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A SERVANT TO TWO
MASTERS
Exam Success Guaranteed
(if you do as you’re told!)
JUSTIFIED CASTING DECISIONS
 Your casting decisions should be brief – approximately one
short(ish) paragraph for a character or a long(ish) paragraph for two.
 Casting decisions should be linked explicitly to the focus of the
question- e.g. “to bring out comedy” or “To elicit sympathy”
 Casting decisions should include physical, vocal and facial qualities
 Casting decisions should NOT name famous actors
 Costume ideas are NOT part of casting decisions
AUDIENCE RESPONSE
Questions that ask you to „consider the audience response‟ that you
want to elicit are very common on this question
 Audience response means what the audience feels towards a character
or event, for example, sympathy, pity, contempt, amusement.
 It is NOT what you want to show the audience, or what the audience
perceive about the character, for example, she is strong or wise or
virtuous.
CREATION OF COMEDY
 Almost bound to be asked in some form (You may be making
amusement your preferred audience response!)
 You must be able to give your own ideas about how to make
comedy through interpreting the text and what you do with it!
 Sue Sue …wants developed and detailed suggestions for the
creation of comedy
 She doesn’t want theoretical analysis of commedia
QUESTIONS W ITH A SPECIFIC BR IEF
 If you get a question which demands a specific approach e.g.
“How would you play Florindo to elicit sympathy from the audience?”
you must meet that brief or you‟ll fail ( and I‟ll be mad!)
 You need to be flexible in the exam and adapt your ideas to meet
the precise needs of the question!
 We all know why people fail A levels, because they don‟t ………..!!

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A SERVANT TO TWO MASTERS

  • 1. A SERVANT TO TWO MASTERS Exam Success Guaranteed (if you do as you’re told!)
  • 2. JUSTIFIED CASTING DECISIONS  Your casting decisions should be brief – approximately one short(ish) paragraph for a character or a long(ish) paragraph for two.  Casting decisions should be linked explicitly to the focus of the question- e.g. “to bring out comedy” or “To elicit sympathy”  Casting decisions should include physical, vocal and facial qualities  Casting decisions should NOT name famous actors  Costume ideas are NOT part of casting decisions
  • 3. AUDIENCE RESPONSE Questions that ask you to „consider the audience response‟ that you want to elicit are very common on this question  Audience response means what the audience feels towards a character or event, for example, sympathy, pity, contempt, amusement.  It is NOT what you want to show the audience, or what the audience perceive about the character, for example, she is strong or wise or virtuous.
  • 4. CREATION OF COMEDY  Almost bound to be asked in some form (You may be making amusement your preferred audience response!)  You must be able to give your own ideas about how to make comedy through interpreting the text and what you do with it!  Sue Sue …wants developed and detailed suggestions for the creation of comedy  She doesn’t want theoretical analysis of commedia
  • 5. QUESTIONS W ITH A SPECIFIC BR IEF  If you get a question which demands a specific approach e.g. “How would you play Florindo to elicit sympathy from the audience?” you must meet that brief or you‟ll fail ( and I‟ll be mad!)  You need to be flexible in the exam and adapt your ideas to meet the precise needs of the question!  We all know why people fail A levels, because they don‟t ………..!!