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Pike
‘Ted Hughes’
Ted Hughes reading ‘Pike’
Pike, three inches long, perfect
Pike in all parts, green tigering the gold.
Killers from the egg: the malevolent aged grin.
They dance on the surface among the flies.
Or move, stunned by their own grandeur,
Over a bed of emerald, silhouette
Of submarine delicacy and horror.
A hundred feet long in their world.
In ponds, under the heat-struck lily pads-
Gloom of their stillness:
Logged on last year's black leaves, watching upwards.
Or hung in an amber cavern of weeds
The jaws' hooked clamp and fangs
Not to be changed at this date:
A life subdued to its instrument;
The gills kneading quietly, and the pectorals.
Identify the
positive imagery in
this stanza.
Identify the
negative imagery.
Alliteration
emphasises its
power and
dominance.
Colour imagery/
symbolism?
Look for contrasts
(oxymoron/
juxtaposition) in
the first two
stanzas.
How does the third
stanza suggest
them hiding?
Which words
suggest that?How is the danger
of the pike shown
in the fourth
stanza? Identify all
the words
associated with its
aggressive, predato
rial nature.
What has been
described in these
first four stanzas?
Analogy to tiger?
Imagery
suggesting
death?
Three we kept behind glass,
Jungled in weed: three inches, four,
And four and a half: fed fry to them-
Suddenly there were two. Finally one
With a sag belly and the grin it was born with.
And indeed they spare nobody.
Two, six pounds each, over two feet long
High and dry and dead in the willow-herb-
One jammed past its gills down the other's gullet:
The outside eye stared: as a vice locks-
The same iron in this eye
Though its film shrank in death.
Where does the
scene move to
here?
What is
significant/ guilty
about the ‘sag
belly’.
They cannot be
restricted by
man?
Why did the
number
decrease?
Why does Hughes
repeat the image
of the pike’s ‘grin’?
What does it mean
by ‘they spare
nobody’?
Explore the
negative /
dangerous imagery
here... How does
the pike
seem, even in
death?
Imagery?
Language?
Verbs?
Alliteration?
A pond I fished, fifty yards across,
Whose lilies and muscular tench
Had outlasted every visible stone
Of the monastery that planted them-
Stilled legendary depth:
It was as deep as England. It held
Pike too immense to stir, so immense and old
That past nightfall I dared not cast
But silently cast and fished
With the hair frozen on my head
For what might move, for what eye might move.
The still splashes on the dark pond,
Owls hushing the floating woods
Frail on my ear against the dream
Darkness beneath night's darkness had freed,
That rose slowly toward me, watching.
Where does the
scene move to
here?
How deep is this
pond?
Which words tell
us that this
pond/lake is old?
Why is Hughes
afraid of this
pond?
Repetition?
Which words in the
final two stanzas
indicate the dark
and the stillness of
the place?
What sounds can
he hear?
What could the
pike represent, if
they are not just
fish?

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Ted Hughes' terrifying poem "Pike

  • 2. Ted Hughes reading ‘Pike’
  • 3. Pike, three inches long, perfect Pike in all parts, green tigering the gold. Killers from the egg: the malevolent aged grin. They dance on the surface among the flies. Or move, stunned by their own grandeur, Over a bed of emerald, silhouette Of submarine delicacy and horror. A hundred feet long in their world. In ponds, under the heat-struck lily pads- Gloom of their stillness: Logged on last year's black leaves, watching upwards. Or hung in an amber cavern of weeds The jaws' hooked clamp and fangs Not to be changed at this date: A life subdued to its instrument; The gills kneading quietly, and the pectorals. Identify the positive imagery in this stanza. Identify the negative imagery. Alliteration emphasises its power and dominance. Colour imagery/ symbolism? Look for contrasts (oxymoron/ juxtaposition) in the first two stanzas. How does the third stanza suggest them hiding? Which words suggest that?How is the danger of the pike shown in the fourth stanza? Identify all the words associated with its aggressive, predato rial nature. What has been described in these first four stanzas? Analogy to tiger? Imagery suggesting death?
  • 4. Three we kept behind glass, Jungled in weed: three inches, four, And four and a half: fed fry to them- Suddenly there were two. Finally one With a sag belly and the grin it was born with. And indeed they spare nobody. Two, six pounds each, over two feet long High and dry and dead in the willow-herb- One jammed past its gills down the other's gullet: The outside eye stared: as a vice locks- The same iron in this eye Though its film shrank in death. Where does the scene move to here? What is significant/ guilty about the ‘sag belly’. They cannot be restricted by man? Why did the number decrease? Why does Hughes repeat the image of the pike’s ‘grin’? What does it mean by ‘they spare nobody’? Explore the negative / dangerous imagery here... How does the pike seem, even in death? Imagery? Language? Verbs? Alliteration?
  • 5. A pond I fished, fifty yards across, Whose lilies and muscular tench Had outlasted every visible stone Of the monastery that planted them- Stilled legendary depth: It was as deep as England. It held Pike too immense to stir, so immense and old That past nightfall I dared not cast But silently cast and fished With the hair frozen on my head For what might move, for what eye might move. The still splashes on the dark pond, Owls hushing the floating woods Frail on my ear against the dream Darkness beneath night's darkness had freed, That rose slowly toward me, watching. Where does the scene move to here? How deep is this pond? Which words tell us that this pond/lake is old? Why is Hughes afraid of this pond? Repetition? Which words in the final two stanzas indicate the dark and the stillness of the place? What sounds can he hear? What could the pike represent, if they are not just fish?