ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptx
3000 Presentation 3: Lecture 2 Space Part 2
1. Space in Cinema, Part Two
I’m Ready For My Close-Up
Edward Bowen
MTSU EMC 3000
2. Space
The frame defines and reveals a two-dimensional “slice”
of the world created by the filmmakers.
3. Space
Framing – The size and position of the world and the
subject within the limits of the frame.
The perceived distance relationship of the camera
(viewer) to the subject.
4. Space
Framing
• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate
size of the human head. Abbreviated CU. Variations:
Extreme Close-up, Shoulder shot.
5. Space
Framing
• Close-up:
“We used a lot of close-ups. For me, the close-up is one of
the great inventions of the 20th century; it allows an
audience to sit in a dark room and stare into the eyes of a
person who's emoting without being self-conscious.”
Darren Aronofsky on “Black Swan”
American Cinematographer
11. Technology of Motion Pictures
Framing - Close-up. “La Passion de Jeanne D’Arc”
(1928) Carl Theodor Dreyer
La-Passion-de-Jeanne-D-Arc http://www.youtube.com/watch?v=nAqnUPqj3JY
12. Technology of Motion Pictures
Framing - Close-up. “La Passion de Jeanne D’Arc”
(1928) Carl Theodor Dreyer
Passion of Joan of Arc with Score by Stefan Smulovitz http://youtu.be/ZfarfFukqTM
13. Space
Framing - Close-up. “La Passion de Jeanne D’Arc”
(1928) Carl Theodor Dreyer
“Nothing in the world can be compared to the human face. It
is a land one can never tire of exploring. There is no greater
experience in a studio than to witness the expression of a
sensitive face under the mysterious power of inspiration. To
see it animated from inside, and turning into poetry.”
-Carl Theodor Dreyer, Thoughts on My Craft
http://www.youtube.com/watch?v=nAqnUPqj3JY
14. Space
Framing - Close-up. “A Place in the Sun” (1951) George
Stevens
http://www.youtube.com/watch?v=nAqnUPqj3JY
22. Space
Framing – Close-ups: Extreme Close-up. “Blue Velvet”
(1986) David Lynch
Blue Velvet - The Ear http://youtu.be/W8ap2yco-go
23. Space
Framing – Close-ups: Extreme Close-up. “The Blair Witch
Project” (1999) Daniel Myrick and Eduardo Sánchez
The Blair Witch Project - Apology scene http://youtu.be/Z66RpatHajQ
30. Space
Framing
• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate
size of the human head. Abbreviated CU. Variations:
Extreme Close-up, Shoulder shot.
• Medium Shot (MS): Shows a person’s face and a
significant portion of the person’s body. Variations:
Waist shot, cowboy, knee shot.
39. Space
Framing
• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate
size of the human head. Abbreviated CU. Variations:
Extreme Close-up, Shoulder shot.
• Medium Shot (MS): Shows a person’s face and a
significant portion of the person’s body. Variations:
Waist shot, cowboy, knee shot.
• Full Shot (FS): Shows one or more full human forms
from just below the feet to just above the head.
51. Space
Framing
• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate
size of the human head. Abbreviated CU. Variations:
Extreme Close-up, Shoulder shot.
• Medium Shot (MS): Shows a person’s face and a
significant portion of the person’s body.m Variations:
Waist shot, cowboy, knee shot.
• Full Shot (FS): Shows one or more full human forms
from just below the feet to just above the head.
• Long Shot (LS): Includes more of the environment,
establishing more fully details of the surrounding
mise en scene. Variations: Extreme long shot.
63. Space
Moment by moment, the filmmakers define the visual
perspective, or “angle” of the viewer to the subject in
space.
64. Space
Camera Angle - The position/perspective of the camera
(viewer) to the subject.
65. Space
Camera Angle - The position/perspective of the camera
(viewer) to the subject.
• Eye Level - Camera is placed level with the eyes of the
subject.
66. Space
Camera Angle - The position/perspective of the camera
(viewer) to the subject.
• Eye Level - Camera is placed level with the eyes of the
subject.
• Low Angle - Camera is below the subject looking up on it.
Since this is the child’s perspective of an adult, the low
angle is thought to strengthen the subject. Anyone above
your view is a superior, threatening or dominant.
Use of high and low angle shots in "Scrubs"
http://youtu.be/8V1uE1-wTPs
77. Space
Camera Angle - The position/perspective of the camera (viewer) to
the subject.
• Eye Level - Camera is placed level with the eyes of the subject.
• Low Angle - Camera is below the subject looking up on it. Since
this is the child’s perspective of an adult, the low angle is
thought to strengthen the subject. Anyone above your view is a
superior, threatening or dominant.
• High Angle - Camera is above the subject looking down on it.
Since this is the adult perspective on a child, the high angle is
thought to weaken the subject. Anyone below your view is
subordinate.
83. Space
High Angle
“Footlight Parade” (1933) Lloyd Bacon
Choreography by Busby Berkeley
Busby Berkeley für Footlight Parade Parade im Rampenlicht USA 1933
http://youtu.be/fRWKCaVk808
84. Space
High Angle
“Golddiggers of 1935” (1935) Busby Berkeley
SEE-200-BUSBY-BERKELEY--dance2--LULLUBY-OF-BROADWAY-35
http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=319165
85. Space
High Angle
“Psycho” (1960) Alfred Hitchcock
Psycho (10/12) Movie CLIP - Arbogast Meets Mother (1960) HD http://youtu.be/5bieIiX5KLQ
93. Perspective
Canted / Dutch / Oblique Angle
http://www.tcm.com/mediaroom/video/116306/Third-Man-The-Movie-Clip-What-Kind-Of-A-Spy-.html
“The Third Man” (1949) Carol Reed
94. Perspective
Canted / Dutch / Oblique Angle
“The Third Man” (1949) Carol Reed
The Third Man - Lime's Introduction http://youtu.be/jeJVNQ4ngfo
95. Space
Canted / Dutch / Oblique Angle
“Batman” (1966) Leslie H. Martinson
Batman--Kicking-Ass http://video.google.com/videoplay?docid=-3016507337716192329#