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Collections for People: making stores work harder 1 – About collections www.ucl.ac.uk/storedcollections/ www.suzannekeene.info Pilgrim Trust
Those difficult questions I suppose you use the objects to change the things in the exhibitions? Hmm, exhibitions don’t work quite like that I suppose people come and work on the objects for research? Please don’t ask how many people ... Why do you have collections when you can’t display them? Ah, they’re the heart of the museum, you see But can you afford the storage cost if they are only useful for a few researchers? But they’re for the future!
How did we get here? Cataloguing the natural world Mass production and consumerism Urban development - archaeology Disappearing worlds - ethnography
Admit it, we just love to collect
Collections - 1001 kinds ,[object Object],[object Object],[object Object],[object Object]
Why should people want museums to have collections? ,[object Object]
Kinds of cultural value ,[object Object],[object Object],[object Object],[object Object],[object Object]
Authenticity value – research eg, authenticating Vermeer: depends on 100’s of humbler objects
Symbolic value – identity Canada Europe (Vienna) Australia UK
Historical value – learning
Spiritual value -  creativity ,[object Object],[object Object],Byrne & Smith, sound installation,  The sculpture of the Grant Museum Brittle stars are found in …
Spiritual values - history, memory, discovery
Aesthetic value – enjoyment of beauty
 
Values >> Uses ,[object Object],[object Object],[object Object],[object Object],[object Object]
Use values and even  “Non-use” values Existence value Option value Bequest value Prestige value
Future museums?
Future museums? My hero!  Mark Dion, installation artist
Next, some evidence

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M&H Show 2011 - Using Stored Collections

  • 1. Collections for People: making stores work harder 1 – About collections www.ucl.ac.uk/storedcollections/ www.suzannekeene.info Pilgrim Trust
  • 2. Those difficult questions I suppose you use the objects to change the things in the exhibitions? Hmm, exhibitions don’t work quite like that I suppose people come and work on the objects for research? Please don’t ask how many people ... Why do you have collections when you can’t display them? Ah, they’re the heart of the museum, you see But can you afford the storage cost if they are only useful for a few researchers? But they’re for the future!
  • 3. How did we get here? Cataloguing the natural world Mass production and consumerism Urban development - archaeology Disappearing worlds - ethnography
  • 4. Admit it, we just love to collect
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  • 8. Authenticity value – research eg, authenticating Vermeer: depends on 100’s of humbler objects
  • 9. Symbolic value – identity Canada Europe (Vienna) Australia UK
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  • 12. Spiritual values - history, memory, discovery
  • 13. Aesthetic value – enjoyment of beauty
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  • 16. Use values and even “Non-use” values Existence value Option value Bequest value Prestige value
  • 18. Future museums? My hero! Mark Dion, installation artist

Notas do Editor

  1. Goethe
  2. A positive attutude - a friendly message, tea facilities, a fluffy seagull!