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A la lumiEre
Enguerran Borter
HISTOIRE DES ARTS 5
Info-Com L2G2
DEpartement Communication-HypermEdia
IAE Savoie Mont-Blanc
UniversitE Savoie Mont-Blanc
2014-2015
Glitchy DANCE
A LA LUMIERE
Enguerran Borter
HISTOIRE DES ARTS 5
Info-Com L2G2
DEpartement Communication-HypermEdia
IAE Savoie Mont-Blanc
UniversitE Savoie MonT-Blanc
2014-2015
EXPLICATION
Danslecadredelaréalisationdeceprojet,A lalumière,j’aipriscommepointdedépartunprocédétech-
niquequejesouhaitaisutiliser,ledatabending,c’est-à-direlamanipulationdesdonnéesd’unfichiermé-
dia (ici deux vidéos au format .AVI non compressé), en utilisant un logiciel destiné à la base à l’édition de
fichiersd’uneautrenature(iciAudacity,logicieldemontagesonore).Ils’agissaitalorsd’importermesfi-
chiersvidéossousformesdedonnéesbrutesdansAudacity,lesrendantalorssousformesdespectres
audio. Les modifications alors appliquées sont le résultat d’effets audio (écho, reverse, filtre passe-
haut, passe-bas, tremolo, etc…) et de la fusion des deux spectres audios des deux vidéos en une seule.
Le rapport avec le sujet, à savoir la façon dont la lumière agit sur la figure dans l’espace, in-
tervient alors par la façon dont les effets lumineux et de couleurs vont déformer et altérer la
figure de la danseuse et l’espace dans lequel elle se trouve, créant ainsi presque un nou-
vel espace, un nouvel environnement même, dans la mesure où le son est modifié en même
temps que l’image et par le même effet appliqué à l’instant T. La musique ne se fait donc
pas qu’habillage sonore, mais participe à la (dé)construction de l’espace et de la figure.
REFERENCES ARTISTIQUE
TV Cello
Nam June Paik
avec Charlotte Moorman
1963
REFERENCES ARTISTIQUE
Blinx 7
Rosa Menkman
2014
http://extrafile.org/formats/blinx/
REFERENCES ARTISTIQUE
FRAGMENTS OF A
CRUCIFIXION
Francis Bacon
1950
Huile sur toile
140 x 108,5cm
Stedelijk Van Abbemuseum, Eindhoven
- Matérialisation visuelle du son du motif du cri par les trainées,
la déformation de la peinture. -
INSPIRATION
Audrey'S DANCE
Twin Peaks (S01 E03)
David Lynch
Musique: Angelo Badalementi
1990
http://youtu.be/R-XZsM-KV_o

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EnguerranBorterALaLumièreL2G2ACY2014

  • 1. A la lumiEre Enguerran Borter HISTOIRE DES ARTS 5 Info-Com L2G2 DEpartement Communication-HypermEdia IAE Savoie Mont-Blanc UniversitE Savoie Mont-Blanc 2014-2015 Glitchy DANCE A LA LUMIERE Enguerran Borter HISTOIRE DES ARTS 5 Info-Com L2G2 DEpartement Communication-HypermEdia IAE Savoie Mont-Blanc UniversitE Savoie MonT-Blanc 2014-2015
  • 2. EXPLICATION Danslecadredelaréalisationdeceprojet,A lalumière,j’aipriscommepointdedépartunprocédétech- niquequejesouhaitaisutiliser,ledatabending,c’est-à-direlamanipulationdesdonnéesd’unfichiermé- dia (ici deux vidéos au format .AVI non compressé), en utilisant un logiciel destiné à la base à l’édition de fichiersd’uneautrenature(iciAudacity,logicieldemontagesonore).Ils’agissaitalorsd’importermesfi- chiersvidéossousformesdedonnéesbrutesdansAudacity,lesrendantalorssousformesdespectres audio. Les modifications alors appliquées sont le résultat d’effets audio (écho, reverse, filtre passe- haut, passe-bas, tremolo, etc…) et de la fusion des deux spectres audios des deux vidéos en une seule. Le rapport avec le sujet, à savoir la façon dont la lumière agit sur la figure dans l’espace, in- tervient alors par la façon dont les effets lumineux et de couleurs vont déformer et altérer la figure de la danseuse et l’espace dans lequel elle se trouve, créant ainsi presque un nou- vel espace, un nouvel environnement même, dans la mesure où le son est modifié en même temps que l’image et par le même effet appliqué à l’instant T. La musique ne se fait donc pas qu’habillage sonore, mais participe à la (dé)construction de l’espace et de la figure.
  • 3.
  • 4. REFERENCES ARTISTIQUE TV Cello Nam June Paik avec Charlotte Moorman 1963
  • 5. REFERENCES ARTISTIQUE Blinx 7 Rosa Menkman 2014 http://extrafile.org/formats/blinx/
  • 6. REFERENCES ARTISTIQUE FRAGMENTS OF A CRUCIFIXION Francis Bacon 1950 Huile sur toile 140 x 108,5cm Stedelijk Van Abbemuseum, Eindhoven - Matérialisation visuelle du son du motif du cri par les trainées, la déformation de la peinture. -
  • 7. INSPIRATION Audrey'S DANCE Twin Peaks (S01 E03) David Lynch Musique: Angelo Badalementi 1990 http://youtu.be/R-XZsM-KV_o