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Telling Their Own Stories to
                Themselves
                Nova Scotia Acadian Commemorative Celebrations in
                the 20th Century




                                             Caroline-Isabelle Caron
                                                 Queen’s University


Sunday, March 22, 2009
NS Acadians




Sunday, March 22, 2009
Compensating



                               for discrimination




Sunday, March 22, 2009
Compensating



                               for marginalization




Sunday, March 22, 2009
Compensating



                           for the horrors of the past




Sunday, March 22, 2009
Fonds Aline G. d’Entremont, 300th Anniversary Historical Pageant, 1951, Musée acadien et Archives, Pubnico




                  Acadian Bicentenial, Religious and Historical Pagents, Col. IV, Série D #222, #300, Centre Acadien, Université Sainte-Anne

Sunday, March 22, 2009
Commemoration of
                assertion



Sunday, March 22, 2009
Fonds Aline G. d’Entremont, 300th Anniversary Historical Pageant, 1951, Musée acadien et Archives, Pubnico




  Fonds Aline G. d’Entremont, Bicentenial Parade, 1955, Musée acadien et Archives, Pubnico

Sunday, March 22, 2009
Popular Participation



                         The community tells our story to ourselves




Sunday, March 22, 2009
Bicentenial Parade Onlookers, 1955, Images «Arichat» #10, Isle-Madame Historical Society

Sunday, March 22, 2009
Acadian Bicentenial, Historical Pageant Participants, Coll. IV, Série D #227, Centre Acadien, Université Sainte-Anne

Sunday, March 22, 2009
Fonds Aline G. d’Entremont, 300th Anniversary Historical Pageant, 1951, Musée acadien et Archives, Pubnico

Sunday, March 22, 2009
Fonds Aline G. d’Entremont, 300th Anniversary Historical Pageant, 1951, Musée acadien et Archives, Pubnico

Sunday, March 22, 2009
Commemoration as
                         community assertion



Sunday, March 22, 2009
Monument au Plantin, Acadian Bicentenial Celabrations, 1955, Coll. Photo #2, Société Saint-Pierre, Chéticamp

Sunday, March 22, 2009
Commemoration as
                         declaration of faith



Sunday, March 22, 2009
Procession, Acadian Bicentenial, 5 June1955, Coll. Photos #12, Société Saint-Pierre, Chéticamp

Sunday, March 22, 2009
Coll. IV, Série D #244, Centre Acadien, Université Sainte-Anne




                              Procession, 75th Anniversary, Saint-Joseph-du-Moine,1954, Coll. Photos #3, Société Saint-Pierre, Chéticamp

Sunday, March 22, 2009
‘Avoir l’air’ Acadien




Sunday, March 22, 2009
‘Evangeline’ movie poster, 1919, #2002-2, MAUM   Dolorès del Rio as ‘Evangeline’, 1929, #2000-22, MAUM


Sunday, March 22, 2009
Pilgrimage of the Louisiana Evangelines to Grand Pré, 1930, #79-24-30, MAUM


Sunday, March 22, 2009
Mary Harney       Coll. I, Série A #71, Div. 6, Centre Acadien, Université Sainte-Anne

Sunday, March 22, 2009
‘Traditional’ Costumes




            Bourgogne
                                                                       Bretagne

   MG9-CA-vX-b2-f15, #9, #14, Centre Acadien, Université Sainte-Anne

Sunday, March 22, 2009
Evangeline costume




                         Invented costume as ‘real’ costume

                              MG9-CA-vX-b2-f15, #6, Centre Acadien, Université Sainte-Anne

Sunday, March 22, 2009
Performing Acadia




Sunday, March 22, 2009
75th Anniversary, Saint-Joseph-du-Moine,1954, Coll. Photos #10, Société Saint-Pierre, Chéticamp

Sunday, March 22, 2009
Sunday, March 22, 2009
Evangeline and Gabriel, Clare Float, Bicentenial Parade at Yarmouth, 1955
Sunday, March 22, 2009
Bicentenial Parade, 1955, Images «Arichat» #9, Isle-Madame Historical Society

Sunday, March 22, 2009
Thank you


Sunday, March 22, 2009

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Telling Their Own Stories to Themselves

Notas do Editor

  1. 1604; Most immigration (NS) btw 1632-1669; Deportation, 1755-63 (10000-18000); Return to Maritimes; c1950: NS 10%, PEI 4%, NB 37%; today: 5%, 4%, 35% Clare, Argyle, Chéticamp, Isle Madame, Pomquet Still live and work in French (acadjonne)
  2. Setting the record straight Rhetoric of progress and Providence
  3. Self-promotion and comminuty consolidation Triple minority in NS: compare to general population, in overall Acadia, in Francophonie in Canada
  4. Reconciling with Traumatic history/dealing with the past/coming to terms with the past The past was good, not bad Golden Age (pre-1755)
  5. Representing local past and local victories, foundings and enterprise Representing the past how WE think it should be
  6. We still exist We will continue to exist
  7. We have won as often as we have lost Our nation/people endures
  8. Small communities (a few thousand residents each) organize events Events that are representational and performative Where several hundreds are involved in organisation and performance Nearly all others are in audience
  9. Participants are Us
  10. Participants anre family, friends, neighbours. Named and known. Near.
  11. Together
  12. We are modern, despite what is said of us. We progress together. We survive. We will survive. We have a history to be proud of.
  13. Faith in both senses of the word Faith in ourselves, we exist still, despite the past, discrimination and marginalisation
  14. Faith in Providence, with Its protection, as Providence wills.
  15. Mix of National and Religious symbols as iconic elements of community performances.
  16. Performing commemoration. Dressing the part, dressing like the past. Costume as visual icon
  17. Hollywood movies, 1919, 1929; extremely popular-> Dolorès del Rio costume
  18. 1930 pilgrimage Establishing the Acadian icon with the costume Quickly adopted by all Acadian women in the Maritimes
  19. Harney: 1955, Clare, knows movie costume is not authentic Research to propose traditional costumes for Clare parade
  20. ‘Traditional’ from regions of France where Acadian ancestors came from One costume per Clare village.
  21. Harney costumes rejected be population Rejected because not ‘real’ Rejected because Harney not part of community Evangeline costume for women; Gabriel costume for men
  22. Costume as icon Costume represents collectivity.In Clare and everywhere in Acadia
  23. By choosing Evangeline and Gabriel costumes, Acadians become the icon which, at a glance...
  24. ...indicates, represents and encapsulates all of Acadia...
  25. ...its whole history and mythos...
  26. ...They are the founding couple of the Acadian imaginary Adam and Eve of the Acadian mythos (Kasulo Ohta)