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Photo-Sharing:
The Everyday Image
Image via Ian Britton
By:	
  Katherine	
  Kopiak	
  
Today, millions of fleeting-moment/experience photos are
uploaded to the World Wide Web on a daily basis through
sites such as Facebook, Twitter and Flickr and Apps like
Instagram.
Image via Katherine Kopiak
The trend of sharing everyday images marks a shift from
capturing and displaying rarefied moments with friends or
family in person to capturing the immediate, rather fleeting
discoveries and moments and sharing them with a virtual
world online.
Engaging with the everyday image has become “a more alive, immediate,
and often transitory practice” –S. Murray
Image via Moyan Brenn
Text source (for both text boxes): S. Murray,
“Digital Images, Photo-Sharing, and Our
Shifting Notions of Everyday Aesthetics.”
The transition from film to digital and the introduction of small, high-quality
digital cameras and camera-phones has made the display and sharing of
digital images with the world at not only possible but also very easy.
Image via Katherine Kopiak
Text source: Nancy A. Van House, “Collocated Photo
Sharing, Story-telling, and the Performance of Self.”
But why is the trend so popular? Why do people love
to share photos of small, fleeting moments?
Images via Katherine Kopiak
For one thing, sharing one’s everyday pictures has been considered a
strong form of both self-expression and self-presentation, for by doing so,
one is showing others what kind of person they are.
Image via Scott Cawley
Text source: Marc Davis et al. “The social uses of
personal photography: methods for projecting
future imaging applications.”
For instance, by sharing a picture of one’s dinner at a restaurant, one
is perhaps showing their peers or viewers that they like going out
for dinner or that they are passionate about food.
Image via Katherine Kopiak
Or, by uploading a picture of one spending time with their pet,
someone may be showing their love for that kind of animal.
Image via Katherine Kopiak
All of these instances, though many scholars have deemed them
insignificant, are all important micro-stories about someone that
eventually build up to “represent data that we can then assemble
into mega-stories about our lives” –Malcolm Slaney and Jain Ramesh
Image via H is for Home
Text Source: Malcolm Slaney and
Jain Ramesh, “Micro Stories and
Mega Stories.”
Take Instagram, for instance. One single photo taken from someone’s
Instagram account might not say very much about them at all.
Image via Katherine Kopiak
Several pictures from one’s Instagram library, however, can say a lot about a person.
Images via
Katherine
Kopiak
There has been much controversial feedback on the
subject of frequent photo-uploading and sharing.
Image via Mark Turnauckas
For instance, it has been said that with the new photo-sharing trend
there comes a “sadness and a longing in the relationship to memory
and history that theorists such as Barthes ascribe to traditional
photography that is not altogether present in the social construction
of popular digital photography and its communities.” –S. Murray
“Many feel that such images “lack the traces of the material past
that were so much a part of traditional photography” –S. Murray
Image	
  via	
  
Ludie	
  Cochrane	
  	
  
Text source: S. Murray, “Digital Images, Photo-
Sharing, and Our Shifting Notions of Everyday
Aesthetics.”
For instance, “photos on Facebook profiles have been used by
employers and law enforcement to investigate the behaviour of
individuals” –Andrew Besmar and Heather Richter Lipford
Image via Bala Sivakumar
Privacy has also been a large
concern. People are worried
that since photos collections
online show so much about
someone’s life, they could be
used for unintended purposes.	
  
Text source (for both text boxes): Andrew Besmer and Heather Richter
Lipford, “Moving beyond untagging: photo privacy in a tagged world.”
Furthermore, the introduction of Google Glasses, that can take
pictures with a simple command, are only increasing privacy concerns.
“How will we behave in groups when the distraction of the internet
is only an eye movement away?” –Charles Arthur
Image via M.A. Cabrera Luengo
Text source: Charles Arthur, “Google Glass:
is it a threat to our privacy?”
However, on the other hand, several scholars have embraced the new photo trend.
For instance, it has been said that sites like Flickr that have brought millions
together by processes such as photo tagging have provided “a workable solution for
content organization, use and exploration for many Internet users.”-Megan Winget
Image via Heidi Hoopes
Text source: Megan Winget, “User-defined classification on the online photo
sharing site Flickr…or, how I learned to stop worrying and love the million
typing monkeys.”
Companies are also benefitting
significantly from visual social
networking, for “brands can use visual
content on their social media to increase
engagement and inspire sharing and viral
marketing [and…] brands that can rock
visual media will find themselves market
leaders” -Ekaterina Walter
Image via j&tplamanText Source: Ekaterina Walter, “The Rise
of Visual Social Media”
Most importantly, people enjoy sharing photos as frequently as they do. It has
been proven through research that people share photos for some of the following
reasons: the joys of sharing with others; the thrill of responses from others; the
chance to see through the eyes of others; the therapeutic feelings of healing; and
the fun of getting creative.
Image via Adam Fagen
Text	
  source:	
  Zachary	
  McCune,	
  
“Consumer	
  ProducAon	
  in	
  Social	
  Media	
  
Networks:	
  A	
  Case	
  Study	
  of	
  the	
  
‘Instagram’	
  Iphone	
  App.”	
  
The photo-content shared online contains items that are very valuable
to the users that share them and “people appreciate recollection of
the past[, present and immediate] events and certain milestones of
their lives”-Thomas Olsson et al.
Image via Katherine Kopiak
Text source: Thomas
Olsson et al. “User
needs and design
guidelines for mobile
services for sharing
digital life memories.”
Ultimately, recording personal moments and memories not only strengthens
ties and social bonds but is a universal, fundamentally human phenomenon
that people enjoy participating in.
Image via Jimmy BrownText source: Thomas Olsson et al. “User needs and design
guidelines for mobile services for sharing digital life memories.”
Image Credits
•  All Images (apart from my own –
Katherine Kopiak) are either licensed
under the Creative Commons Non-
Commercial agreement or the Creative
Commons Share-Alike agreement (or
both) and sourced from Flickr.
Text	
  Sources	
  (Works	
  Cited)	
  
Arthur, Charles. “Google Glass: Is It a Threat to Our Privacy?” The Guardian. N.p., 6 Mar. 2013. Web. 17
May 2013. <http://www.gaurdian.co.uk/tehnology/2013/mar/06/google-glass-threat-to-our-privacy>.
Besmer, Andrew, and Heather Richter Lipford. “Moving beyond untagging: photo privacy in a tagged
world.” Proceedings of the 28th international conference on Human factors in computing systems. ACM,
2010. <http://dl.acm.org/citation.cfm?is=1753560.
Davis, Marc et al. “The social uses of personal photography: methods for projecting future imaging
applications.” University of California, Berkeley, Working Papers 3 (2004): 2005. <http://
people.ischool.berkely.edu/~vanhouse/photo_project/pubs/vanhouse_et_al2004b.pdf>.
McCune, Zachary. Consumer Production in Social Media Networks: A case Study of the “Instagram”
Iphone App. Thams2thayer.com. N.p., n.d. Web. 17 May 2013. <http://thames2thayer.com/blog/wp-
content/uplaods/2011/06/McCune_Instagram_Dissertation_Draft.pdf>.
Murray, S. “Digital Images, Photo-Sharing, and Our Shifting Notions of Everday Aesthetics.” Journal of
Visual Culture 7.2 (2008): 147-63. Pdf.
Olsson, Thomas, Hannu Soronen, and Kaisa Vaananen-Vainio-Mattila. “User needs and design guidelines
for mobile services for sharing digital life memories.” Proceedings of the 10th international conference
on Human computer interaction with mobile devices and services. ACM, 2008. <http://dl.acm.org/
citation.cfm?id=1409270>.
Text	
  Sources	
  (Work	
  Cited)	
  ConAnued	
  
Slaney, Malcolm, and Jain Ramesh. “Micro Stories and Mega Stories.” MultiMedia, IEEE 20.1
(2013).: 86-90. IEEE Digital Explore. Web. 17 May 2013. <http://ieeexplore.ieee.org/xpls/
abs_all.jsp?arnumber=6461362>.
Van House, Nancy A. “Collocated Photo Sharing, Story-telling, and the Performance of Self.”
International Journal of Human-Computer Studies 67.12 (2009): 1073-086. ScienceDirect.com.
Web. 17 May 2013. <http://www.sciencedirect.com/science/article/pii/S1071581909001256>.
Walter, Ekaterina. “The Rise of Visual Social Media.” FastCmpany 28 Aug. 2012: n. pag. Web. 17
May 2013. <http:www.fastcompany.com/3000794/rise-visual-social-media>.
Winget, Megan. “User-defined classification on the online photo sharing site Flickr…or, how I
learned to stop worrying and love the million typing monkeys.” Advances in Classification
Research Online 17.1 (2006): 1-16 <http://journals.lib.washington.edu/index.php/acro/article/
view/12496>.

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Flipbook.pdf

  • 1. Photo-Sharing: The Everyday Image Image via Ian Britton By:  Katherine  Kopiak  
  • 2. Today, millions of fleeting-moment/experience photos are uploaded to the World Wide Web on a daily basis through sites such as Facebook, Twitter and Flickr and Apps like Instagram. Image via Katherine Kopiak
  • 3. The trend of sharing everyday images marks a shift from capturing and displaying rarefied moments with friends or family in person to capturing the immediate, rather fleeting discoveries and moments and sharing them with a virtual world online. Engaging with the everyday image has become “a more alive, immediate, and often transitory practice” –S. Murray Image via Moyan Brenn Text source (for both text boxes): S. Murray, “Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics.”
  • 4. The transition from film to digital and the introduction of small, high-quality digital cameras and camera-phones has made the display and sharing of digital images with the world at not only possible but also very easy. Image via Katherine Kopiak Text source: Nancy A. Van House, “Collocated Photo Sharing, Story-telling, and the Performance of Self.”
  • 5. But why is the trend so popular? Why do people love to share photos of small, fleeting moments? Images via Katherine Kopiak
  • 6. For one thing, sharing one’s everyday pictures has been considered a strong form of both self-expression and self-presentation, for by doing so, one is showing others what kind of person they are. Image via Scott Cawley Text source: Marc Davis et al. “The social uses of personal photography: methods for projecting future imaging applications.”
  • 7. For instance, by sharing a picture of one’s dinner at a restaurant, one is perhaps showing their peers or viewers that they like going out for dinner or that they are passionate about food. Image via Katherine Kopiak
  • 8. Or, by uploading a picture of one spending time with their pet, someone may be showing their love for that kind of animal. Image via Katherine Kopiak
  • 9. All of these instances, though many scholars have deemed them insignificant, are all important micro-stories about someone that eventually build up to “represent data that we can then assemble into mega-stories about our lives” –Malcolm Slaney and Jain Ramesh Image via H is for Home Text Source: Malcolm Slaney and Jain Ramesh, “Micro Stories and Mega Stories.”
  • 10. Take Instagram, for instance. One single photo taken from someone’s Instagram account might not say very much about them at all. Image via Katherine Kopiak
  • 11. Several pictures from one’s Instagram library, however, can say a lot about a person. Images via Katherine Kopiak
  • 12. There has been much controversial feedback on the subject of frequent photo-uploading and sharing. Image via Mark Turnauckas
  • 13. For instance, it has been said that with the new photo-sharing trend there comes a “sadness and a longing in the relationship to memory and history that theorists such as Barthes ascribe to traditional photography that is not altogether present in the social construction of popular digital photography and its communities.” –S. Murray “Many feel that such images “lack the traces of the material past that were so much a part of traditional photography” –S. Murray Image  via   Ludie  Cochrane     Text source: S. Murray, “Digital Images, Photo- Sharing, and Our Shifting Notions of Everyday Aesthetics.”
  • 14. For instance, “photos on Facebook profiles have been used by employers and law enforcement to investigate the behaviour of individuals” –Andrew Besmar and Heather Richter Lipford Image via Bala Sivakumar Privacy has also been a large concern. People are worried that since photos collections online show so much about someone’s life, they could be used for unintended purposes.   Text source (for both text boxes): Andrew Besmer and Heather Richter Lipford, “Moving beyond untagging: photo privacy in a tagged world.”
  • 15. Furthermore, the introduction of Google Glasses, that can take pictures with a simple command, are only increasing privacy concerns. “How will we behave in groups when the distraction of the internet is only an eye movement away?” –Charles Arthur Image via M.A. Cabrera Luengo Text source: Charles Arthur, “Google Glass: is it a threat to our privacy?”
  • 16. However, on the other hand, several scholars have embraced the new photo trend. For instance, it has been said that sites like Flickr that have brought millions together by processes such as photo tagging have provided “a workable solution for content organization, use and exploration for many Internet users.”-Megan Winget Image via Heidi Hoopes Text source: Megan Winget, “User-defined classification on the online photo sharing site Flickr…or, how I learned to stop worrying and love the million typing monkeys.”
  • 17. Companies are also benefitting significantly from visual social networking, for “brands can use visual content on their social media to increase engagement and inspire sharing and viral marketing [and…] brands that can rock visual media will find themselves market leaders” -Ekaterina Walter Image via j&tplamanText Source: Ekaterina Walter, “The Rise of Visual Social Media”
  • 18. Most importantly, people enjoy sharing photos as frequently as they do. It has been proven through research that people share photos for some of the following reasons: the joys of sharing with others; the thrill of responses from others; the chance to see through the eyes of others; the therapeutic feelings of healing; and the fun of getting creative. Image via Adam Fagen Text  source:  Zachary  McCune,   “Consumer  ProducAon  in  Social  Media   Networks:  A  Case  Study  of  the   ‘Instagram’  Iphone  App.”  
  • 19. The photo-content shared online contains items that are very valuable to the users that share them and “people appreciate recollection of the past[, present and immediate] events and certain milestones of their lives”-Thomas Olsson et al. Image via Katherine Kopiak Text source: Thomas Olsson et al. “User needs and design guidelines for mobile services for sharing digital life memories.”
  • 20. Ultimately, recording personal moments and memories not only strengthens ties and social bonds but is a universal, fundamentally human phenomenon that people enjoy participating in. Image via Jimmy BrownText source: Thomas Olsson et al. “User needs and design guidelines for mobile services for sharing digital life memories.”
  • 21. Image Credits •  All Images (apart from my own – Katherine Kopiak) are either licensed under the Creative Commons Non- Commercial agreement or the Creative Commons Share-Alike agreement (or both) and sourced from Flickr.
  • 22. Text  Sources  (Works  Cited)   Arthur, Charles. “Google Glass: Is It a Threat to Our Privacy?” The Guardian. N.p., 6 Mar. 2013. Web. 17 May 2013. <http://www.gaurdian.co.uk/tehnology/2013/mar/06/google-glass-threat-to-our-privacy>. Besmer, Andrew, and Heather Richter Lipford. “Moving beyond untagging: photo privacy in a tagged world.” Proceedings of the 28th international conference on Human factors in computing systems. ACM, 2010. <http://dl.acm.org/citation.cfm?is=1753560. Davis, Marc et al. “The social uses of personal photography: methods for projecting future imaging applications.” University of California, Berkeley, Working Papers 3 (2004): 2005. <http:// people.ischool.berkely.edu/~vanhouse/photo_project/pubs/vanhouse_et_al2004b.pdf>. McCune, Zachary. Consumer Production in Social Media Networks: A case Study of the “Instagram” Iphone App. Thams2thayer.com. N.p., n.d. Web. 17 May 2013. <http://thames2thayer.com/blog/wp- content/uplaods/2011/06/McCune_Instagram_Dissertation_Draft.pdf>. Murray, S. “Digital Images, Photo-Sharing, and Our Shifting Notions of Everday Aesthetics.” Journal of Visual Culture 7.2 (2008): 147-63. Pdf. Olsson, Thomas, Hannu Soronen, and Kaisa Vaananen-Vainio-Mattila. “User needs and design guidelines for mobile services for sharing digital life memories.” Proceedings of the 10th international conference on Human computer interaction with mobile devices and services. ACM, 2008. <http://dl.acm.org/ citation.cfm?id=1409270>.
  • 23. Text  Sources  (Work  Cited)  ConAnued   Slaney, Malcolm, and Jain Ramesh. “Micro Stories and Mega Stories.” MultiMedia, IEEE 20.1 (2013).: 86-90. IEEE Digital Explore. Web. 17 May 2013. <http://ieeexplore.ieee.org/xpls/ abs_all.jsp?arnumber=6461362>. Van House, Nancy A. “Collocated Photo Sharing, Story-telling, and the Performance of Self.” International Journal of Human-Computer Studies 67.12 (2009): 1073-086. ScienceDirect.com. Web. 17 May 2013. <http://www.sciencedirect.com/science/article/pii/S1071581909001256>. Walter, Ekaterina. “The Rise of Visual Social Media.” FastCmpany 28 Aug. 2012: n. pag. Web. 17 May 2013. <http:www.fastcompany.com/3000794/rise-visual-social-media>. Winget, Megan. “User-defined classification on the online photo sharing site Flickr…or, how I learned to stop worrying and love the million typing monkeys.” Advances in Classification Research Online 17.1 (2006): 1-16 <http://journals.lib.washington.edu/index.php/acro/article/ view/12496>.