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Why be a TV journalist?
The free wardrobe
allowance?
The hair and
makeup
The big bucks?
It’s fun?
TV News
Are you the next Lloyd Robertson
or Dwight Drummond? Is ESPN
calling you? Move over Ben
Mulroney!
Answer:
All of the above,
except perhaps the
big bucks.
You will impact the world…
With your TV
images and TV
stories…just think of
Haiti…
Rule #1
Always use a tripod --if possible
Rule #2
Always WHITE BALANCE when
changing locations
the camera needs to reset its white
colour in different light conditions
(daylight, indoor light etc)
White Balance
BAD-blue indoor
Good-white balanced
Videography Lesson
Kinds of shots you need to get for a TV
package report/story:
What to shoot
 Wide shot/establishing shots
Videography for Journalists 2010
Wide/Establishing Shots
Tells the viewer “Where are you?”
Locates the action for a viewer
Shoot about 8-15 secs each
Videography for Journalists 2010
Videography for Journalists 2010
Medium Shots
More interesting.
Viewer can detect some specific activity
but still not 100% sure what is
happening--this needs your narration to
help explain it better.
Shots last approx 15 sec each
Videography for Journalists 2010
Close ups
Even more interesting visually. You now
care about the person/thing being
shown.
Usually introduces an SOT(sound
byte/excerpt of interview)
Videography for Journalists 2010
Extreme Close up
Used to show extreme emotion.
Not used in every story but good to
shoot these just in case you need it later
for editing purposes.
Videography for Journalists 2010
cutaways
Related to the story but not main action.
Often used as reaction shots to action.
Medium shots and close ups
Use varied shot angles
Make your shots visually interesting
Use lines to make it
interesting
Subjective shots
Point of View
People are most interesting
Medium and close up shots with people
are engaging for viewers
Videography for Journalists 2010
Interviews (SOTs)
Keep the camera behind you/to the side, and at eye level with
guest
In interviews
the reporter IS NOT on camera
We use an interviewee’s ANSWERS
only
SOT/Interviews FRAMING
How to frame them:
eyes at top third of screen
Framing of the face
Bad Good
Stand Up by Reporter
In a stand up…
The reporter gives forward-looking
information, pr summarizes the story,
then does a sign off:
“George Hoff, Observer TV News,
Toronto.”
Cautious use of these
Pan left/right -- panoramic --horizontal
Tilt up/down --vertical
Zoom in/out
these shots last a long time --boring to
the viewer -- always shoot some!
Some things to know about
your cameras
1) News Sdhc cards need
formatting
2) How to use the tripod
3) How to white balance
4) How to check the mic is
working
FORMAT YOUR SDHC cards
when you first put them into
the cameras
Menu
Memory ope
Initialize
Initialization methods
Yes
Okay
Make sure you don’t erase anything important.
Put the sd card in first, THEN
attach camera to tripod.…
White balance -- On the Canon FS 10s
We want to do it manually -- custom. Press
the FUNCTION key then
Use joystick to select P, then down to AWB. .
Over to Icon on far right that looks like a
bowtie with a ball on top.
Zoom in onto a white surface ‘till it fills the
whole screen. Press SET. When it stops
flashing, it is white balanced. Press
FUNCTION to save the Setting.

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Videography for Journalists 2010

  • 1. Why be a TV journalist? The free wardrobe allowance? The hair and makeup The big bucks? It’s fun?
  • 2. TV News Are you the next Lloyd Robertson or Dwight Drummond? Is ESPN calling you? Move over Ben Mulroney!
  • 3. Answer: All of the above, except perhaps the big bucks.
  • 4. You will impact the world… With your TV images and TV stories…just think of Haiti…
  • 5. Rule #1 Always use a tripod --if possible
  • 6. Rule #2 Always WHITE BALANCE when changing locations the camera needs to reset its white colour in different light conditions (daylight, indoor light etc)
  • 8. Videography Lesson Kinds of shots you need to get for a TV package report/story:
  • 9. What to shoot  Wide shot/establishing shots
  • 11. Wide/Establishing Shots Tells the viewer “Where are you?” Locates the action for a viewer Shoot about 8-15 secs each
  • 14. Medium Shots More interesting. Viewer can detect some specific activity but still not 100% sure what is happening--this needs your narration to help explain it better. Shots last approx 15 sec each
  • 16. Close ups Even more interesting visually. You now care about the person/thing being shown. Usually introduces an SOT(sound byte/excerpt of interview)
  • 18. Extreme Close up Used to show extreme emotion. Not used in every story but good to shoot these just in case you need it later for editing purposes.
  • 20. cutaways Related to the story but not main action. Often used as reaction shots to action. Medium shots and close ups
  • 21. Use varied shot angles Make your shots visually interesting
  • 22. Use lines to make it interesting
  • 25. People are most interesting Medium and close up shots with people are engaging for viewers
  • 28. Keep the camera behind you/to the side, and at eye level with guest
  • 29. In interviews the reporter IS NOT on camera We use an interviewee’s ANSWERS only
  • 31. How to frame them: eyes at top third of screen
  • 32. Framing of the face Bad Good
  • 33. Stand Up by Reporter
  • 34. In a stand up… The reporter gives forward-looking information, pr summarizes the story, then does a sign off: “George Hoff, Observer TV News, Toronto.”
  • 35. Cautious use of these Pan left/right -- panoramic --horizontal Tilt up/down --vertical Zoom in/out these shots last a long time --boring to the viewer -- always shoot some!
  • 36. Some things to know about your cameras 1) News Sdhc cards need formatting 2) How to use the tripod 3) How to white balance 4) How to check the mic is working
  • 37. FORMAT YOUR SDHC cards when you first put them into the cameras Menu Memory ope Initialize Initialization methods Yes Okay Make sure you don’t erase anything important.
  • 38. Put the sd card in first, THEN attach camera to tripod.…
  • 39. White balance -- On the Canon FS 10s We want to do it manually -- custom. Press the FUNCTION key then Use joystick to select P, then down to AWB. . Over to Icon on far right that looks like a bowtie with a ball on top. Zoom in onto a white surface ‘till it fills the whole screen. Press SET. When it stops flashing, it is white balanced. Press FUNCTION to save the Setting.