1. EL ARTE DEL SIGLO XX 1900 – 1903 EN EL MUNDO Danae,1907/08 GUSTAV KLIMT Vienna, collection Dichand Les Demoiselles d´Avignon, 1907, P icasso Museo de Arte Moderno de Nueva York

4. GRAND PALAIS , PARIS “ Alto, Sr. Presidente, es el deshonor de Francia” Leon Gerome

5. EL PALACIO DE LA ELECTRICIDAD

8. AUGUSTE RODIN (1840 – 1917)

9. Titulo: Puerta del infierno, 1880-1917 Puertas del infierno 1917 ( Bronce. 18 x 12 pies. Museo Rodin. París) Autor: Auguste Francois R. Rodin Museo: Museo de Orsay Caracteristicas: Yeso Presentada incompleta en 1900 “ ¿Acaso están acabadas las catedrales de Francia?” Rodin Pabellón Rodin

10. CAMILLE CLAUDEL (1864 – 1943) SE CONOCEN EN 1882 TERMINAN EN 1898 (15 años de romance) TRABAJA SOLA HASTA 1905 1913 MUERE SU PADRE 1914 ES RECLUIDA POR SU MADRE EN UN SANATORIO DONDE PERMANECE HASTA SU MUERTE “ por haber tratado de ser Camille y mujer, Camille y artista, Camille y amante y libre”, "No he hecho todo lo que he hecho para terminar mi vida engrosando el número de recluidos en un sanatorio, merecía algo más".

18. Titulo: Ensayo de la canción, 1872-74 Autor: Edgar Hilaire Degas Museo: Colección Particular Caracteristicas: Oleo sobre lienzo 81 x 65 cm.

19. Titulo: Pelirroja sentada en un diván, 1897 Autor: Toulouse Lautrec Museo: Colección Particular Características: Oleo sobre cartón 58´5 x 48 cm.

22. Titulo: Almuerzo en el estudio, 1868 Autor: Edouard Manet Museo: Neue Pinakothek , Munich Caracterís ticas: Oleo sobre lienzo 118 x 154 cm.

25. > Las Lanzas Titulo: La Rendición de Breda, 1635 Autor: Velázquez Museo: Museo del Prado Características: Oleo sobre lienzo 307 x 367 cm

26. Titulo: Ciudad a orillas de un río con crepúsculo, 1833 Autor: Joseph M. William Turner Museo: Tate Gallery Características: Acuarela 13,4 x 18,9 cm.

27. Titulo: Las espigadoras, 1857 Autor: Jean-François Millet Museo: Museo de Orsay Características: Oleo sobre lienzo 83 x 110 cm.

28. Titulo: El puente de Nantes, 1868-70 Autor: Camille Corot Museo: Museo Nacional del Louvre Características: Oleo sobre lienzo 38 x 56 cm.

30. Titulo: El Barrio de los Tintoreros en Kanda, 1857 Autor: Hiroshige Caracteristicas: Xilografía Oriental 36´3 x 24´8 cm.

33. Titulo: La Barra del Folies-Bergère, 1881-82 Autor: Edouard Manet Museo: Courtauld Gallery Caracte rísticas: Oleo sobre lienzo 95´2 x 129´5 cm.

37. Gauguin, Paul The White Horse 1898 Oil on canvas 140 x 91 cm (55 1/8 x 35 7/8 in) Musee d'Orsay, Paris

38. Y el oro de su cuerpo… 1901 París, Museo d´Orsay

39. Gauguin, Paul Contes barbares 1902 Oil on canvas 130 x 89 cm Museum Folkwang, Essen

41. Whistler, James Brown and Gold 1895-1900 Oil on canvas 37 3/4 x 20 1/4 in. (95.8 x 51.5 cm) Hunterian Art Gallery, University of Glasgow MASSACHUSSETS,1834 – 1903 “ MIRAME UNOS MINUTOS MAS Y LUEGO SE MIRARA PARA SIEMPRE”

45. Cezanne, Paul Mont Sainte-Victoire Seen from Les Lauves (Le Mont Sainte-Victoire vu des Lauves) 1904-06 Oil on canvas 23 5/8 x 28 3/8 in (60 X 72 cm) Kunstmuseum, Basel Venturi 1529

47. Cezanne, Paul Bathers 1900-1906 Oil on canvas 51 1/4 x 76 3/4 in. (130 x 195 cm.) National Gallery, London Venturi 721 Cezanne, Paul Large Bathers 1899-1906 Oil on canvas 81 7/8 x 98 in (208 x 249 cm) Philadelphia Museum of Art

48. Cezanne, Paul Portrait of Vallier 1906 Oil on canvas 25 5/8 x 21 1/4 in. (65 x 54 cm.) Private collection Venturi 718

49. Cezanne, Paul Still Life with Apples, a Bottle, and a Milk Pot 1902-1906 Watercolor 19 1/8 x 24 7/8 in. Dallas Museum of Art

52. Wassily Kandinsky: Portrait von Gabriele Münter (1905)

54. Little Yellow Horses is one of a series of paintings made by the German artist Franz Marc in the early 1900s. Marc was part of Der Blaue Reiter (The Blue Rider) group, of which Wassily Kandinsky was also a member. Marc believed that animal forms were more beautiful than human ones, and his paintings reflect his philosophical belief in a spiritual connection with nature. Bridgeman Art Library

55. Austrian expressionist painter Egon Schiele exaggerated the bony angularity of the human body, using line to suggest a sense of anxious despair. He painted this charcoal and watercolor self-portrait in 1910, at the age of 20. It is in the Leopold Museum in Vienna, Austria.

56. Nude Descending a Staircase, No. 2 (1912), by French artist Marcel Duchamp, is a synthesis of two modern-art styles: cubism and futurism. In creating this painting, Duchamp may have been influenced by Eadweard Muybridge’s experiments with movement. When it was shown in the famous 1913 Armory Show in New York, the painting created a sensation because it was considered too radical.

57. The Snake Charmer (1907) bears the unmistakable stamp of its creator, Henri Rousseau. The interwoven layering of leaves and flowers that create a perfectly-ordered design, the jungle imagery, and the sense of harmony in nature are characteristic of Rousseau’s work. The large size is also not unusual; the painting is 1.7 x 1.9 m

58. Romanian-born French sculptor Constantin Brancusi chose the egg as the dominant structure for his sculptures. Many of his creations, such as the numerous sculptures he made of Mademoiselle Pogany, share the egg’s smooth, oblong shape and simplicity. Brancusi liked to simplify his subject to its purest and most basic form. He is considered a forerunner of modern abstract sculpture because of his overriding interest in the inner form of his subject rather than its exterior appearance.

59. 1924

62. ESCRITOS Y TEORIAS JUAN GRIS CONFERENCIA EN LA SORBONA “ SOBRE LAS POSIBILIDADES EN LA PINTURA” 15 DE MAYO DE 1924 PARIS

64. 1925

67. 1926

70. ESCRITOS Y TEORIAS MAX ERNST Y VASILY KANDINSKY

73. 1927