2. This course meets all of the general education requirements for: 1. A.A. in Liberal Arts with emphasis in Arts and Humanities 2. CSU, area C2 3. IGETC, area 3 course articulation
17. More Questions (After Name Game) Discuss the following questions with your group partner: 1. What is “religion”? 2. Why is religion important to study?
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
FORMAL: I have taught a range of subjects over the years such as mathematics, world literature, storytelling, art, anthropology, folklore, philosophy, world religion, and popular culture. I have a BA degree Mathematics and a PhD in Folklore, which reflects my passion for exploring a number of subjects and disciplines. I have taught for over fifteen years in a number of venues: universities, community colleges, high schools. My central interest in the study of folklore and the creative process: play, humor, and innovation; youth culture; stories, jokes, and informal networks; the reproduction of social class. the study of mediated communication and technology, and its key role in reshaping identity. INFORMAL: I live with my wife in Rodeo, CA, a small town located near Hercules, CA, in a rebuilt home with a small tabby cat and a beautiful garden. I love to run, swim, and bike long distances. I grew up in the northeast side of Chicago in a relatively lower middle-class family with two parents as educators (primary school teacher: mother; community services: father), attended public schools (including a large, technical high school, went to University of Illinois, UC Berkeley, and finally, University of Pennsylvania). I have a deep passion for teaching and learning new ideas, and keep an extensive collection of books at home. I also love cooking new dishes with friends and family.
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
Singing bowl: Tibetan, handmade from 3 metals, inscription on side: Lotus chant, sound and vibration created from gentling striking the side of the bowl (decreasing frequencies), which signify a “shift” from one experience to the next. A “ritual” is a repeated social occasion that is used to generate community meaning (births, weddings, funerals, weekly church meetings, baptisms, day one of school, etc.)
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
Why do people believe in different ideas? Why is there so much religious conflict? What the relationship between science and religion? Can change happen?
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
(for Benjamin, this quality surrounds the "original" work of art, and provides it with a sense of unreproducible "authenticity")
Seattle Public Library
Why do people believe in different ideas? Why is there so much religious conflict? What the relationship between science and religion? Can change happen?
Why do people believe in different ideas? Why is there so much religious conflict? What the relationship between science and religion? Can change happen?
Émile Durkheim (1858−1917)—author of The Elementary Forms of Religious Life (1912)—and others thought that Aboriginal groups provided a lens into the most basic forms of religious behavior. 1. Durkheim identified the primary force behind religion as the sacred and argued that the sacred serves as a mirror of a particular society. A society holds up symbols so that, in effect, it can worship itself and propagate its value system. 2. Durkheim viewed religion as an expression of social cohesion in human societies.
Émile Durkheim (1858−1917)—author of The Elementary Forms of Religious Life (1912)—and others thought that Aboriginal groups provided a lens into the most basic forms of religious behavior. 1. Durkheim identified the primary force behind religion as the sacred and argued that the sacred serves as a mirror of a particular society. A society holds up symbols so that, in effect, it can worship itself and propagate its value system. 2. Durkheim viewed religion as an expression of social cohesion in human societies.
Émile Durkheim (1858−1917)—author of The Elementary Forms of Religious Life (1912)—and others thought that Aboriginal groups provided a lens into the most basic forms of religious behavior. 1. Durkheim identified the primary force behind religion as the sacred and argued that the sacred serves as a mirror of a particular society. A society holds up symbols so that, in effect, it can worship itself and propagate its value system. 2. Durkheim viewed religion as an expression of social cohesion in human societies.
Émile Durkheim (1858−1917)—author of The Elementary Forms of Religious Life (1912)—and others thought that Aboriginal groups provided a lens into the most basic forms of religious behavior. 1. Durkheim identified the primary force behind religion as the sacred and argued that the sacred serves as a mirror of a particular society. A society holds up symbols so that, in effect, it can worship itself and propagate its value system. 2. Durkheim viewed religion as an expression of social cohesion in human societies.
Émile Durkheim (1858−1917)—author of The Elementary Forms of Religious Life (1912)—and others thought that Aboriginal groups provided a lens into the most basic forms of religious behavior. 1. Durkheim identified the primary force behind religion as the sacred and argued that the sacred serves as a mirror of a particular society. A society holds up symbols so that, in effect, it can worship itself and propagate its value system. 2. Durkheim viewed religion as an expression of social cohesion in human societies.
Émile Durkheim (1858−1917)—author of The Elementary Forms of Religious Life (1912)—and others thought that Aboriginal groups provided a lens into the most basic forms of religious behavior. 1. Durkheim identified the primary force behind religion as the sacred and argued that the sacred serves as a mirror of a particular society. A society holds up symbols so that, in effect, it can worship itself and propagate its value system. 2. Durkheim viewed religion as an expression of social cohesion in human societies.
Eliade suggests that at the heart of religious experience is human awareness of the sacred. He argued that the sacred is made known through heirophanies (manifestations of the sacred) and theophanies (manifestations of God). When people perceive a manifestation of the sacred, everything changes—objects, people, places, and even time. A theophany is a manifestation of God. 1. Moses encountered God and received the Ten Commandments on Mount Sinai. 2. When Jesus was baptized in the Jordan River, the sky opened, a dove descended, and God’s resounding voice declared, “You are my Son, the Beloved; with you I am well pleased!” 3. At a pivotal moment in the Bhagavad Gita, a dialogue takes place between Arjuna (a warrior about to go into battle, who is the focus of the Bhagavad Gita) and his chariot driver. The chariot driver reveals himself as Krishna, the incarnation of the Lord Vishnu. 4. From the Islamic tradition comes the time when, during an interlude of prayer and meditation, Muhammad was first called to be a prophet. A hierophany is a broader category indicating a manifestation of the sacred. For example, according to Buddhist tradition, Siddhartha Gautama was conceived during a miraculous vision by his mother and was born through her side as flowers bloomed out of season. Sages appeared to visit the newborn and make prophecies about his auspicious career. Sacred time is a universal category in the religions. 1. Easter Sunday is the most sacred day in the Christian calendar. Sunday, then, became the sacred day of the week—a shift from the Jewish Sabbath that starts Friday evening and lasts until sundown Saturday. 2. Muslims are required to fast and refrain from all pleasurable activities from sunrise until sunset throughout the sacred lunar month of Ramadan each year. 3. For Jews, the most holy day of the year is Yom Kippur, the Day of Atonement. Traditionally, Yom Kippur is understood as the date on which Moses received the Ten Commandments for the second time. 4. The Hindu festival of Holi is celebrated each spring; devotees imitate Krishna’s frivolous play with the gopis (cowherds’ wives).
Eliade suggests that at the heart of religious experience is human awareness of the sacred. He argued that the sacred is made known through heirophanies (manifestations of the sacred) and theophanies (manifestations of God). When people perceive a manifestation of the sacred, everything changes—objects, people, places, and even time. A theophany is a manifestation of God. 1. Moses encountered God and received the Ten Commandments on Mount Sinai. 2. When Jesus was baptized in the Jordan River, the sky opened, a dove descended, and God’s resounding voice declared, “You are my Son, the Beloved; with you I am well pleased!” 3. At a pivotal moment in the Bhagavad Gita, a dialogue takes place between Arjuna (a warrior about to go into battle, who is the focus of the Bhagavad Gita) and his chariot driver. The chariot driver reveals himself as Krishna, the incarnation of the Lord Vishnu. 4. From the Islamic tradition comes the time when, during an interlude of prayer and meditation, Muhammad was first called to be a prophet. A hierophany is a broader category indicating a manifestation of the sacred. For example, according to Buddhist tradition, Siddhartha Gautama was conceived during a miraculous vision by his mother and was born through her side as flowers bloomed out of season. Sages appeared to visit the newborn and make prophecies about his auspicious career. Sacred time is a universal category in the religions. 1. Easter Sunday is the most sacred day in the Christian calendar. Sunday, then, became the sacred day of the week—a shift from the Jewish Sabbath that starts Friday evening and lasts until sundown Saturday. 2. Muslims are required to fast and refrain from all pleasurable activities from sunrise until sunset throughout the sacred lunar month of Ramadan each year. 3. For Jews, the most holy day of the year is Yom Kippur, the Day of Atonement. Traditionally, Yom Kippur is understood as the date on which Moses received the Ten Commandments for the second time. 4. The Hindu festival of Holi is celebrated each spring; devotees imitate Krishna’s frivolous play with the gopis (cowherds’ wives).
In 1945, Schutz published an essay, “On Multiple Realities,” that extended the theory of The Phenomenology of the Social World and anticipated later essays applying that theory. While he reiterated earlier views about levels of activity, Bergsonian tensions of consciousness, and the structure of the social world, his work took a decidedly pragmatic twist, emphasizing “working” (Wirken) as involving bodily movements as opposed to the covert performances of mere thinking. He enlarged upon the “world of working” by demonstrating how reflection dissolves the self unified in lived action into partial, role-taking selves and by expanding Mead's idea of the “manipulatory sphere” to include worlds within “potential reach,” either restorable (from the past) or attainable (in the future). This “world of working” constitutes the paramount reality, organized in its interests in the face of the fundamental anxiety that derives, as it did for Heidegger, from the inescapability of one's own death. Following Husserl's views on how consciousness can modify its stances toward reality and de-ontologizing James's sub-universes of reality, Schutz developed the notion of various finite provinces of meaning. One enters any of these provinces, such as those of phantasms, dreams, the theater, religious experience, or theoretical contemplation, by undergoing different types of epoché, analogous to the phenomenological protoype, as when one slips into a daydream, falls asleep, watches theater curtains open, commences a ritual, or assumes the scientist's role. Each province contains its distinctive logical, temporal, corporal, and social dimensions, and movement between the provinces only becomes paradoxical (e.g., asking how phenomenologists are able to communicate their private findings publicly) if one conceives the provinces as ontological static realms to which one transmigrates as a soul to another world. Rather the provinces are permeable, and one adopts the attitudes of scientist or religious believer within the world of working as if it were seen through by another viewpoint, all the while that its communicative activities subtend these other provinces. There is something paradoxical, though, about describing one's dreams or theorizing about religious experience since to give an account one must absent oneself from the province for which one accounts, and Kierkegaard's notion of indirect communication and various postmodern critiques of theory address themselves to just such paradoxes.
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
1. Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. 2. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Enactive mode. When dealing with the enactive mode, one is using some known aspects of reality without using words or imagination. Therefore, it involves representing the past events through making motor responses. It involves manly in knowing how to do something; it involves series of actions that are right for achieving some result e.g. Driving a car, skiing, tying a knot. Iconic Mode. This mode deals with the internal imagery, were the knowledge is characterised by a set of images that stand for the concept. The iconic representation depends on visual or other sensory association and is principally defined by perceptual organisation and techniques for economically transforming perceptions into meaning for the individual. 3. Symbolic mode. Through life one is always adding to the resources to the symbolic mode of representation of thought. This representation is based upon an abstract, discretionary and flexible thought. It allows one to deal with what might be and what might not, and is a major tool in reflective thinking. This mode is illustrative of a person’s competence to consider propositions rather than objects, to give ideas a hierarchical structure and to consider alternative possibilities in a combinatorial fashion, (Spencer.K.,1991, p.185-187).
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto)
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto)
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc. Ethnic sculpture and fugurines of the Jhakri culture. Jhakris in healing Ritual of sick person. Shamans/Jhakris get into a trace by singing, dancing, taking entheogens, meditating and drumming.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto) Torah, legal imperatives; Shari’a; Buddhism: four great virtues; Confucianism: morality: the ideal investment in human behavior. Religious specialists or priests: gurus, lawyers, pastors, rabbis, imams, shamans, etc.) Sacred sites of worship: chapels, cathedrals, temples, mosques, icons, books, pulpits, monasteries, etc.
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto)
Worship, Meditation, Pilgrimage, Sacrifice, Rites, and Healing. Example: impermanence (Buddhism); Original Sin (Christianity); interact with previous dimensions; some more strict or rigid than others: e.g., Catholicism more than Quakerism, Buddhism more than African religions, Theravada more than Zen. Stories: Christ’s life, death, and resurrection; Buddha’s life; Muhammad’s life; “founders” of religion. Secular examples: “history” instead of “myth”; history taught in schools is major generator of “national” identity; it enhances pride in our ancestors, our national heroes and heroines Examples: enlightenment of the Buddha, prophetic visions of Muhammad, conversion of Paul, etc. The Vision Quest: Zen, Native American classical religion, the idea of the “holy” (Otto)