺔ.‬ ‫- ٦٢ -‬
  • 28. ‫ﻫل ﻴﺘﺫﻜﺭﻥ ﺍﻟﻭﺤﻭﺵ ﺍﻟﺘﻲ ﻴﻨﺴﻭﻨﻨﺎ ﻓﻲ ﻁﺭﻴﻘﻬﺎ‬ ‫ﻭﺍﻷﻓﺎﻋﻲ ﺍﻟﺘﻲ ﺘﺩﺨﻠﻨﺎ ﻭﻻ ﺘﺨﺭﺝ؟‬ ‫ﺍﻟﻬﻭﺍﺀ‬ ‫ﺍﻟﺫﻱ ﻴﻌﺎﻨﺩﻨﺎ ﻭﻴﺠﺒﺭﻨﺎ ﻋﻠﻰ ﺃﻥ ﻨﺠﺭﻱ‬ ‫ﻭ ﻨﺠﺭﻱ‬ ‫ﺤﺘﻰ ﺘﺼﻁﻔﻲ ﺍﻟﺭﻭﺡ ﺒﻭﺍﺒﺎﺘﻬﺎ‬ ‫ﻓﻘﻁ ﻟﻨﺤﺱ ﺒﻁﻴﺭﺍﻥ ﺸﻌﺭﻨﺎ‬ ‫ﺍﻟﻁﻴﺭﺍﻥ ﺍﻟﺫﻱ ﻻ ﻴﺄﺘﻲ ﺇﻻ ﻟﻤﻥ ﺴﻴﺩﺨﻠﻭﻥ ﺍﻟﺠﻨﺔ.‬ ‫ﻋﻴﻭﻨﻪ ﺍﻨﻜﺸﻔﺕ ﻫﻭ ﺍﻵﺨﺭ‬ ‫ﻭﺼﻭﺘﻪ ﺼﺎﺭ ﺨﺸ ﹰﺎ.‬ ‫ﻨ‬ ‫-ﺍﻟﺴﻴﺎﺭﺍﺕ‬ ‫ﺍﻟﺠﻴﺭﺍﻥ ﺍﻟﺫﻴﻥ...‬ ‫ﺍﻟﻁﻔل ﺍﻟﻴﻭﻡ‬ ‫ﻻ ﻴﺸﺒﻪ ﺃﺤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺇﻻ ﺴﺤﺎﺒﻪ ﺍﻟﺠﺩ‬ ‫ﺍﻟﻜﺒﻴﺭ...‬ ‫- ٧٢ -‬
  • 31. ‫ﻭﻗﻊ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻓﺎﻨﻜﺸﻑ ﻅﻬﺭﻱ‬ ‫ﻭﻋﺭﻓﻭﺍ ﺃﻨﻨﻲ ﺒﻼ ﺃﻓﺭﺍﺡ‬ ‫ٍ‬ ‫ﻭﻻ ﻋﺯﻴﻤﺔ‬ ‫ٍ‬ ‫ﻭﻻ ﻅل.‬ ‫ﺴﻜﺘﻭﺍ ﻜﻠﻬﻡ‬ ‫ﺒﻌﺩ ﺃﻥ ﺘﻌﺒﻭﺍ ﻤﻥ ﺍﻟﻀﺤﻙ‬ ‫" ﺃﻨﺕ ﺃﺒﺸﻊ ﻤﻥ ﺭﻜﻠﺔ‬ ‫ﻭﺃﻤﻙ ﻤﻥ ﺃﺠل ﻫﺫﺍ‬ ‫ﻜﺎﻨﺕ ﺘﺒﻜﻲ‬ ‫ﻓﻲ ﺃﻴﺎﻤﻬﺎ ﺍﻷﺨﻴﺭﺓ ".‬ ‫" ﺨﺩﻋﺘﻨﺎ ﻁﻭل ﺍﻟﺴﻨﻴﻥ‬ ‫ﻭﺃﺨﺫﺕ ﻤﺴﺎﺤﺎﺕ ﻤﻥ ﻨﻅﺭﺍﺘﻨﺎ‬ ‫- ٠٣ -‬
  • 32. ‫ﻭﺘﺸﺒﻴﻜﺎﺕ ﺍﻟﺫﺭﺍﻋﻴﻥ‬ ‫ﻭﺍﻟﻌﻨﺎﻕ ﺍﻟﻤﺠﺎﻤل ﻓﻲ ﺍﻟﺴﺭﺍﺩﻗﺎﺕ "‬ ‫ﺩﻴ‪‬ﻨﻲ ﺜﻘﻴل‬ ‫ﻟﻜﻨﻲ ﺴﺄﺠﺭﺏ ﺃﻥ ﺃﺘﺠﺎﻭﺯ ﺍﻷﻤﺭ.‬ ‫ﺒﺒﺴﺎﻁﻪ.. ﻟﻥ ﺃﺭﺩ ﺸﻴ ًﺎ ﻤﻥ ﻟﺤﻤﻲ‬ ‫ﺌ‬ ‫ﺃﻭ ﺃﻋﺘﺫﺭ ﻟﻠﺴﻤﺎﺀ‬ ‫ﺃﻭ ﺤﺘﻰ ﺃﻗﺘل ﻨﻔﺴﻲ ﻟﻴﻨﻌﺱ ﺍﻟﻁﻴﻥ‬ ‫ﺒل ﺴﺄﻗﻭل ﻓﻲ ﺍﻟﻤﺭﺃﺓ‬ ‫" ﻟﻡ ﻴﺤﺩﺙ ﺸﻲﺀ.‬ ‫ﻤﺠﺭﺩ ﺃﺸﺒﺎﺡ ﻤﻌﻁﺎﺀﺓ‬ ‫ﻤﻨﺤﺘﻨﻲ ﺴﺒ ‪‬ﺎ ﻤﻨﻁﻘ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺒ‬ ‫ﻷﺭﺤل‬ ‫ﻭﺃﺭﻯ ﺠﺎﻨﺒﻲ‬ ‫ﺍﻟﺒﻌﻴﺩ..‬ ‫ﺍﻟﺒﻌﻴﺩ ".‬ ‫- ١٣ -‬
  • 34. ‫ﻫﺫﺍ ﻤﺎ ﺃﻁﻠﻕ ﻋﻠﻴﻪ‬ ‫ﺍﻟﺒﻁﻭﻟﺔ.‬ ‫ﺍﻟﻤﻨﻅﺭ ﺍﻟﻁﺒﻴﻌﻲ ﺍﻟﻌﺘﻴﻕ‬ ‫ﻴﻨﺠﺢ ﻤﻨﺫ ﺃﺴﺒﻭﻋﻴﻥ‬ ‫ﻓﻲ ﻤﻘﺎﻭﻤﺔ ﺍﻟﻬﺒﻭﻁ ﺍﻟﻤﺩﻭﻱ.‬ ‫ﻜل ﺍﻟﺤﻭﺍﺌﻁ‬ ‫ﻭﺃﺴﻼﻙ ﺍﻟﻜﻬﺭﺒﺎﺀ‬ ‫ﻭﻨﻘﻭﺩ ﺍﻟﻤﻼﺌﻜﺔ‬ ‫ﺍﻟﻤﺨﻔﻴﺔ ﻓﻲ ﺍﻟﺯﻤﻥ ﺍﻟﻁﻭﺒﻲ ﺍﻷﻭل‬ ‫ﻭﻀﺤﻜﺎﺕ ﺍﻟﺤﺼﺎﻻﺕ‬ ‫ﺍﻟﺘﻲ ﻋﻠﻰ ﺸﻜل ﻜﻭﺥ ) ﺴﻨﺩﺭﻴﻼ(..‬ ‫ﻜل ﻫﺫﺍ ﺘﻬﺩﻤﺕ ﺭﻭﺤﻪ‬ ‫- ٣٣ -‬
  • 35. ‫ﻭﺍﻟﻤﻨﻅﺭ ﺜﺎﺒﺕ‬ ‫ﺸﺎﻤﺦ ﻤﺜل ﻭﻗﺎﺭ ﺍﻟﺠﺩ ﺍﻟﺫﻱ ﻋﻠﻘﻪ‬ ‫ﻓﻲ ﻟﻴﻠﺔ ﺨﻤﻴﺱ‬ ‫ﻭﺃﻤﺭﻩ ﺃﻥ ﻴﻠﺘﺼﻕ‬ ‫ﺒﺩﻭﻥ ﺃﻥ ﻴﻠﻭﺙ ﻫﻭﺍﺀ ﺍﻟﻐﺭﻓﺔ‬ ‫ﺒﺎﻟﺼﻤﻎ.‬ ‫ﻫﺫﺍ ﺍﻟﺼﺒﺎﺡ‬ ‫ﺃﺨﺫ ﻓﻲ ﺠﻨﺒﻪ‬ ‫ﺃﺭﺒﻌﺔ ﻤﻌﺎﻭل‬ ‫ﻭﻓﻲ ﻋﻴﻨﻴﻪ ﺍﺜﻨﺎﻥ‬ ‫ﻭﻓﻲ ﻗﻠﺒﻪ ﻗﻨﺒﻠ ﹰ ﺼﻐﻴﺭﺓ‬ ‫ﹰ‬ ‫ﺔ‬ ‫ﻤﻥ ﻏﻴﻅ ﺍﻟﻌﻤﺎل ﺍﻟﺴﺎﻗﻁﻴﻥ‬ ‫ﻟﻜﻨﻪ ﻴﺒﺘﺴﻡ ﺴﺎﺨ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻤﺎ ﻴﺯﺍل.‬ ‫ﺍﻨﻅﺭﻭﺍ ﺩﺍﺨﻠﻲ ﺠﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫- ٤٣ -‬
  • 36. ‫ﻭﺃﻨﺘﻡ ﺘﺩﺭﻜﻭﻥ.‬ ‫" ﻜﺎﻥ ﺍﻟﺸﺠﺭ ﺍﻟﺫﻱ ﻴﺤﺭﺱ ﺍﻟﻨﺎﺱ‬ ‫ﺸﺠ ‪‬ﺍ ﺤﻘﻴﻘ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺭ‬ ‫ﻴﺘﻐﺎﻀﻰ ﺒﻜل ﻜﺭﻡ‬ ‫ﻋﻥ ﻨﺴﻴﺎﻥ ﺍﻟﻤﻁﺭ ﺃﻭﻗﺎﺕ ﺍﻟﻤﺠﺎﻋﺔ‬ ‫ﺒﺩﻋﻙ ﺨﺩﻩ ﺒﺨﻔﺔ‬ ‫ﻜﺄﻨﻪ ﻨﻔﺴﻪ‬ ‫ﺃﺏ ﻭﻁﻔل.‬ ‫ﻜﺎﻥ ﻴﻨﻤﻭ ﻤﻥ ﺍﻟﻬﺩﻭﺀ ﺍﻟﻤﻌﻁﺭ‬ ‫ﻭﺍﺒﺘﺴﺎﻤﺎﺕ ﺍﻟﺠﻤﻴﻊ... "‬ ‫ﺃﻫﻡ ﻤﺎ ﻴﻀﺎﻴﻘﻪ‬ ‫ﺍﻟﻐﺒﺎﺭ‬ ‫ﺍﻟﻤﺴﺘﻬﺘﺭ‬ ‫ﺍﻟﺫﻱ ﻟﻭﺙ ﻤﻨﺎﻤﺎﺕ ﺍﻟﻭﺭﺩ‬ ‫ﻭﺠﻌل ﺍﻟﺴﻤﺎﺀ ﺘﺸﺤﺏ.‬ ‫- ٥٣ -‬
  • 37. ‫..........‬ ‫..........‬ ‫ﺍﺴﻤﻌﻭﺍ ﺍﻟﻨﺩﺍﺀ ﺍﻷﺨﻴﺭ :‬ ‫ﺇﻥ ﻟﻡ ﺘﻜﻔﻭﺍ ﻋﻥ ﺸﺩ ﻟﺤﻴﺔ ﻫﻴﺒﺘﻲ‬ ‫ﺴﺄﻁﻠﻕ ﻋﻠﻴﻜﻡ‬ ‫ﺍﻟﺨﻤﺴﻴﻥ ﻋﺎ ‪‬ﺎ ﻜﻠﻬﺎ‬ ‫ﻤ‬ ‫ﻤﻥ ﺍﻷﺨﻀﺭ ﺍﻟﻨﺎﻀﺞ‬ ‫ﻟﺘﺨﺘﻔﻭﺍ ﺃﻴﻬﺎ‬ ‫ﺍﻟﻤﻠﻭﺜﻭﻥ.‬ ‫ﺤﺘﻰ ﺍﺘﻜﺎﺀﻜﻡ ﻋﻠﻲ‬ ‫‪‬‬ ‫ﻜﻠﻤﺎ ﻀﺤﻜﺕ ﻋﻠﻴﻜﻡ ﺃﻭﻗﺎﺘﻜﻡ‬ ‫ﺴﺄﻨﺴﺎﻩ’‬ ‫ﻟﻥ ﺘﺸﻤﺘﻭﺍ ﻓﻲ ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻭﻻ ﺘﺜﺭﺜﺭﻭﺍ‬ ‫- ٦٣ -‬
  • 38. ‫ﺇﻥ ﺍﺴﺘﻁﻌﺘﻡ‬ ‫ﺍﺨﻠﻌﻭﺍ ﺃﻨﻔﺎﺴﻬﻡ ﻤﻨﻲ‬ ‫ﻭﻭﻗﺘﻬﺎ ﺴﺄﺭﻭﺡ ﺇﻟﻴﻬﻡ‬ ‫ﻭﺃﻨﺎﻡ ﻓﻲ ﺤﻀﻨﻬﻡ‬ ‫ﻭﺃﻗﻭل.‬ ‫ﺃﻗﻭل‬ ‫ﻜل ﺸﻲﺀ...‬ ‫- ٧٣ -‬
  • 39. ‫• ﺍﻟﻤﺘﻭﺍﻁﺌﻭﻥ.‬ ‫• ﻗﺼﺔ ﻗﺼﻴﺭﺓ ﻟﻴﺴﺕ ﻤﺎﻜﺭﺓ.‬ ‫• ﺍﻟﻠﻘﻁﺔ ﺍﻷﺨﻴﺭﺓ.‬ ‫• ﺍﺼﻁﻴﺎﺩ.‬ ‫• ﻋﺭﻱ.‬ ‫• ﺍﻟﺒﻠل.‬ ‫• ﺭﺍﺌﺤﺔ.‬ ‫• ﻋ ﹶﻤﺔ.‬ ‫‪‬ﻅ‬ ‫- ٨٣ -‬
  • 41. ‫ﻜﻠﻤﺎ ﻤﺭﺕ ﺠﻨﺎﺯﺘﻲ‬ ‫ﺍﻟﻤﺸﻭﻫﺔ ﻓﻲ ﻜل ﺍﻟﺤﺭﻭﺏ‬ ‫ﻴﺒﺘﺴﻤﻭﻥ ﻨﺼﻑ ﺍﺒﺘﺴﺎﻤﺔ.‬ ‫- ٠٤ -‬
  • 43. ‫ﻋﺎﺩ ﻤﻥ ﺍﻟﺤﺭﻭﺏ‬ ‫ﻓﻭﺠﺩ ﺍﻷﺸﻼﺀ ﻭﺍﻟﺼﺭﺨﺎﺕ‬ ‫ﺃﻜﺜﺭ ﻤﻤﺎ ﻗﺩﺭ ﻭﻫﻭ ﻓﻲ ﺍﻟﻁﺭﻴﻕ.‬ ‫ﺒﻌﺩ ﺴﺎﻋﺔ‬ ‫ٍ‬ ‫ﺨﺎﻑ ﻤﻥ ﺍﻟﻭﺤﺩﺓ‬ ‫ﻓﺯﺭﻉ ﺍﻷﺸﻼﺀ ﻭﺍﻟﺼﺭﺨﺎﺕ‬ ‫ﺤﻭل ﺤﻁﺎﻡ ﺍﻟﺒﻴﺕ‬ ‫ﻟﺘﺼﻴﺭ ﺃﺸﺒﺎ ‪‬ﺎ ﺘﺅﻨﺴﻪ ﻓﻲ ﺍﻟﻤﺴﺎﺀ.‬ ‫ﺤ‬ ‫ﻟﻜﻥ ﺍﻷﻤﺭ ﻟﻡ ﻴﺴﺭ‬ ‫ﻜﻤﺎ ﻗﺩﺭ ﻭﻫﻭ ﻓﻲ ﺍﻟﻁﺭﻴﻕ.‬ ‫ﻷﻥ ﺍﻟﺩﻤﺎﺀ ﺍﻟﺘﻲ ﺤﺎﻭل‬ ‫ﺃﻥ ﻴﺴﻘﻲ ﺒﻬﺎ ﺃﺤﻼﻤﻪ ﺘﻠﻙ‬ ‫ﺘﺒﺭﻉ ﺒﻬﺎ ﻜﻠﻬﺎ‬ ‫ﻭﻷﻥ ﺍﻟﻤﺴﺎﺀ ﻴﺼﻴﺭ ﻋﺠﻭ ‪‬ﺍ‬ ‫ﺯ‬ ‫ﺃﺴﺭﻉ ﻤﻤﺎ ﻗﺩﺭ ﻭﻫﻭ ﻓﻲ ﺍﻟﻁﺭﻴﻕ.‬ ‫- ٢٤ -‬
  • 44. ‫ﻤﻥ ﻜﻨﺎ ﻨﺤﻜﻲ ﻋﻨﻪ‬ ‫ﻓﻲ ﺍﻟﻤﻘﻁﻊ ﺍﻟﺴﺎﺒﻕ‬ ‫ﻟﻴﺱ ﺒﻁﻼ‬ ‫ﹰ‬ ‫ﺇﻨﻪ ﻤﺠﺭﺩ ﺸﺒﺢ.‬ ‫ﺍﻟﻁﺭﻴﻕ ﺇﻟﻰ ﺍﻟﺤﺭﺏ‬ ‫ﺴﻬل ﺠ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺘﺄﺨﺫ ﺃﻭل ﺸﺎﺭﻉ ﺒﺎﻙ‬ ‫ٍ‬ ‫ﻓﻲ ﺤﻀﻨﻙ‬ ‫ﺜﻡ ﺘﺤﺎﺫﻯ‬ ‫ﻋﻨﺩ ﺃﻭل ﻁﻔل ﻋﺠﻭﺯ‬ ‫ﻴﺩﻴﻪ ﻤﺭﺒﻭﻁﺘﻴﻥ ﺒﻅﻠﻙ‬ ‫ﻭﻋﻴﻭﻨﻪ ﻤﻁﻔﺄﺓ.‬ ‫- ٣٤ -‬
  • 45. ‫ﺍﻟﺘﻤﺎﺜﻴل ﺘﺼﻴﺭ ﻤﻼﺌﻜﺔ‬ ‫ﺘﻀﻤﺩ ﺍﻟﺠﺭﺤﻰ ﻗﺒل ﺃﻥ ﻴﺴﺘﺄﻨﻔﻭﺍ ﺍﻟﻌﻭﻴل‬ ‫ﻭﺘﻔﺘﺢ ﻗﻠﺒﻬﺎ ﻟﻠﻨﺸﻴﺞ ﺍﻟﻨﺎﺌﻡ ﻓﻲ )ﺍﻟﺤﻴﻁﺎﻥ (‬ ‫ﻭﺘﻜﻨﺱ ﺍﻟﺸﻭﺍﺭﻉ ﻤﻥ ﺍﻟﺠﺜﺙ ﺍﻟﺜﺭﺜﺎﺭﺓ‬ ‫ﻭﺘﺴﺩ ﺍﻟﻨﻭﺍﻓﺫ ﻋﻠﻰ ﺍﻟﺭﻴﺎﺡ‬ ‫ﻜﻴﻼ ﺘﺯﺩﺤﻡ ﺍﻟﺤﻘﺎﺌﺏ‬ ‫ﺒﻜل ﻫﺫﺍ ﺍﻟﺼﻤﺕ.‬ ‫ﺍﻷﺤﺠﺎﺭ‬ ‫ﺍﻟﺘﻲ ﻤﻸﺕ ﺍﻟﻤﻘﻁﻊ ﺍﻟﺴﺎﺒﻕ‬ ‫ﻤﺠﺭﺩ ﺃﺭﻭﺍﺡ ﺼﻠﺒﺔ..‬ ‫ﺍﻟﺸﺎﺏ ﺍﻟﻤﻭﻟﻭﺩ ﻓﻲ ٥٧٩١‬ ‫ﻭﻟﻡ ﻴﺸﻬﺩ‬ ‫ﺇﻻ ﺍﻟﺤﺭﻭﺏ ﺍﻟﻤﻠﻭﻨﺔ ﻋﻠﻰ ﺍﻟـ ‪.C.N.N‬‬ ‫ﻭﻟﻡ ﻴﺤﺩﻕ ﻓﻲ ﻋﻴﻭﻥ ﺃﻱ ﺸﻬﻴﺩ‬ ‫ﺴﻭﻯ ﺍﻟﻤﺩﻟﻰ ﻓﻲ )ﺍﻟﺼﺎﻟﻭﻥ (‬ ‫- ٤٤ -‬
  • 46. ‫ﺩﻭﻥ ﺍﺴﻡ ﺃﻭ ﺴﻼﺡ.‬ ‫ﻭﻟﻡ ﻴﺫﻫﺏ ﻟﻠﺩﺒﺎﺒﺎﺕ ﻭﺭﺍﺀ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻷﻨﻪ ﺭﺸﻴﺩ ﻋﺎﺌﻠﺔ ﻁﻴﺒﺔ.‬ ‫ﻴﺼﺤﻭ ﻤﺫﻋﻭ ‪‬ﺍ ﻜل ﻴﻭﻡ‬ ‫ﺭ‬ ‫ﻭﻴﻘﺎﺒل ﺍﻷﺸﻼﺀ ﻓﻲ ﺃﻱ ﻤﻜﺎﻥ‬ ‫ﻭﻴﻨﺎﻡ ﻤﻥ ﺴﻨﻭﺍﺕ ﻓﻲ ﺨﻭﺫﺓ.‬ ‫ٍ‬ ‫ﺠﻠﺩﻩ ﻟﻴﺱ ﻁﺭ ‪‬ﺎ ﻜﺭﺸﻔﺔ‬ ‫ﻴ‬ ‫ﺒل ﻤﻨﻘﻭ ﹰﺎ ﺒﻤﺭﺍﻭﻏﺎﺕ ﺍﻟﺸﻅﺎﻴﺎ‬ ‫ﺸ‬ ‫ﺤﺘﻰ ﻨﻅﺭﺍﺘﻪ...‬ ‫ﻤﻠﻭﺜﺔ ﺒﺎﻟﺩﻴﺩﺍﻥ.‬ ‫ﻟﺫﺍ‬ ‫ﺃﺤﺒﻭﻩ ﻭﺭﺒﺘﻭﺍ ﻋﻠﻰ ﻜﺘﻔﻪ ﻜل ﺤﻴﻥ‬ ‫ﺃﻭ ﺍﻗﺘﻠﻭﻩ ﺒﺭﺼﺎﺼﺔ ﻤﺤﻜﻤﺔ‬ ‫ﺤﺘﻰ ﻴﺒﺘﺴﻡ..‬ ‫- ٥٤ -‬
  • 48. ‫ﺍﻷﺭﺽ‬ ‫ﻓﻲ ﺼﺩﺭﻱ‬ ‫ﻭﺍﻟﺴﻤﺎﺀ ﻋﻨﺩ ﺍﻷﺭﻴﻜﺔ‬ ‫ﻴﺘﺤﺩﺜﻭﻥ ﺃﺨﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫ﺍﻟﺠﻤﻭﻉ ﺍﻟﺘﻲ ﻜﺎﻨﺕ ﺘﻨﺘﻅﺭ‬ ‫ﺘﺨﺭﺝ ﻋﺼﺎﻓﻴﺭﻫﺎ ﻤﻥ ﺍﻟﺫﺍﻜﺭﺓ.‬ ‫ﺭﺠل ﻁﻴﺏ ﻴﻀﺤﻙ ﻟﻠﻤﺫﺒﺤﺔ‬ ‫ﻭﻴﻐﺭﻕ ﺃﻭﻻﺩﻩ ﻓﻲ ﺍﻟﺩﻡ ﺍﻟﺴﺎﺨﻥ‬ ‫ﻭﻴﻁﻴﺭ.‬ ‫- ٧٤ -‬
  • 50. ‫ﻜﻨﺎ ﻗﺩ ﺍﻨﺘﻬﻴﻨﺎ‬ ‫ﺒﻌﺩ ﻜل ﻫﺫﺍ ﺍﻟﺠﺩﺍل‬ ‫ﺇﻟﻰ ﺤﺘﻤﻴﺔ ﺍﻨﺘﻅﺎﺭﻩ‬ ‫ﻭﺍﻟﺘﺤﺩﻴﻕ ﻟﻤﺩﺩ ﻤﺘﻔﺎﻭﺘﺔ‬ ‫ٍ‬ ‫ﻓﻲ ﺜﺒﺎﺕ ﺤﺫﺍﺌﻪ ﻭﺍﺭﺘﻌﺎﺸﺎﺕ ﺍﻟﺤﺭﻭﺏ.‬ ‫ﻓﻲ ﺍﻟﻨﻴﺎﺸﻴﻥ ﺍﻟﻭﻫﻤﻴﺔ..‬ ‫ﻓﻲ ﻤﺤﺎﺼﺭﺓ ﻋﻴﻨﻴﻪ‬ ‫ﻗﺒل ﺃﻥ ﺘﻔﻜﺭ ﻓﻲ ﺍﻟﻬﺭﺏ.‬ ‫ﺒﻬﺩﻭﺀ ﻭﺩﻭﻥ ﻜﻭﺍﺒﻴﺱ‬ ‫ﻨﺒﺩﺃ‬ ‫ﻓﻲ ﺸﺤﺫ ﺍﻟﺴﻨﻴﻥ‬ ‫ﻋﻠﻰ ﺍﻷﺫﺭﻉ ﺍﻟﻤﺘﺼﻠﺒﺔ‬ ‫ﻭﺘﻌﻠﻴﻕ ﺍﻷﺴﺌﻠﺔ‬ ‫- ٩٤ -‬
  • 51. ‫ﺒﺤﻭﺍﺸﻴﻬﺎ ﻭﺤﻭﺍﻓﻬﺎ‬ ‫ﻓﻭﻕ ﻗﻤﻴﺼﻪ‬ ‫ﺍﻟﻜﺒﻴﺭ...‬ ‫ﻜﺄﻱ ﺤﺭﺏ‬ ‫ﻫﻨﺎﻙ ﺨﻴﺎﻨﺔ‬ ‫ﻭﺨﻭﻓﻨﺎ‬ ‫ﺍﻟﺫﻱ ﺴﻴﺼﻴﺭ ﺨﻭﻓﻪ‬ ‫ﺴﻴﻔﺘﺢ ﻟﻪ ﻤﺴﺎﺤﺎﺕ ﻗﺎﺩﺭﺓ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻟﻠﺘﺼﻭﺭ‬ ‫ﺍﻟﻭﺍﺜﺏ‬ ‫ﻴﺨﻠﻊ ﻓﻴﻬﺎ‬ ‫ﺘﻼﻓﻴﻑ ﻜﺭﺍﻫﻴﺘﻪ‬ ‫ﻭﻴﺒﺎﻏﺘﻨﺎ‬ ‫ﻋﺎﺭ ‪‬ﺎ ﻤﻨﺎ.‬ ‫ﻴ‬ ‫- ٠٥ -‬
  • 52. ‫ﺍﻟﻤﺼﻭﺭ‬ ‫ﻴﺭﺴﻡ ﺁﺨﺭ ﻟﻘﻁﺎﺘﻨﺎ‬ ‫ﻭﻨﺤﻥ ﺘﻤﺎﺜﻴل ﻤﻥ )ﺍﻟﺠﺒﺱ (‬ ‫ﺍﻟﻁﺭﻱ...‬ ‫ﻭﺍﻟﺒ ﹶﺎﺀ ﻴﺤﺎﺼﺭ‬ ‫ﻨ‬ ‫ﻤﺎﺀ ﻤﻔﺘﻭ ﹰﺎ ﺤﻤﻀ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﻨ‬ ‫ﺴﻭﻑ ﻴﺅﻟﻡ ﺍﻟﺤﻔﺭ....‬ ‫- ١٥ -‬
  • 54. ‫ﺃﻨﺴﺎﻫﻡ ﻓﻭ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﺍﻹﺴﻡ ﻭﺍﻟﺴﻤﺕ‬ ‫‪ ‬ﹶ‬ ‫ﻭﺍﻟﺠﻐﺭﺍﻓﻴﺎ ﻭﺍﻟﻁﻘﺱ ﻭﺍﻟﺭﻭﺍﺌﺢ‬ ‫ﻟﻜﻨﻨﻲ ﻻ ﺃﻨﺴﻰ ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺫﻟﻙ ﺍﻟﺫﻱ ﺠﺭﻯ.‬ ‫ﺒﻌﺩﻫﺎ‬ ‫ﺁﺨﺫﻩ ﻭﺃﻟﺼﻘﻪ ﻓﻲ ﺍﻟﻬﻭﺍﺀ‬ ‫ﺃﻭ ﺃﺭﺴﻡ ﻟﻪ ﻋﻠﻰ ﻁﻭل ﻋﻅﺎﻤﻪ‬ ‫ﺃﺸﻭﺍ ﹰﺎ‬ ‫ﻜ‬ ‫ﻭﺃﺭﺩﻴﺔ ﺴﻭﺩﺍﺀ‬ ‫ﺘﺩﻓﺌﻪ‬ ‫ﻭﺘﺤﻀﻥ ﻀﺤﻜﺎﺘﻪ‬ ‫ﺒﺎﻟﺩﻡ ﺍﻟﺼﺎﻓﻲ.‬ ‫- ٣٥ -‬
  • 55. ‫ﺃﺸﺘﺎﻕ ﺍﻟﻨﻭﻡ‬ ‫ﻭﺃﻨﺎ ﻻ ﺃﻗﺒل ﻨﺼل ﺴﻜﻴﻥ‬ ‫ﻭﻻ ﺃﻏﻨﻲ ﻏﻨﺎﺀ ﺍﻟﺩﻤﻭﻉ.‬ ‫ﺃﺠﻠﺱ ﻭﺴﻁ ﺍﻷﺫﺭﻉ‬ ‫ﻓﻴﻅﻬﺭ ﺍﻟﺼﺩﻴﻕ‬ ‫ﻜﻠﻤﺔ ﻤﻥ ﻫﻨﺎ‬ ‫ﻭﻜﻠﻤﺔ ﻤﻥ ﻫﻨﺎﻙ.‬ ‫ﻤﺩﺓ ﻴﺩ‬ ‫ﻭﻀﺤﻜﺔ ﻭﺨﺒﻁﺔ ﺒﺎﺏ‬ ‫ﻴﺩﺨل ﻜل ﻫﺫﺍ ﻤﺫﻋﻭ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻭﻻ ﻴﺨﺭﺝ‬ ‫ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﺍﻟﺠﻴﻭﺏ‬ ‫ﺍﻟﻤﻬﺘﺭﺌﺔ...‬ ‫- ٤٥ -‬
  • 56. ‫ﻜل ﻤﺎ ﻋﻨﺩﻱ‬ ‫ﻫﺎﺘﻑ ﺠﻤﻴل ﺍﻟﺼﻭﺭﺓ‬ ‫ﻴﺩﺨل ﻋﻠﻲ ﻜل ﺼﺒﺎﺡ‬ ‫ﺜﻡ ﻴﺩﻴﺭ ﺫﺍﻜﺭﺘﻪ ﺨﺠﻼ‬ ‫ﹰ‬ ‫ﻷﻨﻨﻲ ﻋﺎﺭ.. ﺘﻤﺎ ‪‬ﺎ ﻤﻨﻬﺎ..‬ ‫ﻤ‬ ‫ٍ‬ ‫ﺫﺍﻜﺭﺓ ﺍﻟﻜﺎﺌﻥ.‬ ‫- ٥٥ -‬
  • 58. ‫ﺠﺜﺘﺎﻥ ﻓﻲ ﻗﺎﻉ ﺍﻟﻤﺭﺤﺎﺽ.‬ ‫ﺃﻭﻻﻫﻤﺎ ﻜﺎﻨﺕ ﺭﺍﻴﺔ‬ ‫ﻻﺤﻅﺕ ﺴﺭﻋﺔ ﺍﻷﺴﻔﻠﺕ‬ ‫ﻤﻥ ﺜﻘﺏ ﺍﻟﺤﺫﺍﺀ‬ ‫ﻓﺄﺩﺭﻜﺕ ﺃﻨﻬﺎ ﺴﺘﻤﻭﺕ ﻗﺭﻴ ‪‬ﺎ.‬ ‫ﺒ‬ ‫ﺍﻗﺘﺭﺒﺕ ﻤﻥ ﺍﻟﻤﻌﺴﻜﺭ‬ ‫ﻭﺴﺄﻟﺕ ﺍﻟﺴﻭﺭ ﺍﻟﻌﺠﻭﺯ ﺒﻬﻤﺱ‬ ‫ﻭﺍﻗﺘﻨﻌﺕ ﺒﻌﺩﻫﺎ‬ ‫ﺒﺎﻟﻨﻅﺭ ﺇﻟﻰ ﻴﻤﻴﻨﻬﺎ ﺩﺍﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﺤﺘﻰ ﺘﺄﺘﻲ ﺍﻟﻁﻠﻘﺔ )ﻤﺭﺘﺎﺤﺔ (‬ ‫ﹰ‬ ‫ﻤﻥ ﺍﻟﻴﺴﺎﺭ.‬ ‫- ٧٥ -‬
  • 59. ‫ﺜﺎﻨﻴﻬﻤﺎ ﻜﺎﻥ ﻤﻔﺘ ﹰﺎ ﺭﻭﺘﻴﻨ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺸ‬ ‫ﻋﻠﻰ ﺤﻴﻭﻴﺔ ﺍﻟﺠﺜﺙ‬ ‫ﺍﻟﺘﻲ ﺤﺴﻤﺕ ﺃﻤﺭﻫﺎ‬ ‫ﻤﻊ ﺍﻟﻐﺭﺒﺎﺀ ﺍﻟﻤﺸﻜﻭﻙ ﻓﻲ ﻨﻭﺍﻴﺎﻫﻡ.‬ ‫ﺍﻟﻤﺴﻜﻴﻥ‬ ‫ﺃﻋﻠﻥ ﻷﻭﻻﺩﻩ ﻓﺸل ﺍﻟﻌﻤﺭ‬ ‫ﻭﺸﺭﺏ ) ﺍﻟﻔﻭﺭﻤﺎﻟﻴﻥ ( ﻜﻠﻪ‬ ‫ﻭﺘﻤﺩﺩ...‬ ‫ﻟﻴﺤﺒﻭﻩ.‬ ‫- ٨٥ -‬
  • 60. ‫ﺍﻟﺠﺜﺔ ﺍﻟﺜﺎﻟﺜﺔ‬ ‫ﺍﻟﺘﻲ ﺘﺸﺒﻪ ﺍﻷﺴﻔﻠﺕ ﻭﺍﻟﻁﻠﻘﺎﺕ‬ ‫ﻭ) ﺍﻟﻔﻭﺭﻤﺎﻟﻴﻥ ( ﻭﺍﻟﻤﺤﺒﺔ‬ ‫ﺃﻏﻠﻘﺕ ﺒﻭﺍﺒﺔ ﺍﻟﻤﺭﺤﺎﺽ‬ ‫ﻭﺼﺎﺭﺕ ﺤﺒﻼ‬ ‫ﹰ‬ ‫ﻓﻲ ﺸﻴ‪‬ﺒﺔ ﺍﻟﺭﻴﺢ.‬ ‫- ٩٥ -‬
  • 62. ‫ﻅل ﺍﻟﻠﻭﺤﺔ ﻤﺴﺘﻁﻴل ﻴﺜﻘﺏ ﺴﻴﺎﺝ ﺍﻟﺫﻜﺭﻯ‬ ‫ﻭﻅل ) ﺍﻟﻤﺭﻭﺤﺔ ( ﻏﺭﺍﺏ .‬ ‫) ﺍﻟﺒﻨﻁﻠﻭﻥ (‬ ‫ﻴﻬﺘﺯ ﺨﺎﺌ ﹰﺎ‬ ‫ﻔ‬ ‫ﻭﻤﻔﺘﻭ ‪‬ﺎ ﻋﻠﻰ ﺤﻴﺭﺘﻪ‬ ‫ﺤ‬ ‫ﻭﺍﻟﻴﺩ ﺠﻤﺭﺓ ﺘﻨﻁﻔﺊ.‬ ‫ﺭﺍﺌﺤﺔ ﺍﻟﺒﺭﻭﺩﺓ‬ ‫ﺘﻭﻓﺭ ﻋﻠﻴﻨﺎ ﺤﺩﻴﺙ ﻜل ﻟﻴﻠﺔ‬ ‫" ﻤﻠﻠﻨﺎ ﺍﻟﻭﺤﺩﺓ ﻤﻊ ﺃﻁﺭﺍﻓﻨﺎ ﺍﻟﺼﻨﺎﻋﻴﺔ... "‬ ‫ﻭﺘﻨﺯل ﻟﺘﻠﻬﻭ‬ ‫ﺒﺭﺴﻭﻤﺎﺘﻬﺎ ﻭﺃﺸﻜﺎﻟﻬﺎ‬ ‫ﻭﺨﻴﺎﻻﺘﻬﺎ ﺍﻟﻤﻜﻠﻠﺔ ﺒﺎﻟﻤﺭﺍﻫﻘﺔ.‬ ‫ﻨﺨﺎﻑ ﻤﻥ ﻋﻠﻴﺎﺌﻬﺎ‬ ‫- ١٦ -‬
  • 63. ‫ﻭﺘﺠﺎﺭﺒﻬﺎ ﺍﻟﺤﻴﺎﺘﻴﺔ ﺍﻟﻤﺜﻴﺭﺓ.‬ ‫ﺸﻬﺩﺕ ﻜل ﺍﻷﺤﺩﺍﺙ‬ ‫ﻭﺍﺒﺘﺴﻤﺕ ﻓﻲ ﻭﺠﻪ‬ ‫ﺍﻟﻤﺭﺁﺓ ﺍﻷﻭﻟﻰ.‬ ‫ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻟﺯﻤﻥ‬ ‫ﺴﻨﺘﻌﺏ ﻤﻥ ﺍﻷﺩﺏ ﺍﻟﻤﺼﻁﻨﻊ‬ ‫ﻭﻫﻲ ﺴﺘﻌﺘﺭﻑ ﺒﺴﻤﺎﺀ ﺍﻟﺠﺒﺎﻨﺎﺕ‬ ‫ﻭﺍﻷﺭﻜﺎﻥ ﺍﻟﺘﻲ ﻭﺭﺍﺀ ﻜل ﻤﻨﻬﺎ ﺩﻴﻨﺎﺼﻭﺭ.‬ ‫ﺴﻨﻠﺘﻘﻲ ﺒﺤﺭﺍﺭﺓ ﺃﺼﺤﺎﺏ ﺍﻟﻔﺭﺹ‬ ‫ﻟﻨﻤﻀﻎ )ﺤﻭﺍﺩﻴﺕ (‬ ‫ﹶ‬ ‫ﻻ ﻴﺸﺘﺭﻁ ﺃﻥ ﺘﻜﻭﻥ‬ ‫ﺒﻼﻏﻴﺔ‬ ‫ﻴﻜﻔﻰ ﺃﻥ ﻨﺠﻤﻊ ﺘﺎﺭﻴﺦ ﺍﻷﻋﻀﺎﺀ...‬ ‫- ٢٦ -‬
  • 64. ‫ﻅل ﺍﻟﺩﻫﺸﺔ ﻗﺎﺭﺏ ﻴﺭﺒﻰ ﺜﻘﺒﻪ‬ ‫ﻭﻅل ﺍﻟﻨﻬﺭ ﺴﻴﺦ ﻓﻲ ﺍﻟﻁﻔل..‬ ‫ﻅل ﺍﻟﻨﺎﻓﺫﺓ ﺃﺤﻀﺎﻥ ﻤﻴﺘﺔ‬ ‫ﻭﻅل ﺍﻟﻭﻗﺕ ﺤﺭﺏ....‬ ‫- ٣٦ -‬
  • 65.   - ٦٤ -
  • 66. ‫ﺃﻏﻁﻲ ﻨﻔﺴﻲ ﺒﺎﻟﻘﺎﺭ‬ ‫ﺍﻟﻘﺎﺭ ﺍﻟﻤﻠﺘﻬﺏ ﺍﻟﺤﺎﻗﺩ.‬ ‫ﻭﺤﺘﻰ ﻴﺘﻡ ﺍﻟﺘﻬﺎﻤﻲ‬ ‫ﺃﻁﻠﻕ ﺼﺭﺨﺎﺘﻲ ﻟﻠﺩﺍﺨل‬ ‫)ﻓﻴﻨﺤﺎﺵ( ﺴﺒﻴل ﺍﻟﺼﻭﺕ‬ ‫ﻭﺃﺼﻴﺭ ﻜﻭﻤﺔ ﺘﻁﻘﻁﻕ‬ ‫ﺘﺨﻴﻑ ﺍﻟﻬﻭﺍﺀ ﻭﺍﻷﺭﺽ ﻭﺍﻟﺒﻴﻭﺕ.‬ ‫ﺒﻌﺩﻫﺎ ﺃﺒﻌﺙ ﺭﻭﺤﻲ‬ ‫ﻓﺘﺴﺭﻕ ﺍﻟﻠﻭﻥ ﻜﻠﻪ‬ ‫ﻭﺘﻐﻁﻴﻨﻲ‬ ‫ﻓﺄﻜﻭﻥ ﺍﻟﺠﺜﺔ ﺍﻟﻤﺸﻭﻫﺔ‬ ‫ﻟﻁﺎﺌﺭ ٍ‬ ‫ﻤﻨﻘﺭ ٍ‬ ‫ﺽ‬ ‫ﻏﺭﻴﺏ.‬ ‫- ٥٦ -‬
  • 67. ‫ﻫﺫﻩ ﺠﺭﻴﻤﺘﻲ ﺍﻟﻜﺎﻤﻠﺔ‬ ‫ﻓﻸﺘﻤﻬﺎ ﺇﺫﻥ ﻴﺎ ﺃﺴﺭﻯ‬ ‫ﻭﺃﺭﻤﻲ ﻟﻜﻡ ﻗﻠﺒﻲ‬ ‫ﻟﺘﺠﻌﻠﻭﻩ ﻋﺼﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻟﻠﺤﺒﺎﺭﺍﺕ‬ ‫ﻭﻜﻠﻤﺎ ﺘﺤﻔﺭﻭﻥ‬ ‫ﺃﻀﺤﻙ ﺃﻨﺎ....‬ ‫- ٦٦ -‬
  • 68. ‫• ﻭﺠﻬﺎﻥ ﻟﻠﻘﻭﺓ.‬ ‫• ﻭﺠﻪ ﻭﺍﺤﺩ ﻟﻺﺨﻼﺹ.‬ ‫- ٧٦ -‬
  • 70. ‫ﺇﻨﻬﺎ ﺍﻟﺘﻲ ﻜﻨﺕ ﺃﺒﺤﺙ ﻋﻨﻬﺎ‬ ‫ﻤﻬﻨﺘﻲ‬ ‫ﺍﻟﺘﻲ ﻭﺼﻠﺕ ﻓﻲ ﻤﻴﻌﺎﺩﻫﺎ ﺃﺨﻴ ‪‬ﺍ.‬ ‫ﺭ‬ ‫ﺃﻥ ﺃﻜﻭﻥ ﺭﺠﻠﻬﻡ‬ ‫ﺍﻟﺫﻱ ﻻ ﺘﺘﻡ ﺍﻷﻤﻭﺭ ﺇﻻ ﺒﻪ‬ ‫ﺍﻟﺸﺨﺹ ﺍﻟﺫﻱ ﻴﺠﺭﺒﻭﻥ ﻋﻠﻴﻪ ﻨﻅﺭﻴﺎﺘﻬﻡ‬ ‫ﻭﻴﻠﻘﻭﻥ ﻋﻠﻴﻪ ﺒﺎﻷﻓﻜﺎﺭ‬ ‫ﻓﺘﺸﻊ ﻋﻠﻰ ﺍﻟﺠﺩﺭﺍﻥ ﻭﺍﻟﻤﻼﺒﺱ.‬ ‫ﻴﺭﺍﻗﺒﻭﻥ ﻓﻴﻪ ﺃﻓﻌﺎﻟﻬﻡ ﺍﻟﺨﻁﻴﺭﺓ ﺍﻟﻤﺭﻋﺒﺔ‬ ‫:ﺍﻟﺘﺭﻜﻴﺯ... ﺍﻹﺩﺭﺍﻙ‬ ‫ﻭﺍﻹﺒﺘﺴﺎﻡ.‬ ‫ﺤﺘﻰ ﻤﺭﺍﻭﻏﺔ ﺍﻟﻜﻬﺭﺒﺎﺀ‬ ‫ﻭﺘﺄﺜﻴﺭ ﻜل ﻤﻀﺨﺔ ﺃﺤﺯﺍﻥ ﻋﻠﻰ ﺭﻭﺤﻪ‬ ‫ﻭﺭﺩﻭﺩ ﺃﻓﻌﺎﻟﻪ‬ ‫- ٩٦ -‬
  • 71. ‫ﺘﺠﺎﻩ ﻗﺘﻠﻪ ﻭﺩﻫﻙ ﺭﺍﺌﺤﺘﻪ‬ ‫ﻭﻫﺯﺍﺌﻡ ﺍﻟﺠﻴﻭﺵ.‬ ‫ﺍﻟﻁﻠﺒﺔ ﺍﻷﺸﻘﻴﺎﺀ‬ ‫ﻜﺎﻨﻭﺍ ﻴﻌﺘﺒﺭﻭﻨﻪ ﺯﺠﺎ ‪‬ﺎ‬ ‫ﺠ‬ ‫ﻴﻤﺭﺭﻭﻥ ﻋﺒﺭﻩ‬ ‫ﻗﺒﻼﺘﻬﻡ ﺍﻟﻁﺎﺌﺭﺓ‬ ‫ﻭﺍﻹﺸﺎﺭﺍﺕ ﺍﻟﻘﺫﺭﺓ ﻷﺼﺎﺒﻌﻬﻡ‬ ‫ﻭﺍﻟﺘﺼﺎﻕ ﺍﻷﺤﻼﻡ ﺒﻜﻔﻭﻓﻬﻡ.‬ ‫ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺃﻥ ﻤﺎ ﻴﻐﻀﺒﻨﻰ ﺤ ﹰﺎ ﻫﻭ ﺍﻷﺠﺭ‬ ‫ﻘ‬ ‫ﻻ ﻴﺭﻀﻴﻨﻲ.. ﻭﻴﺤﺭﺠﻨﻰ ﻤﻊ ﺘﺎﺭﻴﺨﻲ‬ ‫ﻟﻴﺱ ﻜﺜﻴ ‪‬ﺍ ﻋﻠﻰ ﻤﻥ ﻴﻔﻌل ﻜل ﻫﺫﺍ‬ ‫ﺭ‬ ‫ﺃﻥ ﻴﻘﺘﺭﺒﻭﺍ ﻤﻥ ﺴﻤﺎﺀﻩ‬ ‫- ٠٧ -‬
  • 72. ‫ﻭﻴﻀﺒﻁﻭﺍ ﻟﻪ ) ﺍﻟﻜﻭﻓﻴﺔ (‬ ‫ﺒﻌﺩ ﺘﺠﺎﺭﺏ ﺍﻻﺨﺘﻨﺎﻕ.‬ ‫ﻫﻡ ﻴﺼﺭﻭﻥ ﻋﻠﻰ ﺘﻠﻭﻴﺤﺔ ﺒﺴﻴﻁﺔ ﺒﺎﻟﻴﺩ‬ ‫ﻭﻫﻡ ﺃﻴﻥ؟‬ ‫ﻓﻲ ﺍﻟﺩﺭﺠﺔ ﺍﻷﺨﻴﺭﺓ ﻤﻥ ﺍﻟﺴﻠﻡ.‬ ‫ﺃﺘﻠﻘﻔﻬﺎ‬ ‫ﻭﺃﺭﺸﻘﻬﺎ ﻓﻲ ﻜﺘﻔﻲ‬ ‫ﻋﻠﻬﻡ ﻴﺤﺘﺎﺠﻭﻨﻬﺎ ﺒﻌﺩ ﺫﻟﻙ.‬ ‫ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫ﻴﺄﺘﻲ ﺍﻟﻌﺒﺎﻗﺭﺓ‬ ‫ﺍﻟﺫﻴﻥ ﻨﺴﻤﻊ ﻋﻨﻬﻡ ﻓﻲ ﺍﻟﻭﺭﻕ ﺍﻟﻘﺩﻴﻡ‬ ‫ﻭﻴﺘﺸﻤﻤﻭﻥ ﺍﻟﻤﻘﺎﻋﺩ‬ ‫ﻭﻴﻤﻠﺌﻭﻥ ﺴﻁﻭﺭﻫﻡ.‬ ‫- ١٧ -‬
  • 73. ‫ﻜﻠﻬﻡ ﻤﻬﺎﺒﺔ ﻭﺇﺤﺴﺎﺱ.‬ ‫ﻭﻫﻡ ﺭﺍﺤﻠﻭﻥ‬ ‫ﺘﻠﻤﻊ ﻋﻴﻭﻨﻬﻡ ﻟﻲ‬ ‫ﻟﻲ ﺃﻨﺎ‬ ‫ﻓﺄﻨﺘﺸﻲ‬ ‫ﻟﻠﻐﺩ...‬ ‫- ٢٧ -‬
  • 75. ‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﺼﻴﺩﻟﻴﺎﺕ‬ ‫ﻟﺭﺴﻡ ﺴﻜﻭﻥ ﻋﻠﻰ ﻤﻘﺎﺴﻨﺎ‬ ‫ﻷﻥ ﺍﻟﻤﻭﺕ ﻤﺘﺴﺭﻉ ﻭﻁﺎﺌﺵ‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ ﺩﺍﺌ ‪‬ﺎ.‬ ‫ﻤ‬ ‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﻘﻁﺎﺭﺍﺕ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﻷﻨﻨﺎ ﻨﺘﺨﻔﻰ ﻤﻨﺎ‬ ‫ﻓﻲ ﺍﻟﺩﺨﺎﻥ ﺍﻟﻤﺭﺍﻭﻍ‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ ﺩﺍﺌ ‪‬ﺎ.‬ ‫ﻤ‬ ‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﻬﻭﺍﺀ‬ ‫ﻟﻴﻤﺭﺭ ﻋﻠﻴﻨﺎ ﺼﻭ ﹰﺎ‬ ‫ﺘ‬ ‫ﻴﻘﻭل " ﺃﻨﺎ ﺃﺤﺒﻜﻡ "‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ ﺩﺍﺌ ‪‬ﺎ.‬ ‫ﻤ‬ ‫- ٤٧ -‬
  • 76. ‫ﺍﻹﻟﺤﺎﺡ ﻋﻠﻰ ﺍﻟﺭﺏ‬ ‫ﻜﻲ ﻴﻔﺘﺵ ﻓﻲ ﺫﺍﻜﺭﺘﻪ‬ ‫ﻋﻥ ﻤﻼﻤﺤﻨﺎ‬ ‫ﻫﺫﺍ ﺴﻴﺤﺩﺙ.‬ ‫ﻟﻜﻥ ﺍﻟﺫﻱ ﻟﻥ ﻴﺤﺩﺙ‬ ‫ﻤﻁﻠ ﹰﺎ‬ ‫ﻘ‬ ‫ﺃﻻ ﺘﻁﺒﻕ ﻋﻠﻴﻨﺎ ﺤﻭﺍﺌﻁﻨﺎ‬ ‫ﺭﻏﻡ ﺃﻨﻨﺎ‬ ‫ﺭﺒﻴﻨﺎﻫﺎ‬ ‫ﺒﻜل ﺇﺨﻼﺹ...‬ ‫- ٥٧ -‬
  • 78. ‫ﺍﻟﺭﻋﺏ ﻋﻠﻰ ﺍﻟﺴﻼﻟﻡ‬ ‫ﺍﻟﻘﻁﻁ ﺍﻟﺴﻭﺩﺍﺀ ﺘﺒﺩﺃ ﻜﻔﺎﺤﻬﺎ ﺍﻟﺜﻭﺭﻱ‬ ‫ﻤﻥ ﻭﺠﻬﻲ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻁﺭﻴﻕ‬ ‫ﺘﻨﻔﻠﺕ ﺍﻷﺸﺒﺎﺡ‬ ‫ﻤﻥ ﻭﺭﺍﺀ )ﺍﻟﺼﺎﺝ( ﺍﻟﻤﺎﺜل‬ ‫ﻓﻲ ) ﺍﻟﻔﺘﺭﻴﻨﺎﺕ (‬ ‫ﻭﻤﻥ ﺠﻤﺭﺍﺕ ﺍﻟﻭﺠﻭﻩ‬ ‫ﺍﻟﻤﺭﻜﻭﻨﺔ ﺠﻭﺍﺭ ﺍﻟﻘﻤﺎﻤﺔ.‬ ‫- ٧٧ -‬
  • 79. ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺴﻴﺎﺭﺓ‬ ‫ﺍﻟﻤﺼﺎﺒﻴﺢ ﺘﺭﺴﻡ ﺍﻟﻀﺤﻜﺔ ﺍﻟﺸﺭﻴﺭﺓ‬ ‫ﻭﺍﻟﺼﻭﺕ ﻴﻌﻠﻭ‬ ‫ﻜﻲ ﻴﻐﻁﻲ ﻋﻠﻰ ﺨﺠل ﺍﻟﺴﻤﺎﺀ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺠﻴﻭﺏ‬ ‫ﺍﻟﺭﻋﺸﺔ ﺘﻤﺴﻙ ﺍﻟﻜﻑ‬ ‫ﻭﻫﻭ )ﻴﺘﺴﺤﺏ ( ﺩﺍﺨﻼ‬ ‫ﹰ‬ ‫ﺍﻟﺜﻌﺒﺎﻥ ﻴﺭﻗﺩ ﻫﻨﺎ‬ ‫ﻴﻭﺠﺩ ﻫﻨﺎ ﻋﻘﺭﺏ‬ ‫ﺘﻭﺠﺩ ﻤﺼﻴﺩﺓ‬ ‫ﺍﻟﺩﻡ ﻴﻨﺸﻑ‬ ‫ﻓﻨﻀﻁﺭ ﺇﻟﻰ ﺒﺘﺭ ﺍﻟﻜﻑ‬ ‫ﺍﻟﻴﺘﻴﻡ.‬ ‫- ٨٧ -‬
  • 80. ‫ﺍﻟﺭﻋﺏ ﻋﻨﺩ ﺍﻟﺒﻨﺕ‬ ‫ﻓﻲ ﺤﻀﻨﻬﺎ ﺍﻟﻤﺩﻭﻱ‬ ‫ﺤﺭﺍﺸﻑ‬ ‫ﺍﻟﻌﺠﺯ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺴﻴﻨﻤﺎ‬ ‫ﺒﻁل ﺍﻟﻔﻴﻠﻡ ﺍﻟﻬﺎﺭﺏ‬ ‫ﻤﻥ ﺸﻨﻘﻪ ﻋﻠﻰ ﺍﻟﺠﺩﺍﺭ‬ ‫ﺴﻴﺨﺘﺎﺭﻨﻲ ﺤﺘ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻷﻨﻨﻲ ﺍﻵﻥ ﺃﺨﺭﺱ‬ ‫ﺃﻤﻭﺕ ﺒﺩﻭﻥ ﻜﻼﻡ ﻜﺜﻴﺭ‬ ‫ٍ‬ ‫ﻴﺸﻭﺵ ﻋﻠﻰ ﺍﻵﺨﺭﻴﻥ.‬ ‫- ٩٧ -‬
  • 81. ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺼﺒﺎﺡ‬ ‫ﺍﻟﺸﻤﺱ ﺘﺭﻤﻲ ﻨﻔﺴﻬﺎ ﻋﻠﻰ ﻏﺭﻓﺘﻲ ﺍﻟﻤﺯﺩﺤﻤﺔ‬ ‫ﻜﻲ ﻨﺤﺘﺭﻕ ﺃﺨﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻓﻴﺘﺩﻓﺄ ﺍﻟﻤﻤﺭ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﺘﻠﻴﻔﻭﻥ (‬ ‫ﺫﺒﺫﺒﺎﺕ ﺍﻟﺨﺸﺒﺔ‬ ‫ﺘﺨﻨﻕ ﺍﻟﺤﻨﺎﺠﺭ‬ ‫ﺍﻷﺴﻼﻙ ﺘﻀﻐﻁ ﺍﻟﺤﻠﻘﻭﻡ‬ ‫ﻭﺍﻟﺭﻭﺡ ﺘﻬﺭﺏ ﻤﻜﺴﻭﺭﺓ ﺍﻟﺠﻨﺎﺡ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﺭﻗﺹ‬ ‫ﺍﻟﺨﻁﻭﺓ ﺍﻷﺨﺭﻯ‬ ‫ﺴﺘﺒﻁﺵ ﺒﻲ ﺍﻟﺠﺎﺫﺒﻴﺔ.‬ ‫- ٠٨ -‬
  • 82. ‫ﻋﻨﺩﻤﺎ ﺃﻗﻊ‬ ‫ﻴﺩﺨل ﺍﻟﺯﺠﺎﺝ ﻓﻲ ﻋﻴﻨﻲ‬ ‫ﻟﻴﻨﻔﺠﺭ ﺍﻟﺩﻡ‬ ‫ﻭﺘﺸﺭﺒﻪ ﺃﻤﻲ‬ ‫ﻓﺘﻌﻭﺩ ﺴﺎﺤﺭﺓ ﺸﺭﻴﺭﺓ...‬ ‫ﺍﻟﺭﻋﺏ ﻋﻠﻰ ﺍﻟﻤﻘﻌﺩ‬ ‫ﺍﻟﺨﺸﺏ ﻴﻨﻔﻠﺕ ﻤﻥ ﺍﻟﻤﺴﺎﻤﻴﺭ‬ ‫ﺍﻟﻤﻐﺭﻭﺴﺔ ﻓﻲ ﻟﺤﻤﻪ‬ ‫ﻟﻴﺼﻨﻊ ﺸﺭ ﹰﺎ ﻟﻅﻠﻲ.‬ ‫ﻜ‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﺒﻭﺭﻨﻭ (‬ ‫ﺘﻨﻐﻠﻕ ﺴﻴﻘﺎﻨﻨﺎ ﺘﻠﻘﺎﺌ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺨﺠﻼ ﻤﻥ ﺤﻴﻭﻴﺔ ﺍﻟـ ‪.Media‬‬ ‫ﹰ‬ ‫- ١٨ -‬
  • 83. ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻤﺭﺁﺓ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﻭﺍﻗﻑ ﺨﻠﻔﻲ‬ ‫ﻻ ﻴﺜﺒﺕ ﺃﺒ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻫﻭ ﺍﻵﻥ ﺇﻟﻰ ﺠﻭﺍﺭﻱ.‬ ‫ﻋﻠﻰ ﻴﻤﻴﻨﻲ.‬ ‫ﺴﻴﺴﺭﻕ ﺫﺭﺍﻋﻲ‬ ‫ﺜﻡ ﺴﻴﺠﺭﻱ ﻓﻭﻗﻲ‬ ‫ﻭﺘﺤﺘﻲ‬ ‫ﻜﻲ ) ﺘﺘﺸﻘﻠﺏ ( ﻤﻼﻤﺤﻲ‬ ‫ﻓﻼ ﻴﻌﺭﻓﻭﻨﻨﻲ‬ ‫ﻭﻴﻘﻭﻟﻭﻥ ﺃﻨﺕ ﻗﺎﺘل ﺃﺒﻴﻙ‬ ‫ﺼﺎﺤﺏ ﺍﻟﻨﻭﺭ.‬ ‫- ٢٨ -‬
  • 84. ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻻﺒﺘﺴﺎﻤﺔ‬ ‫ﺍﻷﺴﻨﺎﻥ ﺘﻨﺘﻘل ﻋﺒﺭ ﺍﻟﻬﻭﺍﺀ ﺍﻟﻤﺨﺎﺘل‬ ‫ﻟﺘﻤﺴﻙ ﺒﺎﻟﻤﺠﺭﻡ‬ ‫ﺍﻟﻨﺎﺌﻡ ﻓﻲ ﺍﻟﺸﻬﻴﻕ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﺤﻨﻔﻴﺎﺕ (‬ ‫ﺍﻟﻁﺤﺎﻟﺏ ﺘﺘﺠﻤﻊ‬ ‫ﻟﺘﺼﻴﺭ ﺘﻤﺴﺎ ‪‬ﺎ ﺴﻤﻴ ﹰﺎ‬ ‫ﻜ‬ ‫ﺤ‬ ‫ﻟﺯ ‪‬ﺎ.‬ ‫ﺠ‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻜﻨﻴﺴﺔ‬ ‫ﺤﺎﺌﻁ ﺍﻻﻋﺘﺭﺍﻑ‬ ‫ﻤﻥ ﻫﻭل ﺍﻵﺜﺎﻡ‬ ‫ﺴﻴﻨﻘﺽ ﻋﻠﻰ ﺨﻁﻭﺘﻲ.‬ ‫- ٣٨ -‬
  • 85. ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻠﻭﺤﺔ‬ ‫ﺭﻭﺡ ﺍﻟﺭﺴﺎﻡ ﻤﺴﺠﻭﻨﺔ ﻓﻲ ﻏﻴﻤﺔ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻷﻁﻔﺎل‬ ‫ﻜﻠﻤﺎ ﻴﺼﻤﺘﻭﻥ‬ ‫ﻴﺩﺒﺭﻭﻥ ﺍﻟﻤﺅﺍﻤﺭﺓ‬ ‫ﻭﻜﻠﻤﺎ ﻴﺘﺤﺭﻜﻭﻥ‬ ‫ﺘﺭﺘﺞ ﻀﺂﻟﺘﻨﺎ.‬ ‫ﺍﻟﺭﻋﺏ ﻓﻲ ) ﺍﻟﻤﺸﺭﺤﺔ (‬ ‫ﻨﻘﺎﻁ ﺍﻟﺒﻜﺎﺀ ﺸﻼل ﺃﺴﻭﺩ.‬ ‫- ٤٨ -‬
  • 86. ‫ﺍﻟﺭﻋﺏ ﻓﻲ ﺍﻟﻨﻭﻡ‬ ‫ﻜل ﺍﻟﺠﺜﺙ ﺇﻟﻰ ﺠﻭﺍﺭﻱ‬ ‫ﻓﻼ ﺃﺘﻘﻠﺏ ﺃﺒ ‪‬ﺍ.‬ ‫ﺩ‬ ‫ﺴﺄﺴﻘﻁ‬ ‫ﻋﻠﻴﻬﻡ‬ ‫ﻓﻲ ﻟﺤﻤﻬﻡ ﺍﻟﻤﻬﺘﺭﺉ ﺍﻟﻤﻔﺭﻱ‬ ‫ﻓﻠﻴﺘﺼﻘﻭﻥ ﺒﻲ‬ ‫ﻟﻸﺒﺩ..‬ ‫ﻟﻸﺒﺩ..‬ ‫ﻴﺎ ﻜل ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ﺍﻟﺨﺎﺭﺠﻴﻥ ﻤﻥ ﺍﻟﺤﺭﻭﺏ ﻤﺸﻭﻫﻴﻥ‬ ‫ﺍﻟﻭﺍﻗﻌﻴﻥ ﺤﺘ ‪‬ﺎ ﻓﻲ ) ﺍﻟﺒﻼﻋﺎﺕ (‬ ‫ﻤ‬ ‫ﻭﻓﻲ ﺍﻟﻘﺒﻭﺭ‬ ‫ﺍﻨﻅﺭﻭﺍ ﺤﻭﻟﻜﻡ ﺒﻌﺯﺓ‬ ‫- ٥٨ -‬
  • 87. ‫ﻭﺨﺫﻭﺍ ﺍﻟﻤﺩﻯ ﻤﻥ ﺫﻜﺭﻴﺎﺘﻜﻡ‬ ‫ﻭﺍﻗﺘﻠﻭﻨﻲ ﺒﻌﻨﻑ‬ ‫ﻭﺍﻏﻠﻘﻭﺍ ﻋﻴﻨﻲ ﺠﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻜﻲ ﻻ ﺘﻠﻭﺙ ﻨﻅﺭﺍﺘﻲ‬ ‫ﻫﻭﺍﺀﻜﻡ...‬ ‫ﻤﺅﻤﻥ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ﻋﻠﻰ. ﺍﻻﺴﻡ ﺍﻷﺩﺒﻲ / ﻤﺅﻤﻥ ﺴﻤﻴﺭ.‬ ‫ﻫﺎﺘﻑ / ٠٣١٥١٨٣٠١٠‬ ‫- ٦٨ -‬
  • 88. ‫ﺼﺩﺭ ﻟﻠﻤﺅﻟﻑ‬ ‫]١[ ﺒﻭﺭﺘﺭﻴﻪ ﺃﺨﻴﺭ ﻟﻜﻭﻨﺸﺭﺘﻭ ﺍﻟﻌﺘﻤﺔ، ﺸﻌﺭ، ﺩﺍﺭ ﺴﻭﺒﺭ ﻤـﺎﻥ‬ ‫٨٩٩١‬ ‫]٢[ ﻫﻭﺍﺀ ﺠﺎﻑ ﻴﺠﺭﺡ ﺍﻟﻤﻼﻤﺢ، ﺸﻌﺭ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻘﺼـﻭﺭ‬ ‫ﺍﻟﺜﻘﺎﻓﺔ، ٠٠٠٢.‬ ‫]٣[ ﻏﺎﻴﺔ ﺍﻟﻨﺸﻭﺓ، ﺸﻌﺭ، ﺍﻟﻁﺒﻌﺔ ﺍﻷﻭﻟﻰ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻘﺼﻭﺭ‬ ‫ﺍﻟﺜﻘﺎﻓﺔ ٢٠٠٢، ﺍﻟﻁﺒﻌﺔ ﺍﻟﺜﺎﻨﻴﺔ : ﻤﻜﺘﺒﺔ ﺍﻷﺴﺭﺓ ٣٠٠٢.‬ ‫]٤[ ﺒﻬﺠﺔ ﺍﻻﺤﺘﻀﺎﺭ، ﺸﻌﺭ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻤﺼﺭﻴﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻠﻜﺘـﺎﺏ‬ ‫٣٠٠٢.‬ ‫]٥[ ﺍﻟﺴﺭﻴﻭﻥ ﺍﻟﻘﺩﻤﺎﺀ، ﺸﻌﺭ، ﺍﻟﻬﻴﺌﺔ ﺍﻟﻤﺼﺭﻴﺔ ﺍﻟﻌﺎﻤﺔ ﻟﻠﻜﺘـﺎﺏ‬ ‫٣٠٠٢.‬ ‫ﻴﺼﺩﺭ‬ ‫ﺇﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ ﻭﻤﻭﺴﻴﻘﻰ " ﺘﺠﻠﻴﺎﺕ ﺍﻟﻭﺤﻴﺩ "، ﻤﺠﻤﻭﻋﺔ‬ ‫ﻤﺴﺭﺤﻴﺔ، ﻤﻁﺒﻭﻋﺎﺕ ﺍﺘﺤﺎﺩ ﺍﻟﻜﺘﺎﺏ.‬ ‫- ٧٨ -‬