Searching the Future: The Sematic Library

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Trendspotting II Connecticut Library Consortium October 20, 2006

Tecnologia Educação

Searching the Future: The Semantic Library

John Blyberg
Ann Arbor District Library

Trendspotting II
Connecticut Library Consortium
October 20, 2006

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

Searching the Future: The Sematic Library

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DALLAS MUSEUM OF ART CRITICAL / GALLERY REVIEW “Painting is a state of being….Painting is self-discovery. Every good artist paints what he is.” Jackson Pollock (1912-56) I chose to write Part 1 of the Museum Critical Review about “Portrait and a Dream” by Jackson Pollock (1953). The contemporary artwork is very large, but not uncommon for Pollock, measuring 58 ½ x 134 ¾ inches with oil and enamel on canvas as the medium. The artwork was observed by myself at the Dallas Museum of Art on October 25, 2014 in the Marguerite and Robert Hoffman Galleries on the 1st Floor. The image on the right side of the canvas has been interpreted as Jackson Pollock's self-portrait, perhaps partially obscured by some kind of mask. A similar face appeared in numerous drawings Pollock created over the years, which many critics have suggested relates to his experiences with Jungian analysis, a branch of psychiatry that regards some symbols as universally present in the human subconscious. On the left, an image of a sketchily painted reclining female figure may embody the "dream" of the painting's title. (1) “Portrait and a Dream” by Jackson Pollock (1953). https://www.dma.org/collection/search?location_on_view_exact=marguerite%20and%20robert%20hoffman%20galleries https://www.dma.org/collection/search?location_on_view_exact=marguerite%20and%20robert%20hoffman%20galleries In Portrait and a Dream, Pollock experiments with the figure yet retained the freedom of line and composition he perfected in his abstract work. He said part of this "dream" denoted "the dark side of the moon". Pollock’s painting is a diptych on a solid white ground. The left-hand side is an abstract black and white drip painting; the right-hand is a figural self-portrait, attacked with color, and carefully drawn. This may relate to the historical association of symbolic visual imagery with Jungian thematic. Analytical psychology, or Jungian psychology, emphasizes the primary importance of the individual psyche and the personal quest for wholeness. (2) To me, this is very reminiscent of the Classicism Greek art with it’s since of perfection in the human body. Within the elements of art, I can visually observe shape, form, value, lines and curves, color, space relating to the background and foreground, and if you view it closely you can see the artwork has texture from the thick paint on the canvas. Referring to the principles of art, I observed movement, harmony in the all over lines style of painting, variety in the use of color, symmetrical balance between the 2 figures on the canvas, and repetition. “Me, Sommer Taylor, Being Jackson Pollock” Like hundreds of artists since the early Renaissance, and probably from even before then, the true meaning of Jackson Pollock’s paintings is not made apparent for the average art lover because, like difficult poetry and even Christ’s teachings, it is hidden from the masses behind the colorful and.

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