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History of
Perspective
Projective Geometry
May 2008
Optics
    The science that describes the behavior

    and properties of light and the interaction
    of light with matter.
History of Optics
    ~300 BC: Euclid (Alexandria) In his Optica he noted that light travels

    in straight lines and described the law of reflection.
      believed that vision involves rays going from the eyes to the
        object seen.
      studied the relationship between the apparent sizes of objects
        and the angles that they subtend at the eye.
History of Optics
    ~1000 AD: Ibn al-Haytham gave the first correct explanation of

    vision, showing that light is reflected from an object into the eye.
         Wrote 7 volume work on Optics, Kitab al-Manazir. Translated into Latin
     
         in 1270, Opticae thesaurus Alhazeni.
History of Optics
    ~1278: Witelo wrote Perspectiva, which became the standard text

    for optics for the next few centuries
        Largely taken from al-Haytham’s work, recently translated
    
        Greatly influenced Kepler (of the Laws of Planetary Motion fame) and
    
        Leonardo da Vinci
        Witelo had a moon crater named after him, Vitello
    
Early Perspective
    ~1000 AD: Master of the Sophien Cathedral of Ohrid, Fresco

Early Perspective
    1290: Giotto, L'hommage d'un homme simple

Early Perspective
    ~1333: Simone Martini's

    Passion (or Orsini) Polyptych
Renaissance Perspective
    Filippo Brunelleschi (1377-1446)

      Inventor of linear perspective
    
     Architect of dome on Florence Cathedral
     understood that there should be a single vanishing point to
      which all parallel lines in a plane converge.
     correctly computed the relation between the actual length of an
      object and its length in the picture depending on its distance
      behind the plane of the canvas.
Renaissance Perspective
    1425: Masaccio, Holy Trinity

Renaissance Perspective
    1435: Alberti wrote De Pictura

    De pictura is in three parts, the first of which gives the mathematical

    description of perspective which Alberti considers necessary to a
    proper understanding of painting.
Renaissance Perspective
     1410-1492: Piero Della Francesca
 
     Artist and mathematician, painted famous work as well as write
 
     mathematics texts




 icosahedron inscribed in a cube,
                                      ~1460 Flagellation of Christ
from text: Libellus De Quinque
Corporibus Regularibus,
Renaissance Perspective
~1460, Piero Della Francesca, Flagellation of Christ
Renaissance Perspective
    ~1470: Piero Della Francesca, Ideal City

Renaissance Perspective
    ~1498: Leonardo da Vinci, The Last Supper

Historical context
    ~1439: Gutenberg invented moveable type printing

    ~1480: Beginning of Renaissance Humanism, a return to

    primary sources, study of Latin and Greek texts
    ~1492: Age of Exploration: de Gama and Columbus go

    exploring
    ~1517: Protestant Reformation: Luther challenges the

    Pope’s authority
    ~1543: Scientific Revolution: Copernicus displaced earth

    as the center of the universe
Renaissance Perspective
    1518: Raphael, The School of Athens

2-Point Perspective
    1505: Pélérin, first known diagrams of 2-point perspective in his

    book, De Artificiali Perspectiva
2-Point Perspective
    1517: Raphael, Coronation of Charlemagne

2-Point Perspective
    1517: Raphael, Coronation of Charlemagne

2-Point Perspective




http://visualeditors.ning.com/video/video/show?id=1985197%3AVideo%3A9529
3-Point Perspective
    1960: M.C. Escher, Ascending and Descending

Camera Obscura, Anamorphism
    David Hockney (1937- ) believes that the Old Masters, including

    Caravaggio, Vermeer, Holbein, Ingres, etc. used the camera
    obscura to paint with perfect accuracy.
Renaissance Perspective
    1525: Albrecht Dürer, Instruction How to Measure with Compass

    and Straight Edge
Camera Obscura, Anamorphism
    1533: Hans Holbein the Younger, The Ambassadors





                                   Hockney believes Hans Holbein the
                                   Younger may have used camera obscura
                                   to paint certain objects in the room,
                                   including
                                   • the lute
                                   • the globe
                                   • the music written in the books
                                   •the drapery
Camera Obscura, Anamorphism
    1533: Hans Holbein the Younger, The Ambassadors

Play on Perspective
    1754: William Hogarth, False Perspective

Play on Perspective
    1914: Giorgio di Chirico, Melancholy and Mystery of a Street

Play on Perspective
    1955: Rene Magritte, Promenades of Euclid

Multiple Viewpoints
    1986: David Hockney, Pearblossom Highway

Multiple Viewpoints
    1432: Jan van Eyck, Ghent Altarpiece

one point perspective
How to draw a house and fence




    Draw the front of the house.

How to draw a house and fence




    Indicate a vanishing point, draw the side of the house.

How to draw a house and fence




    Find the center of the wall by drawing an X, draw roof.

    How do we draw the roof on the other side?

How to draw a house and fence




    Follow the side of the roof to a point directly above v0.

How to draw a house and fence




    That is the second vanishing point for the other roof.

How to draw a house and fence




    Nice house!

How to draw a house and fence




    The house is on the side of the road. Draw the road.

How to draw a house and fence




    To make a fence along the road, draw a second

    vanishing point using diagonals.
    Draw the other fence posts.

How to draw a house and fence




    Nice fence posts!

How to draw a house and fence




    What a lovely house and fence in perspective.


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Finding Java's Hidden Performance Traps @ DevoxxUK 2024
 

History Of Perspective

  • 2. Optics The science that describes the behavior  and properties of light and the interaction of light with matter.
  • 3. History of Optics ~300 BC: Euclid (Alexandria) In his Optica he noted that light travels  in straight lines and described the law of reflection.  believed that vision involves rays going from the eyes to the object seen.  studied the relationship between the apparent sizes of objects and the angles that they subtend at the eye.
  • 4. History of Optics ~1000 AD: Ibn al-Haytham gave the first correct explanation of  vision, showing that light is reflected from an object into the eye. Wrote 7 volume work on Optics, Kitab al-Manazir. Translated into Latin  in 1270, Opticae thesaurus Alhazeni.
  • 5. History of Optics ~1278: Witelo wrote Perspectiva, which became the standard text  for optics for the next few centuries Largely taken from al-Haytham’s work, recently translated  Greatly influenced Kepler (of the Laws of Planetary Motion fame) and  Leonardo da Vinci Witelo had a moon crater named after him, Vitello 
  • 6. Early Perspective ~1000 AD: Master of the Sophien Cathedral of Ohrid, Fresco 
  • 7. Early Perspective 1290: Giotto, L'hommage d'un homme simple 
  • 8. Early Perspective ~1333: Simone Martini's  Passion (or Orsini) Polyptych
  • 9. Renaissance Perspective Filippo Brunelleschi (1377-1446)  Inventor of linear perspective   Architect of dome on Florence Cathedral  understood that there should be a single vanishing point to which all parallel lines in a plane converge.  correctly computed the relation between the actual length of an object and its length in the picture depending on its distance behind the plane of the canvas.
  • 10. Renaissance Perspective 1425: Masaccio, Holy Trinity 
  • 11. Renaissance Perspective 1435: Alberti wrote De Pictura  De pictura is in three parts, the first of which gives the mathematical  description of perspective which Alberti considers necessary to a proper understanding of painting.
  • 12. Renaissance Perspective 1410-1492: Piero Della Francesca  Artist and mathematician, painted famous work as well as write  mathematics texts icosahedron inscribed in a cube, ~1460 Flagellation of Christ from text: Libellus De Quinque Corporibus Regularibus,
  • 13. Renaissance Perspective ~1460, Piero Della Francesca, Flagellation of Christ
  • 14. Renaissance Perspective ~1470: Piero Della Francesca, Ideal City 
  • 15. Renaissance Perspective ~1498: Leonardo da Vinci, The Last Supper 
  • 16. Historical context ~1439: Gutenberg invented moveable type printing  ~1480: Beginning of Renaissance Humanism, a return to  primary sources, study of Latin and Greek texts ~1492: Age of Exploration: de Gama and Columbus go  exploring ~1517: Protestant Reformation: Luther challenges the  Pope’s authority ~1543: Scientific Revolution: Copernicus displaced earth  as the center of the universe
  • 17. Renaissance Perspective 1518: Raphael, The School of Athens 
  • 18. 2-Point Perspective 1505: Pélérin, first known diagrams of 2-point perspective in his  book, De Artificiali Perspectiva
  • 19. 2-Point Perspective 1517: Raphael, Coronation of Charlemagne 
  • 20. 2-Point Perspective 1517: Raphael, Coronation of Charlemagne 
  • 22. 3-Point Perspective 1960: M.C. Escher, Ascending and Descending 
  • 23. Camera Obscura, Anamorphism David Hockney (1937- ) believes that the Old Masters, including  Caravaggio, Vermeer, Holbein, Ingres, etc. used the camera obscura to paint with perfect accuracy.
  • 24. Renaissance Perspective 1525: Albrecht Dürer, Instruction How to Measure with Compass  and Straight Edge
  • 25. Camera Obscura, Anamorphism 1533: Hans Holbein the Younger, The Ambassadors  Hockney believes Hans Holbein the Younger may have used camera obscura to paint certain objects in the room, including • the lute • the globe • the music written in the books •the drapery
  • 26. Camera Obscura, Anamorphism 1533: Hans Holbein the Younger, The Ambassadors 
  • 27. Play on Perspective 1754: William Hogarth, False Perspective 
  • 28. Play on Perspective 1914: Giorgio di Chirico, Melancholy and Mystery of a Street 
  • 29. Play on Perspective 1955: Rene Magritte, Promenades of Euclid 
  • 30. Multiple Viewpoints 1986: David Hockney, Pearblossom Highway 
  • 31. Multiple Viewpoints 1432: Jan van Eyck, Ghent Altarpiece 
  • 33. How to draw a house and fence Draw the front of the house. 
  • 34. How to draw a house and fence Indicate a vanishing point, draw the side of the house. 
  • 35. How to draw a house and fence Find the center of the wall by drawing an X, draw roof.  How do we draw the roof on the other side? 
  • 36. How to draw a house and fence Follow the side of the roof to a point directly above v0. 
  • 37. How to draw a house and fence That is the second vanishing point for the other roof. 
  • 38. How to draw a house and fence Nice house! 
  • 39. How to draw a house and fence The house is on the side of the road. Draw the road. 
  • 40. How to draw a house and fence To make a fence along the road, draw a second  vanishing point using diagonals. Draw the other fence posts. 
  • 41. How to draw a house and fence Nice fence posts! 
  • 42. How to draw a house and fence What a lovely house and fence in perspective. 