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Set up, maintain, and
dismantle plant displays
        Unit 21035
Site Constraints
 Growing Media
 Drainage
 Shelter
 Sun/Shade
Growing Media
 Is there growing media on site?
 Can media be brought in?
 How is the media contained?
 Do surfaces need protecting?
Drainage
 Are there any natural drainage problems?
 Where will the irrigation water go?
Shelter
 Is there shelter from the wind?
 Is there shelter from the rain?
Sun/Shade
 Too sunny?
 Too shady?
 Do we need to provide shade?
 How does this effect plant selection?
Types of Display
 Permanent planting
 Seasonal planting
 Staged container plants
 Planted in a growing medium
 Indoor
 Outdoor
Display Areas
 Permanent beds
 Containers
 Tiered benches
 Hanging baskets
Staging
 Staging, benches, stands
 Growing medium
 Supporting structures
 Waterproof membranes
 Display aids
     Rocks, gravels, mulches
     Labels, interpretative material
     Edging
Maintenance
 Watering
 Picking over
 Fertilising
 Rotation or replacement of plants
 Staking
 Pruning
 Mulching
 Plant health
Plant Health
 Pests
 Diseases
 Physiological disorders
     Light
     Temperature
     Water
     Draughts/winds
Dismantle
 Leave the area clean, tidy and ready for
 the next use

   Transport?
Elements of Design
 Colour
 Form
 Texture
Principles of Design
 Unity/Harmony
 Rhythm or line
 Balance - Symmetry or Asymmetry
 Dominance/Emphasis or Focal Area
 Scale
 Proportion
 Contrast
Elements of Design
The elements of design are components or
parts of a design which can be isolated and
defined in any design or work of art.
Colour
Primary colours:

   Red
   Blue
   Yellow
Colour
Secondary colours:

    Orange
    Green
    Violet


Are a combination of two primary colours
Colour
Tertiary colours:

Are a fusion of one primary and one
secondary colour.

Are between the primary and secondary
colours on the colour wheel
Colour
Tint:

Tint refers to a light value and is
accomplished by adding white to the pure
colour on the colour wheel
Colour
Shade:

Shade is a dark value and is created by
adding black to the pure colour on the colur
wheel.
A Colour Wheel


                 Source: ‘Basic Principles of Landscape Design’
                 Dewayne L. Ingram
Colour Schemes
Colours are combined into colour schemes
for practical applications
Colour Schemes
 Monochromatic
 Analogous
 Complementary
Colour Schemes
Monochromatic:

A monochromatic colour scheme consists of
different tints and shades of one colour
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Colour Schemes
Analogous:

An analogous colour scheme combines
colours which are side-by-side on the colour
wheel
Photo courtesy of Kim Thomas
Colour Schemes
Complementary:

A complementary colour scheme combines
colours directly across the colour wheel
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Colour and Perspective
Warm colours like red, orange and yellow
advance an object towards the observer.

Cool colours recede, and can appear further
away from the observer.
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Colours and Mood
Cool colours are restful

Warm colours suggest action
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Form
Form can be discussed in terms of individual
plant growth habits or as a the plant
arrangement.
Form
Examples:

     Upright
     Columnar
     Spreading
     Weeping
Form refers to the shape and structure of a plant or mass of
plants

                                       Source: ‘Basic Principles of Landscape Design’
                                       Dewayne L. Ingram
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Space
The character of space around an object can
distract, focus, or alter our impression.

A cluttered background tends to dimish the
importance of the object, while a plain
background draws attention to it.
Texture
Texture describes the surface quality of an
object that can be seen or felt.
Texture
Examples:

     Coarse
     Medium
     Fine
     Smooth
     Rough
     Glossy
     Dull
Plant Texture


                Source: ‘Basic Principles of Landscape Design’
                Dewayne L. Ingram
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Principles of Design
The principles of design are concepts used
to organise the elements of design.
Contrast
Contrast adds interest and can be achieved
using various design elements

Examples

    Colour
    Form
    Texture
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Rhythm
Rhythm is achieved when the elements of
design create a feeling of motion which
leads the viewer’s eye through the design.

Examples:

    Colour
    Line
    Form
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Rhythm
As a creator of a plant display you will be
able to evoke a feeling of ordered rhythm
and purpose when the same theme, feature
or pattern is repeated in a design.
Line
Line is related to eye movement or flow.

Line is also created vertically by changes in plant
height.

      Straight lines tend to be forceful and direct the eye to a
      point faster than curved lines.

      Curved or free-flowing lines are graceful and gentle,
      creating a relaxing more natural feeling.
Line is created by the way that plants fit or flow together


                                       Source: ‘Basic Principles of Landscape Design’
                                       Dewayne L. Ingram
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Balance
Balance refers to the balance of visual
attraction.

    Symmetrical balance is achieved when one
    side of the design is a mirror image of the
    other side.

    Asymetrical balance uses different design
    elements to balance visual attraction
Balance refers to equilibrium or equity of visual attraction


                                       Source: ‘Basic Principles of Landscape Design’
                                       Dewayne L. Ingram
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Scale
Scale refers to the size of the design in
relation to the surroundings.
The size of plantings compared to human scale must be
considered

                                    Source: ‘Basic Principles of Landscape Design’
                                    Dewayne L. Ingram
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Proportion
Proportion refers to the size of parts the
design in relation to each other and to the
design as a whole.
Photo courtesy of Kim Thomas
One large tree may compliment an office building but dwarf
a single storey house

                                    Source: ‘Basic Principles of Landscape Design’
                                    Dewayne L. Ingram
Focal Area and Emphasis
Focal Area or Focalisation involves leading of
visual observation towards a feature by
placement of this feature at the vanisihing
point between lines.

Straight lines create stonger focalisation
than curved lines.
Straight lines create strong focalisation when compared to
curved lines

                                      Source: ‘Basic Principles of Landscape Design’
                                      Dewayne L. Ingram
Emphasis (top) or Focalise (bottom)


                                      Source: ‘Basic Principles of Landscape Design’
                                      Dewayne L. Ingram
Repetition
Repetition refers to the repeated use of
features like plant or objects that share an
identical shape, line, form, color, and
texture.

If it is used well it will give a sense of unity.
Photo courtesy of Kim Thomas
Repetition
Using too much repetition may create a
sense of monotony.

Too much variety in a display will create a
cluttered,busy feel which is not relaxing.
Photo courtesy of Kim Thomas
Sequence
Sequence is the repetition of similar but not
identical plants, surfaces, colour or objects
used in a display.
Photo courtesy of Kim Thomas
Simplicity
Simplicity compliments repetition and is
best achieved by getting rid of unnecessary
detail.
Simplicity
If a design contains too much detail or
variety then it will evoke a feeling of
confusion.

If a designer can reduce a display to a
simple yet functional and attractive design
then the objective is fulfilled.
Photo courtesy of Kim Thomas
Unity
Unity is the underlying principle that
summarises all of the principles and
elements of design.
Unity
Unity is obtained by the effective use of
components in a design to express a main
idea through consistent style.

Everything selected for a design must
complement the central scheme and must,
above all, serve some functional purpose.
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
Photo courtesy of Kim Thomas
References

‘Basic Principles of Landscape Design’
Ingram, D.L.

‘Art, Design, and Visual thinking’
Cornell University

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