1. AUTHENTIC OR
NOT, CHINA ?
作准与否,中国?
What do we understand by the term ‘ Authentic,’
as it relates to China’s Garden Art global
representations ?
我们怎么理解这个词'正宗',因为它涉及到中国的园林艺
术,全球中国园林?
2.
3. IS IT GENUINE,
OF UNDISPUTED ORIGIN,
KNOWN TO BE TRUE,
REALLY WHAT IT IS,
RELIABLE AND
TRUSTWORTHY ?
正品,无可争议的起源,真
实,可靠和值得信赖?
4. IS IT ACCURATE IN
REPRESENTATION,
VISIBLY SHOWING ITSELF TO
BE A RECOGNIZABLE
EXAMPLE,
AN EMBODIMENT OF ?
它是在陈述准确?直观地显
示为可识别的例子?一个实
施方案中?
5.
6. DOES IT REPRESENT IN BOTH AN
EXPLICIT MANNER
[ CLEARLY, FULLY, OPENLY
EXPRESSED ] AND
SUBTLE [ NOT IMMEDIATELY
OBVIOUS, LEAKED VIEWS,
SLOWLY UNFOLDING SCROLL ] ?
它是既明确[清楚,充分,公开
表示]和微妙的[不是很明显,泄
露意见,徐徐展开滚动]?
7. IS IT SYMBOLIC AND
SUGGESTIVE OF THE REAL
AND RECOGNIZED THING ?
它是象征和暗示的实部和认
可的事情吗?
8. DOES IT STAND THE TEST OF
AUTHENTICITY,
PROOF OF QUALITY OF
ORIGIN ?
它站在真实性的测试?证明
原产地的质量?
10. DOES SUCH ACTIVITY
ANIMATE THE ARCHITECTURE
AND NATURAL LANDSCAPE,
TO GIVE LIFE TO THE
CHINESE GARDEN ?
请问这样的活动,动画建筑
和自然景观,生活气息进入
中国园林?
11. MANY GLOBAL REPRESENTATIONS
OF CHINESE SCHOLAR’S
GARDENS, TICK THE FIRST 5
BOXES, IN A GOOD, PLEASING
AND SKILFUL MANNER, TO MOST
PEOPLE;
BE THEY
TOURISTS, VISITORS, CHINESE
NATIONALS OR CHINESE
DIASPORA.
16. CONSIDER SOME MATTERS
OF REMONSTRATION
[ POINTS OF ERROR OR
PROTEST ]
AND
EXPOSTULATION
[ REASONS TO DISSUADE
FROM ONGOING ACTION ]
17.
18. IS A CHINESE SCHOLAR GARDEN TRULY SUCH,
WITHOUT ACCESS TO THE SCHOLAR’S STUDIO AND IT’S
FOUR TREASURES ?
DOES A GIFT SHOP INSIDE THE GARDEN, CONSTITUTE A
COMMERCIAL IRONY OF HERITAGE INTENT ?
IS A BONSAI CLUB’S PRESENCE, CULTURALLY
APPROPRIATE FOR A CHINESE GARDEN, GIVEN THE
LINEAGE OF MINIATURE LANDSCAPES ?
IS A CHINESE GARDEN GLOBAL REPRESENTATION,
FIRST AND FOREMOST, A TOURISM ATTRACTION OR A
CULTURAL SANCTUARY, FOR EDUCATION AND
PRESERVATION ?