SlideShare uma empresa Scribd logo
1 de 18
PLAY PRODUCTION

    Miguel Luis Narcida
   Ramon Kristoff Locsin
   Robert Martin Puerta
   Mark Isaiah Karl Ciocon
Theatre presupposes collaborative
modes of production and a collective
form of reception.
     The structure of dramatic texts is
directly influenced by this collaborative
production        and       collaborative
production.
Production involves
contributions FROM:
• Playwright
• Director
• Actors
• Production team
The technical aspects of
theatrical production are described
collectively as “STAGECRAFT”.
     Stagecraft is considered a
technical rather than an artistic
field. This distinguishes it from the
more recent, wilder discipline of
scenography.
Stagecraft may be implemented by
any number of workers. The modern
form of stagecraft is highly technical
and specialized.
    Regional theatres and larger
community theatres will generally have
a technical director and a complement
of designers.
STEPS TO TAKE IN
PLAY PRODUCTION
1. Find your play
a. Hire a script writer.
b. Write your own script.
c. Buy a script from a script selling facility.
2. Find a director
- You must find a director suitable for the

     play. Take note of their genre

     specialties.
3. Choose a cast
-   Actors and actresses may be
    chosen through
    readings/auditions.
Note: If there is music and/or dance
    involved, you will also need to
    selected a choreographer and a
    musical director.
4. Prepare the venue
-Before starting with the rehearsals, one

     must have already prepared the

     venue for these practices and the

     actual play.
La Scala de Milan; Milan, Italy




Tanghalang Aurelio Tolentino
5. Allow the cast to rehearse
- Give the actors and other artists their

     scripts/songs/dance sequences (Optional)

     and a chance to perform their roles before

     the actual play.
6. Create the set
- Find a set designer and stage manager to

     engage    the    people    involved    in

     creating the overall setting of the play.
7. Find a costumer
- A costumer should be assigned to make

     sure   that   everyone   is   dressed

     appropriately and that the costumes

     are designed according to the needs

     of the character.
8. Hire make-up and hair
          personnel
- These people are needed to create the

     “LOOK” which suits the need of each

     character.
9. Final rehearsal
- Keep watch on everything that goes on in

     the play. Make sure that the play

     captures the overall vision of the

     director.
10. Advertise
-   Try to find ways to spread news of

    your play.

-   Ex. TV, radio, and other types of

    media.
THE END!!! :DDDD



GOD BE THE GLORY!!!
      O:))))))

Mais conteúdo relacionado

Mais procurados

Teacher presentation
Teacher presentationTeacher presentation
Teacher presentation
millerpas
 
Drama terms
Drama termsDrama terms
Drama terms
grieffel
 
Greek Drama Powerpoint2
Greek Drama Powerpoint2Greek Drama Powerpoint2
Greek Drama Powerpoint2
jfelton2
 
Chapter 12: The Musical
Chapter 12: The MusicalChapter 12: The Musical
Chapter 12: The Musical
garrets
 
Origin and development of drama athens to medieval
Origin and development of drama  athens to medievalOrigin and development of drama  athens to medieval
Origin and development of drama athens to medieval
Abdel-Fattah Adel
 

Mais procurados (20)

Theatre styles
Theatre styles Theatre styles
Theatre styles
 
Greek Theatre
Greek TheatreGreek Theatre
Greek Theatre
 
The types of drama
The types of dramaThe types of drama
The types of drama
 
Introduction to Drama
Introduction to DramaIntroduction to Drama
Introduction to Drama
 
Teacher presentation
Teacher presentationTeacher presentation
Teacher presentation
 
Elements of drama
Elements of dramaElements of drama
Elements of drama
 
Greek theatre
Greek theatreGreek theatre
Greek theatre
 
Greek theatre
Greek theatreGreek theatre
Greek theatre
 
Drama terms
Drama termsDrama terms
Drama terms
 
Drama
DramaDrama
Drama
 
DRAMA powerpoint presentation.
DRAMA powerpoint presentation.DRAMA powerpoint presentation.
DRAMA powerpoint presentation.
 
Greek Drama Powerpoint2
Greek Drama Powerpoint2Greek Drama Powerpoint2
Greek Drama Powerpoint2
 
Modern theater
Modern theaterModern theater
Modern theater
 
Chapter 12: The Musical
Chapter 12: The MusicalChapter 12: The Musical
Chapter 12: The Musical
 
Drama
DramaDrama
Drama
 
Artaud
ArtaudArtaud
Artaud
 
Drama (History from Greek to Medieval)
Drama (History from Greek to Medieval)Drama (History from Greek to Medieval)
Drama (History from Greek to Medieval)
 
Origin and development of drama athens to medieval
Origin and development of drama  athens to medievalOrigin and development of drama  athens to medieval
Origin and development of drama athens to medieval
 
Elements of drama
Elements of dramaElements of drama
Elements of drama
 
Commedia Dell'arte
Commedia Dell'arteCommedia Dell'arte
Commedia Dell'arte
 

Destaque

Theatrical Improvisation Final Slides
Theatrical Improvisation Final SlidesTheatrical Improvisation Final Slides
Theatrical Improvisation Final Slides
AnnaMcGahey
 
Script - Role Play.
Script - Role Play.Script - Role Play.
Script - Role Play.
renee
 

Destaque (15)

Stagecraft presentation
Stagecraft presentationStagecraft presentation
Stagecraft presentation
 
Finer Noble Gases
Finer Noble Gases Finer Noble Gases
Finer Noble Gases
 
Improv games
Improv gamesImprov games
Improv games
 
Theatrical Improvisation Final Slides
Theatrical Improvisation Final SlidesTheatrical Improvisation Final Slides
Theatrical Improvisation Final Slides
 
Singers senstion group 4 areas that teach
Singers senstion group 4 areas that teachSingers senstion group 4 areas that teach
Singers senstion group 4 areas that teach
 
Basic rules of improvisational theater
Basic rules of improvisational theaterBasic rules of improvisational theater
Basic rules of improvisational theater
 
Roles in Stage Production
Roles in Stage ProductionRoles in Stage Production
Roles in Stage Production
 
"Sprites' Fair" (script) (musical)
"Sprites' Fair" (script) (musical)"Sprites' Fair" (script) (musical)
"Sprites' Fair" (script) (musical)
 
Rules of improvisation
Rules of improvisationRules of improvisation
Rules of improvisation
 
Script of English Musical Drama, Beauty and The Beast
Script of English Musical Drama, Beauty and The BeastScript of English Musical Drama, Beauty and The Beast
Script of English Musical Drama, Beauty and The Beast
 
Filipino script (nena at neneng)
Filipino script (nena at neneng)Filipino script (nena at neneng)
Filipino script (nena at neneng)
 
roleplay in the classroom
roleplay in the classroomroleplay in the classroom
roleplay in the classroom
 
MUSIC and ARTS Gr. 10 Learner's Module Quarter 1 to 4 complete
MUSIC and ARTS Gr. 10 Learner's Module   Quarter 1 to 4 completeMUSIC and ARTS Gr. 10 Learner's Module   Quarter 1 to 4 complete
MUSIC and ARTS Gr. 10 Learner's Module Quarter 1 to 4 complete
 
Script - Role Play.
Script - Role Play.Script - Role Play.
Script - Role Play.
 
Script high school musical
Script high school musicalScript high school musical
Script high school musical
 

Semelhante a Stagecraft

Online09 chapter 6
Online09 chapter 6Online09 chapter 6
Online09 chapter 6
jengoff13
 
Chapter 8: The Art of Directing
Chapter 8: The Art of DirectingChapter 8: The Art of Directing
Chapter 8: The Art of Directing
garrets
 
Btech production bridging work
Btech production bridging workBtech production bridging work
Btech production bridging work
Alannajade
 
How an artefact is made
How an artefact is madeHow an artefact is made
How an artefact is made
abigail270595
 
ARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptx
ARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptxARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptx
ARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptx
MaryLouiseCilosBlanc
 

Semelhante a Stagecraft (20)

Online09 chapter 6
Online09 chapter 6Online09 chapter 6
Online09 chapter 6
 
Roles in theatre
Roles in theatreRoles in theatre
Roles in theatre
 
Philippine Literature- History of Theatre and the Production Play
Philippine Literature- History of Theatre and the Production PlayPhilippine Literature- History of Theatre and the Production Play
Philippine Literature- History of Theatre and the Production Play
 
we
wewe
we
 
Chapter 8: The Art of Directing
Chapter 8: The Art of DirectingChapter 8: The Art of Directing
Chapter 8: The Art of Directing
 
ARTS 10 CO 2021-2022.pptx
ARTS 10 CO 2021-2022.pptxARTS 10 CO 2021-2022.pptx
ARTS 10 CO 2021-2022.pptx
 
Sata report
Sata reportSata report
Sata report
 
Musical-theater-IV.pptx
Musical-theater-IV.pptxMusical-theater-IV.pptx
Musical-theater-IV.pptx
 
Job roles
Job rolesJob roles
Job roles
 
The Director and the Producer
The Director and the ProducerThe Director and the Producer
The Director and the Producer
 
ArtsQ4-Copy.pptx
ArtsQ4-Copy.pptxArtsQ4-Copy.pptx
ArtsQ4-Copy.pptx
 
Stage production
Stage productionStage production
Stage production
 
PRODUCTION PLANNING
PRODUCTION PLANNINGPRODUCTION PLANNING
PRODUCTION PLANNING
 
Btech production bridging work
Btech production bridging workBtech production bridging work
Btech production bridging work
 
The director as collaborator
The director as collaboratorThe director as collaborator
The director as collaborator
 
How an artefact is made
How an artefact is madeHow an artefact is made
How an artefact is made
 
ARTS W6-Q4 May 29-June 2,2023. DIFFERENT ROLES IN PLAY PRODUCTIONpptx
ARTS W6-Q4 May 29-June 2,2023. DIFFERENT ROLES IN PLAY PRODUCTIONpptxARTS W6-Q4 May 29-June 2,2023. DIFFERENT ROLES IN PLAY PRODUCTIONpptx
ARTS W6-Q4 May 29-June 2,2023. DIFFERENT ROLES IN PLAY PRODUCTIONpptx
 
STA-Lesson-2.pptx
STA-Lesson-2.pptxSTA-Lesson-2.pptx
STA-Lesson-2.pptx
 
ARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptx
ARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptxARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptx
ARTS10 - PHILIPPINE THEATER AND PERFORMING GROUPS.pptx
 
Idiots Guide to Devising ENG
Idiots Guide to Devising ENGIdiots Guide to Devising ENG
Idiots Guide to Devising ENG
 

Mais de Bianca Villanueva

Kaligirang Kasaysayan ng Nobela
Kaligirang Kasaysayan ng NobelaKaligirang Kasaysayan ng Nobela
Kaligirang Kasaysayan ng Nobela
Bianca Villanueva
 
Noli me tangere (kasaysayan at mga Tauhan)
Noli me tangere (kasaysayan at mga Tauhan)Noli me tangere (kasaysayan at mga Tauhan)
Noli me tangere (kasaysayan at mga Tauhan)
Bianca Villanueva
 
Paragraph Development by Analogy
Paragraph Development by AnalogyParagraph Development by Analogy
Paragraph Development by Analogy
Bianca Villanueva
 

Mais de Bianca Villanueva (20)

The Rise of Filipino Nationalism
The Rise of Filipino NationalismThe Rise of Filipino Nationalism
The Rise of Filipino Nationalism
 
Kaligirang Kasaysayan ng Nobela
Kaligirang Kasaysayan ng NobelaKaligirang Kasaysayan ng Nobela
Kaligirang Kasaysayan ng Nobela
 
Noli me tangere (kasaysayan at mga Tauhan)
Noli me tangere (kasaysayan at mga Tauhan)Noli me tangere (kasaysayan at mga Tauhan)
Noli me tangere (kasaysayan at mga Tauhan)
 
World War II
World War IIWorld War II
World War II
 
Cycle of Indebtedness
Cycle of IndebtednessCycle of Indebtedness
Cycle of Indebtedness
 
Word War II Causes
Word War II CausesWord War II Causes
Word War II Causes
 
Conservatism
ConservatismConservatism
Conservatism
 
Kabanata 56
Kabanata 56Kabanata 56
Kabanata 56
 
Paragraph Development by Analogy
Paragraph Development by AnalogyParagraph Development by Analogy
Paragraph Development by Analogy
 
Narrative Essays
Narrative Essays Narrative Essays
Narrative Essays
 
Elements of a Paragraph
Elements of a ParagraphElements of a Paragraph
Elements of a Paragraph
 
Comparison and Contrast
Comparison and ContrastComparison and Contrast
Comparison and Contrast
 
Cause and Effect
Cause and Effect Cause and Effect
Cause and Effect
 
Anti Climactic
Anti ClimacticAnti Climactic
Anti Climactic
 
Persuasive Essays
Persuasive EssaysPersuasive Essays
Persuasive Essays
 
Loving Our Christian Family
Loving Our Christian FamilyLoving Our Christian Family
Loving Our Christian Family
 
Making Moral Decisions
Making Moral DecisionsMaking Moral Decisions
Making Moral Decisions
 
Mariology
MariologyMariology
Mariology
 
Contributions of Greek Civilization
Contributions of Greek CivilizationContributions of Greek Civilization
Contributions of Greek Civilization
 
Athens
AthensAthens
Athens
 

Stagecraft

  • 1. PLAY PRODUCTION Miguel Luis Narcida Ramon Kristoff Locsin Robert Martin Puerta Mark Isaiah Karl Ciocon
  • 2. Theatre presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts is directly influenced by this collaborative production and collaborative production.
  • 3. Production involves contributions FROM: • Playwright • Director • Actors • Production team
  • 4. The technical aspects of theatrical production are described collectively as “STAGECRAFT”. Stagecraft is considered a technical rather than an artistic field. This distinguishes it from the more recent, wilder discipline of scenography.
  • 5. Stagecraft may be implemented by any number of workers. The modern form of stagecraft is highly technical and specialized. Regional theatres and larger community theatres will generally have a technical director and a complement of designers.
  • 6. STEPS TO TAKE IN PLAY PRODUCTION
  • 7. 1. Find your play a. Hire a script writer. b. Write your own script. c. Buy a script from a script selling facility.
  • 8. 2. Find a director - You must find a director suitable for the play. Take note of their genre specialties.
  • 9. 3. Choose a cast - Actors and actresses may be chosen through readings/auditions. Note: If there is music and/or dance involved, you will also need to selected a choreographer and a musical director.
  • 10. 4. Prepare the venue -Before starting with the rehearsals, one must have already prepared the venue for these practices and the actual play.
  • 11. La Scala de Milan; Milan, Italy Tanghalang Aurelio Tolentino
  • 12. 5. Allow the cast to rehearse - Give the actors and other artists their scripts/songs/dance sequences (Optional) and a chance to perform their roles before the actual play.
  • 13. 6. Create the set - Find a set designer and stage manager to engage the people involved in creating the overall setting of the play.
  • 14. 7. Find a costumer - A costumer should be assigned to make sure that everyone is dressed appropriately and that the costumes are designed according to the needs of the character.
  • 15. 8. Hire make-up and hair personnel - These people are needed to create the “LOOK” which suits the need of each character.
  • 16. 9. Final rehearsal - Keep watch on everything that goes on in the play. Make sure that the play captures the overall vision of the director.
  • 17. 10. Advertise - Try to find ways to spread news of your play. - Ex. TV, radio, and other types of media.
  • 18. THE END!!! :DDDD GOD BE THE GLORY!!! O:))))))