1. composición
Tuesday, March 23, 2010

2. nuevamente,
Tuesday, March 23, 2010

3. pensemos en cualquier cosa como en un sistema de fuerzas en juego
Tuesday, March 23, 2010

4. Tuesday, March 23, 2010

5. Tuesday, March 23, 2010

6. Tuesday, March 23, 2010

7. Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

8. ¿cuáles son las fuerzas que están operando?
Tuesday, March 23, 2010

9. 1.la composición tiene un área limitada
Tuesday, March 23, 2010

10. Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

11. 2.se puede subdividir
Tuesday, March 23, 2010

12. Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

13. 3.podemos identificar áreas de mayor o menor energía
Tuesday, March 23, 2010

14. Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

15. 4.podemos identificar elementos en relación a su fuerza
Tuesday, March 23, 2010

16. 1
Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

17. 2
Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

18. 3
Richard Avedon.
Dovima with
Elephants;
1955
Tuesday, March 23, 2010

19. lo mismo sucede con composiciones no figurativas
Tuesday, March 23, 2010

20. Kazimir
Malevitch
Tuesday, March 23, 2010

21. Kazimir
Malevitch,
1915
Tuesday, March 23, 2010

22. Kazimir
Malevitch
Tuesday, March 23, 2010

23. Kazimir
Malevitch
Tuesday, March 23, 2010

24. Kazimir
Malevitch
Tuesday, March 23, 2010

25. Kazimir
Malevitch
Tuesday, March 23, 2010

26. Kazimir
Malevitch
Tuesday, March 23, 2010

27. Wassily
Kandinsky
Tuesday, March 23, 2010

28. Wassily
Kandinsky
Tuesday, March 23, 2010

29. Wassily
Kandinsky
Tuesday, March 23, 2010