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ANALYSIS OF
   TEXAS
 CHAINSAW
 MASSACRE
EDITING
- Jumpcuts
- Slow-paced – makes you wonder when things
are going to happen, creates
suspense, something may jump out to scare
you
- Fast-paced – makes the film jumpy, this
speeds up the action (people getting stabbed
and sawed)
MISE EN-SCENE
Lighting
- Harsh, dark lighting
Make-up
-Blood EVERYWHERE!
Props
-Weapons – chainsaw, knife, gun, axe
- Bear trap (treating him as an animal)
Costume
-Girls – tight, white, t shirts, tight jeans, shows belly, hair down, pretty girls
(conventional) – male gaze
-Police outfits – power, status
-Chainsaw guy dressed in black with a mask (we can’t see him, creates enigma)
Location
-Woods
-Isolated Building
-Abandoned House
SOUND
Diegetic
- Ambient – weapons etc
- Footsteps – creates shock
- Screaming, screeching – creates terror/fear
- Heavy breathing – creates panic
- Chainsaw
Non-Diegetic
- Sinister, slow paced background music
- Happy music with the teenagers in the car at
  the beginning (equilibrium)
SOUND CONTINUED
Contrapuntal
-”hush little baby” lullaby playing while at the
same time the guy is being beaten up – sinister
music is also playing at the same time (makes it
more horrific for the viewers)
Sound Bridge
- He’s cleaning her, then she screams, then it
cuts to the long shot of the house and the
scream continues (this creates a lasting
effect, meaning that the viewers will be more
terrified)
CAMERA ANGLES
- Handheld camera – in the car near
  beginning, this creates realism, feeling
  of terror, unknown
- Low angles – on sheriff, we are looking
  up to him, this emphasizes his power
  and control over the characters and
  us, as viewers
- High angles – girl on floor, low status
  and very weak
THEORY
Laura Mulvey’s Theory
- The girls are sexually objectified at the
  beginning, kissing etc
- Active, passive – active males, we identify
  with males and then active, passive
  switches, shifts after crash and we begin to
  identify with females.
Claude Levi-Strauss
Narrative matched with pairs of binary
opposites (eg. Good vs evil)
COMPOSITION
-Sally under the table watching the
chainsaw guy making his mask (he is
higher up) – Sally is positioned as low
status and the chainsaw guy is shown to
be of higher status and obviously in
control of the situation
SHOT TYPES (DISTANCES)
-Long shot – We can see the
surroundings, it sets the scene
-Depth of field on the police guy –
makes it harder for the audience to see
what will creep up behind (creates
suspense) – chainsaw guy

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Texas chainsaw

  • 1. ANALYSIS OF TEXAS CHAINSAW MASSACRE
  • 2. EDITING - Jumpcuts - Slow-paced – makes you wonder when things are going to happen, creates suspense, something may jump out to scare you - Fast-paced – makes the film jumpy, this speeds up the action (people getting stabbed and sawed)
  • 3. MISE EN-SCENE Lighting - Harsh, dark lighting Make-up -Blood EVERYWHERE! Props -Weapons – chainsaw, knife, gun, axe - Bear trap (treating him as an animal) Costume -Girls – tight, white, t shirts, tight jeans, shows belly, hair down, pretty girls (conventional) – male gaze -Police outfits – power, status -Chainsaw guy dressed in black with a mask (we can’t see him, creates enigma) Location -Woods -Isolated Building -Abandoned House
  • 4. SOUND Diegetic - Ambient – weapons etc - Footsteps – creates shock - Screaming, screeching – creates terror/fear - Heavy breathing – creates panic - Chainsaw Non-Diegetic - Sinister, slow paced background music - Happy music with the teenagers in the car at the beginning (equilibrium)
  • 5. SOUND CONTINUED Contrapuntal -”hush little baby” lullaby playing while at the same time the guy is being beaten up – sinister music is also playing at the same time (makes it more horrific for the viewers) Sound Bridge - He’s cleaning her, then she screams, then it cuts to the long shot of the house and the scream continues (this creates a lasting effect, meaning that the viewers will be more terrified)
  • 6. CAMERA ANGLES - Handheld camera – in the car near beginning, this creates realism, feeling of terror, unknown - Low angles – on sheriff, we are looking up to him, this emphasizes his power and control over the characters and us, as viewers - High angles – girl on floor, low status and very weak
  • 7. THEORY Laura Mulvey’s Theory - The girls are sexually objectified at the beginning, kissing etc - Active, passive – active males, we identify with males and then active, passive switches, shifts after crash and we begin to identify with females. Claude Levi-Strauss Narrative matched with pairs of binary opposites (eg. Good vs evil)
  • 8. COMPOSITION -Sally under the table watching the chainsaw guy making his mask (he is higher up) – Sally is positioned as low status and the chainsaw guy is shown to be of higher status and obviously in control of the situation
  • 9. SHOT TYPES (DISTANCES) -Long shot – We can see the surroundings, it sets the scene -Depth of field on the police guy – makes it harder for the audience to see what will creep up behind (creates suspense) – chainsaw guy