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ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
ANACOSTIA PLAN
INSTALLATION
No-Man’s Land to All Man’s Land
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETYWASHINGTON IS HEIR TO THE HUMANISTIC TRADITION
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
L’ENFANT PLAN
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
MCMILLAN PLAN
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETYDC AS WE KNOW IT … LOVE IT … THINK OF IT
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETYP R O G R E S S ?
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
U R B A N C A N C E R ?
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
NO MAN’S LAND?
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
U R B A N L I F E / T H E L I F E O F A C I T Y
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
CLASSIC PLANNING ALWAYS WORKED
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
• When unpenalized, people choose to use beautiful places over others.
Beautiful spaces are functional and economical.
• Beautiful spaces elicit statements of “it’s beautiful” regardless of their date of
construction. People often choose to maintain them for generations.
Beautiful spaces are fundamentally sustainable.
• People in beautiful places are often on their “best behavior”, generally seem less
prone to aggression and frequently less easy to victimize.
Beautiful spaces are calming, encourage respect and are safer,
THE PURPOSE OF URBANISM IS TO DESIGN
A LEGACY OF BEAUTIFUL PLACES
FOR PEOPLE
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
• We take the 100 year perspective.
• The Federal District was formed around the persona of George Washington.
It is based on the stability of humanistic values.
• The L’enfant Plan is the urban DNA of the District of Columbia.
• The McMillan Commission’s interpretation of the L'enfant Plan and the Commission’s
own proposals provide a basis for the continued development of the City.
• Design in any scale must be sustainable and withstand the test of time.
It will be judged on Firmness, Commodity and Delight:
FIRMNESS = longevity and sustainability.
COMMODITY = functional flexibility, easy adaptation, regional appropriateness.
DELIGHT = timelessness and beauty.
DESIGN PRINCIPLES
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
ANACOSTIA 2038
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
ANACOSTIA SEINE
Width 1000 feet 500 feet
Bridge Frequency 1 mile ¼ mile
Pedestrian access 0 all
Freeways and RR mile wide no-man’s land under quays
SW and 295 Freeways divide the city with a mile NO-MAN’S LAND.
They carry together less traffic than the CHAMPS ÉLYSÉES
RIVERS COMPARED
RIVER QUAYS
“… the activity of the waterfront would really add to the interest of the parkway and give
a character to it possessed by no other in this country. In several European river cities,
notably Paris, Vienna and Budapest there are such combinations of a commercial quay
with a promenade at a higher level and they form in many cases the most popular and
delightful resorts for the people, but in no case we believe, are the conditions so
favorable as at Washington…”
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
THE PLAN
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
THE PLAN
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
The 100 year perspective is a holistic, organic
approach that pays for itself with benefits
across the board. It retains and builds
memory into the urban fabric and heals
gaping social, economic and political wounds
with common heritage, meaning and utility.
THIS PLAN HAS 4 GOALS...
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
DESIGN GOAL #4
MAKE DC A WORLD-CLASS CITY
i. Create a beautiful urban waterfront to vie with Paris.
ii. Replace blighted freeways with beautiful boulevards
and parks.
iii. Express a river gateway at the mouth of the Anacostia.
iv. Create a great aquatic urban space at Naval Basin.
v. Connect pedestrians and bicyclists to the entire city with
frequent bridges.
vi. Create center-city resources on a scale hitherto unimaginable.
vii. Create r a national legacy for the leaders of our time.
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
NOT A MYTH
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
DESIGN GOAL #3
DO THE PRACTICAL, LONG-TERM, SENSIBLE THING
i. Resolve storm water, freeway, and train issues and
ii. Protect the City from 1000 year floods,.
iii. Provide unobtrusive functional space for commercial
and private uses.
iv. Support a diverse array of landscape environments,
from river to city.
v. Maintain the high city-wide percentage of accessible
green spaces .
vi. Meet regional sustainability, smart growth, and
“green” goals.
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
HOW IT WORKS
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
BRIDGES
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
DESIGN GOAL #2
THE DEVELOPMENT PAYS FOR ITSELF
i. No payment of damages to residents.
ii. All land is reclaimed or Federal. Sale of land pays
for infrastructure.
iii. Small lots retain the urban and societal expression
of democracy,
iv. Do not enable oversized, inhuman projects, while
v. Creating an economic opportunity for developers,
the neighborhoods, the city, and the region.
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
EXAMPLE: SOUTHWEST WATERFRONT
US NAVY MUSEUM
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
DESIGN GOAL #!
AN ECONOMIC PLAN WITH GREAT SOCIAL BENEFITS
i. Create unprecedented opportunities for the residents of
Anacostia without resorting to welfare or social programs.
ii. No residents displaced and all residents receive property.
iii. Generate jobs and economic opportunity for locals.
iv. (Re-) establish high-level educational institutions.
v. Provide opportunities to learn useful skills and enter the
middle class.
vi. Retain in the urban fabric community memories linked to
the river and its settlements.
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
i. accommodates and guides future functional development
consistent with DC’s L’Enfant “DNA” and McMillan Plan.
ii. creates innumerable places of timeless beauty and
character setting Washington as the national standard.
iii. librates decision-makers from ephemeral politics and
provides ample opportunity to build consensus.
THIS PLAN MAKES SENSE
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
AVANT GARDE
ANACOSTIA PLAN INSTALLATION
BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
Stephanie Bothwell Larry Brady
Kalinda Brown Nir Buras
Michael Curtis Julia Garza
Alex Moll Virendra Rawat
Everett SchramPeter Seidel
STUDIO TEAM 2006 STUDIO TEAM
2013

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Anacostia 1 15 13

  • 1. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY ANACOSTIA PLAN INSTALLATION No-Man’s Land to All Man’s Land
  • 2. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETYWASHINGTON IS HEIR TO THE HUMANISTIC TRADITION
  • 3. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY
  • 4. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY L’ENFANT PLAN
  • 5. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY MCMILLAN PLAN
  • 6. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETYDC AS WE KNOW IT … LOVE IT … THINK OF IT
  • 7. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETYP R O G R E S S ?
  • 8. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY U R B A N C A N C E R ?
  • 9. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY NO MAN’S LAND?
  • 10. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY U R B A N L I F E / T H E L I F E O F A C I T Y
  • 11. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY CLASSIC PLANNING ALWAYS WORKED
  • 12. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY • When unpenalized, people choose to use beautiful places over others. Beautiful spaces are functional and economical. • Beautiful spaces elicit statements of “it’s beautiful” regardless of their date of construction. People often choose to maintain them for generations. Beautiful spaces are fundamentally sustainable. • People in beautiful places are often on their “best behavior”, generally seem less prone to aggression and frequently less easy to victimize. Beautiful spaces are calming, encourage respect and are safer, THE PURPOSE OF URBANISM IS TO DESIGN A LEGACY OF BEAUTIFUL PLACES FOR PEOPLE
  • 13. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY • We take the 100 year perspective. • The Federal District was formed around the persona of George Washington. It is based on the stability of humanistic values. • The L’enfant Plan is the urban DNA of the District of Columbia. • The McMillan Commission’s interpretation of the L'enfant Plan and the Commission’s own proposals provide a basis for the continued development of the City. • Design in any scale must be sustainable and withstand the test of time. It will be judged on Firmness, Commodity and Delight: FIRMNESS = longevity and sustainability. COMMODITY = functional flexibility, easy adaptation, regional appropriateness. DELIGHT = timelessness and beauty. DESIGN PRINCIPLES
  • 14. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY ANACOSTIA 2038
  • 15. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY ANACOSTIA SEINE Width 1000 feet 500 feet Bridge Frequency 1 mile ¼ mile Pedestrian access 0 all Freeways and RR mile wide no-man’s land under quays SW and 295 Freeways divide the city with a mile NO-MAN’S LAND. They carry together less traffic than the CHAMPS ÉLYSÉES RIVERS COMPARED RIVER QUAYS “… the activity of the waterfront would really add to the interest of the parkway and give a character to it possessed by no other in this country. In several European river cities, notably Paris, Vienna and Budapest there are such combinations of a commercial quay with a promenade at a higher level and they form in many cases the most popular and delightful resorts for the people, but in no case we believe, are the conditions so favorable as at Washington…”
  • 16. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY THE PLAN
  • 17. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY THE PLAN
  • 18. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY The 100 year perspective is a holistic, organic approach that pays for itself with benefits across the board. It retains and builds memory into the urban fabric and heals gaping social, economic and political wounds with common heritage, meaning and utility. THIS PLAN HAS 4 GOALS...
  • 19. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY DESIGN GOAL #4 MAKE DC A WORLD-CLASS CITY i. Create a beautiful urban waterfront to vie with Paris. ii. Replace blighted freeways with beautiful boulevards and parks. iii. Express a river gateway at the mouth of the Anacostia. iv. Create a great aquatic urban space at Naval Basin. v. Connect pedestrians and bicyclists to the entire city with frequent bridges. vi. Create center-city resources on a scale hitherto unimaginable. vii. Create r a national legacy for the leaders of our time.
  • 20. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY NOT A MYTH
  • 21. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY DESIGN GOAL #3 DO THE PRACTICAL, LONG-TERM, SENSIBLE THING i. Resolve storm water, freeway, and train issues and ii. Protect the City from 1000 year floods,. iii. Provide unobtrusive functional space for commercial and private uses. iv. Support a diverse array of landscape environments, from river to city. v. Maintain the high city-wide percentage of accessible green spaces . vi. Meet regional sustainability, smart growth, and “green” goals.
  • 22. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY HOW IT WORKS
  • 23. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY BRIDGES
  • 24. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY DESIGN GOAL #2 THE DEVELOPMENT PAYS FOR ITSELF i. No payment of damages to residents. ii. All land is reclaimed or Federal. Sale of land pays for infrastructure. iii. Small lots retain the urban and societal expression of democracy, iv. Do not enable oversized, inhuman projects, while v. Creating an economic opportunity for developers, the neighborhoods, the city, and the region.
  • 25. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY EXAMPLE: SOUTHWEST WATERFRONT US NAVY MUSEUM
  • 26. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY DESIGN GOAL #! AN ECONOMIC PLAN WITH GREAT SOCIAL BENEFITS i. Create unprecedented opportunities for the residents of Anacostia without resorting to welfare or social programs. ii. No residents displaced and all residents receive property. iii. Generate jobs and economic opportunity for locals. iv. (Re-) establish high-level educational institutions. v. Provide opportunities to learn useful skills and enter the middle class. vi. Retain in the urban fabric community memories linked to the river and its settlements.
  • 27. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY i. accommodates and guides future functional development consistent with DC’s L’Enfant “DNA” and McMillan Plan. ii. creates innumerable places of timeless beauty and character setting Washington as the national standard. iii. librates decision-makers from ephemeral politics and provides ample opportunity to build consensus. THIS PLAN MAKES SENSE
  • 28. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY AVANT GARDE
  • 29. ANACOSTIA PLAN INSTALLATION BURASWORKS * OPEN URBAN DESIGN STUDIO WASHINGTON DC * NATIONAL CIVIC ART SOCIETY Stephanie Bothwell Larry Brady Kalinda Brown Nir Buras Michael Curtis Julia Garza Alex Moll Virendra Rawat Everett SchramPeter Seidel STUDIO TEAM 2006 STUDIO TEAM 2013