Lectura from the workshop "Time And Its Images", UPF, Barcelona, 2013. http://timeandimages.wordpress.com/

1. TIME AND ITS IMAGES
Fuzzy time and dislocated space in digital media
(Phd ongoing research)
Carles Sora
www.csora.cat
carles.sora@upf.edu

3. Minard graph of Napoleon’s march to Moscow 1812 - [Tufte, 1983]
Khronos projector [Casinelli, 2005]

4. Eduard Muybridge
Chronofotographie, 1878

6. Steina Vasulka, Bent Scans (2002)
Silf,1960 - Slit-scan

7. the fourth dimension, Zbig Rybczynsk, 1988

8. Bill Viola, The Tree of Knowledge,1997

9. Romy Achituv, 1997

10. Khronos projector, Alvaro Casinelli, 2005

11. The invisible Shape of Things Past, 1997
Joachim Sauter, Dirk Lüsebrink

12. Video Streamer
Elliott, Davenport, 1994

14. 1.1 Modernity and its crystallized time.
1.2 Spatial and temporal metaphors
1.3 Learning, language and cultural context of time
Henri Berson, Gilles Deleuze, Gaston Bachelard, Igor Prigogine, Steven Hawking, Albert Einstein, J.F.
Lyotard.
2. The movement in arts
Walter Benjamin, Eduard Cutting, Edward Tufte, Paul Virilio, Josep Mª Català, Jose Luís Brea, James Elkins
MAIN CHAPTERS

15. [Degas,1874 - Painting]
[Bush,1865 - Painting] [Duchamp,1865 - Painting] [Marey,1865 - Chronofotography - Biology]
[Silf,1960 - Slit-scan - Photography]
[Gondry -Bullet time,1995 - Cinema]
[Méliès,1874 - Timelapse - Cinema]
[Rybczynski,1988 - Cinema][Walitsky,1970 - Art]
[Utterback, 2001 - Art]
[Art+Com, 97 - Art][Christi, 97 - Art]
[Ängeslevä, 2002 - Art] [Cassinelli, 2005 - Art][Achituv, 1997 - Art]
[McCay,1867 - Painting]
[ Banvard,1848 - Moving Panorama]
[Griffith,1915 - Muntatge ]

16. 4. Film objects and space-time correlations in
interactive media
3. Artefacts and devices for a manipulative time.

17. 5. new media temporalities & Interface experiments
When will users apply their preminent time-arrow-model in gestural interactions?
Could the shape of the interface interfere in the users time models?

18. 9 trials with left-right direction: 70%
3 trials with right -left: 23%
1 diagonal 7%

19. 6 trials with clockwise direction: 60%
2 trial with anticlockwise direction: 20%
1 trials with left-right direction: 10%
1 vertical top-bottom direction: 10%